The Corn King and the Spring Queen (3 page)

There was a tapping on the open door of the forge; Berris looked round, half angry at being disturbed, half pleased at having someone fresh to admire his work. Erif Der stepped back one pace and sat down on the floor beside another chest which stood between the fire and the window. ‘Come in!' said Berris, smiling at his horse; ‘come and look.'

A man came in out of the sunshine and stood beside Berris, one hand on his shoulder. ‘So!' he said, ‘you have something new?' And he stood with his head a little on one side, looking at it. He was older than Berris, tall and graceful, with long, broad-tipped fingers, bare legs, and dark, curly hair; he was clean shaven and his eyes and mouth showed what was going on in his mind. His clothes looked odd and bright in the forge: a short, full tunic of fine linen, light red bordered with deeper red, and a heavy mantle flung round him, one end caught in his belt, the other over his shoulder and hanging thickly and beautifully from his arm. He had thin sandals on his feet and moved cautiously, afraid of knocking against some hot metal.

‘What do you make of it, Epigethes?' said Berris Der, speaking shyly in Greek.

The other man smiled and did not answer at once; when he spoke it was gravely, paternally almost, though he was not so very much older than Berris. ‘Very nice,' he said.

‘You don't think so!' said Berris quickly, flushing, frowning at his horse. ‘It isn't!'

The Greek laid a hand kindly on his shoulder: ‘Well, Berris, it's rough, isn't it?—harsh, tortured?'

‘Yes—yes—but isn't that, partly, the hammering?'

‘Of course. What have I always told you? You must work on the clay first till you get out all these violences. And then cast.'

‘But, Epigethes, I hate clay! It's so soft, such a long way from what I want. And then, there's the time it takes, with the wax and all—and when it's done I've got to scrape and file and chip and fill in nail holes!'

‘I know, I know,' said Epigethes soothingly, ‘but you can always come to me for the casting: any time you like. I would tell my man, and you would have nothing to do but leave the model with him.'

‘Yes, but—' said Berris again, and then suddenly, ‘Oh, it's more than that! Whatever I did, you wouldn't like it! I can't make my things right, I never shall!' He looked down at the shape on the anvil; he hated his little horse now.

Epigethes sat down on the bench; still he had not seen Erif Der. ‘Berris,' he said, ‘I'll make you an offer. I can teach you, I know I can teach you! You have the hands and eyes—everything but the spirit. There—forgive me, Berris!—you are still a barbarian. No fault of yours: but I can cure it. Come and work with me for six months, and no one will know that you are not a Hellene born.' But Berris Der was getting more and more gloomy; all the joy had faded out of his horse; he saw nothing but its faults, its weaknesses; he lost all pride and assertion, could not hope to be anything but a failure; he shook his head. ‘No, but I promise you!' said Epigethes. ‘I swear by Apollo himself! And all I ask is what you can give me easily, this pure northern gold of yours, the weight of a loaf of bread, no more. And not coined, not to spend on foolishness, but to use as an artist, to make into beauty! Like this, Berris'—he put his hand into the breast fold of his mantle—‘and I am sure you could do as good if once you had the spirit.'

Berris bent over to look. It was a gold plaque in low relief, a woman's head bowered in grape tendrils, with heavy, flowing lines of throat and chin, female even in the gold, and exquisite, minutely perfect work on the grapes—those vines that had been worked on over and over again by generations of Greek artists, till they knew for certain which way every tiniest branchlet should go. But it all meant something different to Berris Der, something worshipful, the impacted art tradition of Hellas: for a poor barbarian to stare at and admire, but never to criticize, oh no, not criticize. He took it in his hands; how different it was from his horse, how well Epigethes must have known just what it was he wanted, and exactly how to get it! And he would be able to make things like this, if once he gave himself up to the Greek, gave his hands and powers as tools for the other to work with. He would make—as one should, one clearly should!—soft, lucid shapes, nature beautified, life in little, sane, unfantastic.

He went to the chest again and took out something else, half of a gold buckle, beaten into a gorgon's head, full face, with staring eyes. He passed it to Epigethes, rather roughly. ‘Is that better?' ‘But of course!' said the Greek, surprised, holding it up to the light. ‘No one need be ashamed of this. The style is coming; why, it is like a boss on the big vase I am making now. You will be an artist yet! When did you make it?' Berris Der looked at the ground. ‘I went to your house a week ago,' he said, ‘when you were with the Chief. I saw your vase; I measured the heads on it. This is a copy.' And he snatched it back and shoved it into the chest, trembling a little.

