The Cottage (2 page)

Abe was tired of the games he played. “He's seventy years old. He hasn't had a part in two years, or a big one in twenty. If he did more commercials, it would help. But it still won't be enough. We can't do
this anymore, Liz. If he doesn't clean this mess up soon, he's going to wind up in jail.” Liz had been using credit cards to pay credit cards for over a year, as Abe knew, and it drove him insane. There were other bills that didn't get paid at all. But the idea of Coop in jail was absurd.

It was one o'clock when Liz asked Livermore to bring Mr. Braunstein a sandwich, and Abe looked as though there was smoke about to come out of his ears. He was furious with Coop, and only his devotion to his job kept him sitting there. He was determined to do what he had come to do, with or without Coop's help. He couldn't help wondering how Liz had stood him for all those years. He had always suspected they'd had an affair, and would have been surprised to learn that wasn't the case. Coop was smarter than that, and so was Liz. She had adored him for years, and never gone to bed with him. Nor had he asked. Some relationships were sacred to him, and he would never have tainted theirs. He was a gentleman after all, and at all times.

Abe finished his sandwich at one-thirty, and she had drawn him into a conversation about the Dodgers by then, his favorite team. She knew he was a passionate baseball fan. Putting people at ease was one of the things Liz did best. He had almost forgotten the time, as Liz turned her head. She knew the sound of his car on the gravel, although Abe hadn't heard a thing.

“There he is,” she smiled at Abe, as though announcing the imminent arrival of the three kings.

And as always, Liz was right. Coop was driving the Bentley Azure convertible the dealer had just loaned
him for several weeks. It was a splendid machine, and suited him to perfection. He was playing a CD of
La Bohème
, as he came around the last curve, and stopped the car in front of the house. He was a breathtakingly handsome man, with chiseled features and a cleft chin. He had deep blue eyes, smooth, fair skin, and a full head of immaculately trimmed and combed silver hair. Even with the top down, he didn't have a hair out of place. He never did. Cooper Winslow was the epitome of perfection in every detail. Manly, elegant, with a sense of extraordinary ease. He rarely lost his temper, and seldom looked unnerved. There was an air of aristocratic grace about him, which he had perfected to a fine art, and came naturally to him. He was from an old family in New York, with distinguished ancestors and no money, and his name was his own.

In his prime, he played all the rich-boy, upper-class parts, a sort of modern-day Cary Grant, with Gary Cooper looks. He had never played a villain or a single rough part, only playboys and dashing heroes in impeccable clothes. And women loved the fact that he had kind eyes. He didn't have a mean bone in his body, he was never petty or cruel. The women he dated adored him, even long after they left him. He somehow nearly always managed to engineer it so that they left him, when he had had enough of them. He was a genius at handling women, and most of the women he had affairs with, those he remembered at least, spoke well of him. They had fun with him. Coop made everything pleasant and elegant, for as long as the affair lasted. And nearly every major female star in Hollywood, at some point, had been seen on his arm.

He had been a bachelor and a playboy all his life. At seventy, he had managed to escape what he referred to as “the net.” And he looked nowhere near his age.

He had taken extraordinarily good care of himself, in fact he'd made a career of it, and didn't look a day over fifty-five. And when he stepped out of the magnificent car, wearing a blazer, gray slacks, and an exquisitely starched and laundered blue shirt he'd had made in Paris, it was obvious that he had broad shoulders, an impeccable physique, and seemingly endless legs. He was six feet four, also rare in Hollywood, where most of the movie idols had always been short. But not Coop, and as he waved at the gardeners, he flashed not only a smile which showed off perfect teeth, but a woman would have noticed that he had beautiful hands. Cooper Winslow appeared to be the perfect man. And within a hundred-mile radius, you could see how charming he was. He was a magnet to men and women alike. Only a few people who knew him, like Abe Braunstein, were impervious to his charm. But for everyone else, there was an irresistible magnetism, a kind of aura about him that made people turn and look, and smile with awe. If nothing else, he was a spectacular-looking man.

Livermore had seen him coming too, and opened the door as he approached, to let him in.

