Read The Collected Autobiographies of Maya Angelou Online
Authors: Maya Angelou
I didn’t think. I didn’t have to. I said, “Well, maybe I will try it. I don’t know how it will turn out, but I can try.”
Grandmother Henderson’s voice was in my ear: “Nothing beats a trial but a failure.”
“Well, if you’d like to write forty or fifty pages and send them to me, we can see if I can get a contract for you. When do you think you can start?”
I said, “I’ll start tomorrow.”
Rosa and Dolly and I traveled to Stockton to spend a last weekend with my mother before returning to New York.
She cooked and laughed and drank and told stories and generally pranced around her pretty house, proud of me, proud of herself, proud of Dolly and Rosa.
She said black women are so special. Few men of any color and even fewer white women can deal with how fabulous we are.
“Girls, I’m proud of you.”
In the early morning, I took my yellow pad and ballpoint pen and sat down at my mother’s kitchen table.
I thought about black women and wondered how we got to be the way we were. In our country, white men were always in superior positions; after them came white women, then black men, then black women, who were historically on the bottom stratum.
How did it happen that we could nurse a nation of strangers, be maids to multitudes of people who scorned us, and still walk with some majesty and stand with a degree of pride?
I thought of human beings, as far back as I had read, of our deeds and didoes. According to some scientists, we were born to forever crawl in swamps, but for some not yet explained reason, we decided to stand erect and, despite gravity’s pull and push, to remain standing. We, carnivorous beings, decided not to eat our brothers and sisters but to try to respect them. And further, to try to love them.
Some of us loved the martial songs, red blood flowing and the screams of the dying on battlefields.
And some naturally bellicose creatures decided to lay down our swords and shields and to try to study war no more.
Some of us heard the singing of angels, harmonies in a heavenly choir, or at least the music of the spheres.
We had come so far from where we started, and weren’t nearly approaching where we had to be, but we were on the road to becoming better.
I thought if I wrote a book, I would have to examine the quality in the human spirit that continues to rise despite the slings and arrows of outrageous fortune.
Rise out of physical pain and the psychological cruelties.
Rise from being victims of rape and abuse and abandonment to the determination to be no victim of any kind.
Rise and be prepared to move on and ever on.
I remembered a children’s poem from my mute days in Arkansas that seemed to say however low you perceive me now, I am headed for higher ground.
I wrote the first line in the book, which would become
I Know Why the Caged Bird Sings
.
“What you looking at me for. I didn’t come to stay.”
T
HE
M
ODERN
L
IBRARY
E
DITORIAL
B
OARD
Maya Angelou
•
A. S. Byatt
•
Caleb Carr
•
Christopher Cerf
•
Ron Chernow
•
Shelby Foote
•
Charles Frazier
•
Vartan Gregorian
•
Richard Howard
•
Charles Johnson
•
Jon Krakauer
•
Edmund Morris
•
Azar Nafisi
•
Joyce Carol Oates
•
Elaine Pagels
•
John Richardson
•
Salman Rushdie
•
Oliver Sacks
•
Arthur M. Schlesinger, Jr.
•
Carolyn See
•
William Styron
•
Gore Vidal
This collection gratefully acknowledges the gifts
of all
of my ancestors. It is dedicated to my great-grandchildren
,
C
AYLIN
N
ICOLE
J
OHNSON
and
B
RANDON
B
AILEY
J
OHNSON
.
E
SSAYS
Wouldn’t Take Nothing for My Journey Now
Even the Stars Look Lonesome
P
OETRY
Just Give Me a Cool Drink of Water ’Fore I Diiie
Oh Pray My Wings Are Gonna Fit Me Well
And Still I Rise
Shaker, Why Don’t You Sing?
I Shall Not Be Moved
On the Pulse of Morning
Phenomenal Woman
The Complete Collected Poems of Maya Angelou
A Brave and Startling Truth
C
HILDREN’S
B
OOKS
My Painted House, My Friendly Chicken, and Me
Kofi and His Magic
P
ICTURE
B
OOKS
Now Sheba Sings the Song
Life Doesn’t Frighten Me
Poet, writer, performer, teacher, and director M
AYA
A
NGELOU
was raised in Stamps, Arkansas, and later moved to San Francisco. In addition to her bestselling autobiographies, beginning with
I Know Why the Caged Bird Sings
, she has also written five poetry collections, including
I Shall Not Be Moved
and
Shaker, Why Don’t You Sing?
, as well as the celebrated poem “On the Pulse of Morning,” which she read at the inauguration of President William Jefferson Clinton, and “A Brave and Startling Truth,” written at the request of the United Nations and read at its fiftieth anniversary. She lives in Winston-Salem, North Carolina.
P
ERMISSIONS
A
CKNOWLEDGMENTS
Grateful acknowledgment is made to the following for permission to reprint previously published material:
Chappell & Co. Inc.:
Eight lines from “Street Song” by George Gershwin and three lines from “There’s a Boat Dat’s Leavin’ Soon for New York” by George Gershwin, copyright © 1935 by Gershwin Publishing Corp. Copyright renewed. All rights reserved. International copyright secured. Reprinted by permission.
Harper & R
oto
Publishers, Inc.:
Excerpt from “For a Lady I Know” from
On These I Standby
Countee Cullen, copyright © 1925 by Harper & Row Publishers, Inc., and copyright renewed 1953 by Ida M. Cullen. Reprinted by permission.
MCA Music, a division of MCA, Inc.:
Excerpt from “If You’re a Viper” by Rosetta Howard, Horace Malcolm, and Herbert Moran, copyright © 1938 by MCA Music, a division of MCA, Inc. Copyright renewed and assigned to MCA Music, a division of MCA, Inc. All rights reserved. Reprinted by permission.
Northern Music Company.-lLxcer’pt
from “Stone Cold Dead in the Market (He Had It Coming),” words and music by Wilmoth Houdini. Copyright © 1945, 1946 by Northern Music Company. All rights reserved. Reprinted by permission.