The Cider House Rules (94 page)

Read The Cider House Rules Online

Authors: John Irving

BOOK: The Cider House Rules
3.3Mb size Format: txt, pdf, ePub

Owen was so tiny, we loved to pick him up; in truth, we couldn’t resist picking him up. We thought it was a miracle: how little he weighed. This was also incongruous because Owen came from a family in the granite business. The Meany Granite Quarry was a big place, the equipment for blasting and cutting the granite slabs was heavy and dangerous-looking; granite itself is such a rough, substantial rock. But the only aura of the granite quarry that clung to Owen was the granular dust, the gray powder that sprang off his clothes whenever we lifted him up. He was the color of a gravestone; light was both absorbed and reflected by his skin, as with a pearl, so that he appeared translucent at times—especially at his temples, where his blue veins showed through his skin (as though, in addition to his extraordinary size, there were other evidence that he was born too soon).

His vocal cords had not developed fully, or else his voice had been injured by the rock dust of his family’s business. Maybe he had larynx damage, or a destroyed trachea; maybe he’d been hit in the throat by a chunk of granite. To be heard at all, Owen had to shout through his nose.

Yet he was dear to us—“a little doll,” the girls called him, while he squirmed to get away from them; and from all of us.

I don’t remember how our game of lifting Owen began.

This was Christ Church, the Episcopal Church of Gravesend, New Hampshire. Our Sunday school teacher was a strained, unhappy-looking woman named Mrs. Walker. We thought this name suited her because her method of teaching involved a lot of walking out of class. Mrs. Walker would read us an instructive passage from the Bible. She would then ask us to think seriously about what we had heard—“Silently and seriously, that’s how I want you to think!” she would say. “I’m going to leave you alone with your thoughts, now,” she would tell us ominously—as if our thoughts were capable of driving us over the edge. “I want you to think
very
hard,” Mrs. Walker would say. Then she’d walk out on us. I think she was a smoker, and she couldn’t allow herself to smoke in front of us. “When I come back,” she’d say, “we’ll talk about it.”

By the time she came back, of course, we’d forgotten everything about whatever
it
was—because as soon as she left the room, we would fool around with a frenzy. Because being alone with our thoughts was no fun, we would pick up Owen Meany and pass him back and forth, overhead. We managed this while remaining seated in our chairs—that was the challenge of the game. Someone—I forget who started it—would get up, seize Owen, sit back down with him, pass him to the next person, who would pass him on, and so forth. The girls were included in this game; some of the girls were the most enthusiastic about it. Everyone could lift up Owen. We were very careful; we never dropped him. His shirt might become a little rumpled. His necktie was so long, Owen tucked it into his trousers—or else it would have hung to his knees—and his necktie often came untucked; sometimes his change would fall out (in our faces). We always gave him his money back.

If he had his baseball cards with him, they, too, would fall out of his pockets. This made him cross because the cards were alphabetized, or ordered under another system—all the infielders together, maybe. We didn’t know what the system was, but obviously Owen had a system, because when Mrs. Walker came back to the room—when Owen returned to his chair and we passed his nickels and dimes and his baseball cards back to him—he would sit shuffling through the cards with a grim, silent fury.

He was not a good baseball player, but he did have a very small strike zone and as a consequence he was often used as a pinch hitter—not because he ever hit the ball with any authority (in fact, he was instructed never to swing at the ball), but because he could be relied upon to earn a walk, a base on balls. In Little League games he resented this exploitation and once refused to come to bat unless he was allowed to swing at the pitches. But there was no bat small enough for him to swing that didn’t hurl his tiny body after it—that didn’t thump him on the back and knock him out of the batter’s box and flat upon the ground. So, after the humiliation of swinging at a few pitches, and missing them, and whacking himself off his feet, Owen Meany selected that
other
humiliation of standing motionless and crouched at home plate while the pitcher
aimed
the ball at Owen’s strike zone—and missed it, almost every time.

Yet Owen loved his baseball cards—and, for some reason, he clearly loved the game of baseball itself, although the game was cruel to him. Opposing pitchers would threaten him. They’d tell him that if he didn’t swing at their pitches, they’d hit him with the ball. “Your head’s bigger than your strike zone, pal,” one pitcher told him. So Owen Meany made his way to first base after being struck by pitches, too.

Once on base, he was a star. No one could run the bases like Owen. If our team could stay at bat long enough, Owen Meany could steal home. He was used as a pinch runner in the late innings, too; pinch runner and pinch hitter Meany—pinch
walker
Meany, we called him. In the field, he was hopeless. He was afraid of the ball; he shut his eyes when it came anywhere near him. And if by some miracle he managed to catch it, he couldn’t throw it; his hand was too small to get a good grip. But he was no ordinary complainer; if he was self-pitying, his voice was so original in its expression of complaint that he managed to make whining lovable.

In Sunday school, when we held Owen up in the air—especially, in the air!—he protested so uniquely. We tortured him, I think, in order to hear his voice; I used to think his voice came from another planet. Now I’m convinced it was a voice not entirely of this world.

“PUT ME DOWN!” he would say in a strangled, emphatic falsetto. “CUT IT OUT! I DON’T WANT TO DO THIS ANYMORE. ENOUGH IS ENOUGH. PUT ME DOWN! YOU ASSHOLES!”

But we just passed him around and around. He grew more fatalistic about it, each time. His body was rigid; he wouldn’t struggle. Once we had him in the air, he folded his arms defiantly on his chest; he scowled at the ceiling. Sometimes Owen grabbed hold of his chair the instant Mrs. Walker left the room; he’d cling like a bird to a swing in its cage, but he was easy to dislodge because he was ticklish. A girl named Sukey Swift was especially deft at tickling Owen; instantly, his arms and legs would stick straight out and we’d have him up in the air again.

