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Authors: David Malouf

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BOOK: The Complete Stories
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The result was not at all what I had had in mind. Far from being repelled by my roughness the Professor seemed charmed. The more I showed off and embarrassed my parents, the more he encouraged me. My excesses delighted him. He was entranced.

He really was, as we younger people had always thought, a carica-
ture of a man. You could barely look at him without laughing, and we had all become expert, even the girls, at imitating his hunched stance, his accent (which was at once terribly foreign and terribly English) and the way he held his stubby fingers when, at the end of a meal, he dipped sweet biscuits into wine and popped them whole into his mouth. My own imitations were designed to torment my mother.

“Oh you shouldn't!" she would whine, suppressing another explosion of giggles. “You mustn't! Oh stop it now, your father will see—he would be offended. The Professor is a fine man. May you have such a head on your shoulders one day, and such a position.”

“Such a head on my shoulders,” I mimicked, hunching my back like a stork so that I had no neck, and she would try to cuff me, and miss as I ducked away.

I was fifteen and beginning to spring up out of pudgy childhood into clean-limbed, tumultuous adolescence. By staring for long hours into mirrors behind locked doors, by taking stock of myself in shop windows, and from the looks of some of the girls at school, I had discovered that I wasn't at all bad-looking, might even be good-looking, and was already tall and well-made. I had chestnut hair like my mother and my skin didn't freckle in the sun but turned heavy gold. There was a whole year between fifteen and sixteen when I was fascinated by the image of myself I could get back from people simply by playing up to them—it scarcely mattered whom: teachers, girls, visitors to the house like the Professor, passers-by in the street. I was obsessed with myself, and lost no opportunity of putting my powers to the test.

Once or twice in earlier days, when I was playing football on Saturday afternoons, my father and the Professor had appeared on the sidelines, looking in after a walk. Now, as if by accident, the Professor came alone. When I came trotting in to collect my bike, dishevelled, still spattered and streaked from the game, he would be waiting. He just happened, yet again, to be passing, and had a book for me to take home, or a message: he would be calling for my father at eight and could I please remind him, or yes, he would be coming next night to play Solo. He was very formal on these occasions, but I felt his interest; and sometimes, without thinking of anything more than the warm sense of myself it gave me to command his attention, I would walk part of the way home with him, wheeling my bike and chatting about nothing very important: the game, or what I had done with my holiday, or since he was a dedicated
star-gazer, the new comet that had appeared. As these meetings increased I got to be more familiar with him. Sometimes, when two or three of the others were there (they had come to recognise him and teased me a little, making faces and jerking their heads as he made his way, hunched and short-sighted, to where we were towelling ourselves at the tap) I would for their benefit show off a little, without at first realising, in my reckless passion to be admired, that I was exceeding all bounds and that they now included me as well as the Professor in their humourous contempt. I was mortified. To ease myself back into their good opinion I passed him off as a family nuisance, whose attentions I knew were comic but whom I was leading on for my own amusement. This was acceptable enough and I was soon restored to popularity, but felt doubly treacherous. He was, after all, my father's closest friend, and there was as well that larger question of the Old Country. I burned with shame, but was too cowardly to do more than brazen things out.

For all my crudeness and arrogance I had a great desire to act nobly, and in this business of the Professor I had miserably failed. I decided to cut my losses. As soon as he appeared now, and had announced his message, I would mount my bike, sling my football boots over my shoulder and pedal away. My one fear was that he might enquire what the trouble was, but of course he did not. Instead he broke off his visits altogether or passed the field without stopping, and I found myself regretting something I had come to depend on—his familiar figure hunched like a bird on the sidelines, our talks, some fuller sense of my own presence to add at the end of the game to the immediacy of my limbs after violent exercise.

Looking back on those days I see myself as a kind of centaur, half-boy, half-bike, for ever wheeling down suburban streets under the poincianas, on my way to football practise or the library or to a meeting of the little group of us, boys and girls, that came together on someone's verandah in the evenings after tea.

