Authors: Ayn Rand
Tags: #Literature: Classics, #Rand, #Man-woman relationships, #Psychological Fiction, #Literary Criticism, #Didactic fiction, #Philosophy, #Political, #Architects, #General, #Classics, #Ayn, #Individual Architect, #Architecture, #1905-1982, #Literature - Classics, #Fiction, #Criticism, #Individualism
“If I’m correct in gathering that you’re criticizing mankind in general ...”
“You know, it’s such a peculiar thing—our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you’d feel big and solemn about? There’s nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalents. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they’re enjoying themselves? That’s when you see the truth. Look at those who spend the money they’ve slaved for—at amusement parks and side shows. Look at those who’re rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That’s your mankind in general. I don’t want to touch it.”
“But hell! That’s not the way to look at it. That’s not the whole picture. There’s some good in the worst of us. There’s always a redeeming feature.”
“So much the worse. Is it an inspiring sight to see a man commit a heroic gesture, and then learn that he goes to vaudeville shows for relaxation? Or see a man who’s painted a magnificent canvas—and learn that he spends his time sleeping with every slut he meets?”
“What do you want? Perfection?”
“—or nothing. So, you see, I take the nothing.”
“That doesn’t make sense.”
“I take the only desire one can really permit oneself. Freedom, Alvah, freedom.”
“You call that freedom?”
“To ask nothing. To expect nothing. To depend on nothing.”
“What if you found something you wanted?”
“I won’t find it. I won’t choose to see it. It would be part of that lovely world of yours. I’d have to share it with all the rest of you—and I wouldn’t. You know, I never open again any great book I’ve read and loved. It hurts me to think of the other eyes that have read it and of what they were. Things like that can’t be shared. Not with people like that.”
“Dominique, it’s abnormal to feel so strongly about anything.”
“That’s the only way I can feel. Or not at all.”
“Dominique, my dear,” he said, with earnest, sincere concern, “I wish I’d been your father. What kind of a tragedy did you have in your childhood?”
“Why, none at all. I had a wonderful childhood. Free and peaceful and not bothered too much by anybody. Well, yes, I did feel bored very often. But I’m used to that.”
“I suppose you’re just an unfortunate product of our times. That’s what I’ve always said. We’re too cynical, too decadent. If we went back in all humility to the simple virtues ...”
“Alvah, how can you start on that stuff? That’s only for your editorials and ...” She stopped, seeing his eyes; they looked puzzled and a little hurt. Then she laughed. “I’m wrong. You really do believe all that. If it’s actually believing, or whatever it is you do that takes its place. Oh, Alvah! That’s why I love you. That’s why I’m doing again right now what I did tonight at the meeting.”
“What?” he asked, bewildered.
“Talking as I am talking—to you as you are. It’s nice, talking to you about such things. Do you know, Alvah, that primitive people made statues of their gods in man’s likeness? Just think of what a statue of you would look like—of you nude, your stomach and all.”
“Now what’s that in relation to?”
“To nothing at all, darling. Forgive me.” She added: “You know, I love statues of naked men. Don’t look so silly. I said statues. I had one in particular. It was supposed to be Helios. I got it out of a museum in Europe. I had a terrible time getting it—it wasn’t for sale, of course. I think I was in love with it, Alvah. I brought it home with me.”
“Where is it? I’d like to see something you like, for a change.”
“It’s broken.”
“Broken? A museum piece? How did that happen?”
“I broke it.”
“How?”
“I threw it down the air shaft. There’s a concrete floor below.”
“Are you totally crazy? Why?”
“So that no one else would ever see it.”
“Dominique!”
She jerked her head, as if to shake off the subject; the straight mass of her hair stirred in a heavy ripple, like a wave through a half-liquid pool of mercury. She said:
“I’m sorry, darling. I didn’t want to shock you. I thought I could speak to you because you’re the one person who’s impervious to any sort of shock. I shouldn’t have. It’s no use, I guess.”
She jumped lightly off the table.
“Run on home, Alvah,” she said. “It’s getting late. I’m tired. See you tomorrow.”
