The Dover Anthology of American Literature Volume II (31 page)

“I don't care; I don't believe George is anything like that, anyhow,” said Nanny. Her delicate face flushed pink, her lips pouted softly, as if she were going to cry.

“You wait an' see. I guess George Eastman ain't no better than other men. You hadn't ought to judge father, though. He can't help it, 'cause he don't look at things jest the way we do. An' we've been pretty comfortable here, after all. The roof don't leak—ain't never but once—that's one thing. Father's kept it shingled right up.”

“I do wish we had a parlor.”

“I guess it won't hurt George Eastman any to come to see you in a nice clean kitchen. I guess a good many girls don't have as good a place as this. Nobody's ever heard me complain.”

“I ain't complained either, mother.”

“Well, I don't think you'd better, a good father an' a good home as you've got. S'pose your father made you go out an' work for your livin'? Lots of girls have to that ain't no stronger an' better able to than you be.”

Sarah Penn washed the frying-pan with a conclusive air. She scrubbed the outside of it as faithfully as the inside. She was a masterly keeper of her box of a house. Her one living-room never seemed to have in it any of the dust which the friction of life with inanimate matter produces. She swept, and there seemed to be no dirt to go before the broom; she cleaned, and one could see no difference. She was like an artist so perfect that he has apparently no art. To-day she got out a mixing bowl and a board, and rolled some pies, and there was no more flour upon her than upon her daughter who was doing finer work. Nanny was to be married in the fall, and she was sewing on some white cambric and embroidery. She sewed industriously while her mother cooked, her soft milk-white hands and wrists showed whiter than her delicate work.

“
We must have the stove moved out in the shed before long,” said Mrs. Penn. “Talk about not havin' things, it's been a real blessin' to be able to put a stove up in that shed in hot weather. Father did one good thing when he fixed that stove-pipe out there.”

Sarah Penn's face as she rolled her pies had that expression of meek vigor which might have characterized one of the New Testament saints. She was making mince-pies. Her husband, Adoniram Penn, liked them better than any other kind. She baked twice a week. Adoniram often liked a piece of pie between meals. She hurried this morning. It had been later than usual when she began, and she wanted to have a pie baked for dinner. However deep a resentment she might be forced to hold against her husband, she would never fail in sedulous attention to his wants.

Nobility of character manifests itself at loop-holes when it is not provided with large doors. Sarah Penn's showed itself to-day in flaky dishes of pastry. So she made the pies faithfully, while across the table she could see, when she glanced up from her work, the sight that rankled in her patient and steadfast soul—the digging of the cellar of the new barn in the place where Adoniram forty years ago had promised her their new house should stand.

The pies were done for dinner. Adoniram and Sammy were home a few minutes after twelve o'clock. The dinner was eaten with serious haste. There was never much conversation at the table in the Penn family. Adoniram asked a blessing, and they ate promptly, then rose up and went about their work.

Sammy went back to school, taking soft sly lopes out of the yard like a rabbit. He wanted a game of marbles before school, and feared his father would give him some chores to do. Adoniram hastened to the door and called after him, but he was out of sight.

“I don't see what you let him go for, mother,” said he. “I wanted him to help me unload that wood.”

Adoniram went to work out in the yard unloading wood from the wagon. Sarah put away the dinner dishes, while Nanny took down her curl-papers and changed her dress. She was going down to the store to buy some more embroidery and thread.

When Nanny was gone, Mrs. Penn went to the door. “Father!” she called.

“Well, what is it?”

“I want to see you jest a minute, father.”

“
I can't leave this wood nohow. I've got to git it unloaded an' go for a load of gravel afore two o'clock. Sammy had ought to helped me. You hadn't ought to let him go to school so early.”

“I want to see you jest a minute.”

“I tell ye I can't, nohow, mother.”

“Father, you come here.” Sarah Penn stood in the door like a queen; she held her head as if it bore a crown; there was that patience which makes authority royal in her voice. Adoniram went.

Mrs. Penn led the way into the kitchen, and pointed to a chair. “Sit down, father,” said she; “I've got somethin' I want to say to you.”

