The City When It Rains (3 page)

CHAPTER
THREE

O
N THE WAY BACK
to his apartment, Corman stopped off at Smith's Bar on Eighth Avenue. The usual customers had already assumed their usual places, and from his own seat at the end of the bar he could follow the action as closely as he liked. For a time, he'd thought of doing some sort of photographic study of the burned-out cases who hung around late at night, retired cops, street hustlers, drifters, vagrants, barflies, the usual spillover from the slum hotels. They had hard, weathered faces, but in pictures that only made them look like characters from central casting, actors in some docudrama about the wretched of the earth. Through the generations, they'd been gone over by the best of them. The illustrators of the old city had done them in woodcuts, charcoal, and after the illustrators, legions of shooters had poured into the slums, shantytowns and ghettos. He'd gone over hundreds of their pictures for his book, everything from the groggeries of the Five Points to the murderous alleyways of the Old Brewery. He'd seen children buried waist-high in garbage heaps, piles of women sleeping in open wagons, swollen bodies left for days in unlit corridors and abandoned airshafts.

“What'll you have, Corman?” Mike asked as he wiped the bar and put down the little paper mat. “The usual?”

“Yeah.”

Mike smiled, poured the shot of J&B. “How you been?”

“Okay.”

“Long night?”

“A jumper,” Corman said. He downed the shot, glanced to the left. A nearly bald, middle-aged man was whispering vehemently to himself, his hand pressed against his face.

“Been like that all night,” Mike said, “Somebody must have opened up one of those fruit bins upstate, let 'em loose.”

Corman took out a cigarette and lit it. “They used to put them on a boat,” he said idly. “Then they just sent them drifting down the river. You know, the ship of fools.”

Mike chuckled. “Put them on a boat, huh? Where was this, Poughkeepsie?”

Suddenly, the bald man peeped out from behind his own hand. “Animal cages have been recommended,” he blurted loudly in a high, staccato voice. Then he fled back behind his tightly closed fingers and began giggling wildly.

Mike shook his head, picked up a glass and began polishing it. “You remember that redhead in here couple nights ago?”

Corman didn't.

“Flaming red hair,” Mike added. “Big hooters.”

Corman saw her now, the long red hair dangling from her shoulders, the way she plucked at her lower lip while Mike did his best number on her, the one about his days as a big band singer.

Mike winked. “One of Mike's Girls now,” he said. “Number one sixty-two.” He laughed. “I told her so. After, I mean. While we were both having a smoke. About the count. She thought it was funny.” He shrugged. “Least it didn't bother her.”

Corman glanced at the empty glass. “One more.”

Mike was still pouring it when the bald man shot his face out from behind his hand again.

“Elephant-size capacity,” he said loudly, then swiftly retreated behind his hand.

“He means cages, I guess,” Mike said. “The ones they recommended.” He filled Corman's glass, chuckled to himself. “Yeah, she laughed when I told her, the redhead. A real good sport, you know?” He shook his head. “If it weren't for the ladies, what would life be, huh?” He was probably in his early fifties, but well kept, With slick black hair and an aging matinee idol face. His eyes were light blue, and Corman could easily imagine them as two small cold lights in the afterglow of passion, distant, calculating, already looking for the next hit.

“She was a real dish, I'll say that for her,” Mike said. “Definitely worth the strokes.”

Corman's mind shifted to the jumper, her wet, glistening skin. “Did you ever see a woman around here?” he asked. “Skinny, carrying a doll in a blanket?”

Mike took up another glass and began polishing it while the younger bartender worked the other half of the bar. “Don't sound like one of Mike's Girls,” he said.

“The jumper only lived a few blocks from here,” Corman said. “I thought you might have seen her pass the window.”

Mike shook his head. “Just sounds like another escapee from Looneyville, you ask me.”

“Maybe,” Corman said. He thought of the empty cans of Similac, the white stains around the doll's mouth, and regretted he hadn't gotten closer to them, concentrated on the way the rain had frothed them out from the rubbery pink lips.

Back at the apartment, Corman pulled out the sleeper sofa and prepared to bed down, as he always did, in the middle of the living room. It was an old sofa, dark green and rather soiled. It was the first thing he and Lexie had bought after getting married, and each time he pulled it out, something of those vanished days swept over him in a soft invisible tide.

Someone knocked at the door just as he was about to undress. He walked to the door and opened it.

Mrs. Donaldson stood in the doorway, erect as her aging bones could keep her. She was a large woman with an almost perfectly round head. Her white hair shone like an aura around her pink face. I It gave her a strangely unreal look, as if she were someone's fairy godmother and could change things with a wand.

“I was wondering if you were home yet,” she said. There was a faintly accusatory edge in her voice, which made Corman uncomfortable. It was in her eyes too, and it made him see himself as he thought she saw him, aloof, roguish, a man who could ditch his children whenever the mood struck him.

“I came home earlier,” he told her. “But then I had to go out again. I had a shoot.”

“Lucy was here alone,” Mrs. Donaldson said.

“She has to be, sometimes.”

Mrs. Donaldson eyed him pointedly. “There've been a few break-ins, you know,” she said.

“There're always a few break-ins.”

