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Authors: John Sandford

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BOOK: The Fool's Run
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"He could have hurt me," LuEllen said.

The locksmith had seen the commotion. He came out and looked at the guy lying on the blacktop.

"Tried to rob you, huh?"

"Yeah. Thanks for the warning."

The locksmith shrugged. "I ain't the Sisters of Mercy."

"He shot me," LuEllen said. The guy tried to get up on his knees, one hand still cradling his face. LuEllen moved behind him and kicked him in the crotch, a full-footed punt. The guy gurgled and knotted up, his hands in his crotch now. Blood streamed down his chin into his little black beard. LuEllen dipped into his jacket pocket and came up with a single-shot.22 built into a stainless steel Zippo cigarette lighter.

The locksmith reached out for it. "A.22 short. Effective range, about the length of his dick. What a dipshit."

"Let's go," said LuEllen.

"Ain't you going to take his money?" asked the locksmith.

"You can have it," LuEllen said. As we drove away, the locksmith was going through the guy's pockets.

LuEllen didn't say much for a while, just kept looking at her arm, and finally giggled. "Wish I had some coke."

"Probably good that you don't."

"You should have felt his nuts squish."

"Yeah, right, a real treat, and I missed it."

"How come you didn't go for his nuts in the first place?"

"Too chancy a target. If you miss and kick a thigh instead of the balls, he'll be inside your shirt. There's no reflex to protect the knee, and that's crippling if you get it. And nothing hurts as bad as the first two minutes of a broken nose."

"It really sounded ugly when his nose broke," LuEllen said. "It gives me the shivers thinking about it."

"Yeah, well." I touched my own nose, which has been broken twice. I can remember each time with painful clarity. "You ought to hear it from the inside."

That was on a Friday. We couldn't risk going into the Durenbargers' place over the weekend, so Dace and LuEllen drove out to a cabin he owned in the hills of West Virginia. "The shack," he called it. "My wife hated the place. She called it Chigger City."

On Sunday afternoon, while they were gone, Bobby called. I'd given him Ratface's real name-Frank Morelli-and with the help of a Washington phone phreak, he'd been watching Morelli's phones. No activity.

I look up gas stations near Morelli apartment and check data banks for most likely credit cards. Morelli makes five charges in past week Atlantic City area.

He's out of town?

Yes/week. Also check consumer credit reports, shows personal loan secured by Chevrolet, year unknown, but bluebook value at $4,500 so must be old. Also estimated pretax earnings last year $52,000.

Thanx. Keep tabs.

Yes/Bye

LuEllen and Dace got back at midnight, and I told them about Bobby's call.

"So it's unlikely that he's watching us," LuEllen concluded.

"And he's a small-timer. Fifty-two thousand in billings wouldn't keep a church mouse alive in D.C., not if he pays for an answering service and an office in addition to an apartment," Dace said.

"I feel better about it," LuEllen said. "That's still weird about the gays, though. I wish I knew about that."

We went into the Durenbargers' first thing Monday morning. I made my copies, set the bug, and we were out of there like a cool breeze. LuEllen didn't touch a thing.

CHAPTER 10

Monday night, while and LuEllen went to play in the District, I broke down the disks we'd taken from Ebberly and Durenbarger. The Whitemark code system was simple. When the central computer was called from the outside, it asked for a name and account number. After receiving those, it sent a code word back, directly to the home computer, and asked for a matching word from the code disk. The home computer scanned the list of words on the disk, found the match, and returned it. If the code was correct, you were in.

When I understood the code operation, I reviewed Dace's outline of Samantha Ebberly's sessions on the Whitemark computer. She had gone directly to a number of administrative files, and also called up a letter form. The format was standard. When I was sure that I knew what I was doing, I dialed one of our computers into the Ebberlys' to make sure she wasn't talking to the Whitemark system. She wasn't. I left the line open, in case she came on, then I dialed our second terminal into Whitemark.

Entry was routine. Inside, I found a typical mainframe administrative system, stuffed with files and forms. Using common techniques worked out by hackers over the past couple of decades, I spent four hours wandering through the system, opening files, reading, and moving on. There were no surprises, and there were some disappointments.

Security was a notch tighter than I hoped it would be. Key files were protected with personal passwords, and I had no way around them except laborious trial and error. I let that go for the time being. Whitemark programmers had also constructed programming barriers between the various sectors of the computer. Using Ebberly's codes I could wander at will through the open administrative sector, but I couldn't get down to the underlying programs. I couldn't get into the system itself.