‘Why not?' said Epigethes, ‘between friends? You cannot do better than copy me for the next half-year. It will train your eye, and everything else will follow. Come again when I'm there: any time. I doubt if your Chief wants to see me again!'

‘Tarrik! Why not?'

‘Oh,' Epigethes smiled, a little self-consciously, ‘I'm afraid he does not care for my work. I thought he might, having some Hellene blood himself. But no: you, the pure Scythian, you are more nearly Athenian than he.'

Berris was sad, he wanted to justify the Chief—and yet—‘I wish he liked them; but perhaps he will some day. Me more Athenian … Oh, do tell me about Athens again!'

Epigethes laughed. ‘Some day you shall come there with me and see all the temples and theatres and pictures and everything! You shall fall in love with all the goddesses and try to pick the painted roses, and you will forget that you once twisted iron into ugly shapes.'

‘Oh, I wish I could come!' said Berris, ‘I do so long for Hellas!' And he coloured and looked out of the window, thinking what a barbarian he must seem. But about Tarrik—‘Why did the Chief not like your work, Epigethes? How could he help it? What did he say?'

‘Oh, he said a great many things, foolish mostly. But it makes difficulties for me. I had hoped, if he cared for my things, laid out some of his treasures on these—perhaps!—more lasting treasures, I might have been able to stay here for a long time, teaching you some of it. But now—well, I am not a rich man.'

The Greek glanced at his plaque again, then folded it up in a square of linen and put it back. Berris Der went over to the wall and unlocked a tiny metal door, heavily hinged, that opened with a certain difficulty. Epigethes turned his head tactfully away. Berris took out a solid lump of gold, about the size of an apple. ‘I meant to work on it,' he said, ‘but you—you are worthier. Take it. Oh please, take it!'

The Greek shook his head. ‘How can I? My dear boy, I can't take your gold like this.'

But Berris held it out to him imploringly. ‘Oh, I do want you to stay! It's mine, my very own, do take it!'

Epigethes seemed to make up his mind. ‘Very well,' he said, ‘if you will come and take lessons from me.'

‘Oh I will!' cried Berris, ‘and you shall teach me to be a Hellene!'

‘If your Chief will let me!' said Epigethes, feeling the golden lump with his finger-tips.

‘I'm sorry about that.' And then Berris had a brilliant thought: ‘Oh, Epigethes, you must go to my father. He'll buy your things—after I've spoken to him. And my brother, down in the marshes, I'll take you there. Will you start teaching me soon?'

‘Tomorrow if you like. Walk with me to the corner of the street, won't you? Let me see your keys, Berris; you made them, I expect? Still crude, you see.'

They walked out together. When they were quite gone, Erif Der got up and went over to the anvil; the horse was nearly cold; she stared at him with lips pursed, poked him here and there, turned him over. Then she shrugged her shoulders and went back to her corner. She had a handful of little metal scraps, bronze and copper and iron; she arranged them on the floor in patterns. Or perhaps they arranged themselves, while she sang to them, a tiny, thin song in the back of her throat.

Berris Der came back to his forge looking very grown up and determined. He took up his tongs. ‘Blow the fire!' he told his sister. She began, then stopped, one hand on the bellows. ‘You aren't going to change your horse?' she asked. But, ‘Blow!' he half shouted at her, ‘I want it hot, melting hot!' And he threw on more wood. She started blowing, with long, steady strokes from the shoulder; twice she spoke to him, but he did not answer. He took his biggest
hammer, a great, heavy, broad-headed thing, and propped it against the anvil. The logs flared and glowed and crumbled into white heat; the little iron horse lay there till he was red all over, and the girl's back ached from the bellows. ‘So!' said Berris, and she stopped, and straightened herself with a sigh of relief.

He took the horse and laid it on the anvil; he looked at it with cold anger, and then began to smash it with the big hammer, all over. The red-hot sparks flew round him, thick and low, scorching his leather apron and shoes; he hit anyhow, with a blind, horrible passion of hate against his own work, grunting at his efforts sometimes, but saying no word. He did not stop till the iron was black again, and shapeless. Then he took it up with the tongs and threw it clanging into a corner of old cast-off scraps. Erif Der watched it go; she was back again in her old place on the floor.

