The Disorderly Knights

A
CCLAIM FOR
Dorothy Dunnett’s
LYMOND CHRONICLES

“Dorothy Dunnett is one of the greatest talespinners since Dumas … breathlessly exciting.”

—
Cleveland Plain Dealer

“Dunnett is a name to conjure with. Her work exemplifies the best the genre can offer. It combines the accuracy of exhaustive historical research with a gripping story to give the reader a visceral as well as cerebral understanding of an epoch.”

—
Christian Science Monitor

“Dorothy Dunnett is a storyteller who could teach Scheherazade a thing or two about suspense, pace and invention.”

—
The New York Times

“Dunnett evokes the sixteenth century with an amazing richness of allusion and scholarship, while keeping a firm control on an intricately twisting narrative. She has another more unusual quality … an ability to check, her imagination with irony, to mix high romance with wit.”

—
Sunday Times
(London)

“First-rate … suspenseful.… Her hero, in his rococo fashion, is as polished and perceptive as Lord Peter Wimsey and as resourceful as James Bond.”

—
The New York Times Book Review

“A masterpiece of historical fiction, a pyrotechnic blend of passionate scholarship and high-speed storytelling soaked with the scents and colors and sounds and combustible emotions of sixteenth-century feudal Scotland.”

—
Washington Post Book World

“With shrewd psychological insight and a rare gift of narrative and descriptive power, Dorothy Dunnett reveals the color, wit, lushness … and turbulent intensity of one of Europe’s greatest eras.”

—
Raleigh News and Observer

“Detailed research, baroque imagination, staggering dramatic twists, multilingual literary allusion and scenes that can be very funny.”

—
The Times
(London)

“Ingenious and exceptional … its effect brilliant, its pace swift and colorful and its multi-linear plot spirited and absorbing.”

—
Boston Herald

“A lively, busy narrative that features an energetic hero in whom we find Ivanhoe’s temperate nationalism, D’Artagnan’s fine swordsmanship, and James Bond’s unchivalrous way with women.”

—
The New Yorker

Dorothy Dunnett
T
he
DISORDERLY
KNIGHTS

Dorothy Dunnett was born in Dunfermline, Scotland. She is the author of the Francis Crawford of Lymond novels; the House of Niccolò novels; seven mysteries;
King Hereafter
, an epic novel about Macbeth; and the text of
The Scottish Highlands
, a book of photographs by David Paterson, on which she collaborated with her husband, Sir Alastair Dunnett. In 1992, Queen Elizabeth appointed her an Officer of the Order of the British Empire. She died in 2001.

BOOKS BY
Dorothy Dunnett

THE LYMOND CHRONICLES
The Game of Kings
Queens’ Play
The Disorderly Knights
Pawn in Frankincense
The Ringed Castle
Checkmate

King Hereafter

Dolly and the Singing Bird (Rum Affair)
Dolly and the Cookie Bird (Ibiza Surprise)
Dolly and the Doctor Bird (Operation Nassau)
Dolly and the Starry Bird (Roman Nights)
Dolly and the Nanny Bird (Split Code)
Dolly and the Bird of Paradise (Tropical Issue)
Moroccan Traffic

THE HOUSE OF NICCOLÒ
Niccolò Rising
The Spring of the Ram
Race of Scorpions
Scales of Gold
The Unicorn Hunt
To Lie with Lions

The Scottish Highlands
(in collaboration with Alastair Dunnett)

FIRST VINTAGE BOOKS EDITION, JUNE 1997

Copyright
©
1966 by Dorothy Dunnett
Copyright renewed 1994 by Dorothy Dunnett

All rights reserved under International and Pan-American
Copyright Conventions. Published in the United States by Vintage
Books, a division of Random House, Inc., New York. Originally
published in Great Britain in hardcover by Cassell & Company Ltd.,
London, and in the United States in hardcover by
G. P. Putnam’s Sons, New York, in 1966.

