The Fourth Hand (8 page)

Patrick and Marilyn had lived in Manhattan in an apartment on East Sixty-second Street between Park and Lexington avenues; natural y it was Marilyn’s apartment now. Only the night doorman of Wal ingford’s former building had not rejected him, and the night doorman was so confused that his own name was unclear to him. Sometimes it was Vlad or Vlade; at other times, it was Lewis. Even when he was Lewis, his accent remained an indecipherable mixture of Long Island with something Slavic.

“Where are you from, Vlade?” Wal ingford had asked him.

“It’s Lewis. Nassau County,” Vlad had replied.

Another time, Wal ingford said, “So, Lewis . . . where
were
you from?”

“Nassau County. It’s Vlad, Mr. O’Neil .”

Only the doorman mistook Patrick Wal ingford for Paul O’Neil , who became a right fielder for the New York Yankees in 1993. (They were both tal , dark, and handsome in that jutting-chin fashion, but that was as far as the resemblance went.)

The confused doorman had unusual y unshakable beliefs; he first mistook Patrick for Paul O’Neil when O’Neil was a relatively unknown and unrecognized player for the Cincinnati Reds.

“I guess I look a little like Paul O’Neil ,” Wal ingford admitted to Vlad or Vlade or Lewis, “but I’m Patrick Wal ingford. I’m a television journalist.”

Since Vlad or Vlade or Lewis was the night doorman, it was always dark and often late when he encountered Patrick. “Don’t worry, Mr. O’Neil ,” the doorman whispered conspiratorial y. “I won’t tel anybody.”

Thus the night doorman assumed that Paul O’Neil , who played professional basebal in Ohio, was having an affair with Patrick Wal ingford’s wife in New York. At least this was as close as Wal ingford could come to understanding what the poor man thought.

One night when Patrick came home—this was when he had two hands, and long before his divorce—Vlad or Vlade or Lewis was watching an extra-inning bal game from Cincinnati, where the Mets were playing the Reds.

“Now look here, Lewis,” Wal ingford said to the startled doorman, who kept a smal black-and-white TV in the coatroom off the lobby. “There are the Reds—they’re in
Cincinnati
! Yet here I am, right beside you. I’m not playing tonight, am I?”

“Don’t

worry,

Mr.

O’Neil ,”

the

doorman

said

sympathetical y. “I won’t tel anybody.”

But after he lost his hand, Patrick Wal ingford was more famous than Paul O’Neil . Furthermore, it was his left hand that Patrick had lost, and Paul O’Neil bats left and throws left. As Vlad or Vlade or Lewis would know, O’Neil became the American League batting champion in 1994; he hit .359

in what was only his second season with the Yanks, and he was a great right fielder.

“They’re gonna retire Number Twenty-One one day, Mr.

O’Neil ,” the doorman stubbornly assured Patrick Wal ingford. “You can count on it.”

After Patrick’s left hand was gone, his single return visit to the apartment on East Sixty-second Street was for the purpose of col ecting his clothes and books and what divorce lawyers cal personal effects. Of course it was clear to everyone in the building, even to the doorman, that Wal ingford was moving out.

“Don’t worry, Mr. O’Neil ,” the doorman told Patrick. “The things they can do in rehab today . . . wel , you wouldn’t believe. It’s too bad it wasn’t your right hand—you bein’ a lefty is gonna make it tough—but they’l come up with somethin’, I know they wil .”

“Thank you, Vlade,” Patrick said.

The one-handed journalist felt weak and disoriented in his old apartment. The day he moved out, Marilyn had already begun to rearrange the furniture. Wal ingford kept turning to look over his shoulder to see what was behind him; it was just a couch that had been moved from somewhere else in the apartment, but to Patrick the unfamiliarly placed shape took on the characteristics of an advancing lion.

“I think the hittin’ wil be less of a problem than the throw to the plate from right field,” the three-named doorman was saying. “You’l have to choke up on the bat, shorten your swing, lay off the long bal —I don’t mean forever, just til you’re used to the new hand.”

But there was no new hand that Wal ingford could get used to; the prosthetic devices defeated him. The ongoing abuse by his ex-wife would defeat Patrick, too.

