The Fight (21 page)

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Authors: Norman Mailer

Tags: #Non-Fiction, #History, #Biography, #Classics

BOOK: The Fight
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Sooner or later, however, Foreman is always on him, leaning on him, banging him, belting away with all the fury George knows how to bring to the heavy bag. Ali uses the ropes to absorb the bludgeoning. Standing on one’s feet, it is painful to absorb a heavy body punch even when blocked with one’s arms. The torso, the legs and the spine take the shock. One has to absorb the brunt of the punch. Leaning on the ropes, however, Ali can pass it along; the ropes will receive the strain. If he cannot catch Foreman’s punches with his gloves, or deflect them, or bend Foreman’s shoulder to spoil his move, or lean away with his head,
slip to the side, or loom up to hug Foreman’s head, if finally there is nothing to do but take the punch, then Ali tightens his body and conducts the shock out along the ropes, so that Foreman must feel as if he is beating on a tree trunk which is oscillating against ropes. Foreman’s power seems to travel right down the line and rattle the ring posts. It fortifies Ali’s sense of relaxation — he has always the last resort of composing himself for the punch. When, occasionally, a blow does hurt, he sticks Foreman back, mean and salty, using his left and right as jabs. Since his shoulders are against the ropes, he jabs as often with his right as his left. With his timing it is a great jab. He has a gift for hitting Foreman as Foreman comes in. That doubles or triples the force. Besides he is using so many right jabs Foreman must start to wonder whether he is fighting a southpaw. Then comes the left jab again. A converted southpaw? It has something of the shift of locus which comes from making love to a brunette when she is wearing a blond wig. Of course, Ali has red wigs too. At the end of the round, Ali hits Foreman with some of the hardest punches of the fight. A right, a left, and a right startle Foreman in their combination. He may not have seen such a combination since his last street fight. Ali gives a look of contempt and they wrestle for a few seconds until the bell. For the few extra seconds it takes Foreman to go to his corner, his legs have the look of a bedridden man who has started on a tour of his room for the first time in a week. He has almost stumbled on the way to his stool.

In the aisle, Rachman Ali began to jeer at Henry Clark. “Your man’s a chump,” Rachman said. “Ali’s going to get him.” Clark had to look worried. It was hardly his night.
First his own fight had been postponed, then called off, now he was watching George from a crate in the aisle. Since he had a big bet on George, this last round offered its woes.

In the corner Sadler was massaging Foreman’s right shoulder and George was gagging a bit, the inside of his lips showing a shocking frothy white like the mouth of an overgalloped horse.

Nonetheless, he looked lively as he came out for the bell. He came right across the middle of the ring to show Ali a new kind of feint, a long pawing movement of his hands accompanied by short moves of his head. It was to a different rhythm as if to say, “I haven’t begun to show what I know.”

He looked jaunty, but he was holding his right hand down by the waist. Fatigue must have lent carelessness to what he did, for Ali immediately answered with an insulting stiff right, an accelerating hook and another right so heavy to Foreman’s head that he grabbed for a clinch, first time in the fight. There, holding on to Ali while vertigo collided with nausea, and bile scalded his breath, he must have been delivered into a new awareness, for George immediately started to look better. He began to get to Ali on the ropes and hit him occasionally, and for the first time in a while was not getting hit as much himself. He was even beginning to jam a number of Ali’s rhythms. Up to now, whenever Ali took a punch, he was certain to come off the ropes and hit Foreman back. A couple of times in this round, however, even as Ali started his move, George would jam his forearm into Ali’s neck, or wrestle him to a standstill.

All the while Ali was talking. “Come on, George, show
me something,” he would say. “Can’t you fight harder? That ain’t hard. I thought you was the Champion, I thought you had punches,” and Foreman working like a bricklayer running up a pyramid to set his bricks would snort and lance his arms in sudden unexpected directions and try to catch Ali bouncing on the rope, Ali who was becoming more confirmed every minute in the sinecure of the rope, but at the end of the round, Foreman caught him with the best punch he had thrown in many a minute, landing just before the bell, and as he turned to leave Ali, he said clearly, “How’s that?”

