“Miss Evans might be able to help,” Norah said quietly.
We both looked at her.
“She’s my science teacher-a naturalist. She’s the one who got me interested in birds. She knows all sorts of stuff.”
I glanced at Ann Fletcher, who nodded reluctantly. “That’s true. She’s very good-Christine Evans. I could give you her number.”
“Give it to Detective Martens here. She’ll be organizing all this.”
Sammie and Norah’s mother walked back to the gray house, their gestures exaggerated by having to wade through the deep snow. Norah was back staring at the field, her gloved hands resting on the railing-the pensive loner, I reminded myself. I wondered what was going through her mind.
“You really think somebody’s out there?” she asked as I took up position next to her.
“We may not know for sure till the spring, but your birds got that hair from somewhere-either the field or the woods-and when I showed it to him, our forensics expert confirmed it came from a human. Of course, it might’ve been someone old and sick with no family, who just chose this spot to die in peace. That happens sometimes.”
She startled me then with a child’s typical lack of lasting melancholy, “It’s kind of neat.”
I didn’t argue the point. From her perspective, that’s exactly what it was. But even had I wished it, I couldn’t be so detached. My curiosity wasn’t restricted to the fact that the mysterious shank of hair had once belonged to someone alive. I had to discover the cause of death, and odds were it hadn’t been as benign as the picture I’d just painted for Norah.
Over the years, Archer Mayor has been photographer, teacher, historian, scholarly editor, feature writer, travel writer, lab technician, political advance man, medical illustrator, newspaper writer, history researcher, publications consultant, constable, and EMT/firefighter. He is also half Argentine, speaks two languages, and has lived in several countries on two continents.
All of which makes makes him restless, curious, unemployable, or all three. Whatever he is, it’s clearly not cured, since he’s currently a novelist, a death investigator for Vermont’s medical examiner, and a police officer.
Mayor has been producing the Joe Gunther novels since 1988, many of which have made “Ten Best” or “Most Notable” lists of the
Los Angeles Times
, the
New York Times
and many other publications. His latest book is a
New York Times
bestseller. He has received the New England Booksellers Association Award for fiction.
Find him on the web at
www.ArcherMayor.com
Open Season
Borderlines
Scent of Evil
The Skeleton’s Knee
Fruits of the Poisonous Tree
The Dark Root
The Ragman’s Memory
Bellows Falls
The Disposable Man
Occam’s Razor
The Marble Mask
Tucker Peak
The Sniper’s Wife
Gatekeeper
The Surrogate Thief
St. Albans Fire
The Second Mouse
Chat
The Catch
The Price of Malice
Red Herring
Tag Man
This digital edition (v1.2) of
The Dark Root
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Copyright © 2012 by Archer Mayor.
ISBN: 978-1-939767-06-6
This is a work of fiction. Any resemblance to actual persons living or dead, events, or locales is entirely coincidental.
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Lt. Joe Gunther of the Brattleboro, Vermont police force has a serious problem: in a community where a decade could pass without a single murder, the body count is suddenly mounting. Innocent citizens are being killed—and others set-up—seemingly orchestrated by a mysterious ski-masked man. Signs suggest that a three year-old murder trial might lie at the heart of things, but it’s a case that many in the department would prefer remained closed. A man of quiet integrity, Lt. Gunther knows that he must pursue the case to its conclusion, wherever it leads.
Seconded to the State’s Attorney’s office, Lt. Joe Gunther is in Vermont’s Northeast Kingdom investigating a minor embezzling case. It’s a pleasant distraction, and a chance to reconnect with old friends, but when a house fire reveals itself to be arson, compounded by murder, Gunther can’t help but investigate. Suddenly, he finds himself enmeshed in a web of animosity between put-upon townspeople, the state police, angry parents and members of a reclusive sect. Murder follows murder, yet no one seems to be telling Gunther the whole truth—not even his childhood friends—and truth is what he desperately needs if he’s to stop the killings.
When the body of a fast-living young stockbroker is found in a shallow grave, suspicion first falls on a cuckolded policeman. Lt. Joe Gunther investigates the increasingly bizarre details of the crime, but finds that he’s too far behind events to prevent a second murder. Indeed, whoever is responsible always seems to be a few steps ahead, as if there’s a leak on the force. Sweltering August heat does nothing to calm the increasingly agitated town selectmen, who demand results.
When a reclusive market gardener’s death proves to stem from a 20 year-old bullet wound, Lt. Joe Gunther is presented with a very cold homicide to solve. But who was the victim exactly? A deeply private man eking out an ascetic existence from a hardscrabble mountain field, Abraham Fuller was virtually unknown to his neighbors, in the manner of someone pursuing more than mere solitude. The discovery of a duffle of unmarked bills and a body buried in the garden patch suggests that Fuller had motives beyond misanthropy. Nor is it such a cold case either, as someone seems willing to kill to ensure that old secrets remain buried.
Gail Zigman, town selectwoman and Joe Gunther’s companion of many years, is raped, and the detective finds himself caught between the media, local politicians, and a network of well-meaning victims’ rights advocates as he tries to put his own feelings aside and follow the trail of evidence.
Every lead seems to point to a single, obvious suspect, but is the evidence too perfect? Risking his friendship with Gail, the respect of his peers, and his own life, Lt. Gunther keeps digging, hoping to find out if the man they have in jail is rightly there, or if the evidence against him is tainted—"fruits of the poisonous tree."