Her brother went to his chest and stood beside it, taking out one thing after another, mostly half finished; he handled them and frowned or muttered at them, and put them back again. At last he unwrapped the Gorgon's head buckle, and found a piece of gold, roughly beaten out, and compared the two; he was copying the head exactly on to the other half of the buckle. He took them both over to his bench, right under the window, and began to measure and make tiny marks on the gold. They were right under his eyes as he sat upright with both elbows in front of him on the bench to steady himself. He took his magnifying crystal out of the soft leather roll it lived in, and peered through it, counting and placing the tiny balls of filigree. But he seemed clumsy at his tools; his hands were shaking after all that violent hammering; he dealt unlovingly with the things. Once or twice other men passed the window and looked in and spoke to him; he answered crossly, covering the work with his hands. Sometimes there was sun shining on him, but more often not, as the day had turned out cloudy after all.

B
Y AND BYE ERIF
Der felt that someone was watching her; she looked up, rather cross at having been caught. Under her eye-lashes she saw Tarrik lolling against one of
the door-posts, quite quiet, with a bow in his left hand. He had a squarish, smiling, lazy face; the oddest thing about it were his bright brown eyes that looked straight into yours. He was clean shaven about the chin, but in front of his ears and on his cheek-bones near the outward corners of his eyes, there were little soft hairs. He was brown and red as to colour, as if he lay out in the sun all day, and let it warm his bare skin while others were working. Like Berris, he wore loose shirt and trousers, both of white linen, and a white felt coat embroidered with rising suns and a criss-cross of different-coloured sunrays. His belt was all gold, dolphins linked head to tail; it had a rather small sword hanging from it on one side, and at the other a gold-plated quiver of arrows, a whistle, and a tiny hunting-knife with an onyx handle. He wore a crown, being Chief, a high felt cap, covered with tiers and tiers of odd, fighting, paired griffins in soft gold; his hair, underneath, was dark brown and curly; on his upper lip, too, it was brown and quite short, so that one saw his mouth, and, when he laughed, as he often did, his white, even, upper teeth.

The girl looked quickly from him to her brother; but Berris was tap-tapping on the gold, with his back to them both. Tarrik smiled, tightened his bowstring and began playing with it, till it buzzed like a wasp. She frowned at him, not sure whether he mightn't be laughing at her, treating her like a baby, when really it was she who had all the power. She put her hand to the wooden star under her dress.

Then the tapping at the bench stopped and Berris called her to blow the fire again; the gold was getting brittle, he had to anneal it. As he got up, Tarrik made the bowstring sound sharply again. He slipped off the stool and gave the Chief his formal salute, right hand with bare knife up to the forehead, then went over and took Tarrik by the upper arms and shook him with pleasure at the meeting. Tarrik grinned, and let him, and Erif Der took the opportunity of getting to her feet and taking out the wooden star. ‘I didn't know you were coming,' said Berris. ‘Oh, Tarrik, I've had a terrible day! I thought I'd made something good and it wasn't!'

‘How do you know?' said Tarrik, and his voice was as pleasant as his smile. ‘Let me see it.'

Berris shook his head. ‘No. I killed it. Wait, though; let me get this hot now, or it will crack.' He took the gold and put it carefully on to the fire, gripping it lightly all the time with his wood-handled tongs.

Tarrik leant over to look. ‘Yes,' he said, ‘that's bad. You'd better melt it down, Berris.'

At that Berris coloured, but still held the buckle steady in the flame. ‘Suppose,' he said, ‘suppose you know nothing at all about it?'

‘Has our handsome friend Epigethes been here? Has he?' asked Tarrik. ‘I thought so.' He looked across the fire at Erif Der, blowing the bellows, with the bracelet on one arm and the star tight in the other hand. He began to sing at her, very low, in time with her movements, a child's rhyme about little ships with all kinds of pretty ladings. And still she was not sure if he was laughing at her or making love to her. The fire on the forge between them nearly stopped her from working on him.

