The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (566 page)

"Is the Englishman bragging?... Eh? Is it all right?" said Anatole.

"First-rate," said Pierre, looking at Dolokhov, who with a bottle of rum in his hand was approaching the window, from which the light of the sky, the dawn merging with the afterglow of sunset, was visible.

Dolokhov, the bottle of rum still in his hand, jumped onto the window sill. "Listen!" cried he, standing there and addressing those in the room. All were silent.

"I bet fifty imperials"--he spoke French that the Englishman might understand him, but he did, not speak it very well--"I bet fifty imperials... or do you wish to make it a hundred?" added he, addressing the Englishman.

"No, fifty," replied the latter.

"All right. Fifty imperials... that I will drink a whole bottle of rum without taking it from my mouth, sitting outside the window on this spot" (he stooped and pointed to the sloping ledge outside the window) "and without holding on to anything. Is that right?"

"Quite right," said the Englishman.

Anatole turned to the Englishman and taking him by one of the buttons of his coat and looking down at him--the Englishman was short- began repeating the terms of the wager to him in English.

"Wait!" cried Dolokhov, hammering with the bottle on the window sill to attract attention. "Wait a bit, Kuragin. Listen! If anyone else does the same, I will pay him a hundred imperials. Do you understand?"

The Englishman nodded, but gave no indication whether he intended to accept this challenge or not. Anatole did not release him, and though he kept nodding to show that he understood, Anatole went on translating Dolokhov's words into English. A thin young lad, an hussar of the Life Guards, who had been losing that evening, climbed on the window sill, leaned over, and looked down.

"Oh! Oh! Oh!" he muttered, looking down from the window at the stones of the pavement.

"Shut up!" cried Dolokhov, pushing him away from the window. The lad jumped awkwardly back into the room, tripping over his spurs.

Placing the bottle on the window sill where he could reach it easily, Dolokhov climbed carefully and slowly through the window and lowered his legs. Pressing against both sides of the window, he adjusted himself on his seat, lowered his hands, moved a little to the right and then to the left, and took up the bottle. Anatole brought two candles and placed them on the window sill, though it was already quite light. Dolokhov's back in his white shirt, and his curly head, were lit up from both sides. Everyone crowded to the window, the Englishman in front. Pierre stood smiling but silent. One man, older than the others present, suddenly pushed forward with a scared and angry look and wanted to seize hold of Dolokhov's shirt.

"I say, this is folly! He'll be killed," said this more sensible man.

Anatole stopped him.

"Don't touch him! You'll startle him and then he'll be killed. Eh?... What then?... Eh?"

Dolokhov turned round and, again holding on with both hands, arranged himself on his seat.

"If anyone comes meddling again," said he, emitting the words separately through his thin compressed lips, "I will throw him down there. Now then!"

Saying this he again turned round, dropped his hands, took the bottle and lifted it to his lips, threw back his head, and raised his free hand to balance himself. One of the footmen who had stooped to pick up some broken glass remained in that position without taking his eyes from the window and from Dolokhov's back. Anatole stood erect with staring eyes. The Englishman looked on sideways, pursing up his lips. The man who had wished to stop the affair ran to a corner of the room and threw himself on a sofa with his face to the wall. Pierre hid his face, from which a faint smile forgot to fade though his features now expressed horror and fear. All were still. Pierre took his hands from his eyes. Dolokhov still sat in the same position, only his head was thrown further back till his curly hair touched his shirt collar, and the hand holding the bottle was lifted higher and higher and trembled with the effort. The bottle was emptying perceptibly and rising still higher and his head tilting yet further back. "Why is it so long?" thought Pierre. It seemed to him that more than half an hour had elapsed. Suddenly Dolokhov made a backward movement with his spine, and his arm trembled nervously; this was sufficient to cause his whole body to slip as he sat on the sloping ledge. As he began slipping down, his head and arm wavered still more with the strain. One hand moved as if to clutch the window sill, but refrained from touching it. Pierre again covered his eyes and thought he would never never them again. Suddenly he was aware of a stir all around. He looked up: Dolokhov was standing on the window sill, with a pale but radiant face.

