![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and Sir John Betjeman, 118;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and book design, 137-138, 150;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | cinematic method of, 571;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | concerns of, 554, 569-576;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | imagery of, 569-570, 574;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and Imagism, 540;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | influence of, 551, 629;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | influences on, 523;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | language of, 572;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | and Modernism, 532, 569;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | on poetry, 380, 523, 526, 540-541, 603, 608;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | religious themes of, 554, 572-573;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | rhythms of, 57, 2;
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![](/files/05/79/44/f057944/public/442bb055992def8db2ce8ec42148348a.gif) | style of, 574, 576;
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