The Complete Vampire Chronicles 12-Book Bundle (The Vampire Chronicles) (145 page)

He was making the same sound with it, and then turning, and dizzy with turning, he leapt high into the air. Hands caught him, lips kissed him, he was whirling about and pulled along by the others, someone crying out in Latin, another answering, another crying louder, and another answer coming again.

He was flying, no longer bound to the earth and the awful pain of his Master’s death, and the death of the paintings, and death of the mortals he loved. The wind sailed past him, and the heat blasted his face and eyes. But the singing was so beautiful that it didn’t matter that he didn’t know the words, or that he couldn’t pray to Satan, didn’t know how to believe or make such a prayer. No one knew that he didn’t know and they were all in a chorus together and they cried and lamented and turned and leapt again and then, swaying back and forth, threw their heads back as the fire blinded them and licked them and someone shouted “Yes, YES!”

And the music surged. A barbarous rhythm broke loose all around him from drums and tambourines, voices in lurid rushing melody at last. The vampires threw up their arms, howled, figures flickering past him in riotous contortions, backs arched, heels stomping. The jubilation of imps in hell. It horrified him and it called to him, and when the hands clutched at him and swung him around, he stomped and twisted and danced like the others, letting the pain course through him, bending his limbs and giving the alarm to his cries.

And before dawn, he was delirious, and he had a dozen brothers around him, caressing him and soothing him, and leading him down a staircase that had opened in the bowels of the earth.

It seemed that some time in the months that followed Armand dreamed his Master had not been burnt to death.

He dreamed his Master had fallen from the roof, a blazing comet, into the saving waters of the canal below. And deep in the mountains of northern
Italy, his Master survived. His Master called to him to come. His Master was in the sanctuary of Those Who Must Be Kept.

Sometimes in the dream his Master was as powerful and radiant as he had ever been; beauty seemed his raiment. And at others he was burnt black and shriveled, a breathing cinder, his eyes huge and yellow, and only his white hair as lustrous and full as it had been. He crept along the ground in his weakness, pleading for Armand to help him. And behind him, warm light spilled from the sanctuary of Those Who Must Be Kept; there came the smell of incense, and there seemed some promise of ancient magic there, some promise of cold and exotic beauty beyond all evil and all good.

But these were vain imaginings. His Master had told him that fire and the light of the sun could destroy them, and he himself had seen his Master in flames. It was like wishing for his mortal life to come again to have these dreams.

And when his eyes were open on the moon and the stars, and the still mirror of the sea before him, he knew no hope, and no grief, and no joy. All those things had come from the Master, and the Master was no more.

“I am the devil’s child.” That was poetry. All will was extinguished in him, and there was nothing but the dark confraternity, and the kill was now of the innocent as well as the guilty. The kill was above all cruel.

In Rome in the great coven in the catacombs, he bowed before Santino, the leader, who came down the stone steps to receive him with outstretched arms. This great one had been Born to Darkness in the time of the Black Death, and he told Armand of the vision that had come to him in the year 1349 when the plague raged, that we were to be as the Black Death itself, a vexation without explanation, to cause man to doubt the mercy and intervention of God.

Into the sanctum lined with human skulls Santino took Armand, telling him of the history of the vampires.

From all times we have existed, as wolves have, a scourge of mortals. And in the coven of Rome, dark shadow of the Roman Church, lay our final perfection.

Armand already knew the rituals and common prohibitions; now he must learn the great laws:

One—that each coven must have its leader and only he might order the working of the Dark Trick upon a mortal, seeing that the methods and the rituals were properly observed.

Two—that the Dark Gifts must never be given to the crippled, the maimed, or to children, or to those who cannot, even with the Dark Powers, survive on their own. Be it further understood that all mortals who
would receive the Dark Gifts should be beautiful in person so that the insult to God might be greater when the Dark Trick is done.