Guy Francon read his daughter’s articles; he heard of the remarks she had made at the reception and at the meeting of social workers. He understood nothing of it, but he understood that it had been precisely the sequence of events to expect from his daughter. It preyed on his mind, with the bewildered feeling of apprehension which the thought of her always brought him. He asked himself whether he actually hated his daughter.
But one picture came back to his mind, irrelevantly, whenever he asked himself that question. It was a picture of her childhood, of a day from some forgotten summer on his country estate in Connecticut long ago. He had forgotten the rest of that day and what had led to the one moment he remembered. But he remembered how he stood on the terrace and saw her leaping over a high green hedge at the end of the lawn. The hedge seemed too high for her little body; he had time to think that she could not make it, in the very moment when he saw her flying triumphantly over the green barrier. He could not remember the beginning nor the end of that leap; but he still saw, clearly and sharply, as on a square of movie film cut out and held motionless forever, the one instant when her body hung in space, her long legs flung wide, her thin arms thrown up, hands braced against the air, her white dress and blond hair spread in two broad, flat mats on the wind, a single moment, the flash of a small body in the greatest burst of ecstatic freedom he had ever witnessed in his life.
He did not know why that moment remained with him, what significance, unheeded at the time, had preserved it for him when so much else of greater import had been lost. He did not know why he had to see that moment again whenever he felt bitterness for his daughter, nor why, seeing it, he felt that unbearable twinge of tenderness. He told himself merely that his paternal affection was asserting itself quite against his will. But in an awkward, unthinking way he wanted to help her, not knowing, not wanting to know what she had to be helped against.
So he began to look more frequently at Peter Keating. He began to accept the solution which he never quite admitted to himself. He found comfort in the person of Peter Keating, and he felt that Keating’s simple, stable wholesomeness was just the support needed by the unhealthy inconstancy of his daughter.
Keating would not admit that he had tried to see Dominique again, persistently and without results. He had obtained her telephone number from Francon long ago, and he had called her often. She had answered, and laughed gaily, and told him that of course she’d see him, she knew she wouldn’t be able to escape it, but she was so busy for weeks to come and would he give her a ring by the first of next month?
Francon guessed it. He told Keating he would ask Dominique to lunch and bring them together again. “That is,” he added, “I’ll try to ask her. She’ll refuse, of course.” Dominique surprised him again: she accepted, promptly and cheerfully.
She met them at a restaurant, and she smiled as if this were a reunion she welcomed. She talked gaily, and Keating felt enchanted, at ease, wondering why he had ever feared her. At the end of a half hour she looked at Francon and said:
“It was wonderful of you to take time off to see me, Father. Particularly when you’re so busy and have so many appointments.”
Francon’s face assumed a look of consternation.
“My God, Dominique, that reminds me!”
“You have an appointment you forgot?” she asked gently.
“Confound it, yes! It slipped my mind entirely. Old Andrew Colson phoned this morning and I forgot to make a note of it and he insisted on seeing me at two o’clock, you know how it is, I just simply can’t refuse to see Andrew Colson, confound it!—today of all ...” He added, suspiciously: “How did you know it?”
“Why, I didn’t know it at all. It’s perfectly all right, Father. Mr. Keating and I will excuse you, and we’ll have a lovely luncheon together, and I have no appointments at all for the day, so you don’t have to be afraid that I’ll escape from him.”
Francon wondered whether she knew that that had been the excuse he’d prepared in advance in order to leave her alone with Keating. He could not be sure. She was looking straight at him; her eyes seemed just a bit too candid. He was glad to escape.
Dominique turned to Keating with a glance so gentle that it could mean nothing but contempt.
“Now let’s relax,” she said. “We both know what Father is after, so it’s perfectly all right. Don’t let it embarrass you. It doesn’t embarrass me. It’s nice that you’ve got Father on a leash. But I know it’s not helpful to you to have him pulling ahead of the leash. So let’s forget it and eat our lunch.”
He wanted to rise and walk out; and knew, in furious helplessness, that he wouldn’t. She said:
“Don’t frown, Peter. You might as well call me Dominique, because we’ll come to that anyway, sooner or later. I’ll probably see a great deal of you, I see so many people, and if it will please Father to have you as one of them—why not?”