I next checked the Durenbarger codes. Once again, entry was easy. On the engineering side, the computer was jammed with numbers and designs and ongoing work, with key files protected by personal passwords, just like the administrative side. And, as on the administrative side, access to the programming level was thoroughly blocked.

LuEllen and Dace came in late, saw me working, and tiptoed away. Much later, I went to bed and lay staring at the ceiling. By four in the morning, I'd decided there were no options. We had to get into the programming level of the computer. We had to crack another house.

At breakfast, LuEllen rambled on, sore, about the play they'd seen the night before. It concerned a street gang. The single scene was set in a basement, where the gang was waiting for a shipment of pistols.

"It was like one of those World War Two movies, where there's a Jew and a black guy and an Italian and the coward and this cool, white guy who's the hero. You know, one of everything," LuEllen said. "That's what this gang was like. But I know gang punks. I went to school with them. You don't find any Jews and blacks and whites together. You hang out with a white gang and it's nigger-this and nigger-that. If a Jew comes along it's fuckin' kike. In real life, these guys are assholes."

"It was supposed to be allegorical," Dace said dryly.

"Right. What really happened was, the guy who wrote it had his head up his ass." LuEllen trailed off and peered at me. "Why so glum? Something we should know about?"

"We have to hit the systems programmer's place," I said. "The head man's. There's no way around it."

"You knew we might." She was leaning on the refrigerator, munching a bowl of dry Honey-Nut Cheerios. The play was forgotten. "When do you want to do it?"

"We can cruise by this afternoon, see how it looks."

"Is this the last one?" Dace asked.

"Yeah. If he's got the codes. And he should."

"We're pushing our luck."

"I know. I sweat blood every time," I said.

While LuEllen and I had been scouting the homes of Whitemark employees, and hit the first two, Dace had worked out the tactics of the propaganda attack. After breakfast he produced a yellow legal pad with a list of notes, and outlined the plan.

"When you get the computer operation going, we'll start leaking stories about their production and design troubles. We'll get that out to the technical press. It'll scare the brass over at the Pentagon. They've been burned too often-they're gun-shy about design problems.

"But most newspaper and TV reporters don't care about that stuff. Whitemark might be able to sweep the whole thing under the rug. If we really want to nail them, we need raw meat. Corruption. If you tell a Post reporter that there's a ten-million-dollar cost overrun on a control circuit for a fighter plane, and anyway, the circuit doesn't even work, he'll say, 'So what's new?' But if you tell him the company president spent ten thousand on broads and booze for a couple of generals and you've got the pictures to prove it, he'll camp out on your doorstep."

"So where do we get the pictures?" LuEllen asked.

"We could make them up," Dace said mildly.

"Frame them?"

He nodded. "Yeah. Frame them." He looked sanguine about the prospect, sipping tea and watching us.

"Sounds risky," I said.

"There are advantages, too. If we frame them we can make the corruption as spectacular as we want, and we don't have to waste time looking for it. We can go in and out fast. Plant the documents, create the backup and supporting material, and call the papers. The biggest problem we'll have is getting somebody to listen to us."

Washington is overrun with crazies. The city desk receptionists at the major newspapers and television stations dealt with a dozen screwballs a day, by telephone and in person. There were letters from a dozen more. Some threatened to wipe out the Zionists, some the Arabs. Some reported the deleterious effects of fluoride on the nation's testicles. Others could prove that AIDS was a deliberate plot by the Russians, the Chinese, the gays, the blacks, the CIA, or the League of Women Voters, take your pick. Several hundred people knew of the island where a brain-damaged JFK was still living, sometimes with Elvis.

"If we can find or create something good enough, I can handle it. I can get us in, but it has to be good," he said. "Once we get in, the media will stay with it, especially if they get the credit. A big defense contractor paying off the generals, and caught in the act by a vigilant press? That's good stuff."

"What about the poor assholes who supposedly took the bribes? I mean, we could be killing these people," LuEllen said. "Look what happened to you."

Dace nodded. "That's not the only thing. If you frame someone, everything must be precisely right. If we say General Jones was getting laid on Bimini on March 4, and he can produce fifty witnesses who say he was in Boise speaking to the Mothers for Righteousness, the whole effort goes down the drain. If we frame them we'll have to make it a loose frame-slush funds, women, cash payoffs, but no names."

"Will that take? "I asked.

