The Early Stories (96 page)

Iseult. I must write your name. Iseult. I am bleeding to death. Certainly I feel bloodless, or, more precisely, diluted, diluted by half, since everything around me—the white ropes, the ingenious little magnetic catches that keep the doors from swinging, the charmingly tessellated triangular shower stall in my cabin, the luxurious and pampered textures on every side—I seem to see, or touch, or smile over, with you, which means, since you are not here, that I only half see, only half exist. I keep thinking what a pity all this luxury is wasted on me, Tristan the Austere, the Perpetually Grieving, the Orphaned, the Homeless. The very pen I am writing this with is an old-fashioned dip, or nib, pen, whose flexibility irresistibly invites flourishes that sit up wet and bluely gleaming for minutes before finally deigning to dry. The holder is some sort of polished Asiatic wood. Teak? Ebony? You would know. It was enchanting for me, how you knew the names of surfaces, how you had the innocence to stroke a pelt and not flinch from the panicked little quick-eyed death beneath; for me, who have always been on the verge of becoming a vegetarian, which Mark, I know, would say was a form of death wish (I can't describe to you how stupid that man seems to me; unfairly enough, even what tiny truth there is in him seems backed by this immense capital—these armies, this downright empire—of stupidity, so that even when he says something intelligent it affects me like Gospel quoted in support of
the separation of the races. This parenthesis has gotten out of all control. If it seems ugly to you, blame it on jealousy. I am not sure, however, if I hate your husband because he—if only legally—possesses you, or if, more subtly, because he senses my own fear of just such legal possession, which gives him, for all his grossness, his grotesque patronization and prattling, a curious moral hold over me which I cannot, writhe as I will, break. End parenthesis).

An especially, almost maliciously, prolonged roll of the boat just slid the ink bottle, unspilled, the width of my cubbyhole and gave me the choice of fixing my eyes on the horizon or beginning to be seasick.

Where was I?

For me it was wonderful to become a partner in your response to textures. Your shallowness, as my wife calls it—and, as with everything she says, there is something in it which, at the least, gives dismissal pause—broke a new dimension into my hitherto inadequately superficial world. Now, adrift in this luxurious island universe, where music plays like a constant headache, I see everything through your eyes, conduct circular conversations with you in my head, and rest my hand on the wiped mahogany of the bar as if the tremor beneath the surface is you, a mermaid rising. What are our conversations about? I make, my mind tediously sifting the rubble of the emotional landslide, small discoveries about us that I hasten to convey to you, who are never quite as impressed by them as I hoped you would be. Yesterday, for example, at about 3:30 p.m., when the sallow sun suddenly ceased to justify sitting in a deck chair, I discovered, in the act of folding the blanket, that I had never, in my heart, taken your sufferings as seriously as my own. That you were unhappy, I knew. I could diagram the mechanics of the bind you were in, could trace the vivacious contours and taste the bright, flat colors of your plight—indeed, I could picture your torment so clearly that I felt I was feeling it with you. But no, there was a final kind of credence that I denied your pain, which cheated it of dimension and weight. You were the object of my desire and as such
la belle dame sans merci
. And so, reciprocally, I showed you no mercy. For this I belatedly apologized. In my head you accepted the apology with a laugh, and then wished to go on and discuss the practical aspects of our elopement. Two hours later, pinning a quivering daiquiri to the bar with my fingers, I rather jerkily formulated this comforting thought: However else I failed you, I never pretended to feel other than love for you, I never in any way offered to restrict, or control, the love you felt for me. Whatever sacrifices you offered to make, whatever agony you volunteered to undergo for me, I permitted. In the limitless
extent of my willingness to accept your love, I was the perfect lover. Another man, seeing you flail and lacerate yourself so cruelly, might have out of timid squeamishness (calling it pity) pretended to turn his back, and saved your skin at the price of your dignity. But I, whether merely hypnotized or actually suicidal, steadfastly kept my face turned toward the blaze between us, while my eyes watered, my nose peeled, and my eyebrows disappeared in twin whiffs of smoke. It took all the peculiar strength of my egotism not to flinch and flaw the purity of your generous fury. No? For several hours I discussed this with you, or, rather, vented exhaustive rewordings upon your silent phantom, whose comprehension effortlessly widened, in watery rings, to include every elaboration.