He sat down heavily; his face was quite stolid, but he looked at her with restive eyes. “Well, what is it, mother?”

“I want to know what you're buildin' that new barn for, father?”

“I ain't got nothin' to say about it.”

“It can't be you think you need another barn?”

“I tell ye I ain't got nothin' to say about it, mother; an' I ain't goin' to say nothin'.”

“Be you goin' to buy more cows?”

Adoniram did not reply; he shut his mouth tight.

“I know you be, as well as I want to. Now, father, look here”—Sarah Penn had not sat down; she stood before her husband in the humble fashion of a Scripture woman—“I'm goin' to talk real plain to you: I never have sence I married you, but I'm goin' to now. I ain't never complained, an' I ain't goin' to complain now, but I'm goin' to talk plain. You see this room here, father; you look at it well. You see there ain't no carpet on the floor, an' you see the paper is all dirty, an' droppin' off the walls. We ain't had no new paper on it for ten year, an' then I put it on myself an' it didn't cost but ninepence a roll. You see this room, father; it's all the one I've had to work in an' eat in an' sit in sence we was married. There ain't another woman in the whole town whose husband ain't got half the means you have but what's got better. It's all the room Nanny's got to have her company in; an' there ain't one of her mates but what's got better, an' their fathers not so able as hers is. It's all the room she'll have to be married in. What would you have thought, father, if we had had our weddin' in a room no better than this? I was married in my mother's parlor,
with
a carpet on the floor, an' stuffed furniture, an' a mahogany card-table. An' this is all the room my daughter will have to be married in. Look here, father!”

Sarah Penn went across the room as though it were a tragic stage. She flung open a door and disclosed a tiny bedroom, only large enough for a bed and bureau, with a path between. “There, father,” said she—“there's all the room I've had to sleep in forty year. All my children were born there—the two that died, an' the two that's livin'. I was sick with a fever there.”

She stepped to another door and opened it. It led into the small, ill-lighted pantry. “Here,” said she, “is all the buttery I've got—every place I've got for my dishes, to set away my victuals in, an' to keep my milk-pans in. Father, I've been takin' care of the milk of six cows in this place, an' now you're goin' to build a new barn, an' keep more cows, an' give me more to do in it.”

She threw open another door. A narrow crooked flight of stairs wound upward from it. “There, father,” said she; “I want you to look at the stairs that go up to them two unfinished chambers that are all the places our son an' daughter have had to sleep in all their lives. There ain't a prettier girl in town nor a more ladylike one than Nanny, an' that's the place she has to sleep in. It ain't so good as your horse's stall; it ain't so warm an' tight.”

Sarah Penn went back and stood before her husband. “Now, father,” said she, “I want to know if you think you're doin' right an' accordin' to what you profess. Here, when we was married, forty year ago, you promised me faithful that we should have a new house built in that lot over in the field before the year was out. You said you had money enough, an' you wouldn't ask me to live in no such place as this. It is forty year now, an' you've been makin' more money, an' I've been savin' of it for you ever since, an' you ain't built no house yet. You've built sheds an' cow-houses an' one new barn, an' now you're goin' to build another. Father, I want to know if you think it's right. You're lodgin' your dumb beasts better than you are your own flesh an' blood. I want to know if you think it's right.”

“I ain't got nothin' to say.”

“You can't say nothin' without ownin' it ain't right, father. An' there's another thing—I ain't complained; I've got along forty year, an' I s'pose I should forty more, if it wa'n't for that—if we don't have another house. Nanny she can't live with us after she's
married.
She'll have to go somewheres else to live away from us, an' it don't seem as if I could have it so, noways, father. She wa'n't ever strong. She's got considerable color, but there wa'n't ever any backbone to her. I've always took the heft of everything off her, an' she ain't fit to keep house an' do everything herself. She'll be all worn out inside of a year. Think of her doin' all the washin' an' ironin' an' bakin' with them soft white hands an' arms, an' sweepin'! I can't have it so, noways, father.”

