The Complete Stories (23 page)

He didn't know what procession this was but there was something familiar about it. It must be familiar to him since it had come to meet him, but he didn't like a black procession. Any procession that came to meet him, he thought irritably, ought to have floats with beautiful guls on them like the floats before the preemy. It must be something connected with history like they were always having. He had no use for any of it. What happened then wasn't anything to a man living now and he was living now.

When all the procession had flowed into the black pool, a black figure began orating in front of it. The figure was telling something about history and the General made up his mind he wouldn't listen, but the words kept seeping in through the little hole in his head. He heard his own name mentioned and his chair was shuttled forward roughly and the Boy Scout took a big bow. They called his name and the fat brat bowed. Goddam you, the old man tried to say, get out of my way, I can stand up!—but he was jerked back again before he could get up and take the bow. He supposed the noise they made was for him. If he was over, he didn't intend to listen to any more of it. If it hadn't been for the little hole in the top of his head, none of the words would have got to him. He thought of putting his finger up there into the hole to block them but the hole was a little wider than his finger and it felt as if it were getting deeper.

Another black robe had taken the place of the first one and was talking now and he heard his name mentioned again but they were not talking about him, they were still talking about history. “If we forget our past,” the speaker was saying, “we won't remember our future and it will be as well for we won't have one.” The General heard some of these words gradually. He had forgotten history and he didn't intend to remember it again. He had forgotten the name and face of his wife and the names and faces of his children or even if he had a wife and children, and he had forgotten the names of places and the places themselves and what had happened at them.

He was considerably irked by the hole in his head. He had not expected to have a hole in his head at this event. It was the slow black music that had put it there and though most of the music had stopped outside, there was still a little of it in the hole, going deeper and moving around in his thoughts, letting the words he heard into the dark places of his brain. He heard the words, Chickamauga, Shiloh, Johnston, Lee, and he knew he was inspiring all these words that meant nothing to him. He wondered if he had been a general at Chickamauga or at Lee. Then he tried to see himself and the horse mounted in the middle of a float full of beautiful girls, being driven slowly through downtown Atlanta. Instead, the old words began to stir in his head as if they were trying to wrench themselves out of place and come to life.

The speaker was through with that war and had gone on to the next one and now he was approaching another and all his words, like the black procession, were vaguely familiar and irritating. There was a long finger of music in the General's head, probing various spots that were words, letting in a little light on the words and helping them to live. The words began to come toward him and he said, Dammit! I ain't going to have it! and he started edging backwards to get out of the way. Then he saw the figure in the black robe sit down and there was a noise and the black pool in front of him began to rumble and to flow toward him from either side to the black slow music, and he said, Stop dammit! I can't do but one thing at a time! He couldn't protect himself from the words and attend to the procession too and the words were coming at him fast. He felt that he was running backwards and the words were coming at him like musket fire, just escaping him but getting nearer and nearer. He turned around and began to run as fast as he could but he found himself running toward the words. He was running into a regular volley of them and meeting them with quick curses. As the music swelled toward him, the entire past opened up on him out of nowhere and he felt his body riddled in a hundred places with sharp stabs of pain and he fell down, returning a curse for every hit. He saw his wife's narrow face looking at him critically through her round gold-rimmed glasses; he saw one of his squinting bald-headed sons; and his mother ran toward him with an anxious look; then a succession of places—Chickamauga, Shiloh, Marthasville—rushed at him as if the past were the only future now and he had to endure it. Then suddenly he saw that the black procession was almost on him. He recognized it, for it had been dogging all his days. He made such a desperate effort to see over it and find out what comes after the past that his hand clenched the sword until the blade touched bone.

The graduates were crossing the stage in a long file to receive their scrolls and shake the president's hand. As Sally Poker, who was near the end, crossed, she glanced at the General and saw him sitting fixed and fierce, his eyes wide open, and she turned her head forward again and held it a perceptible degree higher and received her scroll. Once it was all over and she was out of the auditorium in the sun again, she located her kin and they waited together on a bench in the shade for John Wesley to wheel the old man out. That crafty scout had bumped him out the back way and rolled him at high speed down a flagstone path and was waiting now, with the corpse, in the long line at the Coca-Cola machine.

The Life You Save May Be Your Own

T
HE
old woman and her daughter were sitting on their porch when Mr. Shiftlet came up their road for the first time. The old woman slid to the edge of her chair and leaned forward, shading her eyes from the piercing sunset with her hand. The daughter could not see far in front of her and continued to play with her fingers. Although the old woman lived in this desolate spot with only her daughter and she had never seen Mr. Shiftlet before, she could tell, even from a distance, that he was a tramp and no one to be afraid of. His left coat sleeve was folded up to show there was only half an arm in it and his gaunt figure listed slightly to the side as if the breeze were pushing him. He had on a black town suit and a brown felt hat that was turned up in the front and down in the back and he carried a tin tool box by a handle. He came on, at an amble, up her road, his face turned toward the sun which appeared to be balancing itself on the peak of a small mountain.

The old woman didn't change her position until he was almost into her yard; then she rose with one hand fisted on her hip. The daughter, a large girl in a short blue organdy dress, saw him all at once and jumped up and began to stamp and point and make excited speechless sounds.

Mr. Shiftlet stopped just inside the yard and set his box on the ground and tipped his hat at her as if she were not in the least afflicted; then he turned toward the old woman and swung the hat all the way off. He had long black slick hair that hung flat from a part in the middle to beyond the tips of his ears on either side. His face descended in forehead for more than half its length and ended suddenly with his features just balanced over a jutting steel-trap jaw. He seemed to be a young man but he had a look of composed dissatisfaction as if he understood life thoroughly.