Then, at last weary, brushing my teeth while the shower curtains moved back and forth beside me like two sluggish, rustling pendulums, I received, as if it were a revelation absolutely gravitational in importance, the syllogism that (major premise), however much we have suffered because of each other, it is quite out of the question for me to blame you for my pain, though strictly speaking you were the cause; and, since (minor premise) you and I as lovers were mirrors and always felt the same, therefore (conclusion) this must also be the case with you.
Ergo
, my mind is at peace. That is, it is a paradoxical ethical situation to be repeatedly wounded by someone
because he or she is beloved
. Those small incidentals within my adoration, those crumbs of Mark's influence that I could never digest, those cinders from past flames unswept from your corners, the flecks of a callous queenliness, even moments when you seemed physically ordinary—it was never these that hurt me. It was your
perfection
that destroyed me, demented my logical workings, unmanned my healthy honor, bled me white. But I bear no grudge. And thus know that you bear none; and this knowledge, in the midst of my restless misery, gives me ease. As if what I wish to possess forever is not your presence but your good opinion.

I was rather disturbed to learn, from Brangien, just before I left, that you are seeing a psychiatrist. I cannot believe there is anything abnormal or curable about our predicament. We are in love. The only way out of it is marriage, or some sufficiently pungent piece of overexposure equivalent to marriage. I am prepared to devote my life to avoiding this death. As you were brave in creating our love, so I must be brave in preserving it. My body aches for the fatal surfeit of you. It creaks under the denial like a strained ship. A hundred times a day I consider casting myself loose from this implacable liner and giving myself to the waves on the implausible chance that I might again drift to you as once I drifted, pustular,
harping, and all but lifeless, into Whitehaven. But I who slew the Morholt slay this Hydra of yearning again and again. My ship plows on, bleeding a straight wake of a paler, milky green, heading Heaven knows where, but away, away from the realms of compromise and muddle wherein our love, like a composted flower, would be returned to the stupid earth. Yes, had we met as innocents, we could have indulged our love and let it run its natural course of passion, consummation, satiety, contentment, boredom, betrayal. But, being guilty, we can seize instead a purity that will pass without interruption through death itself. Do you remember how, by the river, staking your life on a technicality, you seized the white-hot iron, took nine steps, and showed all Cornwall your cold, clean palms? It is from you that I take my example. Do you remember in the Isak Dinesen book I gave you the story in which God is described as He who says No? By saying No to our love we become, you and I, gods. I feel this is blasphemy and yet I write it.

The distance between us increases. Bells ring. The Turinese steward is locking up the bookcase. I miss you. I am true to you. Let us live, forever apart, as a shame to the world where everything is lost save what we ourselves deny.

T.

Dear Kaherdin:

Sorry not to have written before. This way of life we've all been living doesn't conduce to much spare time. I haven't read a book or magazine in weeks. Now the brats are asleep (I think), the dishes are chugging away in the washer, and here I sit with my fifth glass of Noilly Prat for the day. You were the only one he ever confided in, so I tell you. He's left me again. On the other hand, he's also left her. What do you make of it? She is taking it, from appearances, fairly well. She was at a castle do Saturday night and seemed much the same, only thinner. Mark kept a heavy eye on her all evening. At least she has
him;
all I seem to have is a house, a brother, a bank account, and a ghost. The night before he sailed, he explained to me, with great tenderness, etc., that he married me as a kind of pun. That the thing that drew him to me was my having her name. It was all—seven years, three children—a kind of Freudian slip, and he was really charmingly boyish as he begged to be excused. He even made me laugh about it.

