Authors: Ian Tregillis
The Coldest War
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For Melinda, confidant and co-conspirator
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Acknowledgments
The Milkweed books would still be nothing more than an idea in the back of my head if not for my friends and colleagues in the New Mexico Critical Mass Workshop: Daniel Abraham, Terry England, Ty Franck, Ed Khmara, Emily Mah, George R. R. Martin, Vic Milán, Melinda M. Snodgrass, Jan Stirling, S. M. Stirling, Sage Walker, and Walter Jon Williams.
Thanks also to Michael Cassutt, for sharing his knowledge of the Soviet space program; S. C. Butler and Char Peery, Ph.D., for critical reading; Felix Dorsch, Andrew Miller, Leonid Korogodski, B. K. Dunn, and Ed Khmara (again) for translations; Michael Prevett, for smart questions; Eliani Torres, for copyediting.
My marvelous agent, Kay McCauley, championed this project (and me) from the beginning. Thank you, Kay.
Last but certainly not least, heartfelt thanks to my editor, Claire Eddy, whose diligence and compassion have been nothing short of inspirational.
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Contents
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Mankind is a rope tied between beast and supermanâa rope over an abyss.
âFriedrich Nietzsche
Live with your century but do not be its creature.
âFriedrich Schiller
Thou shalt not suffer a witch to live.
âExodus 22:18 (KJV)
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prologue
24 April 1963
Forest of Dean, Gloucestershire, England
Warlocks do not age gracefully.
Viktor Sokolov had drawn this conclusion after meeting several warlocks. Now he watched a fourth man from afar, and what he saw supported his conclusion. Age and ruin lay heavy over the figure who emerged from the dilapidated cottage in the distant clearing. The old man hobbled toward a hand pump, an empty pail hanging from the crook of his shriveled arm. Viktor adjusted the focus on his binoculars.
No. Not gracefully at all. Viktor had met one fellow whose skin was riddled by pockmarks; yet another had burn scars across half his face. The least disfigured had lost an ear, and the eye on that side was a sunken, rheumy marble. These men had paid a steep price for the wicked knowledge they carried. Paid it willingly.
This new fellow fit the pattern. But Viktor wouldn't know for certain if he had found the right person until he could get a closer look at the old man's hands. Better to do that in private. He slid the binoculars back into the leather case at his waist, careful not to rustle the mound of bluebells that concealed him.
The clearing was quiet except for the squeaking of rusted metal as the old man labored at the pump, a narrow pipe caked in flaking blue paint. But that noise felt muted somehow, as though suffocated by a thick silence. Viktor hadn't heard or seen a single bird in the hours he'd lain here; even sunrise had come and gone without a peep of birdsong. A breeze drifted across his hiding spot in the underbrush, carrying with it the earthy scents of the forest and the latrine stink of the old man's privy. But the breeze dissipated, as though reluctant to linger among the gnarled oaks.
The old man hobbled back to the cottage. His palsied gait sent water slopping over the brim of the pail. It muddied the path between the cottage and the well.
Wooden shingles rattled when the man slammed the door. Viktor didn't need binoculars to see how the roof sagged. This had likely thrown the doorframe out of true; the single window had probably been stuck closed for years. Sprigs of purple wildflowers poked out of gaps in the shingles here and there, alongside bunches of green and yellow moss.
Raindrops pattered through the trees. Just a sprinkle at first, but it swelled into a persistent drizzle. The cold English rain didn't bother Viktor. He was a patient man.
Another hour passed while Viktor, unconcerned by inclement weather, convinced himself that he and the old man were alone. Satisfied their meeting would be undisturbed; he decided it was time to introduce himself. A dull ache throbbed through his arms and neck; the joints in his knees cracked as he unlimbered himself from his blind.
He strode to the cottage with rainwater trickling through his hair and down his collar. The cottage rattled again when Viktor knocked on the door, three quick raps with his fist. The man inside responded with a startled oath. Like the others, he guarded his solitude jealously, and discouraged visitors.
The creak of a wooden chair and shambling footsteps sounded from within. The door groaned open a moment later.
“Sod off,” said the old man. His voice carried an unpleasant rasp, as though the soft tissues of his throat had been damaged by years of abuse. He made to slam the door again, but Viktor caught it and held it open.
“Mr. Shapley?” he said in his best Midlands accent. He offered his free hand, but the old man ignored the gesture.
“This is private property. Go away.”
“I will in a moment. But first, are you Mr. Shapley?”
“Yes. Now piss off.” Shapley tried the door again.
Viktor said, “Not yet,” then forced his way in.
Shapley backed away, bumping against an aluminum washbasin. “Who are you?”
Viktor shut the door behind him. It was dark inside the cottage, with mustard-colored light leaking through the dingy window. He crossed the room and grabbed the old man's arm. He towered over Shapley, inspecting first his good hand, followed by the crippled hand.