It must have encouraged him, for in the fifth round he tried to knock Ali out. Even as Ali was becoming more confident on the ropes, Foreman grew convinced he could break Ali’s defense. Confidence on both sides makes for war. The round would go down in history as one of the great rounds in Heavyweight boxing; indeed it was so good it forged its own frame as they battled. One could see it outlined forever in lights:
The Great Fifth Round of the Ali-Foreman fight!

Like much of greatness, the beginnings were unremarked. Foreman ended the fourth round well, but expectation was circling ringside that a monumental upset could be shaping. Even Joe Frazier was admitting that George was “not being calm.” It took John Daly to blurt out cheerfully to David Frost, “Ali is winning all the way for me and I think he’s going to take it within another four rounds!”

Foreman didn’t think so. There had been that sniff of victory in the fourth, the good punch which landed —
“How’s that?” He came out in the fifth with the conviction that if force had not prevailed against Ali up to now, more force was the answer, considerably more force than Ali had ever seen. If Foreman’s face was battered to lumps and his legs were moving like wheels with a piece chipped out of the rim, if his arms were beginning to sear in the lava of exhaustion and his breath come roaring to his lungs like the blast from a bed of fire, still he was a prodigy of strength, he was
the
prodigy, he could live through states of torture and hurl his cannonade when others could not lift their arms, he had been trained for endurance even more than execution and back in Pendleton when first working for this fight had once boxed fifteen rounds with half a dozen sparring partners coming on in two-round shifts while Foreman was permitted only thirty seconds of rest between each round. He could go, he could go and go, he was tireless in the arms, yes, could knock down a forest, take it down all by himself, and he set out now to chop Ali down.

They sparred inconclusively for the first half-minute. Then the barrage began. With Ali braced on the ropes, as far back on the ropes as a deep-sea fisherman is braced back in his chair when setting the hook on a big strike, so Ali got ready and Foreman came on to blast him out. A shelling reminiscent of artillery battles in World War I began. Neither man moved more than a few feet in the next minute and a half. Across that embattled short space Foreman threw punches in barrages of four and six and eight and nine, heavy maniacal slamming punches, heavy as the boom of oaken doors, bombs to the body, bolts to the head, punching until he could not breathe, backing off
to breathe again and come in again, bomb again, blast again, drive and steam and slam the torso in front of him, wreck him in the arms, break through those arms, get to his ribs, dig him out, dig him out, put the dynamite in the earth, lift him, punch him, punch him up to heaven, take him out, stagger him — great earthmover he must have sobbed to himself, kill this mad and bouncing goat.

And Ali, gloves to his head, elbows to his ribs, stood and swayed and was rattled and banged and shaken like a grasshopper at the top of a reed when the wind whips, and the ropes shook and swung like sheets in a storm, and Foreman would lunge with his right at Ali’s chin and Ali go flying back out of reach by a half-inch, and half out of the ring, and back in to push at Foreman’s elbow and hug his own ribs and sway, and sway just further, and lean back and come forward from the ropes and slide off a punch and fall back into the ropes with all the calm of a man swinging in the rigging. All the while, he used his eyes. They looked like stars, and he feinted Foreman out with his eyes, flashing white eyeballs of panic he did not feel which pulled Foreman through into the trick of lurching after him on a wrong move, Ali darting his expression in one direction while cocking his head in another, then staring at Foreman expression to expression, holding him in the eye, soul to soul, muntu to muntu, hugging his head, peeking through gloves, jamming his armpit, then taunting him on the edge of the ropes, then flying back as Foreman dove forward, tantalizing him, maddening him, looking for all the world as cool as if he were sparring in his bathrobe, now banishing Foreman’s head with the turn of a matador
sending away a bull after five fine passes were made, and once when he seemed to hesitate just a little too long, teasing Foreman just a little too long, something stirred in George like that across-the-arena knowledge of a bull when it
is
ready at last to gore the matador rather than the cloth, and like a member of a cuadrilla, somebody in Ali’s corner screamed, “Careful! Careful! Careful!” and Ali flew back and just in time for as he bounced on the ropes Foreman threw six of his most powerful left hooks in a row and then a right, it was the center of his fight and the heart of his best charge, a left to the belly, a left to the head, a left to the belly, a left to the head, a left to the belly, another to the belly and Ali blocked them all, elbow for the belly, glove for the head, and the ropes flew like snakes. Ali was ready for the lefts. He was not prepared for the right that followed. Foreman hit him a powerful punch. The ringbolts screamed. Ali shouted, “Didn’t hurt a bit.” Was it the best punch he took all night? He had to ride through ten more after that. Foreman kept flashing his muscles up out of that cup of desperation boiling in all determination, punches that came toward the end of what may have been as many as forty or fifty in a minute, any one strong enough to send water from the spine to the knees. Something may have finally begun to go from Foreman’s n’golo, some departure of the essence of absolute rage, and Ali reaching over the barrage would give a prod now and again to Foreman’s neck like a housewife sticking a toothpick in a cake to see if it is ready. The punches got weaker and weaker, and Ali finally came off the ropes and in the last thirty seconds of the round threw his own punches, twenty
at least. Almost all hit. Some of the hardest punches of the night were driven in. Four rights, a left hook and a right came in one stupendous combination. One punch turned Foreman’s head through ninety degrees, a right cross of glove and forearm that slammed into the side of the jaw; double contact had to be felt; once from the glove, then from the bare arm, stunning and jarring. Walls must begin to crack inside the brain. Foreman staggered and lurched and glared at Ali and got hit again, zing-bing! two more. When it was all over, Ali caught Foreman by the neck like a big brother chastising an enormous and stupid kid brother, and looked out to someone in the audience, some enemy or was it some spiteful friend who said Foreman would win, for Ali, holding George around the neck, now stuck out one long white-coated tongue. On the other side of the ropes, Bundini was beaming at the bell.