Library of Congress Cataloging-in-Publication Data

Dunnett, Dorothy.
The disorderly knights / Dorothy Dunnett.
p.  cm.
eISBN: 978-0-307-76230-6
I. Title.
PR6054.U56D57 1997
823′.914—dc21 96-45599

Random House Web address:
http://www.randomhouse.com/

v3.1_r1

In affectionate memory
of my grandparents Annie and Martin Halliday
and of my father, Alexander Halliday,
who was born in Valetta, Malta

Contents

Cover

About the Author

Other Books by This Author

Title Page

Copyright

Dedication

Foreword

Author’s Note

Leading Characters

Map

Part One
THE SALTIRE AND SUPPORTERS

 I:
Mother’s Baking
(Catslack, October 1548)

II:
Hough Isa
(Crailing, May 1549)

III:
Joleta
(Flaw Valleys, May 1551)

Part Two
THE EIGHT-POINTED CROSS

 I:
Sailing Orders
(Mediterranean, June/July 1551)

 II:
The Tongue of Gabriel
(Maltese Archipelago, July 1551)

 III:
The Voice of the Prophet
(Maltese Archipelago, July 1551)

 IV:
The Rape of Galatian
(Mdina and Gozo, July 1551)

 V:
Hospitallers
(Birgu, August 1551)

 VI:
God Proposes
(Tripoli, August 1551)

 VII:
But Allâh Disposes
(Tripoli, August 1551)

VIII:
Fried Chicken (The Yoke of the Lord)
(Tripoli, August 1551)

 IX:
The Invalid Cross
(Tripoli, August 1551)

 X:
Hospitality
(Malta, August 1551)

Part Three
THE DOUBLE CROSS

 I:
Nettles in Winter
(Boghall Castle, October 1551)

 II:
The Widdershins Wooing
(Midculter Castle, the Same Day)

 III:
The Conscience of Philippa
(London, October/November 1551)

 IV:
The Axe Is Fashioned
(St Mary’s, Autumn 1551)

 V:
The Hand of Gabriel
(St Mary’s and Djerba, 1551/2)

 VI:
The Hand on the Axe
(St Mary’s, 1551/2)

 VII:
The Lusty May
(Dumbarton, April/May 1552)

VIII:
The Hot Trodd
(The Scottish Border, May 1552)

 IX:
Terzetto, Played Without Rests
(Flaw Valleys, June 1552)

 X:
The Hadden Stank
(March Meeting, June/July 1552: Algiers, August 1552)

 XI:
The Crown and the Anchor
(Falkland Palace and the Kyles of Bute, August 1552)

 XII:
The Crown and the Anchorite
(Falkland Palace, August 1552)

XIII:
The Axe Is Turned on Itself
(Midculter, Flaw Valleys, Boghall, September 1552)

 XIV:
The Axe Falls
(St Mary’s, September 1552)

 XV:
Death of an Illuision
(St Mary’s, September 1552)

 XVI:
Jerott Chooses His Cross
(The Scottish Lowlands, September/October 1552)

XVII:
Gabriel’s Trump
(Edinburgh, October 4th, 1552)

THE LYMOND CHRONICLES
F
OREWORD BY
D
orothy
D
unnett

When, a generation ago, I sat down before an old Olivetti typewriter, ran through a sheet of paper, and typed a title,
The Game of Kings
, I had no notion of changing the course of my life. I wished to explore, within several books, the nature and experiences of a classical hero: a gifted leader whose star-crossed career, disturbing, hilarious, dangerous, I could follow in finest detail for ten years. And I wished to set him in the age of the Renaissance.

Francis Crawford of Lymond in reality did not exist, and his family, his enemies and his lovers are merely fictitious. The countries in which he practices his arts, and for whom he fights, are, however, real enough. In pursuit of a personal quest, he finds his way—or is driven—across the known world, from the palaces of the Tudor kings and queens of England to the brilliant court of Henry II and Catherine de Medici in France.

His home, however, is Scotland, where Mary Queen of Scots is a vulnerable child in a country ruled by her mother. It becomes apparent in the course of the story that Lymond, the most articulate and charismatic of men, is vulnerable too, not least because of his feeling for Scotland, and for his estranged family.

The Game of Kings
was my first novel. As Lymond developed in wisdom, so did I. We introduced one another to the world of sixteenth-century Europe, and while he cannot change history, the wars and events which embroil him are real. After the last book of the six had been published, it was hard to accept that nothing more about Francis Crawford could be written, without disturbing the shape and theme of his story. But there was, as it happened, something that could be done: a little manicuring to repair the defects of the original edition as it was rushed out on both sides of the Atlantic. And so here is Lymond returned, in a freshened text which presents him as I first envisaged him, to a different world.

Author’s Note