![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | "Channel Firing," 545
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | "Chapel in Lyonesse, The," 499
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | Chapman, George (1559?-1634), 162-163, 166-168, 172, 647
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | Work:
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | Ovid's Banquet of Sense , 162, 166-167, 172
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | "Charge of the Light Brigade, The," 139
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | Chatterton, Thomas (1752-1770), 115, 385, 411
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | Chaucer, Geoffrey (1343?-1400), 55-79, 647;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and Giovanni Boccacio, 64, 72-75, 78;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | characterization in work of, 69-70, 74-79;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | contemporary attitude toward, 56-57, 62-63;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | critical reception of, 55-56;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and Dante Alighieri, 64-65, 69-70, 75-76;
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