“NO TICKLING!” he’d say, but the rules to this game were
our
rules. We never listened to Owen.

Inevitably, Mrs. Walker would return to the room when Owen was in the air. Given the biblical nature of her instructions to us: “to think
very
hard . . .” she might have imagined that by a supreme act of our combined and hardest thoughts we had succeeded in levitating Owen Meany. She might have had the wit to suspect that Owen was reaching toward heaven as a direct result of leaving us alone with our thoughts.

But Mrs. Walker’s response was always the same—brutish and unimaginative and incredibly dense. “Owen!” she would snap. “Owen Meany, you get back to your seat! You get
down
from up there!”

What could Mrs. Walker teach us about the Bible if she was stupid enough to think that Owen Meany had put himself up in the air?

Owen was always dignified about it. He never said, “
THEY
DID IT! THEY
ALWAYS
DO IT! THEY PICK ME UP AND LOSE MY MONEY AND MESS UP MY BASEBALL CARDS—AND THEY
NEVER
PUT ME DOWN WHEN I ASK THEM TO! WHAT DO YOU THINK, THAT I
FLEW
UP HERE?”

But although Owen would complain to us, he would never complain about us. If he was occasionally capable of being a stoic in the air, he was always a stoic when Mrs. Walker accused him of childish behavior. He would never accuse us. Owen was no rat. As vividly as any number of the stories in the Bible, Owen Meany showed us what a martyr was.

It appeared there were no hard feelings. Although we saved our most ritualized attacks on him for Sunday school, we also lifted him up at other times—more spontaneously. Once someone hooked him by his collar to a coat tree in the elementary school auditorium; even then, even there, Owen didn’t struggle. He dangled silently, and waited for someone to unhook him and put him down. And after gym class, someone hung him in his locker and shut the door. “NOT FUNNY! NOT FUNNY!” he called, and called, until someone must have agreed with him and freed him from the company of his jockstrap—the size of a slingshot.

How could I have known that Owen was a hero?

Have you read?

 

More from John Irving

SETTING FREE THE BEARS

It is 1967 and two Viennese university students want to liberate the Vienna Zoo, as was done after World War II. But their good intentions have both comic and gruesome consequences, in this first novel written by a twenty-five-year-old John Irving, already a master storyteller.

THE WATER-METHOD MAN

The main character of John Irving’s second novel, written when the author was twenty-nine, is a perpetual graduate student with a birth defect in his urinary tract—and a man on the threshold of committing himself to a second marriage that bears remarkable resemblance to his first. . . .

“Three or four times as funny as most novels.”

—The New Yorker

THE 158-POUND MARRIAGE

The darker vision and sexual ambiguities of this erotic, ironic tale about a ménage à quatre in a New England university town foreshadow those of
The World According to Garp
; but this very trim and precise novel is a marked departure from the author’s generally robust, boisterous style. Though Mr. Irving’s cool eye spares none of his foursome, he writes with genuine compassion for the sexual tests and illusions they perpetrate on one another; but the sexual intrigue among them demonstrates how even the kind can be ungenerous, and even the well intentioned, destructive.

“Irving looks cunningly beyond the eye-catching gyrations of the mating dance to the morning-after implications.”

—Washington Post

THE WORLD ACCORDING TO GARP

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

“The most powerful and profound novel about women written by a man in our generation. . . . Like all extraordinary books,
Garp
defies synopsis. . . . A marvelous, important, permanent novel by a serious artist of remarkable powers.”

—Chicago Sun-Times

THE HOTEL NEW HAMPSHIRE

“The first of my father’s illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.” So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the myriad strange and wonderful times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they “dream on” in a funny, sad, outrageous, and moving novel.

“A hectic, gaudy saga with the verve of a Marx Brothers movie.”

—New York Times Book Review

A PRAYER FOR OWEN MEANY

In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy’s mother. The boy who hits the ball doesn’t believe in accidents; Owen Meany believes he is God’s instrument. What happens to Owen after that 1953 foul ball is extraordinary.

“A remarkable novel . . . a rare creation.”

—Stephen King,
Washington Post

TRYING TO SAVE PIGGY SNEED

Here is a treat for John Irving addicts and a perfect introduction to his work for the uninitiated. To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with an homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.

“Hilarious. Highly enjoyable stories with zany plots and unforgettable characters, made all the more readable by Irving’s silky smooth prose.”

—The Independent

A SON OF THE CIRCUS

“Dr. Farrokh Daruwalla, reared in Bombay by maverick foes of tradition, educated in Vienna, married to an Austrian and long a resident of Toronto, is a fifty-nine-year-old without a country, culture or religion to call his own. . . . The novel may not be ‘about’ India, but Irving’s imagined India, which Daruwalla visits periodically, is a remarkable achievement—a pandemonium of servants and clubmen, dwarf clowns and transvestite whores, missionaries and movie stars. This is a land of energetic colliding egos, of modern media clashing with ancient cultures, of broken sexual boundaries.”

Other books

Entrelazados by Gena Showalter
Desire by Sam Crescent
Querida Susi, Querido Paul by Christine Nöstlinger
Vengeance by Megan Miranda
The Genesis Project by Tigris Eden
Calculated Revenge by Jill Elizabeth Nelson
Cut by Emily Duvall
Black Legion: 05 - Sea of Fire by Michael G. Thomas