Three—that never should an old vampire work this magic lest the blood of the fledgling be too strong. For all our gifts increase naturally with age, and the old ones have too much strength to pass on. Injury, burning—these catastrophes, if they do not destroy the Child of Satan will only increase his powers when he is healed. Yet Satan guards the flock from the power of old ones, for almost all, without exception, go mad.

In this particular, let Armand observe that there was no vampire then living who was more than three hundred years old. No one alive then could remember the first Roman coven. The devil frequently calls his vampires home.

But let Armand understand here also that the effect of the Dark Trick is unpredictable, even when passed on by the very young vampire and with all due care. For reasons no one knows, some mortals when Born to Darkness become as powerful as Titans, others may be no more than corpses that move. That is why mortals must be chosen with skill. Those with great passion and indomitable will should be avoided as well as those who have none.

Four—that no vampire may ever destroy another vampire, except that the coven master has the power of life and death over all of his flock. And it is, further, his obligation to lead the old ones and the mad ones into the fire when they can longer serve Satan as they should. It is his obligation to destroy all vampires who are not properly made. It is his obligation to destroy those who are so badly wounded that they cannot survive on their own. And it is his obligation finally to seek the destruction of all outcasts and all who have broken these laws.

Five—that no vampire shall ever reveal his true nature to a mortal and allow that mortal to live. No vampire must ever reveal the history of the vampires to a mortal and let the mortal live. No vampire must commit to writing the history of the vampires or any true knowledge of vampires lest such a history be found by mortals and believed. And a vampire’s name must never be known to mortals, save from his tombstone, and never must any vampire reveal to mortals the location of his or any other vampire’s lair.

These then were the great commandments, which all vampires must obey. And this was the condition of existence among all the Undead.

Yet Armand should know that there had always been stories of ancient ones, heretic vampires of frightening power who submitted to no authority, not even that of the devil—vampires who had survived for thousands of years. Children of the Millennia, they were sometimes called. In the north of Europe there were tales of Mael, who dwelt in the forests of England
and Scotland; and in Asia Minor the legend of Pandora. And in Egypt, the ancient tale of the vampire Ramses, seen again in this very time.

In all parts of the world one found such tales. And one could easily dismiss them as fanciful save for one thing. The ancient heretic Marius had been found in Venice, and there punished by the Children of Darkness. The legend of Marius had been true. But Marius was no more.

Armand said nothing to this last judgment. He did not tell Santino of the dreams he had had. In truth the dreams had dimmed inside Armand as had the colors of Marius’s paintings. They were no longer held in Armand’s mind or heart to be discovered by others who might try to see.

When Santino spoke of Those Who Must Be Kept, Armand again confessed that he did not know the meaning of it. Neither did Santino, nor any vampire that Santino had ever known.

Dead was the secret. Dead was Marius. And so consign to silence the old and useless mystery. Satan is our Lord and Master. In Satan, all is understood and all is known.

Armand pleased Santino. He memorized the laws, perfected his performance of the ceremonial incantations, the rituals, and the prayers. He saw the greatest Sabbats he was ever to witness. And he learned from the most powerful and skillful and beautiful vampires he was ever to know. He learned so well that he became a missionary sent out to gather the vagrant Children of Darkness into covens, and guide others in the performance of the Sabbat, and the working of the Dark Trick when the world and the flesh and the devil called for it to be done.

In Spain and in Germany and in France, he had taught the Dark Blessings and Dark Rituals, and he had known savage and tenacious Children of Darkness, and dim flames had flared in him in their company and in those moments when the coven surrounded him, comforted by him, deriving its unity from his strength.

He had perfected the act of killing beyond the abilities of all the Children of Darkness that he knew. He had learned to summon those who truly wished to die. He had but to stand near the dwellings of mortals and call silently to see his victim appear.

Old, young, wretched, diseased, the ugly or the beautiful, it did not matter because he did not choose. Dazzling visions he gave, if they should want to receive, but he did not move towards them nor even close his arms around them. Drawn inexorably towards him, it was they who embraced him. And when their warm living flesh touched him, when he opened his lips and felt the blood spill, he knew the only surcease from misery that he could know.