“You're looking well, Livermore. Did anyone die today?” He always teased him about his somber mood. It was a challenge to Coop to make the butler smile. Livermore had been with him for four years, and Coop was immensely pleased with him. He liked his dignity, his stiffness, his efficiency, and his style. It
lent his home precisely the kind of image he wanted to achieve. And Livermore took care of his wardrobe impeccably, which was important to Coop. It was a major part of the butler's job.

“No, sir. Miss Sullivan and Mr. Braunstein are here, in the library. They just finished lunch.” He didn't tell his employer they'd been waiting for him since noon. Cooper wouldn't have cared anyway. As far as Coop was concerned, Abe Braunstein worked for him, and if he had to wait, he could charge him for that too.

But as Cooper strode into the room, he smiled winningly at Abe, and looked faintly amused, as though they shared a long-standing joke. Abe didn't fall for it, but there was nothing he could do. Cooper Winslow danced to his own tune.

“They served you a decent lunch, I hope,” he said, as though he were early instead of nearly two hours late. His style generally threw people off guard, and made them forget they'd been angry at him for being late, but Abe refused to be distracted and got right to the point.

“We're here to talk about your finances, Coop. There are some decisions we have to make.”

“Absolutely,” Coop laughed as he sat down on the couch and crossed his legs. He knew that within seconds, Livermore would bring him a glass of champagne, and he was right. It was the vintage Cristal he always drank, chilled to the perfect temperature. He had dozens of cases of it in his cellar, along with other fabulous French wines. His cellar was legendary, as was his taste. “Let's give Liz a raise,” he beamed at her, and her heart went out to him. She had some bad news
for him too. She'd been dreading telling him all week, and had put it off until the weekend.

“I'm firing all your domestic help today,” Abe said without ceremony, and Cooper laughed at him, as Livermore left the room expressionlessly It was as though nothing had been said at all. Cooper took a sip of the champagne, and set the glass down on a marble table he'd bought in Venice when a friend's palazzo had been sold.

“There's a novel idea. How did you come up with that? Shouldn't we just crucify them, or maybe shoot them perhaps? Why fire them, it's so middle class.”

“I'm serious. They've got to go. We just paid their salaries, they hadn't been paid in three months. And we can't pay them again, we can't keep up this kind of overhead, Coop.” There was a sudden plaintive note in the accountant's voice, as though he knew that nothing he could say or do would make Cooper take him seriously. He always felt as though someone had pressed the “mute” button when he was talking to Coop. “I'm going to give them notice today. They've got to be out of here in two weeks. I'm leaving you one maid.”

“How marvelous. Can she press suits? Which one are you going to leave me?” He had three maids, as well as a cook, and the houseman who'd served lunch. Livermore, the butler. Eight gardeners. And a driver he used part-time for important events. It took a lot of staff to run his enormous house, although he could have done without most of them. But he liked being well served, and indulging himself.

“We're leaving you Paloma Valdez. She's the cheapest one,” Abe said practically.

“Which one's she?” Coop glanced at Liz. He couldn't remember anyone by that name. Two of them were French, Jeanne and Louise, he knew who they were, but Paloma didn't ring any bells with him.

“She's the nice Salvadorian I hired last month. I thought you liked her,” Liz said, as though speaking to a child, and Coop looked confused.

“I thought her name was Maria, at least I've been calling her that, and she didn't say anything. She can't run this whole house. That's ridiculous,” he said pleasantly, as he glanced back at Abe. Coop looked remarkably unruffled by the news.

“You have no choice,” Abe said bluntly. “You have to fire the help, sell the cars, and buy absolutely nothing, and I mean nothing, not a car, not a suit, not a pair of socks, not a painting or a place mat for the next year. And then maybe you can start to dig yourself out of the hole you're in. I'd like to see you sell the house or at the very least rent the gatehouse, and maybe even part of this house, which would bring some money in. Liz tells me you never use the guest wing in the main house. You could rent that out. We could probably get a big price for it, and for the gatehouse. You don't need either of them.” Abe had put considerable thought into it, he was very conscientious about what he did.

“I never know when people are coming from out of town. It's ridiculous to rent out part of the house. Why don't we just take in boarders, Abe? Or turn it into a boarding school? A finishing school perhaps. You come up with the oddest ideas.” Coop looked vastly
amused and as though he had no intention of doing any of it, but Abe was glowering at him.