The gold was hot and soft by now; it would not crack. Berris Der took it out and across to the bench. ‘It's bad, it's bad, it's bad,' said Tarrik, leaning over, ‘it's like a little Greek making a face.' And suddenly Erif Der found that she liked Tarrik. That was so surprising that she nearly dropped the star; because she had never really thought of her own feelings before. There was she, Harn Der's daughter and a witch; so of course she would do everything she could for her father and brothers. And there was the Chief, who was to have the magic done on him, to be her husband for a few months—because that was part of it—but never, somehow, to get into her life. But if she liked him it would all be much harder. Quickly, fear came swamping into her mind; she wanted to stop, to run away. She began to creep out, very quietly, slinking along the walls of the forge. But Berris wanted his gold heated again; he called her to blow the fire, angrily, because he was working badly and because he hated Tarrik to tell him so. She went back, her head in the air, pretending to herself and every one else that she knew exactly what she wanted. But while she blew she got fuller of panic every moment. If she could not run, at any rate something must happen!

Tarrik was talking to Berris Der very gently, spinning his bow on its end or playing a sort of knuckle-bones with odd
pieces of wood. Most of the time he was abusing Epigethes, quite thoroughly, with maddeningly convincing proofs of everything he said. Sometimes Berris wanted not to hear, to be too deep in what he was doing, and sometimes he answered back, violently, trying to stop it. ‘He's the first Greek artist who's ever had the goodness to come here,' he said, ‘and this is all the welcome he gets! You—you who should have some feeling for Hellas—you haven't even the common decency to be civil to him the first time you meet. And you don't even manage to frighten him, you just make a fool of yourself—and a fool of Marob in all the cities of the world.'

‘Not if the corn we send them stays good,' said Tarrik, rather irritatingly.

‘Corn! You used to care for beauty. But when beauty comes to us you won't even look.'

‘And you won't look beyond a pretty tunic and a Greek name. Well, I've got a Greek name too, call me by it and see if you don't pay more attention to what I say.'

‘You fool, Tarrik!'

‘Charmantides.'

‘You—God, I'm over-heating it!' He snatched the buckle out of the fire and back to the window.

Tarrik followed him: ‘But if you do—isn't it bad and getting worse? Berris, look at it, look at it fresh, what's all this nonsense here, all this scratching, what is it about? There's no strength in it—oh, it is a bad little buckle! What else have you made?'

‘Nothing, nothing—I never have! All the beauty goes, the beauty goes between my eye and my hand! Oh, it's no use!' And suddenly he saw how bad it really was and dropped the hammer, let go of everything, and sat with his hands fallen at his sides and his forehead on the edge of the bench.

‘Stop!' said Tarrik. ‘Get up! Listen to me. I'm being Charmantides now. I'm just as good a Greek as Epigethes and I don't want to be paid for my lesson. I'm good Greek enough to know it's not something—something magic,' he said, looking round, a little startled, as if that had not been quite the thing he meant to say. ‘There's no use our copying Hellas; we haven't the hills and the sun. You know, Berris, that I've been there, I've seen these cities
of yours, and I would see them again gladly if I could, if I were not Chief here. And they are not so very wonderful; they are not alive as we are, and always I thought they were in bond. They pretend all the time, they even think they are free, but truly they are little and poor and peeping from side to side at their masters, Macedonia on one side, Egypt and Syria the other. Hellas is old, living on memories—no food for us. Turn away from it, Berris.'

‘Then you think my buckle is as bad as all that?' asked Berris mournfully, bringing it all, of course, to bear on his own work.

‘Look for yourself,' said Tarrik. ‘Take it as a whole. You don't know what you want. Is it a copy of life, less real, or a buckle for a belt? Which did you think of while you were making it?'

And so they might go on talking for hours and nothing would happen. Erif Der stood at the side of the forge, hands gripping elbows, her eyes full of reflected flames. ‘Tarrik!' she said, loud and suddenly, ‘is that all you have to say?' Both men stopped and turned round and looked at her. The light of the forge flickered on her cheeks and long plaits and the front of her throat, coming up, pale and soft out of the rough linen of her dress. Her mouth was a little open; there was a pattern round her feet. Berris stayed by the bench, but Tarrik dropped his bow, and came forward two steps. Aloud, he said, ‘Erif Der, I love you, I want to marry you.' He reached out towards her, but she was in a circle of her own and would not move from it; only he could hear her breathing gustily, as if she had been running; his own hammering heart sounded plainer still.

She did not answer him, but Berris did, with a question: ‘Do you? Will you marry her?'

‘No—yes,' said Tarrik, his hands up to his head, pressing the crown down on to his hair, half covering his ears.

Erif Der threw up her hands with a little cry, loosing him. ‘I did it!' she said, ‘I did it, Chief! Well? Am I clever?' She stepped out of her circle.

