The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (94 page)

BOOK: The Complete Works of Leo Tolstoy (25+ Works with active table of contents)
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Hearing of the close intimacy between Alexey Alexandrovitch and Countess Lidia Ivanovna, Anna decided on the third day to write to her a letter, which cost her great pains, and in which she intentionally said that permission to see her son must depend on her husband's generosity. She knew that if the letter were shown to her husband, he would keep up his character of magnanimity, and would not refuse her request.

 

The commissionaire who took the letter had brought her back the most cruel and unexpected answer, that there was no answer. She had never felt so humiliated as at the moment when, sending for the commissionaire, she heard from him the exact account of how he had waited, and how afterwards he had been told there was no answer. Anna felt humiliated, insulted, but she saw that from her point of view Countess Lidia Ivanovna was right. Her suffering was the more poignant that she had to bear it in solitude. She could not and would not share it with Vronsky. She knew that to him, although he was the primary cause of her distress, the question of her seeing her son would seem a matter of very little consequence. She knew that he would never be capable of understanding all the depth of her suffering, that for his cool tone at any allusion to it she would begin to hate him. And she dreaded that more than anything in the world, and so she hid from him everything that related to her son. Spending the whole day at home she considered ways of seeing her son, and had reached a decision to write to her husband. She was just composing this letter when she was handed the letter from Lidia Ivanovna. The countess's silence had subdued and depressed her, but the letter, all that she read between the lines in it, so exasperated her, this malice was so revolting beside her passionate, legitimate tenderness for her son, that she turned against other people and left off blaming herself.

 

"This coldness--this pretense of feeling!" she said to herself. "They must needs insult me and torture the child, and I am to submit to it! Not on any consideration! She is worse than I am. I don't lie, anyway." And she decided on the spot that next day, Seryozha's birthday, she would go straight to her husband's house, bribe or deceive the servants, but at any cost see her son and overturn the hideous deception with which they were encompassing the unhappy child.

 

She went to a toy shop, bought toys and thought over a plan of action. She would go early in the morning at eight o'clock, when Alexey Alexandrovitch would be certain not to be up. She would have money in her hand to give the hall porter and the footman, so that they should let her in, and not raising her veil, she would say that she had come from Seryozha's godfather to congratulate him, and that she had been charged to leave the toys at his bedside. She had prepared everything but the words she should say to her son. Often as she had dreamed of it, she could never think of anything.

 

The next day, at eight o'clock in the morning, Anna got out of a hired sledge and rang at the front entrance of her former home.

 

"Run and see what's wanted. Some lady," said Kapitonitch, who, not yet dressed, in his overcoat and galoshes, had peeped out of the window and seen a lady in a veil standing close up to the door. His assistant, a lad Anna did not know, had no sooner opened the door to her than she came in, and pulling a three-rouble note out of her muff put it hurriedly into his hand.

 

"Seryozha--Sergey Alexeitch," she said, and was going on. Scrutinizing the note, the porter's assistant stopped her at the second glass door.

 

"Whom do you want?" he asked.

 

She did not hear his words and made no answer.

 

Noticing the embarrassment of the unknown lady, Kapitonitch went out to her, opened the second door for her, and asked her what she was pleased to want.

 

"From Prince Skorodumov for Sergey Alexeitch," she said.

 

"His honor's not up yet," said the porter, looking at her attentively.

 

Anna had not anticipated that the absolutely unchanged hall of the house where she had lived for nine years would so greatly affect her. Memories sweet and painful rose one after another in her heart, and for a moment she forgot what she was here for.

 

"Would you kindly wait?" said Kapitonitch, taking off her fur cloak.

 

As he took off the cloak, Kapitonitch glanced at her face, recognized her, and made her a low bow in silence.

 

"Please walk in, your excellency," he said to her.

 

She tried to say something, but her voice refused to utter any sound; with a guilty and imploring glance at the old man she went with light, swift steps up the stairs. Bent double, and his galoshes catching in the steps, Kapitonitch ran after her, trying to overtake her.

 

"The tutor's there; maybe he's not dressed. I'll let him know."

 

Anna still mounted the familiar staircase, not understanding what the old man was saying.

 

"This way, to the left, if you please. Excuse its not being tidy. His honor's in the old parlor now," the hall porter said, panting. "Excuse me, wait a little, your excellency; I'll just see," he said, and overtaking her, he opened the high door and disappeared behind it. Anna stood still waiting. "He's only just awake," said the hall porter, coming out. And at the very instant the porter said this, Anna caught the sound of a childish yawn. From the sound of this yawn alone she knew her son and seemed to see him living before her eyes.

 

"Let me in; go away!" she said, and went in through the high doorway. On the right of the door stood a bed, and sitting up in the bed was the boy. His little body bent forward with his nightshirt unbuttoned, he was stretching and still yawning. The instant his lips came together they curved into a blissfully sleepy smile, and with that smile he slowly and deliciously rolled back again.

 

"Seryozha!" she whispered, going noiselessly up to him.

 

When she was parted from him, and all this latter time when she had been feeling a fresh rush of love for him, she had pictured him as he was at four years old, when she had loved him most of all. Now he was not even the same as when she had left him; he was still further from the four-year-old baby, more grown and thinner. How thin his face was, how short his hair was! What long hands! How he had changed since she left him! But it was he with his head, his lips, his soft neck and broad little shoulders.

 

"Seryozha!" she repeated just in the child's ear.

 

He raised himself again on his elbow, turned his tangled head from side to side as though looking for something, and opened his eyes. Slowly and inquiringly he looked for several seconds at his mother standing motionless before him, then all at once he smiled a blissful smile, and shutting his eyes, rolled not backwards but towards her into her arms.

 

"Seryozha! my darling boy!" she said, breathing hard and putting her arms round his plump little body. "Mother!" he said, wriggling about in her arms so as to touch her hands with different parts of him.

 

Smiling sleepily still with closed eyes, he flung fat little arms round her shoulders, rolled towards her, with the delicious sleepy warmth and fragrance that is only found in children, and began rubbing his face against her neck and shoulders.

 

"I know," he said, opening his eyes; "it's my birthday today. I knew you'd come. I'll get up directly."

 

And saying that he dropped asleep.

 

Anna looked at him hungrily; she saw how he had grown and changed in her absence. She knew, and did not know, the bare legs so long now, that were thrust out below the quilt, those short-cropped curls on his neck in which she had so often kissed him. She touched all this and could say nothing; tears choked her.

 

"What are you crying for, mother?" he said, waking completely up. "Mother, what are you crying for?" he cried in a tearful voice.

 

"I won't cry...I'm crying for joy. It's so long since I've seen you. I won't, I won't," she said, gulping down her tears and turning away. "Come, it's time for you to dress now," she added, after a pause, and, never letting go his hands, she sat down by his bedside on the chair, where his clothes were put ready for him.

 

"How do you dress without me? How..." she tried to begin talking simply and cheerfully, but she could not, and again she turned away.

 

"I don't have a cold bath, papa didn't order it. And you've not seen Vassily Lukitch? He'll come in soon. Why, you're sitting on my clothes!"

 

And Seryozha went off into a peal of laughter. She looked at him and smiled.

 

"Mother, darling, sweet one!" he shouted, flinging himself on her again and hugging her. It was as though only now, on seeing her smile, he fully grasped what had happened.

 

"I don't want that on," he said, taking off her hat. And as it were, seeing her afresh without her hat, he fell to kissing her again.

 

"But what did you think about me? You didn't think I was dead?"

 

"I never believed it."

 

"You didn't believe it, my sweet?"

 

"I knew, I knew!" he repeated his favorite phrase, and snatching the hand that was stroking his hair, he pressed the open palm to his mouth and kissed it.

 

Chapter 30

 

Meanwhile Vassily Lukitch had not at first understood who this lady was, and had learned from their conversation that it was no other person than the mother who had left her husband, and whom he had not seen, as he had entered the house after her departure. He was in doubt whether to go in or not, or whether to communicate with Alexey Alexandrovitch. Reflecting finally that his duty was to get Seryozha up at the hour fixed, and that it was therefore not his business to consider who was there, the mother or anyone else, but simply to do his duty, he finished dressing, went to the door and opened it.

 

But the embraces of the mother and child, the sound of their voices, and what they were saying, made him change his mind.

 

He shook his head, and with a sigh he closed the door. "I'll wait another ten minutes," he said to himself, clearing his throat and wiping away tears.

 

Among the servants of the household there was intense excitement all this time. All had heard that their mistress had come, and that Kapitonitch had let her in, and that she was even now in the nursery, and that their master always went in person to the nursery at nine o'clock, and every one fully comprehended that it was impossible for the husband and wife to meet, and that they must prevent it. Korney, the valet, going down to the hall porter's room, asked who had let her in, and how it was he had done so, and ascertaining that Kapitonitch had admitted her and shown her up, he gave the old man a talking-to. The hall porter was doggedly silent, but when Korney told him he ought to be sent away, Kapitonitch darted up to him, and waving his hands in Korney's face, began:

 

"Oh yes, to be sure you'd not have let her in! After ten years' service, and never a word but of kindness, and there you'd up and say, 'Be off, go along, get away with you!' Oh yes, you're a shrewd one at politics, I dare say! You don't need to be taught how to swindle the master, and to filch fur coats!"

 

"Soldier!" said Korney contemptuously, and he turned to the nurse who was coming in. "Here, what do you think, Marya Efimovna: he let her in without a word to anyone," Korney said addressing her. "Alexey Alexandrovitch will be down immediately--and go into the nursery!"

 

"A pretty business, a pretty business!" said the nurse. "You, Korney Vassilievitch, you'd best keep him some way or other, the master, while I'll run and get her away somehow. A pretty business!"

 

When the nurse went into the nursery, Seryozha was telling his mother how he and Nadinka had had a fall in sledging downhill, and had turned over three times. She was listening to the sound of his voice, watching his face and the play of expression on it, touching his hand, but she did not follow what he was saying. She must go, she must leave him,--this was the only thing she was thinking and feeling. She heard the steps of Vassily Lukitch coming up to the door and coughing; she heard, too, the steps of the nurse as she came near; but she sat like one turned to stone, incapable of beginning to speak or to get up.

 

"Mistress, darling!" began the nurse, going up to Anna and kissing her hands and shoulders. "God has brought joy indeed to our boy on his birthday. You aren't changed one bit."

 

"Oh, nurse dear, I didn't know you were in the house," said Anna, rousing herself for a moment.

 

"I'm not living here, I'm living with my daughter. I came for the birthday, Anna Arkadyevna, darling!"

 

The nurse suddenly burst into tears, and began kissing her hand again.

 

Seryozha, with radiant eyes and smiles, holding his mother by one hand and his nurse by the other, pattered on the rug with his fat little bare feet. The tenderness shown by his beloved nurse to his mother threw him into an ecstasy.

 

"Mother! She often comes to see me, and when she comes..." he was beginning, but he stopped, noticing that the nurse was saying something in a whisper to his mother, and that in his mother's face there was a look of dread and something like shame, which was so strangely unbecoming to her.

 

She went up to him.

 

"My sweet!" she said.

 

She could not say good-bye, but the expression on her face said it, and he understood. "Darling, darling Kootik!" she used the name by which she had called him when he was little, "you won't forget me? You..." but she could not say more.

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