“You were never sexy, not to me,” Marilyn lied. (So she was guilty of wishful thinking—so what?) “And now . . . wel , missing a hand . . . you’re nothing but a helpless
cripple
!”

The twenty-four-hour news network didn’t give Wal ingford long to prove himself as an anchor. Even on the reputed disaster channel, Patrick failed to be an anchor of note. He moved quickly from early morning to midmorning to late night, and final y to a predawn slot, where Wal ingford imagined that only night workers and insomniacs ever saw him.

His television image was too repressed for a man who’d lost his left hand to the king of beasts. One wanted to see more defiance in his expression, which instead radiated an enfeebled humility, an air of wary acceptance. While he’d never been a bad man, only a bad husband, Patrick’s onehandedness came across as selfpitying, and it marked him as the silent-martyr type. While looking wounded hardly hurt Wal ingford with women, now there were
only
other women in his life. And by the time Patrick’s divorce was settled, his producers felt they had given him adequate opportunity as an anchor to protect themselves from any later charges that they’d discriminated against the handicapped; they returned him to the less visible role of a field reporter.

Worse, the one-handed journalist became the interviewer of choice for various freaks and zanies; that the twenty-four-hour international channel already had a reputation for captured acts of mauling and mutilation only underscored Patrick’s image as a man irreversibly damaged.

On TV, of course, the news was catastrophe-driven. Why
wouldn’t
the network assign Wal ingford to the tabloid sleaze, the beneath-the-news stories? Without fail, they gave him the smirking, salacious tidbits—the marriage that lasted less than a day, including one that didn’t make it through the honeymoon; the husband who, after eight years of marriage, discovered that his wife was a man. Patrick Wal ingford was the al -news network’s disaster man, the field reporter on the scene of the worst (meaning the most bizarre) accidents. He covered a col ision between a tourist bus and a bicycle rickshaw in Bangkok—the two fatalities were both Thai prostitutes, riding to work in the rickshaw.

Wal ingford interviewed their families and their former clients; it was disquietingly hard to tel which was which, but each of the interviewees felt compel ed to stare at the stump or the prosthesis at the end of the reporter’s left arm.

They always eyed the stump or the prosthesis. He hated them both—and the Internet, too. To him, the Internet chiefly served to encourage the inherent laziness of his profession

—an overreliance on secondary sources and other shortcuts. Journalists had always borrowed from other journalists, but now it was too easy. His angry ex-wife, who was also a journalist, was a case in point. Marilyn prided herself in writing “profiles” of only the most literary authors and the most serious actors and actresses. (It went without saying that print journalism was superior to television.) Yet in truth, Patrick’s ex-wife prepared for her interviews with writers
not
by reading their books—some of which were admittedly too long—but by reading their previous interviews. Nor did Marilyn make the effort to see every film that the actors and actresses among her interviewees had been in; shamelessly, she read the
reviews
of their movies instead. Given his Internet prejudice, Wal ingford never saw the publicity campaign on www.needahand.com; he’d never heard of Schatzman, Gingeleskie, Mengerink & Associates until Dr. Zajac cal ed him. Zajac already knew about Patrick’s mishaps with several different prosthetic devices, not just the one in SoHo, which received a fair amount of attention: the shutting of his artificial hand in the taxi’s rear door; the cabbie blithely driving on for a block or so. The doctor also knew about the embarrassing entanglement with the seat belt on that flight to Berlin, where Wal ingford was rushing to interview a deranged man who’d been arrested for detonating a dog near the Potsdamer Platz. (In an avowed protest against the new dome on the Reichstag, the fiend had attached an explosive device to the dog’s col ar.)

Patrick Wal ingford had become
the
TV journalist for stray acts of God and random nonsense. People cal ed out to him from passing taxis—“Hey, lion guy!”

Bicycle messengers hailed him, first spitting the whistles from their mouths—“Yo, disaster man!”

Worse, Patrick had so little liking for his job that he’d lost al sympathy for the victims and their families; when he interviewed them, this lack of sympathy showed.

