The Concise Oxford Dictionary of Art and Artists (122 page)

Cragg , Tony
.

See
NEW BRITISH SCULPTURE
.

 
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(1472–1553).
German painter. He takes his name from the small town of Kronach in South Germany, where he was born, and very little is known of his life before about 1500–1, when he settled in Vienna and started working in the humanist circles associated with the newly founded university. His stay in Vienna was brief (he left in 1504), but in his period there he painted some of his finest and most original works. They include portraits, notably those of
Johannes Cuspinian
, a lecturer at the university, and his wife
Anna
(Reinhart Coll., Winterhur), and several religious works in which he shows a remarkable feeling for the beauty of landscape characteristic of the
Danube School
. The finest example of this manner is perhaps the
Rest on the Flight into Egypt
(Staatliche Museen, Berlin), which shows the Holy Family resting in the glade of a German pine forest. It was painted in 1504, just before Cranach went to Wittenberg as court painter to Frederick III (the Wise), Elector of Saxony.
Cranach remained in Wittenberg until 1550, when he followed John Frederick (the Unfortunate) into exile, in Augsburg. During his time in Wittenberg he became extremely wealthy and one of the city's most respected citizens, serving as burgomaster for several years. His paintings were eagerly sought by collectors, and his busy studio often produced numerous replicas of popular designs, particularly those in which he showed his skill at depicting female beauty—more than ten versions are known of his
Reclining Nymph
. He excelled at erotic nudes, which sometimes draw on Italian
Renaissance
models but are totally different in spirit, and he also had a penchant for pictures of coquettish women wearing large hats, sometimes shown as Judith or the goddesses in the
Judgement of Paris
. The most innovative works of his Wittenberg period, however, are probably his full-length portraits (
The Duke
and
Duchess of Saxony
, Gemäldegalerie, Dresden, 1514). Cranach continued with his religious work, but his woodcut designs (notably those for the first German edition of the New Testament in 1522) are generally more interesting than his paintings in this sphere. He also painted several portraits of Martin Luther. Despite his allegiance to the Protestant cause, he continued to work for Catholic patrons and was a very astute businessman. During the last years of his life Cranach was assisted by his son,
Lucas the Younger
(1515–86), who carried on the tradition of the workshop and imitated his father's style so successfully that it is often difficult to distinguish between their hands.

 
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(1845–1915).
English graphic artist and designer. Best remembered today as an illustrator of children's books, he was also a painter and designer; he was associated with
Burne-Jones
and William
Morris
in their work for the reform of decorative and applied art, designing wallpapers, printed fabrics, and stained glass, and also making illustrations for Morris's
Kelmscott Press
. His work was exhibited in the USA as well as in Europe and he achieved some prestige as a writer and educationalist. He was influential in the
Arts and Crafts Movement
.

 
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craquelure
.

The network of small cracks which appears on a painting when in the course of time the
pigment
or
varnish
has become brittle.

 
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(1813–57).
American sculptor. He settled in Rome in 1835, studied with
Thorvaldsen
and became the most thoroughgoing
Neoclassicist
among American sculptors of his generation. Although he stayed in Rome, he attained an extraordinary reputation in America and received numerous prestigious public commissions, among them the equestrian
George Washington
(1857) in Richmond, Virginia, and the
Armed Liberty
on top of the Capitol dome at Washington, which was set in place in 1863 after his early death from cancer.

 
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