It seemed to him in the best of these moments that his way was
profoundly spiritual, uncontaminated by the appetites and confusions that made up the world, despite the carnal rapture of the kill.

In that act the spiritual and the carnal came together, and it was the spiritual, he was convinced, that survived. Holy Communion it seemed to him, the Blood of the Children of Christ serving only to bring the essence of life itself into his understanding for the split second in which death occurred. Only the great saints of God were his equals in this spirituality, this confrontation with mystery, this existence of meditation and denial.

Yet he had seen the greatest of his companions vanish, bring destruction upon themselves, go mad. He had witnessed the inevitable dissolution of covens, seen immortality defeat the most perfectly made Children of Darkness, and it seemed at times some awesome punishment that it never defeated him.

Was he destined to be one of the ancient ones? The Children of the Millennia? Could one believe those stories which persisted still?

Now and then a roaming vampire would speak of the fabled Pandora glimpsed in the far-off Russian city of Moscow, or of Mael living on the bleak English coast. The wanderers told even of Marius—that he had been seen again in Egypt, or in Greece. But these storytellers had not themselves laid eyes upon the legendary ones. They knew nothing really. These were often-repeated tales.

They did not distract or amuse the obedient servant of Satan. In quiet allegiance to the Dark Ways, Armand continued to serve.

Yet in the centuries of his long obedience, Armand kept two secrets to himself. These were his property, these secrets, more purely his than the coffin in which he locked himself by day, or the few amulets he wore.

The first was that no matter how great his loneliness, or how long the search for brothers and sisters in whom he might find some comfort, he never worked the Dark Trick himself. He wouldn’t give that to Satan, no Child of Darkness made by him.

And the other secret, which he kept from his followers for their sake, was simply the extent of his ever deepening despair.

That he craved nothing, cherished nothing, believed nothing finally, and took not one particle of pleasure in his ever increasing and awesome powers, and existed from moment to moment in a void broken once every night of his eternal life by the kill—that secret he had kept from them as long as they had needed him and it had been possible to lead them because his fear would have made them afraid.

But it was finished.

A great cycle had ended, and even years ago he had felt it closing without understanding it was a cycle at all.

From Rome there came the garbled travelers’ accounts, old when they
were told to him, that the leader, Santino, had abandoned his flock. Some said he had gone mad into the countryside, others that he had leapt into the fire, others that “the world” had swallowed him, that he had been borne off in a black coach with mortals never to be seen again.

“We go into the fire or we go into legend,” said a teller of the tale.

Then came accounts of chaos in Rome, of dozens of leaders who put on the black hood and the black robes to preside over the coven. And then it seemed there were none.

Since the year 1700 there had been no word anymore from Italy. For half a century Armand had not been able to trust to his passion or that of the others around him to create the frenzy of the true Sabbat. And he had dreamed of his old Master, Marius, in those rich robes of red velvet, and seen the palazzo full of vibrant paintings, and he had been afraid.

Then another had come.

His children rushed down into the cellars beneath les Innocents to describe to him this new vampire, who wore a fur-lined cloak of red velvet and could profane the churches and strike down those who wore crosses and walk in the places of light. Red velvet. It was mere coincidence, and yet it maddened him and seemed an insult to him, a gratuitous pain that his soul couldn’t bear.

And then the woman had been made, the woman with the hair of a lion and the name of an angel, beautiful and powerful as her son.

And he had come up the stairway out of the catacomb, leading the band against us, as the hooded ones had come to destroy him and his Master in Venice centuries before.

And it had failed.

He stood dressed in these strange lace and brocade garments. He carried coins in his pockets. His mind swam with images from the thousands of books he had read. And he felt himself pierced with all he had witnessed in the places of light in the great city called Paris, and it was as if he could hear his old Master whispering in his ear: