The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (736 page)

BOOK: The Complete Works of Leo Tolstoy (25+ Works with active table of contents)
3.17Mb size Format: txt, pdf, ePub
 

By the side of the path, on the dusty dry grass, all sorts of household goods lay in a heap: featherbeds, a samovar, icons, and trunks. On the ground, beside the trunks, sat a thin woman no longer young, with long, prominent upper teeth, and wearing a black cloak and cap. This woman, swaying to and fro and muttering something, was choking with sobs. Two girls of about ten and twelve, dressed in dirty short frocks and cloaks, were staring at their mother with a look of stupefaction on their pale frightened faces. The youngest child, a boy of about seven, who wore an overcoat and an immense cap evidently not his own, was crying in his old nurse's arms. A dirty, barefooted maid was sitting on a trunk, and, having undone her pale-colored plait, was pulling it straight and sniffing at her singed hair. The woman's husband, a short, round-shouldered man in the undress uniform of a civilian official, with sausage-shaped whiskers and showing under his square-set cap the hair smoothly brushed forward over his temples, with expressionless face was moving the trunks, which were placed one on another, and was dragging some garments from under them.

 

As soon as she saw Pierre, the woman almost threw herself at his feet.

 

"Dear people, good Christians, save me, help me, dear friends... help us, somebody," she muttered between her sobs. "My girl... My daughter! My youngest daughter is left behind. She's burned! Ooh! Was it for this I nursed you.... Ooh!"

 

"Don't, Mary Nikolievna!" said her husband to her in a low voice, evidently only to justify himself before the stranger. "Sister must have taken her, or else where can she be?" he added.

 

"Monster! Villain!" shouted the woman angrily, suddenly ceasing to weep. "You have no heart, you don't feel for your own child! Another man would have rescued her from the fire. But this is a monster and neither a man nor a father! You, honored sir, are a noble man," she went on, addressing Pierre rapidly between her sobs. "The fire broke out alongside, and blew our way, the maid called out 'Fire!' and we rushed to collect our things. We ran out just as we were.... This is what we have brought away.... The icons, and my dowry bed, all the rest is lost. We seized the children. But not Katie! Ooh! O Lord!..." and again she began to sob. "My child, my dear one! Burned, burned!"

 

"But where was she left?" asked Pierre.

 

From the expression of his animated face the woman saw that this man might help her.

 

"Oh, dear sir!" she cried, seizing him by the legs. "My benefactor, set my heart at ease.... Aniska, go, you horrid girl, show him the way!" she cried to the maid, angrily opening her mouth and still farther exposing her long teeth.

 

"Show me the way, show me, I... I'll do it," gasped Pierre rapidly.

 

The dirty maidservant stepped from behind the trunk, put up her plait, sighed, and went on her short, bare feet along the path. Pierre felt as if he had come back to life after a heavy swoon. He held his head higher, his eyes shone with the light of life, and with swift steps he followed the maid, overtook her, and came out on the Povarskoy. The whole street was full of clouds of black smoke. Tongues of flame here and there broke through that cloud. A great number of people crowded in front of the conflagration. In the middle of the street stood a French general saying something to those around him. Pierre, accompanied by the maid, was advancing to the spot where the general stood, but the French soldiers stopped him.

 

"On ne passe pas!"* cried a voice.

 

*"You can't pass!

 

"This way, uncle," cried the girl. "We'll pass through the side street, by the Nikulins'!"

 

Pierre turned back, giving a spring now and then to keep up with her. She ran across the street, turned down a side street to the left, and, passing three houses, turned into a yard on the right.

 

"It's here, close by," said she and, running across the yard, opened a gate in a wooden fence and, stopping, pointed out to him a small wooden wing of the house, which was burning brightly and fiercely. One of its sides had fallen in, another was on fire, and bright flames issued from the openings of the windows and from under the roof.

 

As Pierre passed through the fence gate, he was enveloped by hot air and involuntarily stopped.

 

"Which is it? Which is your house?" he asked.

 

"Ooh!" wailed the girl, pointing to the wing. "That's it, that was our lodging. You've burned to death, our treasure, Katie, my precious little missy! Ooh!" lamented Aniska, who at the sight of the fire felt that she too must give expression to her feelings.

 

Pierre rushed to the wing, but the heat was so great that he involuntarily passed round in a curve and came upon the large house that was as yet burning only at one end, just below the roof, and around which swarmed a crowd of Frenchmen. At first Pierre did not realize what these men, who were dragging something out, were about; but seeing before him a Frenchman hitting a peasant with a blunt saber and trying to take from him a fox-fur coat, he vaguely understood that looting was going on there, but he had no time to dwell on that idea.

 

The sounds of crackling and the din of falling walls and ceilings, the whistle and hiss of the flames, the excited shouts of the people, and the sight of the swaying smoke, now gathering into thick black clouds and now soaring up with glittering sparks, with here and there dense sheaves of flame (now red and now like golden fish scales creeping along the walls), and the heat and smoke and rapidity of motion, produced on Pierre the usual animating effects of a conflagration. It had a peculiarly strong effect on him because at the sight of the fire he felt himself suddenly freed from the ideas that had weighed him down. He felt young, bright, adroit, and resolute. He ran round to the other side of the lodge and was about to dash into that part of it which was still standing, when just above his head he heard several voices shouting and then a cracking sound and the ring of something heavy falling close beside him.

 

Pierre looked up and saw at a window of the large house some Frenchmen who had just thrown out the drawer of a chest, filled with metal articles. Other French soldiers standing below went up to the drawer.

 

"What does this fellow want?" shouted one of them referring to Pierre.

 

"There's a child in that house. Haven't you seen a child?" cried Pierre.

 

"What's he talking about? Get along!" said several voices, and one of the soldiers, evidently afraid that Pierre might want to take from them some of the plate and bronzes that were in the drawer, moved threateningly toward him.

 

"A child?" shouted a Frenchman from above. "I did hear something squealing in the garden. Perhaps it's his brat that the fellow is looking for. After all, one must be human, you know...."

 

"Where is it? Where?" said Pierre.

 

"There! There!" shouted the Frenchman at the window, pointing to the garden at the back of the house. "Wait a bit--I'm coming down."

 

And a minute or two later the Frenchman, a black-eyed fellow with a spot on his cheek, in shirt sleeves, really did jump out of a window on the ground floor, and clapping Pierre on the shoulder ran with him into the garden.

 

"Hurry up, you others!" he called out to his comrades. "It's getting hot."

 

When they reached a gravel path behind the house the Frenchman pulled Pierre by the arm and pointed to a round, graveled space where a three-year-old girl in a pink dress was lying under a seat.

 

"There is your child! Oh, a girl, so much the better!" said the Frenchman. "Good-by, Fatty. We must be human, we are all mortal you know!" and the Frenchman with the spot on his cheek ran back to his comrades.

 

Breathless with joy, Pierre ran to the little girl and was going to take her in his arms. But seeing a stranger the sickly, scrofulous-looking child, unattractively like her mother, began to yell and run away. Pierre, however, seized her and lifted her in his arms. She screamed desperately and angrily and tried with her little hands to pull Pierre's hands away and to bite them with her slobbering mouth. Pierre was seized by a sense of horror and repulsion such as he had experienced when touching some nasty little animal. But he made an effort not to throw the child down and ran with her to the large house. It was now, however, impossible to get back the way he had come; the maid, Aniska, was no longer there, and Pierre with a feeling of pity and disgust pressed the wet, painfully sobbing child to himself as tenderly as he could and ran with her through the garden seeking another way out.

 

CHAPTER XXXIV

 

Having run through different yards and side streets, Pierre got back with his little burden to the Gruzinski garden at the corner of the Povarskoy. He did not at first recognize the place from which he had set out to look for the child, so crowded was it now with people and goods that had been dragged out of the houses. Besides Russian families who had taken refuge here from the fire with their belongings, there were several French soldiers in a variety of clothing. Pierre took no notice of them. He hurried to find the family of that civil servant in order to restore the daughter to her mother and go to save someone else. Pierre felt that he had still much to do and to do quickly. Glowing with the heat and from running, he felt at that moment more strongly than ever the sense of youth, animation, and determination that had come on him when he ran to save the child. She had now become quiet and, clinging with her little hands to Pierre's coat, sat on his arm gazing about her like some little wild animal. He glanced at her occasionally with a slight smile. He fancied he saw something pathetically innocent in that frightened, sickly little face.

 

He did not find the civil servant or his wife where he had left them. He walked among the crowd with rapid steps, scanning the various faces he met. Involuntarily he noticed a Georgian or Armenian family consisting of a very handsome old man of Oriental type, wearing a new, cloth-covered, sheepskin coat and new boots, an old woman of similar type, and a young woman. That very young woman seemed to Pierre the perfection of Oriental beauty, with her sharply outlined, arched, black eyebrows and the extraordinarily soft, bright color of her long, beautiful, expressionless face. Amid the scattered property and the crowd on the open space, she, in her rich satin cloak with a bright lilac shawl on her head, suggested a delicate exotic plant thrown out onto the snow. She was sitting on some bundles a little behind the old woman, and looked from under her long lashes with motionless, large, almond-shaped eyes at the ground before her. Evidently she was aware of her beauty and fearful because of it. Her face struck Pierre and, hurrying along by the fence, he turned several times to look at her. When he had reached the fence, still without finding those he sought, he stopped and looked about him.

 

With the child in his arms his figure was now more conspicuous than before, and a group of Russians, both men and women, gathered about him.

 

"Have you lost anyone, my dear fellow? You're of the gentry yourself, aren't you? Whose child is it?" they asked him.

 

Pierre replied that the child belonged to a woman in a black coat who had been sitting there with her other children, and he asked whether anyone knew where she had gone.

 

"Why, that must be the Anferovs," said an old deacon, addressing a pockmarked peasant woman. "Lord have mercy, Lord have mercy!" he added in his customary bass.

 

"The Anferovs? No," said the woman. "They left in the morning. That must be either Mary Nikolievna's or the Ivanovs'!"

 

"He says 'a woman,' and Mary Nikolievna is a lady," remarked a house serf.

 

"Do you know her? She's thin, with long teeth," said Pierre.

 

"That's Mary Nikolievna! They went inside the garden when these wolves swooped down," said the woman, pointing to the French soldiers.

 

"O Lord, have mercy!" added the deacon.

 

"Go over that way, they're there. It's she! She kept on lamenting and crying," continued the woman. "It's she. Here, this way!"

 

But Pierre was not listening to the woman. He had for some seconds been intently watching what was going on a few steps away. He was looking at the Armenian family and at two French soldiers who had gone up to them. One of these, a nimble little man, was wearing a blue coat tied round the waist with a rope. He had a nightcap on his head and his feet were bare. The other, whose appearance particularly struck Pierre, was a long, lank, round-shouldered, fair-haired man, slow in his movements and with an idiotic expression of face. He wore a woman's loose gown of frieze, blue trousers, and large torn Hessian boots. The little barefooted Frenchman in the blue coat went up to the Armenians and, saying something, immediately seized the old man by his legs and the old man at once began pulling off his boots. The other in the frieze gown stopped in front of the beautiful Armenian girl and with his hands in his pockets stood staring at her, motionless and silent.

 

"Here, take the child!" said Pierre peremptorily and hurriedly to the woman, handing the little girl to her. "Give her back to them, give her back!" he almost shouted, putting the child, who began screaming, on the ground, and again looking at the Frenchman and the Armenian family.

 

The old man was already sitting barefoot. The little Frenchman had secured his second boot and was slapping one boot against the other. The old man was saying something in a voice broken by sobs, but Pierre caught but a glimpse of this, his whole attention was directed to the Frenchman in the frieze gown who meanwhile, swaying slowly from side to side, had drawn nearer to the young woman and taking his hands from his pockets had seized her by the neck.

Other books

El Fin de la Historia by Francis Fukuyama
The Lost Art of Listening by Nichols, Michael P.
Si in Space by John Luke Robertson
The Last Cut by Michael Pearce
The Book Of Three by Alexander, Lloyd
Lynnia by Ellie Keys