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Authors: Mavis Gallant

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The children were much too pretty to be taxed with lessons; Frau Stengel gave them film magazines to look at and supervised them contentedly, rocking and filing her nails. She lived a cozy, molelike existence in her room on the attic floor of the hotel, surrounded by crocheted mats, stony satin cushions, and pictures of kittens cut from magazines. Her radio, which was never still, filled the room with soupy operetta melodies, many of which reminded Frau Stengel of happier days and made her cry.

Everyone had been so cruel, so unkind, she would tell the children, drying her eyes. Frau Stengel and her husband had lived in Prague, where Herr Stengel, who now worked at some inferior job in a nearby town, had been splendidly situated until the end of the war, and then the Czechs sent them packing. They had left everything behind—all the tablecloths, the little coffee spoons!

Although the children were bored by the rain and not being allowed to go out, they enjoyed their days with Frau Stengel. Every day was just like the one before, which was a comfort; the mist and the rain hung on the windows, Frau Stengel's favorite music curled around the room like a warm bit of the fog itself, they ate chocolate biscuits purchased from the glass case in the dining room, and Frau Stengel, always good-tempered, always the same, told them stories. She told about Hitler, and the war, and about little children she knew who had been killed in bombardments or separated forever from their parents. The two little girls would listen, stolidly going on with their coloring or cutting out. They liked her stories, mostly because, like the room and the atmosphere, the stories never varied; they could have repeated many of them by heart, and they knew exactly at what point in each Frau Stengel would begin to cry. The girls had never seen anyone weep so much and so often.

“We like you, Frau Stengel,” Jane had said once, meaning that they would rather be shut up here in Frau Stengel's pleasantly overheated room than be downstairs alone in their bedroom or in the bleak, empty dining room. Frau Stengel had looked at them and after a warm, delicious moment had wiped her eyes. After that, Jane had tried it again, and with the same incredulity with which she and Ernestine had learned that if you pushed the button the elevator would arrive, every time, they had discovered that either one of them could bring on the great, sad tears that were, almost, the most entertaining part of their lessons. “We like you,” and off Frau Stengel would go while the two children watched, enchanted. Later, they learned that any mention of their father had nearly the same effect. They had no clear idea of the nature of their father's illness, or why it was sad; once they had been told that, because of his liver, he sometimes turned yellow, but this interesting evolution they had never witnessed.

“He's yellow today,” Jane would sometimes venture.

“Ah, so!” Frau Stengel would reply, her eyes getting bigger and bigger. Sometimes, after thinking it over, she wept, but not always.

For the past few days, however, Frau Stengel had been less diverting; she had melted less easily. Also, she had spoken of the joyous future when she and Herr Stengel would emigrate to Australia and open a little shop.

“To sell what?” said Ernestine, threatened with change.

“Tea and coffee,” said their governess dreamily.

In Australia, Frau Stengel had been told, half the people were black and savage, but one was far from trouble. She could not see the vision of the shop clearly, and spoke of coffee jars painted with hearts, a tufted chair where tired clients could rest. It was important, these days, that she fix her mind on rosy vistas, for her doctor had declared, and her horoscope had confirmed, that she was pregnant; she hinted of something to the Kennedy children, some revolution in her life, some reason their mother would have to find another governess before spring. But winter, the children knew, went on forever.

This morning, when Jane and Ernestine knocked on her door, Frau Stengel was sitting by her window in a glow of sunshine reflected from the snow on the mountains. “Come in,” she said, and smiled at them. What pathetic little orphans they were, so sad, and so fond of her. If it had not been for their affection for her, frequently and flatteringly expressed, Frau Stengel would have given them up days ago; they reminded her, vaguely, of unhappy things. She had told them so many stories about the past that just looking at the two little girls made her think of it all over again—dolorous thoughts, certain to affect the character and appearance of the unborn.

“Mother doesn't want us to go to the movies with you,” began Jane. She looked, expectant, but Frau Stengel said placidly, “Well, never do anything your mother wouldn't like.” This was to be another of her new cheerful days; disappointed, the children settled down to lessons. Ernestine colored the pictures in a movie magazine with crayons, and Jane made a bracelet of some coral rosebuds from an old necklace her mother had given her.