“I really don’t believe it,” said Jim Brown. “I really don’t believe it. I thought he was hurt. I thought his body was hurt. He came back. He hit Foreman with everything. And he winked at
me.
” Did he wink or stick out his tongue?

In the aisle, Rachman was screaming at Henry Clark. “Your fighter’s a chump. He’s an amateur. My brother is killing him. My brother is showing him up!”

15. THE EXECUTIONER’S SONG

S
O BEGAN
the third act of the fight. Not often was there a better end to a second act than Foreman’s failure to destroy Ali on the ropes. But the last scenes would present another problem. How was the final curtain to be found? For if Foreman was exhausted, Ali was weary. He had hit Foreman harder than he had ever hit anyone. He had hit him often. Foreman’s head must by now be equal to a piece of vulcanized rubber. Conceivably you could beat on him all night and nothing more would happen. There is a threshold to the knockout. When it comes close but is not crossed, then a man can stagger around the ring forever. He has received his terrible message and he is still standing. No more of the same woe can destroy him. He is like the victim in a dreadful marriage which no one knows how to end. So Ali was obliged to produce still one more surprise. If not, the unhappiest threat would present itself as he and Foreman stumbled through the remaining rounds. There is agony to elucidate even a small sense of the aesthetic out of boxing. Wanton waste for an artist like Ali to
lose then the perfection of this fight by wandering down a monotonous half hour to a dreary unanimous decision.

A fine ending to the fight would live in legend, but a dull victory, anticlimactic by the end, could leave him in half a legend — overblown in reputation by his friends and contested by his enemies — precisely that state which afflicted most heroes. Ali was fighting to prove other points. So he said. So Ali had to dispose of Foreman in the next few rounds and do it well, a formidable problem. He was like a torero after a great faena who must still face the drear potential of a protracted inept and disappointing kill. Since no pleasure is greater among athletes than to overtake the style of their opponent, Ali would look to steal Foreman’s last pride. George was an executioner. Ali would do it better. But how do you execute the executioner?

The problem was revealed in all its sluggish intricacies over the next three rounds. Foreman came out for the sixth looking like an alley cat with chewed-up brows. Lumps and swellings were all over his face, his skin equal to tar that has baked in the sun. When the bell rang, however, he looked dangerous again, no longer a cat, but a bull. He lowered his head and charged across the ring. He was a total demonstration of the power of one idea even when the idea no longer works. And was immediately seized and strangled around the neck by Ali for a few valuable and pacifying seconds until Zack Clayton broke them. Afterward, Foreman moved in to throw more punches. His power, however, seemed gone. The punches were slow and tentative. They did not reach Ali. Foreman was growing glove-shy. His fastest moves were now in a nervous defense
that kept knocking Ali’s punches away from his own face.

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