I might come across the Professor then on his after-dinner stroll; and as often as not he would be accompanied by my father, who would stop me and demand (partly, I thought, to impress the Professor) where I was off to or where I had been; insisting, with more than his usual force, that I come home right away, with no argument.

On other occasions, pedalling past his house among the trees, I would catch a glimpse of him with his telescope on the roof. He might
raise a hand and wave if he recognised me; and sprinting away, crouched low over the handlebars, I would feel, or imagine I felt, that the telescope had been lowered and was following me to the end of the street, losing me for a time, then picking me up again two streets further on as I flashed away under the bunchy leaves.

I spent long hours cycling back and forth between our house and my girlfriend Helen's or to Ross McDowell or Jimmy Larwood's, my friends from school, and the Professor's house was always on the route.

I think of those days now as being all alike, and the nights also: the days warmish, still, endlessly without event, and the nights quivering with expectancy but also uneventful, heavy with the scent of jasmine and honeysuckle and lighted by enormous stars. But what I am describing, of course, is neither a time nor a place but the mood of my own bored, expectant, uneventful adolescence. I was always abroad and waiting for something significant to occur, for life somehow to declare itself and catch me up. I rode my bike in slow circles or figures-of-eight, took it for sprints across the gravel of the park, or simply hung motionless in the saddle, balanced and waiting.

Nothing ever happened. In the dark of front verandahs we lounged and swapped stories, heard gossip, told jokes, or played show-poker and smoked. One night each week I went to Helen's and we sat a little scared of one another in her garden-swing, touching in the dark. Helen liked me better, I thought, than I liked her—I had that power over her—and it was this more than anything else that attracted me, though I found it scary as well. For fear of losing me she might have gone to any one of the numbers that in those days marked the stages of sexual progress and could be boasted about, in a way that seemed shameful afterwards, in locker-rooms or round the edge of the pool. I could have taken us both to 6, 8, 10, but what then? The numbers were not infinite.

I rode around watching my shadow flare off gravel; sprinted, hung motionless, took the rush of warm air into my shirt; afraid that when the declaration came, it too, like the numbers, might be less than infinite. I didn't want to discover the limits of the world. Restlessly impelled towards some future that would at last offer me my real self, I nevertheless drew back, happy for the moment, even in my unhappiness, to be half-boy, half-bike, half aimless energy and half a machine that could hurtle off at a moment's notice in any one of a hundred directions. Away from things—but away, most of all, from my self. My own pres-
ence had begun to be a source of deep dissatisfaction to me, my vanity, my charm, my falseness, my preoccupation with sex. I was sick of myself and longed for the world to free me by making its own rigorous demands and declaring at last what I must be.

One night
,
in our warm late winter, I was riding home past the Professor's house when I saw him hunched as usual beside his telescope, but too absorbed on this occasion to be aware of me.

I paused at the end of the drive, wondering what it was that he saw on clear nights like this that was invisible to me when I leaned my head back and filled my gaze with the sky.

The stars seemed palpably close. In the high September blueness it was as if the odour of jasmine blossoms had gathered there in a single shower of white. You might have been able to catch the essence of it floating down, as sailors, they say, can smell new land whole days before they first catch sight of it.

What I was catching, in fact, was the first breath of change—a change of season. From the heights I fell suddenly into deep depression, one of those sweet-sad glooms of adolescence that are like a bodiless drifting out of yourself into the immensity of things, when you are aware as never again—or never so poignantly—that time is moving swiftly on, that a school year is very nearly over and childhood finished, that you will have to move up a grade at football into a tougher class— shifts that against the vastness of space are minute, insignificant, but at that age solemnly felt.

I was standing astride the bike, staring upwards, when I became aware that my name was being called, and for the second or third time. I turned my bike into the drive with its border of big-leafed saxifrage and came to where the Professor, his hand on the telescope, was leaning out over the roof.

“I have some books for your father,” he called. “Just come to the gate and I will get them for you.”

The gate was wooden, and the fence, which made me think of a stockade, was of raw slabs eight feet high, stained reddish-brown. He leaned over the low parapet and dropped a set of keys.