"It's empty."

He threw the bottle to the Englishman, who caught it neatly. Dolokhov jumped down. He smelt strongly of rum.

"Well done!... Fine fellow!... There's a bet for you!... Devil take you!" came from different sides.

The Englishman took out his purse and began counting out the money. Dolokhov stood frowning and did not speak. Pierre jumped upon the window sill.

"Gentlemen, who wishes to bet with me? I'll do the same thing!" he suddenly cried. "Even without a bet, there! Tell them to bring me a bottle. I'll do it.... Bring a bottle!"

"Let him do it, let him do it," said Dolokhov, smiling.

"What next? Have you gone mad?... No one would let you!... Why, you go giddy even on a staircase," exclaimed several voices.

"I'll drink it! Let's have a bottle of rum!" shouted Pierre, banging the table with a determined and drunken gesture and preparing to climb out of the window.

They seized him by his arms; but he was so strong that everyone who touched him was sent flying.

"No, you'll never manage him that way," said Anatole. "Wait a bit and I'll get round him.... Listen! I'll take your bet tomorrow, but now we are all going to ----'s."

"Come on then," cried Pierre. "Come on!... And we'll take Bruin with us."

And he caught the bear, took it in his arms, lifted it from the ground, and began dancing round the room with it.

CHAPTER X

Prince Vasili kept the promise he had given to Princess Drubetskaya who had spoken to him on behalf of her only son Boris on the evening of Anna Pavlovna's soiree. The matter was mentioned to the Emperor, an exception made, and Boris transferred into the regiment of Semenov Guards with the rank of cornet. He received, however, no appointment to Kutuzov's staff despite all Anna Mikhaylovna's endeavors and entreaties. Soon after Anna Pavlovna's reception Anna Mikhaylovna returned to Moscow and went straight to her rich relations, the Rostovs, with whom she stayed when in the town and where her darling Bory, who had only just entered a regiment of the line and was being at once transferred to the Guards as a cornet, had been educated from childhood and lived for years at a time. The Guards had already left Petersburg on the tenth of August, and her son, who had remained in Moscow for his equipment, was to join them on the march to Radzivilov.

It was St. Natalia's day and the name day of two of the Rostovs--the mother and the youngest daughter--both named Nataly. Ever since the morning, carriages with six horses had been coming and going continually, bringing visitors to the Countess Rostova's big house on the Povarskaya, so well known to all Moscow. The countess herself and her handsome eldest daughter were in the drawing-room with the visitors who came to congratulate, and who constantly succeeded one another in relays.

The countess was a woman of about forty-five, with a thin Oriental type of face, evidently worn out with childbearing--she had had twelve. A languor of motion and speech, resulting from weakness, gave her a distinguished air which inspired respect. Princess Anna Mikhaylovna Drubetskaya, who as a member of the household was also seated in the drawing room, helped to receive and entertain the visitors. The young people were in one of the inner rooms, not considering it necessary to take part in receiving the visitors. The count met the guests and saw them off, inviting them all to dinner.