“What are you doing? Let me go.” The old man struggled feebly.
A network of fine white scars crisscrossed the palm of the crippled hand. That clinched it: This man
was
a warlock. Viktor's informant, whoever he or she was, had been right again.
“Excellent,” said Viktor. He relinquished his hold on the other man.
“Look,” said Shapley. “If you've come from Whitehall, I'm notâ”
“Shhh,” said Viktor, with a finger to his lips. “Stand still, please.”
And then he opened that locked compartment in his mind, and called upon the battery at his waist. A subtle alteration to the voltages in his brain pulled a trickle of current along the subcutaneous electrical pathways embedded along his back, neck, and skull. It energized that potential the Nazis had called the
Willenskräfte:
sheer, undiluted human willpower. A supreme ability with which the Third Reich could have conquered the world.
And they would have, too, if not for the warlocks.
Viktor dematerialized. He reached into Shapley's chest. Shapley screamed. But by then Viktor had his fingers wrapped around the old man's heart. He massaged it gently, confounding the muscle's natural rhythm until Shapley's nervous system panicked itself into fibrillation. The wide-eyed warlock flailed at Viktor, trying to push him away, but his blows passed harmlessly through Viktor's ghost body. Only Viktor's fingertips, locked around the old man's failing heart, had any substance.
They stood in that awkward posture until Viktor felt the final spasms of cardiac arrest. Then he released the warlock, rematerialized, and cleaned his hand on the kerchief in his jacket pocket. The floorboards gave a hollow thump when Shapley collapsed at Viktor's feet.
It would have been much simpler just to shoot the man from a distance. But that would have left evidence. Viktor would take care to ensure there was enough left of Shapley's remains on which to perform a proper autopsy; in the unlikely event that somebody took an interest in the old man's death, they would find that the poor fellow had died of natural causes.
Viktor stepped over the dead man and inspected the cottage. The single room had been crudely divided into two spaces via a wool blanket hung on a clothesline. Pulling the blanket aside revealed a cot and bed stand strewn with a handful of personal items. A watch, a comb, a few coins. A kerosene lamp hung from a nail in the far wall. A squat, cast-iron wood-burning stove occupied one corner of the cottage, alongside the washbasin. The only other pieces of furniture were the chair and table in the center of the room, and the rough-hewn bookcase propped against one wall.
The dead man had owned few books, but he had used them extensively: a dog-eared natural history of the Lake District; a few heavily annotated treatises on Old and Middle English; and Shirer's
Rise and Fall of the Third Reich
. Most of that was pristine, though the sections covering 1940 to 1942 were scribbled with extensive marginalia.
A lacquered mahogany case not much larger than a deck of playing cards caught his attention. Even under a thick layer of dust, it was still the finest thing in this sad little hovel. Viktor opened it. Inside the case, a six-pointed bronze star rested on a bed of crimson velvet. The 1939â1942 Star. An inscription inside the lid stated,
F
OR
EXEMPLARY
SERVICE
AND
VALOR
IN
THE
DEFENCE
OF
THE
U
NITED
K
INGDOM
OF
G
REAT
B
RITAIN
AND
N
ORTHERN
I
RELAND.
Which was probably true as far as it went, Viktor mused, if a bit misleading. Most of these medals had gone to the few handfuls of pilots who had weathered the disastrous Battle of Britain, or the minuscule number of soldiers who had survived the tragedy at Dunkirk.⦠Britain had indulged in a bit of historical revisionism in the decades since the war. It had distorted the narrative, adopted a fiction that assuaged its wounded national pride and gave meaning to its incomprehensibleâand improbableâsurvival.
Shapley had been no soldier, no sailor, no pilot. He'd probably never handled a gun in his life. He and his colleagues had wielded something much more potent. Much more dangerous.
Any evidence of which was conspicuously absent from Shapley's belongings. Viktor glanced around the room again, then turned his attention to where the old man had fallen. One of the gaps between the floorboards was slightly wider than the rest, perhaps just wide enough for a finger. He dragged the dead warlock aside, then opened the hatch.
The compartment under the floor contained several leather-bound journals along with one yellowed, wire-bound sheaf of paper. These were the warlock's personal notebooks, and his lexicon: the record of that chthonic language with which warlocks could summon demons and subvert the natural order of things.
Viktor set the journals and the lexicon on the table. Next, he took the kerosene lamp and arranged Shapely's body as though the old man had suffered a heart attack while lighting it. The key thing was that the death looked natural. Then he embraced his
,
his “willpower,” again. But he invoked a different manifestation this time, choosing heat rather than insubstantiality. Tongues of fire erupted from the floor next to the lamp, near Shapley's body. Viktor shaped the flames with his mind, sculpting the inevitable conclusion that any investigators would draw.