“It's nice here today,” said Jane. “We like it here.”

“The sun is shining. You should go out,” said Frau Stengel, yawning, quite as if she had not heard. “Don't forget the little rubbers.”

“Will you come?”

“Oh, no,” Frau Stengel said in a tantalizing, mysterious way. “It is important for me to rest.”

“For us, too,” said Ernestine jealously. “We have to rest. Everybody rests. Our father rests all the time. He has to, too.”

“Because he's so sick,” said Jane.

“He's dead,” said Ernestine. She gave Gregory Peck round blue eyes.

Frau Stengel looked up sharply. “Who is dead?” she said. “You must not use such a word in here, now.”

The children stared, surprised. Death had been spoken of so frequently in this room, on the same level as chocolate biscuits and coral rosebud bracelets.


He's dead
,” said Ernestine. “He died this morning.”

Frau Stengel stopped rocking. “Your father is
dead
?”

“Yes, he is,” said Ernestine. “He died, and we're supposed to stay here with you, and that's all.”

Their governess looked, bewildered, from one to the other; they sat, the image of innocence, side by side at her table, their hair caught up with blue ribbons.

“Why don't we go out now?” said Jane. The room was warm. She put her head down on the table and chewed the ends of her hair. “Come on,” she said, bored, and gave Ernestine a prod with her foot.

“In a minute,” her sister said indistinctly. She bent over the portrait she was coloring, pressing on the end of the crayon until it was flat. Waxy colored streaks were glued to the palm of her hand. She wiped her hand on the skirt of her starched blue frock. “All right, now,” she said, and got down from her chair.

“Where are you going, please?” said Frau Stengel, breathing at them through tense, widened nostrils. “Didn't your mother send a message for me? When did it happen?”

“What?” said Jane. “Can't we go out? You said we could, before.”

“It isn't true, about your father,” said Frau Stengel. “You made it up. Your father is not dead.”

“Oh, no,” said Jane, anxious to make the morning ordinary again. “She only said it, like, for a joke.”

“A joke? You come here and frighten me in my condition for a
joke
?” Frau Stengel could not deliver sitting down the rest of the terrible things she had to say. She pulled herself out of the rocking chair and looked down at the perplexed little girls. She seemed to them enormously fat and tall, like the statues in Italian parks. Fascinated, they stared back. “What you have done is very wicked,” said Frau Stengel. “Very wicked. I won't tell your mother, but I shall never forget it. In any case, God heard you, and God will punish you. If your father should die now, it would certainly be your fault.”

This was not the first time the children had heard of God. Mrs. Kennedy might plan to defer her explanations to a later date, in line with Mr. Kennedy's eventual decision, but the simple women she employed to keep an eye on Jane and Ernestine (Frau Stengel was the sixth to be elevated to the title of governess) had no such moral obstacles. For them, God was the catch-all answer to most of life's perplexities. “Who makes this rain?” Jane had once asked Frau Stengel.

“God,” she had replied cozily.

“So that we can't play outside?”

“He makes the sun,” Frau Stengel said, anxious to give credit.

“Well, then—” Jane began, but Frau Stengel, sensing a paradox, went on to something else.

Until now, however, God had not been suggested as a threat. The children stayed where they were, at the table, and looked wide-eyed at their governess.

Frau Stengel began to feel foolish; it is one thing to begin a scene, she was discovering, and another to sustain it. “Go to your room downstairs,” she said. “You had better stay there, and not come out. I can't teach girls who tell lies.”

This, clearly, was a dismissal, not only from her room but from her company, possibly forever. Never before had they been abandoned in the middle of the day. Was this the end of winter?

“Is he dead?” cried Ernestine, in terror at what had become of the day.

“Goodbye, Frau Stengel,” said Jane, with a ritual curtsy; this was how she had been trained to take her leave, and although she often forgot it, the formula now returned to sustain her. She gathered up the coral beads—after all, they belonged to her—but Ernestine rushed out, pushing in her hurry to be away. “Busy little feet,” said an old gentleman a moment later, laboriously pulling himself up with the aid of the banisters, as first Ernestine and then Jane clattered by.