For the rest of the luncheon she spoke to him as to an old friend, gaily and openly; with a disquieting candor which seemed to show that there was nothing to conceal, but showed that it was best to attempt no probe. The exquisite kindliness of her manner suggested that their relationship was of no possible consequence, that she could not pay him the tribute of hostility. He knew that he disliked her violently. But he watched the shape of her mouth, the movements of her lips framing words; he watched the way she crossed her legs, a gesture smooth and exact, like an expensive instrument being folded; and he could not escape the feeling of incredulous admiration he had experienced when he had seen her for the first time.
When they were leaving, she said:
“Will you take me to the theater tonight, Peter? I don’t care what play, any one of them. Call for me after dinner. Tell Father about it. It will please him.”
“Though, of course, he should know better than to be pleased,” said Keating, “and so should I, but I’ll be delighted just the same, Dominique.”
“Why should you know better?”
“Because you have no desire to go to a theater or to see me tonight.”
“None whatever. I’m beginning to like you, Peter. Call for me at half past eight.”
When Keating returned to the office, Francon called him upstairs at once.
“Well?” Francon asked anxiously.
“What’s the matter, Guy?” said Keating, his voice innocent. “Why are you so concerned?”
“Well, I ... I’m just... frankly, I’m interested to see whether you two could get together at all. I think you’d be a good influence for her. What happened?”
“Nothing at all. We had a lovely time. You know your restaurants—the food was wonderful... Oh, yes, I’m taking your daughter to a show tonight.”
“No!”
“Why, yes.”
“How did you ever manage that?”
Keating shrugged. “I told you one mustn’t be afraid of Dominique.”
“I’m not afraid, but ... Oh, is it ‘Dominique’ already? My congratulations, Peter.... I’m not afraid, it’s only that I can’t figure her out. No one can approach her. She’s never had a single girl friend, not even in kindergarten. There’s always a mob around her, but never a friend. I don’t know what to think. There she is now, living all alone, always with a crowd of men around and ...”
“Now, Guy, you mustn’t think anything dishonorable about your own daughter.”
“I don’t! That’s just the trouble—that I don’t. I wish I could. But she’s twenty-four, Peter, and she’s a virgin—I know, I’m sure of it. Can’t you tell just by looking at a woman? I’m no moralist, Peter, and I think that’s abnormal. It’s unnatural at her age, with her looks, with the kind of utterly unrestricted existence that she leads. I wish to God she’d get married. I honestly do.... Well, now, don’t repeat that, of course, and don’t misinterpret it, I didn’t mean it as an invitation.”
“Of course not.”
“By the way, Peter, the hospital called while you were out. They said poor Lucius is much better. They think he’ll pull through.” Lucius N. Heyer had had a stroke, and Keating had exhibited a great deal of concern for his progress, but had not gone to visit him at the hospital.
“I’m so glad,” said Keating.
“But I don’t think he’ll ever be able to come back to work. He’s getting old, Peter.... Yes, he’s getting old.... One reaches an age when one can’t be burdened with business any longer.” He let a paper knife hang between two fingers and tapped it pensively against the edge of a desk calendar. “It happens to all of us, Peter, sooner or later.... One must look ahead....”
Keating sat on the floor by the imitation logs in the fireplace of his living room, his hands clasped about his knees, and listened to his mother’s questions on what did Dominique look like, what did she wear, what had she said to him and how much money did he suppose her mother had actually left her.
He was meeting Dominique frequently now. He had just returned from an evening spent with her on a round of night clubs. She always accepted his invitations. He wondered whether her attitude was deliberate proof that she could ignore him more completely by seeing him often than by refusing to see him. But each time he met her, he planned eagerly for the next meeting. He had not seen Catherine for a month. She was busy with research work which her uncle had entrusted to her, in preparation for a series of his lectures.
Mrs. Keating sat under a lamp, mending a slight tear in the lining of Peter’s dinner jacket, reproaching him, between questions, for sitting on the floor in his dress trousers and best formal shirt. He paid no attention to the reproaches or the questions. But under his bored annoyance he felt an odd sense of relief; as if the stubborn stream of her words were pushing him on and justifying him. He answered once in a while: “Yes.... No.... I don’t know.... Oh, yes, she’s lovely. She’s very lovely.... It’s awfully late, Mother. I’m tired. I think I’ll go to bed....”