“It's the thin one,” he told me. “You can leave your bike in the yard.” He meant the paved courtyard inside, where I rested it easily against
the wall. Beyond, and to the left of the pine-framed house, which was stained the same colour as the fence, was a garden taken up almost entirely by the pool. It was overgrown with dark tropical plants, monstera, hibiscus, banana-palms with their big purplish flowers, glossily pendulous on stalks, and fixed to the paling-fence like trophies in wads of bark, elkhorn, tree-orchids, showers of delicate maidenhair. It was too cold for swimming, but the pool was filled and covered with a shifting scum of jacaranda leaves that had blown in from the street, where the big trees were stripping to bloom.

I went round the edge of the pool and a light came on, reddish, in one of the inner rooms. A moment later the Professor himself appeared, tapping for attention at a glass door.

“I have the books right here,” he said briskly; but when I stood hesitating in the dark beyond the threshold, he shifted his feet and added: "But maybe you would like to come in a moment and have a drink. Coffee. I could make some. Or beer. Or a Coke if you prefer it. I have Coke.”

I had never been here alone, and never, even with my father, to this side of the house. When we came to collect the Professor for an outing we had always waited in the tiled hallway while he rushed about with one arm in the sleeve of his overcoat laying out saucers for cats, and it was to the front door, in later years, that I had delivered bowls of gingerbread fish that my mother had made specially because she knew he liked it, or cabbage rolls or herring. I had never been much interested in what lay beyond the hallway, with its fierce New Guinea masks, all tufted hair and boar's tusks, and the Old Country chest that was just like our own. Now, with the books already in my hands, I hesitated and looked past him into the room.

“All right. If it's no trouble.”

“No no, no trouble at all!” He grinned, showing his teeth with their extravagant caps. “I am delighted. Really! Just leave the books there. You see they are tied with string, quite easy for you I'm sure, even on the bike. Sit where you like. Anywhere. I'll get the drink.”

“Beer then,” I said boldly, and my voice cracked, destroying what I had hoped might be the setting of our relationship on a clear, man-to-man basis that would wipe out the follies of the previous year. I coughed, cleared my throat, and said again, "Beer, thanks,” and sat abruptly on a sofa that was too low and left me prone and sprawling.

He stopped a moment and considered, as if I had surprised him by crossing a second threshold.

“Well then, if it's to be beer, I shall join you. Maybe you are also hungry. I could make a sandwich.”

“No, no thank you, they're expecting me. Just the beer.”

He went out, his slippers shushing over the tiles, and I shifted immediately to a straight-backed chair opposite and took the opportunity to look around.

There were rugs on the floor, old threadbare Persians, and low down, all round the walls, stacks of the heavy seventy-eights I carried home when my father borrowed them: sonatas by Beethoven, symphonies by Sibelius and Mahler. Made easy by the Professor's absence, I got up and wandered round. On every open surface, the glass table-top, the sideboard, the long mantel of the fireplace, were odd bits and pieces that he must have collected in his travels: lumps of coloured quartz, a desert rose, slabs of clay with fern or fish fossils in them, glass paperweights, snuff-boxes, meerschaum pipes of fantastic shape—one a Saracen's head, another the torso of a woman like a ship's figurehead with full breasts and golden nipples—bits of Baltic amber, decorated sherds of pottery, black on terra-cotta, and one unbroken object, a little earthenware lamp that when I examined it more closely turned out to be a phallic grotesque. I had just discovered what it actually was when the Professor stepped into the room. Turning swiftly to a framed photograph on the wall above, I found myself peering into a stretch of the Old Country, a foggy, sepia world that I recognised immediately from similar photographs at home.

“Ah,” he said, setting the tray down on an empty chair, "you have discovered my weakness.” He switched on another lamp. “I have tried, but I am too sentimental. I cannot part with them.”

The photograph, I now observed, was one of three. They were all discoloured with foxing on the passe-partout mounts, and the glass of one was shattered, but so neatly that not a single splinter had shifted in the frame.

BOOK: The Complete Stories
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