Therefore, in lieu of being fired—since he was injured on the job, he might have sued—Wal ingford was so further marginalized that his next field assignment lacked even disaster potential. Patrick was being sent to Japan to cover a conference sponsored by a consortium of Japanese newspapers. He was surprised by the topic of the conference, too—it was cal ed “The Future of Women,”

which certainly didn’t have the sound of a disaster.

But the idea of Patrick Wal ingford’s attending the conference . . . wel , the women in the newsroom in New York were al atingle about
that.

“You’l get laid a lot, Pat,” one of the women teased him. “A lot
more,
I mean.”

“How could Patrick possibly get laid
more
?” another of the women asked, and that set them al off again.

“I’ve heard that women in Japan are treated like shit,” one of the women remarked. “And the men go off to Bangkok and behave abominably.”

“Al men behave abominably in Bangkok,” said a woman who’d been there.

“Have you been to Bangkok, Pat?” the first of the women asked. She knew perfectly wel that he’d been there—he had been there with her. She was just reminding him of something that everyone in the newsroom knew.

“Have you ever been to Japan, Patrick?” one of the other women asked, when the tittering died down.

“No, never,” Wal ingford replied. “I’ve never slept with a Japanese woman, either.”

They cal ed him a pig for saying that, although most of them meant this affectionately. Then they dispersed, leaving him with Mary, one of the youngest of the New York newsroom women. (And one of the few Patrick
hadn’t
yet slept with.) When Mary saw they were alone together, she touched his left forearm, very lightly, just above his missing hand. Only women ever touched him there.

“They’re just teasing, you know,” she told him. “Most of them would take off for Tokyo with you tomorrow, if you asked them.”

Patrick had thought about sleeping with Mary before, but one thing or another had always intervened. “Would
you
take off for Tokyo with me tomorrow, if I asked you?”

“I’m married,” Mary said.

“I know,” Patrick replied.

“I’m expecting a baby,” Mary told him; then she burst into tears. She ran after the other New York newsroom women, leaving Wal ingford alone with his thoughts, which were that it was always better to let the woman make the first pass.

At that moment, the phone cal came from Dr. Zajac.

Zajac’s manners, when introducing himself, were (in a word) surgical. “The first hand I get my hands on, you can have,” Dr. Zajac announced. “If you real y want it.”

“Why wouldn’t I want it? I mean if it’s healthy . . .”

“Of
course
it wil be healthy!” Zajac replied. “Would I give you an
un
healthy hand?”

“When?” Patrick asked.

“You can’t rush finding the perfect hand,” Zajac informed him.

“I don’t think I’d be happy with a woman’s hand, or an old man’s,” Patrick thought out loud.

“Finding the right hand is my job,” Dr. Zajac said.

“It’s a
left
hand,” Wal ingford reminded him.

“Of course it is! I mean the right
donor.
”

“Okay, but no strings attached,” Patrick said.

“Strings?” Zajac asked, perplexed. What on earth could the reporter have meant? What possible strings could be attached to a donor hand?

But Wal ingford was leaving for Japan, and he’d just learned he was supposed to deliver a speech on the opening day of the conference; he hadn’t written the speech, which he was thinking about but would put off doing until he was on the plane.

Patrick didn’t give a second thought to the curiousness of his own comment—“no strings attached.” It was a typical disaster-man remark, a lion-guy reflex—just another dumb thing to say, solely for the sake of saying something. (Not unlike

“German girls are very popular in New York right now.”) And Zajac was happy—the matter had been left in his hands, so to speak.

A Japanese Interlude

I
S THERE SOMETHINGcursed about Asia and me?

Wal ingford would wonder later. First he’d lost his hand in India; and now, what about Japan? The trip to Tokyo had gone wrong even
before
the start, if you count Patrick’s insensitive proposition to Mary. Wal ingford himself counted it as the start. He’d hit on a young woman who was newly married and pregnant, a girl whose last name he could never remember. Worse, she’d had a look about her that haunted him; it was more than an unmistakable prettiness, although Mary had that, too. Her look indicated a capacity for damage greater than gossip, a ferocity not easily held in check, a potential for some mayhem yet to be defined.