"What sort of music?"
"Magnificent—joyous, if you know what I am trying to say, but not the tinklings of a theater orchestra. A great symphony. I have never been to the opera at Bayreuth; but I think it must be like that—yet a happy, quick tune."
She paused, and for an instant her smile recovered the remembered music. "There are pillars, and a grand entrance, with broad steps. I run up—I am so happy to be there—and throw open the door. It is brightly lit inside; a wave of golden light, almost like a wave from the ocean, strikes me. The room is a great hall, with a high ceiling. A long table is set in the middle and there are hundreds of people seated at it, but one place, the one nearest me, is empty. I cross to it and sit down; there are beautiful loaves on the table, and bowls of honey with roses floating at their centers, and crystal carafes of wine, and many other good things I cannot remember when I awake. Everyone is eating and drinking and talking, and I begin to eat too."
I said, "It is only a dream, Fräulein. There is no reason to weep."
"I dream this each night—I have dreamed so every night for months."
"Go on."
"Then he comes. I am sure he is the one who is causing me to dream like this because I can see his face clearly, and remember it when the dream is over. Sometimes it is very vivid for an hour or more after I wake—so vivid that I have only to close my eyes to see it before me."
"I will ask you to describe him in detail later. For the present, continue with your dream."
"He is tall, and robed like a king, and there is a strange crown on his head. He stands beside me, and though he says nothing, I know that the etiquette of the place demands that I rise and face him. I do this. Sometimes I am sucking my fingers as I get up from his table."
"He owns the dream palace, then."
"Yes, I am sure of that. It is his castle, his home; he is my host. I stand and face him, and I am conscious of wanting very much to please him, but not knowing what it is I should do."
"That must be painful."
"It is. But as I stand there, I become aware of how I am clothed and—"
"How are you clothed?"
"As you see me now. In a plain, dark dress—the dress I wear here in the arcade. But the others—all up and down the hall, all up and down the table—are wearing the dresses I sell here. These dresses." She held one up for me to see, a beautiful creation of many layers of lace, with buttons of polished jet. "I know then that I cannot remain; but the king signals to the others, and they seize me and push me toward the door."
"You are humiliated then?"
"Yes, but the worst thing is that I am aware that he knows that I could never drive myself to leave, and he wishes to spare me the struggle. But outside—some terrible beast has entered the garden. I smell it—like the hyena cage at the
Tiergarten
—as the door opens. And then I wake up."
"It is a harrowing dream."
"You have seen the dresses I sell. Would you credit it that for weeks I slept in one, and then another, and then another of them?"
"You reaped no benefit from that?"
"No. In the dream I was clad as now. For a time I wore the dresses always—even here to the stall, and when I bought food at the market. But it did no good."
"Have you tried sleeping somewhere else?"
"With my cousin who lives on the other side of the city. That made no difference. I am certain that this man I see is a real man. He is in my dream, and the cause of it; but he is not sleeping."
"Yet you have never seen him when you are awake?"
She paused, and I saw her bite at her full lower lip. "I am certain I have."
"Ah!"
"But I cannot remember when. Yet I am sure I have seen him—that I have passed him in the street."
"Think! Does his face associate itself in your mind with some particular section of the city?"
She shook her head.
When I left her at last, it was with a description of the Dream-Master less precise than I had hoped, though still detailed. It tallied in almost all respects with the one given me by Baron H_____; but that proved nothing, since the Baron's description might have been based largely on Fräulein A_____'s.
The bank of Herr R_____ was a private one, as all the greatest banks in Europe are. It was located in what had once been the town house of some noble family (their arms, overgrown now with ivy, were still visible above the door), and bore no identification other than a small brass plate engraved with the names of Herr R_____ and his partners. Within, the atmosphere was more dignified—even if, perhaps, less tasteful—than it could possibly have been in the noble family's time. Dark pictures in gilded frames lined the walls, and the clerks sat at inlaid tables upon chairs upholstered in tapestry. When I asked for Herr R_____, I was told that it would be impossible to see him that afternoon; I sent in a note with a sidelong allusion to "unquiet dreams," and within five minutes I was ushered into a luxurious office that must once have been the bedroom of the head of the household.