They burst into their room, and Jane closed the door. “Anyway, it was you that said it,” she said at once.

Ernestine did not reply. She climbed up on her high bed and sat with her fat legs dangling over the edge. She stared at the opposite wall, her mouth slightly open. She could think of no way to avert the punishment about to descend on their heads, nor could she grasp the idea of a punishment more serious than being deprived of dessert.

“It was you, anyway,” Jane repeated. “If anything happens, I'll tell. I think I could tell anyway.”

“I'll tell, too,” said Ernestine.

“You haven't anything to tell.”

“I'll tell everything,” said Ernestine in a sudden fury. “I'll tell you chewed gum. I'll tell you wet the bed and we had to put the sheets out the window. I'll tell everything.”

The room was silent. Jane leaned over to the window between their beds, where the unaccustomed sun had roused a fat, slumbering fly. It shook its wings and buzzed loudly. Jane put her finger on its back; it vibrated and felt funny. “Look, Ern,” she said.

Ernestine squirmed over on the bed; their heads touched, their breath misted the window. The fly moved and left staggering tracks.

“We could go out,” said Jane. “Frau Stengel even said it.” They went, forgetting their rubbers.

Mrs. Kennedy came home at half past six, no less and no more exhausted than usual. It had not been a lively day or a memorably pleasant one but a day like any other, in the pattern she was now accustomed to and might even have missed. She had read aloud until lunch, which the clinic kitchen sent up on a tray—veal, potatoes, shredded lettuce, and sago pudding with jelly—and she had noted with dismay that Mr. Kennedy's meal included a bottle of hock, fetched in under the apron of a guilty-looking nurse. How silly to tempt him in this way when he wanted so much to get well, she thought. After lunch, the reading went on, Mrs. Kennedy stopping now and then to sustain her voice with a sip of Vichy water. They were rereading an old Lanny Budd novel, but Mrs. Kennedy could not have said what it was about. She had acquired the knack of thinking of other things while she read aloud. She read in a high, uninflected voice, planning the debut of Jane and Ernestine with a famous ballet company. Mr. Kennedy listened, contentedly polishing off his bottle of wine. Sometimes he interrupted. “Juan-les-Pins,” he remarked as the name came up in the text.

“We were there.” This was the chief charm of the novels, that they kept mentioning places Mr. Kennedy had visited. “Aix-les-Bains,” he remarked a little later. Possibly he was not paying close attention, for Lanny Budd was now having it out with Göring in Berlin. Mr. Kennedy's tone of voice suggested that something quite singular had taken place in Aix-les-Bains, when as a matter of fact Mrs. Kennedy had spent a quiet summer with the two little girls in a second-class pension while Mr. Kennedy took the mud-bath cure.

Mr. Kennedy rang for his nurse and, when she came, told her to send in the doctor. The reading continued; Jane and Ernestine found ballet careers too strenuous, and in any case the publicity was cheapening. For the fortieth time, they married. Jane married a very dashing young officer, and Ernestine the president of a university. A few minutes later, the doctor came in; another new doctor, Mrs. Kennedy noted. But it was only by constantly changing his doctor and reviewing his entire medical history from the beginning that Mr. Kennedy obtained the attention his condition required. This doctor was cheerful and brisk. “We'll have him out of here in no time,” he assured Mrs. Kennedy, smiling.

“Oh,
grand
,” she said faintly.

“Are you sure?” her husband asked the doctor. “There are two or three things that haven't been checked and attended to.”

“Oh?” said the doctor. At that moment, he saw the empty wine bottle and picked it up. Mrs. Kennedy, who dreaded scenes, closed her eyes. “You waste my time,” she heard the doctor say. The door closed behind him. She opened her eyes. These awful rows, she thought. They were all alike—all the nurses, all the clinics, all the doctors. Mr. Kennedy, fortunately, did not seem unduly disturbed.

“You might see if you can order me one of those books of crossword puzzles,” he remarked as his wife gathered up her things to leave.

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