The Girl of Fire and Thorns Complete Collection (25 page)

When Mandrano spots me, he turns deliberately away and makes a show of correcting Fernando’s form as the boy skewers a straw dummy with a wooden sword.

I move into his line of sight, and when that doesn’t work, I circle around and get right in his face. “A command from His Majesty,” I say, holding out the sealed parchment. “He requires my aid, along with that of Tomás and Marlo.”

“Why not call upon his own Guard?” Mandrano asks, snatching it from my hand.

“I gather that his Guard is needed for more important duties.”

Mandrano tears it open and reads. “This is horse muck.”

“What’s horse muck?” Commander Enrico strides toward us from the barracks. He pins me with a gaze, and a breeze brings me the lingering sweet-smoke scent of Selvarican cigars.

The other recruits have stopped training or even pretending to train. All attention is now squarely focused on me and the two commanding officers.

Mandrano obediently hands Enrico the parchment. I watch the commander’s eyes. He reads it carefully twice, then feigns continued reading while he considers.

“The needs and decisions of kings are beyond the question of the Guard,” Mandrano says at last.

“Yes, yes,” Enrico says, though I’m not sure he’s convinced.

“A Royal Guard obeys his king instantly and without question,” Mandrano says louder, speaking now to the recruits more than to his commander.

Enrico glowers, but he nods.

“And we trust that he has an excellent reason for giving us this command,” Mandrano adds.

“Indeed we do,” Enrico says, and a wicked smile suddenly curves his lips. “Fernando! Lucio!”

The archer and the bully step forward.

“The two of you go pack. His Majesty requires you to run an errand for him with Hector.”

“That’s not right,” I blurt. “It’s supposed to be Tomás and Marlo!”

Tomás and Marlo exchange an alarmed glance.

I reach for the note and stop just short of snatching it from Enrico’s hand.

He holds it up in a way that’s almost taunting. “His Majesty says I’m to send two other recruits. In my judgment, Fernando and Lucio are best qualified to aid you.”

I’m fuming, and it must show, because a subtle smile plays across Enrico’s lips. He’s taking advantage of the opportunity to get rid of three of us at once. I don’t care about Lucio—he’s only getting what’s coming to him—but Fernando doesn’t deserve this. His only fault is not knowing anyone to whom Enrico owes a favor. I don’t deserve this either.

“Do you have a problem with
my
commands?” Enrico asks.

“No, my lord!” I answer.

“Good,” he says. “Mandrano, escort these whelps to their quarters so they can gather their things.”

“My lord . . .” I say, and then hesitate.

Enrico watches me like a hangman doling out rope to his victim. “Yes, princess?”

“It should only take a few days to get there and back. We’ll return to our training immediately after.”

Enrico smiles. “There is no mention here of how long this . . . 
errand
will take. We can’t assume you’ll return before the evaluation is complete. It’s possible you’ll miss so much training that you won’t be able to catch up with everyone. We’ll have to decide what to do with you when you return. Understood?”

My heart sinks. “By my king’s command, my lord,” I say.

“Fernando! Lucio!” Enrico snaps. “Clear the barracks of all your things
now
.”

As they rush to comply, I realize assassins along the highway are now the least of my worries. Based on the looks Fernando and Lucio are throwing over their shoulders at me, they’ll team up to murder me themselves.

“You too, princess,” Mandrano says, though the barb seems halfhearted. He’s looking up at Enrico, a puzzled expression on his face. “Go get that pretty dress off your cot and pack up.”

8

T
HE walk to the stables is fraught with silent, seething anger. “What in seven hells is going on?” Lucio rages as soon as we are out of earshot.

“I’ve told you everything I can,” I say. “The king is sending us as couriers to Puerto Verde. We’ll come back as soon as we’re done.”

“I don’t care if you’re kissing camels to get the favors you get,” he says. “But if you muck up my one chance to get into the Guard—”

“You think this is a
favor
?” I fume. “You think I asked for this?”

“If it gets you out of training with—”

“Calm down,” Fernando says. “We’re doing something for the king. That’s why we want to be in the Guard, right, so we can do things for the king?”

He addresses Lucio, but his eyes are on me.

“You heard Enrico,” Lucio says. “He’s going to throw us out like so much trash when we get back.”

“But it’s King Alejandro’s Guard, right?” Fernando says, his eyes still fixed on me. He’s trying to parse his own chances.

“So I’ve heard,” I say.

“It’s the
king’s
Royal Guard,” Lucio says. “Not Alejandro’s. It was his father’s before, and it’ll belong to whomever comes after.”

“We won’t have to worry about that for a long time,” I say.

“It could be tomorrow or the day after,” Lucio says. “Everyone knows Alejandro would rather chase skirts than chase an enemy. The one time he fought Invierne, he nearly died of fright. Remember? The day King Nicalao took an arrow? They say Alejandro panicked. Cried like a—”

I smash my fist into Lucio’s face. He loses his balance and tumbles into a stall filled with straw. I jump on top of him and throw jabs at his face as fast and hard as I can.

His arms are longer than mine. He absorbs my blows as if they’re nothing while groping for my neck. His thumbs press into my windpipe. I grip the side of his skull and jam my thumbs into his eyes.

Stars swim in my vision, but I have the satisfaction of feeling him twist and buck beneath me, of hearing him squeal in pain.

Something grabs my collar and yanks me off of him. Lucio starts to launch himself after me, but a steel-toed boot pins his chest to the ground.