"I am very, very grateful to you, mon cher," or "ma chere"--he called everyone without exception and without the slightest variation in his tone, "my dear," whether they were above or below him in rank--"I thank you for myself and for our two dear ones whose name day we are keeping. But mind you come to dinner or I shall be offended, ma chere! On behalf of the whole family I beg you to come, mon cher!" These words he repeated to everyone without exception or variation, and with the same expression on his full, cheerful, clean-shaven face, the same firm pressure of the hand and the same quick, repeated bows. As soon as he had seen a visitor off he returned to one of those who were still in the drawing room, drew a chair toward him or her, and jauntily spreading out his legs and putting his hands on his knees with the air of a man who enjoys life and knows how to live, he swayed to and fro with dignity, offered surmises about the weather, or touched on questions of health, sometimes in Russian and sometimes in very bad but self-confident French; then again, like a man weary but unflinching in the fulfillment of duty, he rose to see some visitors off and, stroking his scanty gray hairs over his bald patch, also asked them to dinner. Sometimes on his way back from the anteroom he would pass through the conservatory and pantry into the large marble dining hall, where tables were being set out for eighty people; and looking at the footmen, who were bringing in silver and china, moving tables, and unfolding damask table linen, he would call Dmitri Vasilevich, a man of good family and the manager of all his affairs, and while looking with pleasure at the enormous table would say: "Well, Dmitri, you'll see that things are all as they should be? That's right! The great thing is the serving, that's it." And with a complacent sigh he would return to the drawing room.

"Marya Lvovna Karagina and her daughter!" announced the countess' gigantic footman in his bass voice, entering the drawing room. The countess reflected a moment and took a pinch from a gold snuffbox with her husband's portrait on it.

"I'm quite worn out by these callers. However, I'll see her and no more. She is so affected. Ask her in," she said to the footman in a sad voice, as if saying: "Very well, finish me off."

A tall, stout, and proud-looking woman, with a round-faced smiling daughter, entered the drawing room, their dresses rustling.

"Dear Countess, what an age... She has been laid up, poor child... at the Razumovski's ball... and Countess Apraksina... I was so delighted..." came the sounds of animated feminine voices, interrupting one another and mingling with the rustling of dresses and the scraping of chairs. Then one of those conversations began which last out until, at the first pause, the guests rise with a rustle of dresses and say, "I am so delighted... Mamma's health... and Countess Apraksina..." and then, again rustling, pass into the anteroom, put on cloaks or mantles, and drive away. The conversation was on the chief topic of the day: the illness of the wealthy and celebrated beau of Catherine's day, Count Bezukhov, and about his illegitimate son Pierre, the one who had behaved so improperly at Anna Pavlovna's reception.

"I am so sorry for the poor count," said the visitor. "He is in such bad health, and now this vexation about his son is enough to kill him!"

"What is that?" asked the countess as if she did not know what the visitor alluded to, though she had already heard about the cause of Count Bezukhov's distress some fifteen times.

"That's what comes of a modern education," exclaimed the visitor. "It seems that while he was abroad this young man was allowed to do as he liked, now in Petersburg I hear he has been doing such terrible things that he has been expelled by the police."

"You don't say so!" replied the countess.

"He chose his friends badly," interposed Anna Mikhaylovna. "Prince Vasili's son, he, and a certain Dolokhov have, it is said, been up to heaven only knows what! And they have had to suffer for it. Dolokhov has been degraded to the ranks and Bezukhov's son sent back to Moscow. Anatole Kuragin's father managed somehow to get his son's affair hushed up, but even he was ordered out of Petersburg."

"But what have they been up to?" asked the countess.

"They are regular brigands, especially Dolokhov," replied the visitor. "He is a son of Marya Ivanovna Dolokhova, such a worthy woman, but there, just fancy! Those three got hold of a bear somewhere, put it in a carriage, and set off with it to visit some actresses! The police tried to interfere, and what did the young men do? They tied a policeman and the bear back to back and put the bear into the Moyka Canal. And there was the bear swimming about with the policeman on his back!"

"What a nice figure the policeman must have cut, my dear!" shouted the count, dying with laughter.

"Oh, how dreadful! How can you laugh at it, Count?"

Yet the ladies themselves could not help laughing.

"It was all they could do to rescue the poor man," continued the visitor. "And to think it is Cyril Vladimirovich Bezukhov's son who amuses himself in this sensible manner! And he was said to be so well educated and clever. This is all that his foreign education has done for him! I hope that here in Moscow no one will receive him, in spite of his money. They wanted to introduce him to me, but I quite declined: I have my daughters to consider."