The Daffodil Affair

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Authors: Michael Innes

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Copyright & Information

The Daffodil Affair

 

First published in 1942

© Michael Innes Literary Management Ltd.; House of Stratus 1942-2011

 

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

 

The right of Michael Innes to be identified as the author of this work has been asserted.

 

This edition published in 2011 by House of Stratus, an imprint of

Stratus Books Ltd., Lisandra House, Fore Street, Looe,

Cornwall, PL13 1AD, UK.

 

Typeset by House of Stratus.

 

A catalogue record for this book is available from the British Library and the Library of Congress.

 

ISBN: 0755120922   EAN: 9780755120925

 

This is a fictional work and all characters are drawn from the author’s imagination.
Any resemblance or similarities to persons either living or dead are entirely coincidental.

 

 

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www.houseofstratus.com

 

 

About the Author

 

Michael Innes is the pseudonym of John Innes Mackintosh Stewart, who was born in Edinburgh in 1906. His father was Director of Education and as was fitting the young Stewart attended Edinburgh Academy before going up to Oriel, Oxford where he obtained a first class degree in English.

After a short interlude travelling with AJP Taylor in Austria, he embarked on an edition of
Florio’s
translation of
Montaigne’s Essays
and also took up a post teaching English at Leeds University.

By 1935 he was married, Professor of English at the University of Adelaide in Australia, and had completed his first detective novel,
Death at the President’s Lodging
. This was an immediate success and part of a long running series centred on his character Inspector Appleby. A second novel, Hamlet Revenge, soon followed and overall he managed over fifty under the Innes banner during his career.

After returning to the UK in 1946 he took up a post with Queen’s University, Belfast before finally settling as Tutor in English at Christ Church, Oxford. His writing continued and he published a series of novels under his own name, along with short stories and some major academic contributions, including a major section on modern writers for the
Oxford History of English Literature
.

Whilst not wanting to leave his beloved Oxford permanently, he managed to fit in to his busy schedule a visiting Professorship at the University of Washington and was also honoured by other Universities in the UK.

His wife Margaret, whom he had met and married whilst at Leeds in 1932, had practised medicine in Australia and later in Oxford, died in 1979. They had five children, one of whom (Angus) is also a writer. Stewart himself died in November 1994 in a nursing home in Surrey.

 

 

The Dry Salvages

 

Describe the horoscope, haruspicate or scry,

Observe disease in signatures, evoke

Biography from the wrinkles of the palm

And tragedy from fingers…especially

When there is distress of nations and perplexity

Whether on the shores of Asia or in the

Edgware Rd.

 

 

Part One

Primrose Way

 

 

 

1

The room was void and unquickened; it was like a room in a shop window but larger and emptier; and the man who sat at the desk had never thought to impress himself upon what he entered every day. Comfort there was none, nor discomfort either; only, did the occupant deign to qualify the pure neutrality of his surroundings, it would surely be austerity that would emerge. The spring sunshine turned bleak and functional as it passed the plate glass of the tall, uncurtained windows.

The windows were large; the big desk lay islanded in a creeping parallelogram of light; across this and before the eyes of the man sitting motionless passed slantwise and slowly a massive shaft of shadow. Perhaps twenty times it passed to and fro, as if outside some great joy-wheel were oscillating idly in a derelict amusement park. And then the man rose, clasped hands behind him and walked to a window – high up in New Scotland Yard. He looked out and wartime London lay beneath.

With science the crane or scoop or derrick had been perched amid the skeletal remains of a large building; from this point of vantage it struck and shovelled ingeniously at a neighbouring structure whose ruin had stopped halfway down. It was possible to be sad, to be indignant; and many who walked those streets were making the biologically more useful discovery of anger. But a practical-minded man could confine himself to approving or critical appraisal of the speed with which the tidy-up was accomplished – and the man at the window looked superficially as if he might be like that. His movements were economical, impersonal, abstract. His glance, if considering, was unclouded by speculative care. But on his brow was a fixed contraction; this he had carried from desk to window, and now there was neither hardening nor relaxation as he looked out.