Herr R_____ was a large man—tall, and heavier (I thought) than his physician was likely to have approved. He appeared to be about fifty; there was strength in his wide, fleshy face; his high forehead and capacious cranium suggested intellect; and his small, dark eyes, forever flickering as they took in the appearance of my person, the expression of my face, and the position of my hands and feet, ingenuity.
No pretense was apt to be of service with such a man, and I told him flatly that I had come as the emissary of Baron H_____, that I knew what troubled him, and that if he would cooperate with me I would help him if I could.
"I know you, monsieur," he said, "by reputation. A business with which I am associated employed you three years ago in the matter of a certain mummy." He named the firm. "I should have thought of you myself."
"I did not know that you were connected with them."
"I am not, when you leave this room. I do not know what reward Baron H_____ has offered you should you apprehend the man who is oppressing me, but I will give you, in addition to that, a sum equal to that you were paid for the mummy. You should be able to retire to the south then, should you choose, with the rent of a dozen villas."
"I do not choose," I told him, "and I could have retired long before. But what you just said interests me. You are certain that your persecutor is a living man?"
"I know men." Herr R_____ leaned back in his chair and stared at the painted ceiling. "As a boy I sold stuffed cabbage-leaf rolls in the street—did you know that? My mother cooked them over wood she collected herself where buildings were being demolished, and I sold them from a little cart for her. I lived to see her with half a score of footmen and the finest house in Lindau. I never went to school; I learned to add and subtract in the streets—when I must multiply and divide I have my clerk do it. But I learned men. Do you think that now, after forty years of practice, I could be deceived by a phantom? No, he is a man—let me confess it, a stronger man than I—a man of flesh and blood and brain, a man I have seen somewhere, sometime, here in this city—and more than once."
"Describe him."
"As tall as I. Younger—perhaps thirty or thirty-five. A brown, forked beard, so long." (He held his hand about fifteen centimeters beneath his chin.) "Brown hair. His hair is not yet gray, but I think it may be thinning a little at the temples."
"Don't you remember?"
"In my dreams he wears a garland of roses—I cannot be sure."
"Is there anything else? Any scars or identifying marks?"
Herr R_____ nodded. "He has hurt his hand. In my dream, when he holds out his hand for the money, I see blood in it—it is his own, you understand, as though a recent injury had reopened and was beginning to bleed again. His hands are long and slender—like a pianist's."
"Perhaps you had better tell me your dream."
"Of course." He paused, and his face clouded, as though to recount the dream were to return to it. "I am in a great house. I am a person of importance there, almost as though I were the owner; yet I am not the owner—"
"Wait," I interrupted. "Does this house have a banquet hall? Has it a pillared portico, and is it set in a garden?"
For a moment Herr R_____'s eyes widened. "Have you also had such dreams?"
"No," I said. "It is only that I think I have heard of this house before. Please continue."
"There are many servants—some work in the fields beyond the garden. I give instructions to them—the details differ each night, you understand. Sometimes I am concerned with the kitchen, sometimes with livestock, sometimes with the draining of a field. We grow wheat, principally, it seems; but there is a vineyard too, and a kitchen garden. And of course the house must be cleaned and swept and kept in repair. There is no wife; the owner's mother lives with us, I think, but she does not much concern herself with the housekeeping—that is up to me. To tell the truth, I have never actually seen her, though I have the feeling that she is there."
"Does this house resemble the one you bought for your mother in Lindau?"
"Only as one large house must resemble another."
"I see. Proceed."
"For a long time each night I continue like that, giving orders, and sometimes going over the accounts. Then a servant, usually it is a maid, arrives to tell me that the owner wishes to speak to me. I stand before a mirror—I can see myself there as plainly as I see you now—and arrange my clothing. The maid brings rose-scented water and a cloth, and I wipe my face; then I go in to him.