If I had any dignity I'd be dead or insane. I don't know if I love him or what love is or even if I want to find out. I tried to tell him that if he loved her and couldn't help it he should leave me and go to her, and not torment us both indefinitely. I've never much liked her, which oddly enough offends him, but I really do sympathize with what he must have put her through. He seems to think there's something so beautiful about hanging between us that he won't let go with either hand. He's rapidly going from the sublime to the ridiculous. Mark, who in his bullying way wants to be sensible and fair, had his lawyers on the move, and I was almost looking forward to six weeks on a ranch somewhere. But no. After his spending the whole summer climbing fences, faking appointments, etc., anything that looks like real action terrifies him and he gets on a boat. And through it all, making life a hell for everybody concerned, including the children, he wears this saintly pained look and insists he's trying to do the right thing. What was really annihilating wasn't his abuse of me, but what he called kindness.

I've mentally fiddled with your invitation to come back to Carhaix, but there seems no point. The children are in school, I have friends here, life goes on: I've explained his absence as a business trip, which everybody accepts and nobody believes. The local men are both a comfort and a menace—I guess it's their being a menace that makes them a comfort. My virtue is reasonably safe. It all comes back to me, this business of managing suitors, keeping each at the proper distance, not too close and not too far, trying to remember exactly what has been said to each. Mark's eye, for that matter, was heavy on
me
for a few moments at the party. It's essentially disgusting. But nothing else is keeping my ego afloat.

I could never get out of him what she had that I didn't. If you know, as a man, don't tell me, please. But I can't see that it was our looks, or brains, or even in bed. The better I was in bed, the worse it made him. He took it as a reproach, and used to tell me I was beautiful as if it were some cruel joke I had played on him. The harder I tried, the more I became a kind of distasteful parody. But of what? She is really too shallow and silly even for me to hate. Maybe that's it. I feel I'm dropped,
bump
, as one drops any solid object, but she, she is sought in her abandonment. His heart rebounds from shapeless surfaces—the sky, the forest roof, the sea—and gives him back a terror which is her form. The worst of it is, I sympathize. I'm even jealous of his misery. At least it's a kind of pointed misery. His version is that they drank from the same cup. It has nothing to do with our merits, but she loves him and I don't. I just think I do. But if I don't love him, I've never loved anything. Do you think this is so? You've
known me since I was born, and I'm frightened of your answer. I'm frightened. At night I take one of the children into bed with me and hold him/her for hours. My eyelids won't close, it scalds when I shut them. I never knew what jealousy was. It's an endlessly hungry thing. It really just consumes and churns and I can't focus on anything. I remember how I used to read a newspaper and care and it seems like another person. In the day I can manage, and on the nights when I go out, but in the evenings when I'm alone, there is an hour, right now, when everything is so hollow there is no limit to how low I and my Noilly Prat can go. I didn't mean to put this into a letter. I wanted to be cheerful, and brave, and funny about it. You have your own life. My love to your family. The physical health here is oddly good. Please,
please
don't say anything to Mother and Daddy. They wouldn't understand and their worrying would just confuse me. I'm really all right, except right now. My fundamental impression I think is of the incredible wastefulness of being alive.

Love,    

Iseult

Tristan:

Tristan

Tristan Tristan

flowers—books—

Your letter confused and dismayed me—I showed it to Mark—he is thinking of suing you again—pathetic—his attempts to make himself matter. Between words I listen for his knock on the door—if he knew what I was writing he would kick me out—and he's right.

my king brought low

forgive?????

an easy word for you

I wanted to grow fat in your arms and sleep—you ravished me with absences—enlarged our love at our expense—tore me every time we parted—I have lost 12 pounds and live on pills—I dismay myself.

Your wife looks well.

Trist

Mr.

Mrs.

the flowers are dead and the books hidden and a hard winter is here—his knock on the door—

Kill You. I must kill you in my heart—shut you out—don't knock even if I listen. Return to your wife—try—honestly try with her. She hates me but I love her for the sorrow I have brought her—no—I hate her because she would not admit what everybody could see—she had given you up. I had earned you.