“Hector! What in the king’s name is going on here?” It’s Felipe, the stable master, and we boys have proven no match for the man who wrangles war chargers all day.

My head swims, and the edges of my vision blur. My throat convulses, trying to suck in air. Felipe knows me well. He’ll assume Lucio is in the wrong, and he’ll likely call the palace watch to have him arrested.

Finally, I’m able to force out the words: “Nothing! It’s fine . . . it’s over.”

Lucio glares at me, angry but confused.

“We had a disagreement,” I add, rubbing my throat. Breathing comes easier now, but I’m going to have nasty bruises. “We worked it out.”

“Is that true?” the stable master says.

Lucio looks at me, then glances at Fernando, who stands silently off to the side, his face a careful blank. “We worked it out,” he mutters.

Without giving details, I explain that we’re on an errand for the king. I ask for Blaze, who was my horse when I was squire, but he was stolen when Raúl was murdered. Instead I end up with Sosimo, a chestnut gelding with a strong temperament and fine bones, who can set the pace for the two other mounts.

Soon we are on our way, our horses swishing their tails against the tiny sand flies that always cloud the air for a few weeks after the rainy season. The day is hot, and both the ocean to our right and the desert to our left are blindingly bright. Neither Fernando nor Lucio say a word to me. Which suits my mood fine, since I’ve got nothing to say back.

We are well into the desert before Miria joins us. She is dressed in rough-spun wool, like a desert nomad. She sits astride a dun mare, just off the road.

“Where are you headed?” she calls.

“Puerto Verde,” I reply.

“May I travel with you? The roads are not safe for a woman alone.”

“Suit yourself,” I answer.

Miria introduces herself by name, but does not mention that she works at the palace. Lucio and Fernando size her up appreciatively; she’s attractive enough, I suppose, with pretty eyes and the healthy, well-fed look of a merchant or higher-class servant. But she is old enough to be our aunt, and after a few minutes, Lucio ignores her. Fernando tries a few jokes, but she doesn’t respond, and soon we are all traveling in silence.

The first day’s journey takes us to a way station consisting of a long feed trough and a tying post for horses and camels, several palm-thatch lean-tos, and a deep well. Miria takes one of the lean-tos, and the rest of us set up just outside, where we have a good view of the highway. After tending our mounts, we share a small, silent meal. As the sun dips into the sea, casting the desert sand in fiery red, I tell Fernando to take the first watch.

“Shout if you see anything unusual,” I tell him. “Anything at all.”

“If I see an extra serving of dinner, I’m keeping it for myself,” he says.

My plan is to stay awake and watch him keep watch, but the lack of sleep from the night before catches up with me.

I’m jerked from sleep by a shout. The twang of a bow. A thump nearby.

By the time I’m on my feet, sword in hand, there’s a body lying at my feet.

9

F
ERNANDO’S arrow is buried deep in a man’s chest. A perfect shot.

The dead man is unkempt and rough looking, the kind of man you wouldn’t glance at twice if he were a field hand or part of a deck crew. Good chance he was one or the other for most of his life. White scars, cold in the moonlight, welt along the knuckles that still grip the knife he carries; he probably brawled for money on the side. The blade he clutches is short and sharp, for slitting swiftly and quietly.

“He studied us,” Fernando says. “Then he moved so fast. I didn’t know what to do, and I just . . .”

“Tell me,” I say.

“He stepped into the glow of the firelight, quietly, and I was . . . tired. . . . I thought maybe I was dreaming. He studied us all, even me—he must have thought I was asleep—then drew the knife—”

“You did the right thing,” I say quickly. “This man was sent to kill us.”

“What?” Lucio says.

“He was matching our descriptions. Someone told him we were coming this way.”

I let the information sink in, then I add, “We may still be in danger. Fernando, keep that bow ready. You and Lucio go check the road. See if our assassin has company. If he does, try to take him alive so we can question him. Now go!”

It must be the rush of blood in their veins, because they jump to obey. I dash to the nearby lean-to and shake Miria awake. She is on her feet instantly, and I explain as we head back to the campsite.

“Quick, help me search him,” I whisper. “He may carry something we would not want the others to see.”

She does not flinch from the blood as she goes through his jacket, checking the pockets and linings and seams, while I check his trousers, then pull off his boots. Miria and I exchange a glance and both shake our heads. He carries nothing that would identify him.

This may be our only chance to talk, so I blurt, “Is Rosaura really dying?”

Miria glances around to make sure we are truly alone. “Dr. Enzo thinks it likely.”

She is only confirming what I already knew, but the sadness inside me is suddenly a physical pain. “And Isadora . . .”

“The women are first cousins,” she says. “And close friends. I’m not sure why the king ultimately chose Rosaura, but he loved Isadora first.”

Footsteps startle us. Fernando and Lucio return with a horse.

“This is all we found,” Lucio says.

I leap up, hoping the horse will be Blaze, proof that this is the same man who killed Raúl, but we have no such luck; the beast is as unidentifiable as its late owner. Fernando can’t take his eyes off the assassin’s body. I hope it is the moonlight giving the boy a sickly sallowness, that he will not vomit up his meager dinner. Lucio’s jaw is set, grim and serious, when he sees the pockets turned out and the seams ripped open.

I make up my mind.

“There is more I must tell you,” I say. “But first, tie the horse to the post, as if he were staying here overnight. Then pack up your gear.”