Mrs. Penn's face was burning; her mild eyes gleamed. She had pleaded her little cause like a Webster; she had ranged from severity to pathos; but her opponent employed that obstinate silence which makes eloquence futile with mocking echoes. Adoniram arose clumsily.

“Father, ain't you got nothin' to say?” said Mrs. Penn.

“I've got to go off after that load of gravel. I can't stan' here talkin' all day.”

“Father, won't you think it over, an' have a house built there instead of a barn?”

“I ain't got nothin' to say.”

Adoniram shuffled out. Mrs. Penn went into her bedroom. When she came out, her eyes were red. She had a roll of unbleached cotton cloth. She spread it out on the kitchen table, and began cutting out some shirts for her husband. The men over in the field had a team to help them this afternoon; she could hear their halloos. She had a scanty pattern for the shirts; she had to plan and piece the sleeves.

Nanny came home with her embroidery, and sat down with her needle-work. She had taken down her curl-papers, and there was a soft roll of fair hair like an aureole over her forehead; her face was as delicately fine and clear as porcelain. Suddenly she looked up, and the tender red flamed all over her face and neck. “Mother,” said she.

“What say?”

“I've been thinking—I don't see how we're goin' to have any—wedding in this room. I'd be ashamed to have his folks come if we didn't have anybody else.”

“Mebbe we can have some new paper before then; I can put it on. I guess you won't have no call to be ashamed of your belongin's.”

“We might have the wedding in the new barn,” said Nanny, with gentle pettishness. “Why, mother, what makes you look so?”

Mrs.
Penn had started, and was staring at her with a curious expression. She turned again to her work, and spread out a pattern carefully on the cloth. “Nothin',” said she.

Presently Adoniram clattered out of the yard in his two-wheeled dump cart, standing as proudly upright as a Roman charioteer. Mrs. Penn opened the door and stood there a minute looking out; the halloos of the men sounded louder.

It seemed to her all through the spring months that she heard nothing but the halloos and the noises of saws and hammers. The new barn grew fast. It was a fine edifice for this little village. Men came on pleasant Sundays, in their meeting suits and clean shirt bosoms, and stood around it admiringly. Mrs. Penn did not speak of it, and Adoniram did not mention it to her, although sometimes, upon a return from inspecting it, he bore himself with injured dignity.

“It's a strange thing how your mother feels about the new barn,” he said, confidentially, to Sammy one day.

Sammy only grunted after an odd fashion for a boy: he had learned it from his father.

The barn was all completed ready for use by the third week in July. Adoniram had planned to move his stock in on Wednesday; on Tuesday he received a letter which changed his plans. He came in with it early in the morning. “Sammy's been to the post-office,” said he, “an' I've got a letter from Hiram.” Hiram was Mrs. Penn's brother, who lived in Vermont.

“Well,” said Mrs. Penn, “what does he say about the folks?”

“I guess they're all right. He says he thinks if I come up country right off there's a chance to buy jest the kind of a horse I want.” He stared reflectively out of the window at the new barn.

Mrs. Penn was making pies. She went on clapping the rolling-pin into the crust, although she was very pale, and her heart beat loudly.

“I dun' know but what I'd better go,” said Adoniram. “I hate to go off jest now, right in the midst of hayin', but the ten-acre lot's cut, an' I guess Rufus an' the others can git along without me three or four days. I can't get a horse round here to suit me, nohow, an' I've got to have another for all that wood-haulin' in the fall. I told Hiram to watch out, an' if he got wind of a good horse to let me know. I guess I'd better go.”

“I'll get out your clean shirt an' collar,” said Mrs. Penn calmly.

She
laid out Adoniram's Sunday suit and his clean clothes on the bed in the little bedroom. She got his shaving-water and razor ready. At last she buttoned on his collar and fastened his black cravat.

Adoniram never wore his collar and cravat except on extra occasions. He held his head high, with a rasped dignity. When he was all ready, with his coat and hat brushed, and a lunch of pie and cheese in a paper bag, he hesitated on the threshold of the door. He looked at his wife, and his manner was defiantly apologetic. “
If
them cows come to-day, Sammy can drive 'em into the new barn,” said he; “an' when they bring the hay up, they can pitch it in there.”