"We could rig something," Dace said. "But see where I'm headed? It would be better to find the real thing, if it's spectacular enough. The real thing always has a special flavor. You know it's real. And I'm sure it's in there, somewhere. All of these big companies do favors for the brass. Maybe it's not money or sex, but it's something. If you could get me into their general files, I could find something. But it might take time."

"I've already been in, so entry is no problem," I said. "And it seems like the payoff potential would be bigger."

"Yeah, it would be. I'll outline a frame, just in case. But we should take a run at their files and see what we can find," Dace said.

LuEllen and I looked at each other, and LuEllen said, "I don't like the frame."

I nodded. "Okay. We can't take more than two or three days to look, but let's try it. And first we hit the systems programmer's place, so I can get into the system."

"When are you going to Chicago?" LuEllen asked. I wanted one last talk with Anshiser, to get the final go-ahead.

"If I can get into the system soon-like tonight-I'll go tomorrow or the next day."

"Are you still planning to bring this Maggie back?"

"If she wants to come."

"It makes me nervous, another outsider knowing our faces. My face," LuEllen said. "I hope she's all right."

I shrugged. "No guarantees. There's not much choice, either, if we want to get paid."

CHAPTER 11

Maggie sounded good on the phone, her voice low and husky. She laughed once, and it brought back the memory of her scent, the iris and vanilla, and the feel of the day we met on the sandbar.

"We have to make one more entry," I said. "We'll try it this afternoon. How's Anshiser?"

"He's worse. We're going ahead, but he's not so good."

"Can I talk to him when I come in?"

"Sure. He's functional, if that's what you're asking. When are you coming?"

"Day after tomorrow, if everything works out. If we get in this afternoon."

"Be careful."

"Always."

The last target was in an exclusive suburb in the Virginia countryside. The sprawling lawns were shaded by full-sized trees. Swimming pools were standard equipment and a few yards had tennis courts, screened by lilacs and honeysuckle. Most of the houses had small signs posted by the driveways: this house protected by acme alarms. LuEllen scanned the target, looking especially at the phone line coming out.

She was spooked. "What is it?" I asked. "The security?"

"No. We can get past that, if they have it. But something's not right," she said. "These people aren't important enough for this house. You say this guy makes seventy-five or eighty thousand? These places must start at three hundred and fifty and go up from there."

"Maybe Papa had money."

"Maybe," she said, but she wasn't happy about it. The neighborhood was quiet. We rolled through it three times, from different directions, without seeing anything obviously threatening.

"Let's go make the calls," LuEllen said finally. "But if we can't get them at work, I want to wait."

We got them, though, virtually on the first rings. LuEllen dug some coke out of her purse, and took a hit while I called the house, cut the line, tossed the phone receiver in the backseat, and drove back to a neighborhood park.

We ambled down to the house in three or four minutes, taking our time, LuEllen miming a cough to cover a couple of additional hits on the cocaine. We could hear the faint ringing of the phone as we walked up the driveway. There was no security sign outside, but that meant nothing.

"When I pop it, you step right inside the door behind me, and stand there. Don't do anything until I tell you," she said as we walked up to the front door. She took a pair of wire cutters out of her tennis bag and slipped them into the pocket of her shorts. "I'm going to be running around like a rat for a couple of minutes."

At the door, she rang the bell and blew hard on the dog whistle. There was no response. She dipped into the bag for the bar, and I covered her with my body while she cracked the door. We stepped into a dark-paneled entry hall; the kitchen was to the left, the living room straight ahead. Hanging on the entry wall was an eye-popping Egon Schiele drawing of two women, nude except for calf-length silk stockings, making love. It was worth a good fraction of the house's value. I began to understand LuEllen's misgivings. That drawing belonged in a museum, or a millionaire's bedroom, not in a suburban house in Virginia.

LuEllen launched herself into the house, literally running, ripping open the front hall closet, pivoting, going into the kitchen, pulling open the cabinets one after another.

The Doberman pinscher caught her on her knees halfway down the kitchen. He came around the corner from the dining room-black and brown and rippling with muscle, running like a leopard.

I was looking at the Schiele drawing when I heard the dog's toenails on the kitchen floor, and LuEllen screamed "No" and I turned, and the dog was coming. He must not have seen me behind LuEllen, because he leaped toward her snarling, and she half stood, her hands in front of her. I took two steps toward them, and as he hit her upper arms and she started to go down, I kicked him in the throat. LuEllen's arm pulled out of his mouth as he tumbled over and down, then he scrabbled his legs under him, recovering, and I took another step and he was almost on his way again, and I kicked him in the head and he went down again.