"He is always in one of the upper rooms, seated at a table with his own account book spread before him. There is an open window behind him, and through it I can see the top of a cherry tree in bloom. For a long time—oh, I suppose ten minutes—I stand before him while he turns over the pages of his ledger."
"You appear somewhat at a loss, Herr R_____—not a common condition for you, I believe. What happens then?"
"He says, 'You owe . . .' " Herr R_____ paused. "That is the problem, monsieur, I can never recall the amount. But it is a large sum. He says, 'And I must require that you make payment at once.'
"I do not have the amount, and I tell him so. He says, 'Then you must leave my employment.' I fall to my knees at this and beg that he will retain me, pointing out that if he dismisses me I will have lost my source of income, and will never be able to make payment. I do not enjoy telling you this, but I weep. Sometimes I beat the floor with my fists."
"Continue. Is the Dream-Master moved by your pleading?"
"No. He again demands that I pay the entire sum. Several times I have told him that I am a wealthy man in this world, and that if only he would permit me to make payment in its currency, I would do so immediately."
"That is interesting—most of us lack your presence of mind in our nightmares. What does he say then?"
"Usually he tells me not to be a fool. But once he said, 'That is a dream—you must know it by now. You cannot expect to pay a real debt with the currency of sleep.' He holds out his hand for the money as he speaks to me. It is then that I see the blood in his palm."
"You are afraid of him?"
"Oh, very much so. I understand that he has the most complete power over me. I weep, and at last I throw myself at his feet—with my head under the table, if you can credit it, crying like an infant.
"Then he stands and pulls me erect and says, 'You would never be able to pay all you owe, and you are a false and dishonest servant. But your debt is forgiven, forever.' And as I watch, he tears a leaf from his account book and hands it to me."
"Your dream has a happy conclusion, then."
"No. It is not yet over. I thrust the paper into the front of my shirt and go out, wiping my face on my sleeve. I am conscious that if any of the other servants should see me, they will know at once what has happened. I hurry to reach my own counting room; there is a brazier there, and I wish to burn the page from the owner's book."
"I see."
"But just outside the door of my own room, I meet another servant—an upper-servant like myself, I think, since he is well dressed. As it happens, this man owes me a considerable sum of money, and to conceal from him what I have just endured, I demand that he pay at once." Herr R_____ rose from his chair and began to pace the room, looking sometimes at the painted scenes on the walls, sometimes at the Turkish carpet at his feet. "I have had reason to demand money like that often, you understand. Here in this room.
"The man falls to his knees, weeping and begging for additional time; but I reach down, like this, and seize him by the throat."
"And then?"
"And then the door of my counting room opens. But it is not my counting room with my desk and the charcoal brazier, but the owner's own room. He is standing in the doorway, and behind him I can see the open window, and the blossoms of the cherry tree."
"What does he say to you?"
"Nothing. He says nothing to me. I release the other man's throat, and he slinks away."
"You awaken then?"
"How can I explain it? Yes, I wake up. But first we stand there; and while we do I am conscious of . . . certain sounds."
"If it is too painful for you, you need not say more."
Herr R_____ drew a silk handkerchief from his pocket, and wiped his face. "How can I explain?" he said again. "When I hear those sounds, I am aware that the owner possesses certain other servants, who have never been under my direction. It is as though I have always known this, but had no reason to think of it before."
"I understand."
"They are quartered in another part of the house—in the vaults beneath the wine cellar, I think sometimes. I have never seen them, but I know—then—that they are hideous, vile and cruel; I know too that he thinks me but little better than they, and that as he permits me to serve him, so he allows them to serve him also. I stand—we stand—and listen to them coming through the house. At last a door at the end of the hall begins to swing open. There is a hand like the paw of some filthy reptile on the latch."
"Is that the end of the dream?"