‘Why did you tell me?' said Tarrik softly. ‘When will you let me go?'

‘But I have!' she cried. ‘Now say—say what you really want!'

‘I want the same thing,' said Tarrik and pulled her over to him. She ducked, butting at him, clumsily, childishly, with head and fists, and got kissed on her neck and face and open mouth, maddeningly, and found nothing to shove against, nothing that would stay still and be fought; so that suddenly she went quiet and limp in his arms, and, as suddenly, he let her go. She had trodden on Tarrik's bow; the string snapped; he picked it up. ‘Witch,' he said, ‘I shall go to Harn Der, and then I shall marry you.'

‘I give my leave,' said Berris hastily, ‘and so will father.' But no one listened to him.

‘Very well,' said Erif Der. ‘Now listen, Tarrik. I will magic you as much as I please and you will not be able to stop me!'

‘Go on, then,' said Tarrik, ‘but there are some other things I shall do that you will not be able to stop.' She smoothed her plaits and stroked her hot face with her own familiar palms. ‘You'll see,' she said, and went out. But it was all very well when Berris pulled her hair; next time it would be Tarrik, who was much stronger. She knew her magic depended on herself and could be as much broken as she was; never mind, the sun had come out again, the sea smell swept up the streets of Marob, fresh and strong. She went back to the flax market, half running; father would be pleased with her, she must tell him quick. And how soon could Yersha possibly be got out of the Chiefs house?

Tarrik and Berris Der were still talking. When she had gone, they had dropped back at once to where they had left off, Berris wondering, startled at the way it had come, thinking of his father and not liking to talk about it to Tarrik, because it would have been bound to be all lies. But Tarrik felt wonderfully light, leaping from one thing to another in his airy mind. He had always been rather like this; he knew how it angered the Council and Harn Der, but now it was all marvellously accentuated. He knew that he was free, that nothing mattered—not Marob, not the corn, not the making of beauty, nor his own life. He went on talking seriously, as he had done before, but every now and then laughter rose in him like a secret wind, and shook his mouth while he was speaking about art to Berris Der. By and bye it became too much and he got up, saying he would go to Harn Der later that day, but must go now
to the Council. ‘Yes,' said Berris, startled, ‘because of the road? I should have thought of it—oh, go quick!' He pushed the bow into his hand and hurried him out. Tarrik went out of the forge and down the street with a kind of swaying, dancing walk, as if he were trying not to bound into the air at every step.

As soon as he was out of sight, Berris took the half-made buckle and melted it down, with some filings he had, and ran it into a plain bar. He would have done the same with the other buckle, but at the last moment he stopped, he could not bear to kill so much of his own work in one morning. Then he damped down the fire, hung up his leather apron, and saw that everything was locked up. He knew he should be glad that the plan was working and his father would be Chief so soon; but yet he felt heavy and sad, partly because of Tarrik, and partly because of his own failures, and partly because there had been so much magic going on round him for the last few hours.

Tarrik was worse than usual at the Council. To start with, he was late—not that he was often anything else, and anyhow they could always get on perfectly well without him—but still, unless he was there, none of their doings had any sacredness: they were only, as it were, parts of his body.

Today they were talking about a great plan that had been started the year before by Yellow Bull, the eldest son of Harn Der, who lived south in the marshes. He had gone over all the ground, punting himself through those queer, half-salt, weed-choked channels that spread inland for miles, alone in a flat boat, living on snared birds and eggs and muddy-tasting fish. He stood before the Council now, a rough-skinned, wild-eyed young man, wearing mostly fur, very eager to have his plan followed, very bad at explaining it. He wanted them to make a secret road through the marshes, building on piles between the islands, digging deep drains towards the sea, and making strong places here and there with walls and towers. There was firm ground a few feet down in many places, and their draining for the road would leave acres of dry pasture, where neither horses nor cattle had ever grazed before. And there were great, wild islands, that needed only to be cleared to get them new lands, where they would be free from attack
for ever, out of the reach of the Red Riders, and beyond … Yellow Bull did not know himself how his road should end. It went on and on, getting less real every mile that it went. Whenever he dreamt, it was this: of pushing and winding among endless reed-banks, with the smell of rotting stems always in his nostrils and the mud bubbling among the hidden roots. And his road would follow Yellow Bull through the reeds with great armies marching on it; and yet he would be alone. But Yellow Bull could not tell the Council his dreams, he could not say how much he wanted the road.