He was still alive and still trying, and I kicked him again in the ribs without doing much damage except to roll him over, and then LuEllen pushed by me, lifting the crowbar over her head and bringing it down like a baseball bat. The dog rolled his head, and the bar bounced off; she flailed at him again, and this time connected squarely. Blood spattered across the floor, and the dog's legs started to run in a death kick, and she hit him again, and again, and I grabbed her and pulled her off.

"Let go," she said. "I'm okay." She dropped the bar and began flinging open the doors of the kitchen cabinets and raced into the dining room and looked down the stairs, and then went out through the garage door.

The phone was still ringing in the background. I hunted it down and pulled it off the hook, and rehung it. In the sudden silence I could hear the dog's bubbling breath as he died.

"Get that fuckin' dog and stuff it in the hall closet," LuEllen snarled as she came back in the house.

I went back to the kitchen and dragged the dog by its collar into the hallway, and pushed it into the closet. "What happened with the whistle?"

"Some dogs are trained to ignore them. In fact, they go on alert when they hear one. I don't think there's an alarm, by the way. The dog was it." She was examining her upper arm, and there was blood on her shirt. "There's no entry alarm. There's no motion or sound detectors I can see. I thought maybe they had a direct-call alarm, but I couldn't see anything on the phone lines. I cut them anyway. Let's get this done in a hurry."

"How bad are you?"

"He got me, but it doesn't look too bad."

"Let me see." I pulled the neck of her shirt down over her shoulder, and found four gashes, each an inch long, ragged and deep. They were bleeding profusely.

"Hurts like hell," she said. "I have to find a different shirt and something to soak up this blood."

We went down the hall, and she suddenly stopped and said, "Whoa." The living room had been done by the Marquis de Sade. Scarlet flocked wallpaper set off a two-inch-deep wool pile carpet as black as India ink. The furniture included a walnut-colored baby grand piano and an inky-blue overstaffed living room suite of velvet. A candelabra mounting six black candles sat on the piano. The room smelled of incense and marijuana, and something else, something from the locker room or the bedroom. Sweat. Human juices. Something.

On the walls, at eye level, were groupings of small, high-quality art photographs and engravings, all expensively framed, all pornographic.

"I don't believe these things," LuEllen said, as she examined one of the engravings.

"Everybody needs a hobby," I muttered, looking around. "Let's find that fucking computer."

"Fucking computer is right," LuEllen said, walking from one picture frame to the next. "You could hurt yourself doing some of this stuff."

"Think it's up or down?"

"What?"

"The computer, for Christ's sake."

"Up," she said. She peered closely at me. "You okay? You looked cranked."

"It's okay. It was that dog."

The computer was in the first room at the top of the stairs, an efficient little office with an IBM, two big lockable disk boxes, both unlocked, and a desk made of a Formica countertop set on a half dozen two-drawer filing cabinets. The only odd element was the clock on the wall. The face of the clock portrayed a nude woman seen end-on, her legs representing the clock's hands. The view was unblushingly gynecological.

I brought the IBM up and was shuffling through the disks when LuEllen called.

"Hey Kidd, take a look at this."

"Just a second." I popped my cracker disk into the machine and started it loading. When I stepped out of the office, I found LuEllen in the hall, holding a wad of Kleenex against her bleeding shoulder, and gazing into a bedroom.

"Look." She pointed into the bedroom. There was a waterbed with black candles on the headboard, and a mirrored wall. The main attraction was a photo mural of a woman's face as she performed oral sex on a man who was mostly, but not entirely, out of the picture.

"Look at the size of that thing," LuEllen said.

"Shoot, I've seen donkeys bigger than that," I said.

"I meant the picture, not the guy," she said, coloring a bit. "But I'll tell you what, Kidd. These people aren't a little weird. They're a lot weird. There's a picture like this in every bedroom. This might be some kind of whorehouse. Maybe that's how they could afford to buy the place. Maybe that's why they don't have any alarms. They don't want the cops coming in, no matter what."

"I got to get back," I said. I returned to the office, and LuEllen started trashing the bedrooms. I loaded and reloaded the disks, looking for the communications program. The boxes were full of disks identified only by number. I was on the fourth or fifth one, all files, when LuEllen went past the door, stuck her head in, said, "Found two grand in cash, three guns, and six dildos," and kept going. A second later, she went down the stairs to the living-room level.