Hudspith looked out and took it all in. He looked out and as a practical man placed it: there was this and that contingency to fear, to hope for, next time. And as a moralist Hudspith placed it: his lips framed a word. Wicked. Undoubtedly it was that. But was it evil? He thought not; he grudged to the mere fury and blindness of it that absolute word. During fifteen years Hudspith had controlled the file of police papers which dealt with the abduction and subsequent history of feeble-minded girls. Here lay his anger, and as he looked out over London he saw, in effect, only the shadow of this. Year by year the anger had burst deeper until it was now the innermost principle of the man. He confronted sin that was double and gratuitous. For, given social conditions which were common enough, it was tolerably easy to seduce, strand, swop, sell, hire out girls whose wits were reasonably about them. And so the meanness of going for the feeble ones was – well, exasperating. Evil was exasperating. Or rather, perhaps, it was exasperating that so few people were aware of it.

Their minds stop short at wickedness – thought Hudspith, looking out over London. More of them are aware of God, of Immortality, of the Ideas of Reason, than are really aware of evil. And yet these things, as someone has said, are mere superstructure and superficies compared with the fact of evil… Hudspith did not go to church, but this knowledge of evil made him, in fact, a violently religious man. He pursued his particular police job, sordid and depressing as it was, with very much that dangerous metaphysical intensity which Captain Ahab put into the pursuit of the White Whale. Other things passed him by, not impinging – like his room.

And now there was this girl – the girl with the outlandish name: Lucy Rideout. Once too often she had ridden out… Hudspith smiled bleakly – unseeing and unaware – into the bleak sunshine.

A half-witted girl.

 

‘A horse!’

John Appleby, two storeys below, looked incredulously at the old gentleman who had recently been reinstalled as Assistant-Commissioner. ‘A horse?’ repeated Appleby. Never before had he been asked to go out and look for a horse.

The old gentleman nodded, indecisively; he looked Appleby cautiously in the eye. Things had changed. There were quite a lot more sahibs in lower places, and a few more rankers in higher places, than in the old days. He attached little importance to such things. But every now and then it could come awkward – if one wasn’t minding one’s p’s and q’s. ‘Yes,’ he said; ‘a horse.’ His tone was doubtful, as if some qualification must follow. He paused, as if in search of something that could be enunciated with confidence. ‘Sit down,’ he said.

Appleby sat down. ‘There’s Ambler,’ he suggested hopefully. ‘I believe Ambler has had a lot of experience with horses. When Crusader disappeared just before the Derby in thirty–’

The Assistant-Commissioner shook his head. ‘No, no; it’s not that sort of horse. Not a valuable sort of horse – not at all valuable. And, in a way, it’s not really an official affair.’ He began to scratch his chin doubtfully; checked himself. ‘As a matter of fact, it’s my sister,’ he said ambiguously.

‘Ah.’ Appleby felt a growing dislike of this shadowy equine problem.

‘My sister lives in Harrogate. Tiresome sort of place.’ The Assistant-Commissioner was obscurely apologetic. ‘Know it, I suppose.’

‘I have an aunt living there, as a matter of fact.’

‘Indeed.’ The Assistant-Commissioner took a calculating glance at his own toes. ‘I wonder,’ he ventured, ‘if she knows–’

‘I believe she knows Lady Caroline quite well.’

‘What a coincidence!’ As he made this imbecile remark the Assistant-Commissioner scrutinized his toes more severely than before. He was not at all sure that this made the matter easier. He decided on a shift to humour. ‘You don’t happen to know,’ he asked, ‘if your aunt has a favourite cab?’

‘I don’t. But I think it very likely.’

‘Well, Caroline has – or had. She was attached to a particularly sober driver with a particularly quiet horse. At one time when Miss Maidment rang up the stables – I should explain that Maidment is her companion – I mean I should explain that Miss Maidment is her companion–’ The Assistant-Commissioner paused, perplexed. ‘What was I saying?’

‘You had got to the point, sir, at which Miss Maidment would ring up the stables.’

‘To be sure. Well, at one time she used to ask for an open landau, a respectable man and a quiet horse. But latterly she has simply asked for Bodfish and Daffodil.’ The Assistant-Commissioner paused. ‘Bodfish and Daffodil,’ he repeated. ‘The former was the driver and the latter the horse. That goes without saying, I suppose. One can imagine a Mr Daffodil, but nobody ever gave the name of Bodfish to a cab-horse.’

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