“On the third floor,” Mrs. Donaldson added significantly. “Just under us. Mr. Baxter's apartment. They got everything. Even his humidifier. He has asthma. He needs his humidifier.”

Corman said nothing. The edginess was creeping up his back like a line of tiny insects.

Mrs. Donaldson frowned slightly. “And what if Lucy was alone at a time like that? You know, they might … abuse her.”

“I don't have a choice,” Corman said. His voice sounded lame, weak, as if he should have arranged his life to have the very choices that were beyond him now. He hardened it a little. “I do the best I can.”

Mrs. Donaldson looked slightly offended, as if she'd been rudely dealt with. “It's just with all the break-ins, I …”

“Would you like a cup of coffee?” Corman asked, trying to make amends.

“No, thank you,” Mrs. Donaldson said. She smiled thinly. “Say hello to Lucy for me.”

“I will,” Corman said. “Good night.” He forced the smile again as he closed the door. It felt like a wet string clinging to his lips.

For the next few hours Corman tossed about, then decided to get up and do some of his work. It was useless for him to try to make his body sleep when his mind wasn't in the mood.

He walked to the small closet near the bathroom he'd converted to a darkroom five years before. It was a tiny space, barely large enough for his trays and chemicals, but it was adequate nonetheless, and its feeling of highly concentrated space gave a physical sense of intensity that went well with the scores of pictures he'd strung on lines or thumb-tacked to the sheet of cork he'd nailed to the left wall of the room.

Once the door was tightly closed, he took out the rolls of film he'd shot during the day, then went through the routine of developing the long strips of negatives onto contact paper. Meticulously, he mixed the chemicals, pouring the various liquids into their separate trays. Then he looked at each individual shot, trying to decide which to keep, which to throw away. He'd hoped to sell a few of them to one of the city-wide dailies. Failing that, he'd have to concentrate on the weeklies scattered around the outer boroughs. The rest of the pictures had no value as news shots. They were for himself, photographs of street life he vaguely thought of as evidence he was slowly accumulating for some great trial that was yet to come. They were always black-and-white, always centered around people. He stayed away from things that had lost their human scale: towering buildings, bridges, monuments. He thought of them as accidents of science or engineering, impermanent, tentative creations. It was part of what he'd truly learned from Lazar, never to shoot higher than a human face. And so he shot people in alleys, subways, taxis; people eating, rushing away; people together or apart, connected or adrift; people who rescued children from cars, rivers, fires, or threw them out of windows, as the witness had told Lang, “like trash.”

From the contact sheets, he selected a few pictures worth printing, dipped them in the bath and watched as the images rose from the blank white of the paper in that odd, ghostly way that still struck him as miraculous.

When the first print was complete, he lifted it from the liquid, strung it on the line, then stared at it silently. It was one of the pictures he'd taken of the doll, a close-up of the face, its hooded eyes lifted upward, the long black eyelashes beaten back against the half-closed lids by the falling rain. There was no doubt about it, as a photograph it had tremendous symbol potential. The painted eyes glistened brightly in the street light. Huge droplets gathered in their corners like swollen tears. Tragic ironies spilled over both sides of the wet, rubber face and gathered in pools along the pitted street. It was a picture he'd seen a thousand times, a doll lying among the ruins of a still smoldering house or circling slowly in the flood waters that had engulfed the town. He knew Pike would drool over it, perhaps pay as much as fifty dollars.

CHAPTER
FOUR

L
UCY WAS ALREADY
completely dressed and staring down at him when Corman's eyes opened the next morning. He'd finally nodded off in the chair by the window, his head slumped forward, hands curled together in his lap.

“Your mouth was open,” Lucy said. “It looked funny.”

Corman stood up, stretched, rolled his shoulders. “Did you eat yet?”

“Corn flakes,” Lucy said. “The milk had that taste. You know, sour. So I had water.”

“With corn flakes?”

“Yes.”

Corman groaned.

“It doesn't matter,” Lucy told him. She glanced at the photo-graph which still remained in Corman's hand. “What's that?”

“Just a picture I printed last night,” Corman said.

“A doll,” she said, almost to herself. Two small creases spread across her forehead as she continued to stare at the picture. It was as if she were studying it from separate angles, tasting, smelling, feeling it, all her senses sending out their wires. “It makes you feel funny,” Lucy said as she handed it back to him.

Corman nodded, got up and headed toward the bathroom. “I'll be ready in a minute.”

They were on the street a short time later. Lucy walked beside him, her bookbag strapped to her back like a camper. She tucked her hand beneath his arm, as if he were escorting her. It was a gesture she'd developed not long after Lexie's departure, and Corman saw it as a way she'd devised to give him the feel of having a woman in his life, someone on his arm, rather than clinging, however sweetly, to his hand.

“Maybe we'll go to the movies this weekend,” he said. “What do you want to see?”

The idea didn't seem to excite her.

“I'd rather go ice skating,” she said.

“I don't skate.”

“You never do anything like that.”

She was still complaining about it, mumbling darkly under her breath, as they continued toward the tall wrought-iron gate of the school.

“I'll try to be home by six or so,” Corman told her. “Mrs. Donaldson will be with you until then.”

“Are you going out with Joanna tonight?”

“Yeah.”

“What are you doing today?”