“Good evening,” the old woman said. She was about the size of a cedar fence post and she had a man's gray hat pulled down low over her head.

The tramp stood looking at her and didn't answer. He turned his back and faced the sunset. He swung both his whole and his short arm up slowly so that they indicated an expanse of sky and his figure formed a crooked cross. The old woman watched him with her arms folded across her chest as if she were the owner of the sun, and the daughter watched, her head thrust forward and her fat helpless hands hanging at the wrists. She had long pink-gold hair and eyes as blue as a peacock's neck.

He held the pose for almost fifty seconds and then he picked up his box and came on to the porch and dropped down on the bottom step. “Lady,” he said in a firm nasal voice, “I'd give a fortune to live where I could see me a sun do that every evening.”

“Does it every evening,” the old woman said and sat back down. The daughter sat down too and watched him with a cautious sly look as if he were a bird that had come up very close. He leaned to one side, rooting in his pants pocket, and in a second he brought out a package of chewing gum and offered her a piece. She took it and unpeeled it and began to chew without taking her eyes off him. He offered the old woman a piece but she only raised her upper lip to indicate she had no teeth.

Mr. Shiftlet's pale sharp glance had already passed over everything in the yard—the pump near the corner of the house and the big fig tree that three or four chickens were preparing to roost in—and had moved to a shed where he saw the square rusted back of an automobile. “You ladies drive?” he asked.

“That car ain't run in fifteen year,” the old woman said. “The day my husband died, it quit running.”

“Nothing is like it used to be, lady,” he said. “The world is almost rotten.”

“That's right,” the old woman said. “You from around here?”

“Name Tom T. Shiftlet,” he murmured, looking at the tires.

“I'm pleased to meet you,” the old woman said. “Name Lucynell Crater and daughter Lucynell Crater. What you doing around here, Mr. Shiftlet?”

He judged the car to be about a 1928 or '29 Ford. “Lady,” he said, and turned and gave her his full attention, “lemme tell you something. There's one of these doctors in Atlanta that's taken a knife and cut the human heart—the human heart,” he repeated, leaning forward, “out of a man's chest and held it in his hand,” and he held his hand out, palm up, as if it were slightly weighted with the human heart, “and studied it like it was a day-old chicken, and lady,” he said, allowing a long significant pause in which his head slid forward and his clay-colored eyes brightened, “he don't know no more about it than you or me.”

“That's right,” the old woman said.

“Why, if he was to take that knife and cut into every corner of it, he still wouldn't know no more than you or me. What you want to bet?”

“Nothing,” the old woman said wisely. “Where you come from, Mr. Shiftlet?”

He didn't answer. He reached into his pocket and brought out a sack of tobacco and a package of cigarette papers and rolled himself a cigarette, expertly with one hand, and attached it in a hanging position to his upper lip. Then he took a box of wooden matches from his pocket and struck one on his shoe. He held the burning match as if he were studying the mystery of flame while it traveled dangerously toward his skin. The daughter began to make loud noises and to point to his hand and shake her finger at him, but when the flame was just before touching him, he leaned down with his hand cupped over it as if he were going to set fire to his nose and lit the cigarette.

He flipped away the dead match and blew a stream of gray into the evening. A sly look came over his face. “Lady,” he said, “nowadays, people'll do anything anyways. I can tell you my name is Tom T. Shiftlet and I come from Tarwater, Tennessee, but you never have seen me before: how you know I ain't lying? How you know my name ain't Aaron Sparks, lady, and I come from Singleberry, Georgia, or how you know it's not George Speeds and I come from Lucy, Alabama, or how you know I ain't Thompson Bright from Toolafalls, Mississippi?”

“I don't know nothing about you,” the old woman muttered, irked.

“Lady,” he said, “people don't care how they lie. Maybe the best I can tell you is, I'm a man; but listen lady,” he said and paused and made his tone more ominous still, “what is a man?”

The old woman began to gum a seed. “What you carry in that tin box, Mr. Shiftlet?” she asked.

“Tools,” he said, put back. “I'm a carpenter.”

“Well, if you come out here to work, I'll be able to feed you and give you a place to sleep but I can't pay. I'll tell you that before you begin,” she said.

There was no answer at once and no particular expression on his face. He leaned back against the two-by-four that helped support the porch roof. “Lady,” he said slowly, “there's some men that some things mean more to them than money.” The old woman rocked without comment and the daughter watched the trigger that moved up and down in his neck. He told the old woman then that all most people were interested in was money, but he asked what a man was made for. He asked her if a man was made for money, or what. He asked her what she thought she was made for but she didn't answer, she only sat rocking and wondered if a one-armed man could put a new roof on her garden house. He asked a lot of questions that she didn't answer. He told her that he was twenty-eight years old and had lived a varied life. He had been a gospel singer, a foreman on the railroad, an assistant in an undertaking parlor, and he come over the radio for three months with Uncle Roy and his Red Creek Wranglers. He said he had fought and bled in the Arm Service of his country and visited every foreign land and that everywhere he had seen people that didn't care if they did a thing one way or another. He said he hadn't been raised thataway.

A fat yellow moon appeared in the branches of the fig tree as if it were going to roost there with the chickens. He said that a man had to escape to the country to see the world whole and that he wished he lived in a desolate place like this where he could see the sun go down every evening like God made it to do.

“Are you married or are you single?” the old woman asked.

There was a long silence. “Lady,” he asked finally, “where would you find you an innocent woman today? I wouldn't have any of this trash I could just pick up.”

The daughter was leaning very far down, hanging her head almost between her knees watching him through a triangular door she had made in her overturned hair; and she suddenly fell in a heap on the floor and began to whimper. Mr. Shiftlet straightened her out and helped her get back in the chair.

“Is she your baby girl?” he asked.