“I don't think you have a full understanding of the situation you're in. If you don't follow my suggestions, you're going to have to put the whole house on the market and sell it in six months. You're damn near bankrupt, Coop.”

“That's ridiculous. All I need is a part in one major film. I got a terrific script for one today,” he said, looking pleased.

“How big is the part?” Abe asked mercilessly. He knew the drill.

“I don't know yet. They're talking about writing me in. The part can be as big as I want.”

“Sounds like a cameo to me,” Abe said, as Liz winced. She hated it when people were cruel to Coop. And reality always seemed cruel to him, so much so that he never listened to it. He just shut it out. He wanted life to be pleasant and fun and easy and beautiful at all times. And for him it was. He just couldn't pay for it, but that never stopped him from living the way he wanted to. He never hesitated to buy a new car, or order half a dozen suits, or buy a woman a beautiful piece of jewelry. And people were always willing to do business with him. They wanted the prestige of having him wear or use or drive their things. They figured he would pay for whatever it was eventually, and most of the time he did, when he could. Somehow, in time, the bills got paid, mostly thanks to Liz.

“Abe, you know as well as I do, that with one big film, we'll be rolling in money again. I could get ten
million dollars for a picture by next week, or even fifteen.” He was living in a dream.

“Make that one, if you're lucky. Or more like five hundred thousand, or three or two. You can't pull in the big money anymore, Coop.” The only thing he didn't say was that Cooper Winslow was over the hill. Even Abe had boundaries about what he felt he could say to him. But the truth was he'd be lucky to get a hundred thousand dollars, or maybe two. Cooper Winslow was too old to be a leading man now, no matter how handsome he was. Those days were over for good. “You can't count on a windfall anymore. If you tell your agent you want to work, he can get you some commercials, for fifty thousand dollars, maybe a hundred if the product is big. We can't wait for big money to come in, Coop. You've got to cut back until it does. Stop spending money like water, reduce the staff down to next to nothing, rent out the gatehouse and part of this house, and we'll take another look at things in the next few months. But I'm telling you, if you don't, you'll be selling this house before the end of the year. I think you should. But Liz seems to think you're determined to stay here.”

“Give up The Cottage?” Coop laughed even more heartily this time. “Now that is an insane idea. I've lived here for more than forty years.”

“Well, someone else will be living here if you don't start tightening the belt. That's no secret, Coop. I told you that two years ago.”

“Yes, you did, and we're still here, aren't we, and I'm neither bankrupt nor in jail. Maybe you need to take mood elevators, Abe. They might help that dismal
point of view.” He always told Liz that Abe looked like an undertaker, and dressed like one. Coop didn't say it, but he strongly disapproved of Abe wearing a summer suit in February. Things like that bothered him, but he didn't want to embarrass him by commenting on it. At least he wasn't suggesting Coop sell his wardrobe too. “You're serious about the staff, aren't you?” Coop glanced at Liz, and she was looking at him sympathetically. She hated knowing how uncomfortable he would be.

“I think Abe's right. You're spending an awful lot on salaries, Coop. Maybe you should cut back just for a little while, until the money starts rolling in again.” She always tried to allow him his dreams. He needed them.

“How can one Salvadorian woman possibly run this entire house?” Coop said, looking momentarily stunned. It was a truly absurd idea. To him at least.

“She won't have to, if you rent out part of it,” Abe said practically. “That'll solve one problem at least.”

“Coop, you haven't used the guest wing in two years, and the gatehouse has been closed for nearly three. I don't think you'll really miss either one,” Liz gently reminded him, sounding like a mother trying to convince a child to give up some of his toys to give to the poor, or eat his meat.

“Why on earth would I want strangers in my house?” Cooper asked, looking bemused.

“Because you want to keep the house, that's why,” Abe said doggedly, “and you won't be able to otherwise. I'm dead serious, Coop.”

“Well, I'll think about it,” Coop said, sounding
vague. The whole idea just didn't make sense to him. He was still trying to imagine what his life would be like without help. It didn't sound like much fun to him. “And you're expecting me to cook for myself, I assume,” he said, looking nonplussed.