The communications program was on the seventh disk. I had pulled off the phone plate and was ready to wire in the bug, but took a minute to run through the program. There was a list of code words, but they looked too similar to the words used by Ebberly and Durenbarger. They might get me into all the system files, but I wasn't sure they would give me access to the programming level.

As the disk was being copied, I finished wiring the bug into the phone box, and put the plate back on. When the communications disk was copied, I dropped the copy into the tennis bag, and looked quickly at the rest of the disks. They were all files, mostly long lists of names and addresses. The files were protected by a commercial security program that wasn't quite worthless: it slowed me down by about five seconds per disk.

When I finished, I pulled out the file drawers under the counter and went through the paper files. Nothing of immediate interest. I was closing the bottom drawer when a flash of white on the inside front panel caught my eye. I pulled it all the way out, and found a piece of masking tape. Seven ten-digit numbers were written on the tape. That looked promising. I copied them out in the order they were written in.

"Kidd!" LuEllen was shouting up the stairs. "C'mere, quick."

I pushed the drawer shut, shoved the copied disks and the list of numbers into the tennis bag, and headed down the stairs. There was no one in the living or dining rooms.

"Where are you?" I called.

"Down in the basement."

The windowless basement was divided lengthwise down the middle. In one half was the utility room, with a washing machine and drier, a tool bench, storage, and what looked like a small bathroom. With the exception of one room, the other half was nothing like the upstairs. It was a warehouse, a paradigm of efficiency, with fluorescent overhead lights and flat white tile floors.

The exception was the neat little photo studio. It had a velvet couch, a pile of red and black velvet drapes, and a cardboard box full of sexual implements: dildos, handcuffs, a whip, masks. And dolls. The Army dolls that boys play with, and two old-fashioned fat, plastic baby dolls that cry when they sit up. There were three lights with umbrella reflectors, pulldown seamless paper, and a pair of Hasselblad cameras, each with its own tripod. Next to it was a professional color darkroom.

The rest of the basement was stacked with cartons and envelopes. LuEllen had opened the cartons and held a sheaf of slender, full-color magazines.

"Take a look at these," she said.

The magazines ran the gamut of the sexual activities usually portrayed by porno magazines, with one significant difference. In each picture, one of the participants was a child. And the shots had been taken in the neat little photo studio.

"These are those child-porn assholes you hear about," LuEllen said. She was wearing a pink blouse, not her own, holding her shoulder, and shouting. "I'm going to burn this fucking place down."

"No, you're not," I said, grabbing her around the waist and pulling her tight. "We can use this. You get everything you'd normally take-guns, money, jewelry, and grab those Hasselblads and all the lenses you see; those are worth a bundle. Let's hurry. Take one copy of each magazine, but don't mess them up. And for Christ's sake, don't get prints on them."

I ran back up the stairs and started making copies of all the file disks. If they were what I thought, I'd have a complete mailing list for the child-porn ring. It took fifteen minutes to copy the files. While I did it, LuEllen went through the place with a vengeance. She came into the office once, to get my tennis bag, and when I finished, I found her with two fat garbage bags in the kitchen.

"We'll take twenty grand out of here," she said with satisfaction.

"Jesus, if a cop sees us carrying those bags, he'll stop us for sure," I said. "There's way too much stuff."

"I know. So we leave them here in the kitchen, except for your disks, and go get the car, come back, load them up, and take off," she said.

"Oh, man, I don't know."

"It's what a doper would do with a load this size," she said defiantly. "He'd take the risk."

So did we. We brought the car back, and I jumped out, while LuEllen waited with the car running in the driveway. I walked up to the front door, knocked, pushed through, got the bags, brought them out, tossed them in the backseat. On an impulse I walked back to the house, took the Schiele off the wall, carried it out to the car, and handed it across the seat to her.

"That was stupid," she said fiercely as we drove away. She was hurting.

"Yeah."

A few minutes later she said, "I feel bad about the dog. He was doing his job." A minute later, she punched me on the arm. "Saved my ass, Kidd."

LuEllen went up to the apartment ahead of me, and when I came in, carrying the bags, Dace had her wrapped up in his arms.

"We've got to get a doctor," he said.

"Can you handle that?" I asked. "Somebody who'll keep his mouth shut?"

"Yeah. I know a guy."

"Tell him the dog was a neighbor's, and we'll make sure it's quarantined, and not to sweat it, we don't want any trouble, no reports," I said.

BOOK: The Fool's Run
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