The Girl on the Train (17 page)

His whole body is trembling.

‘I can’t stand it. I can’t stand waiting for the phone to ring. When the phone rings, what will it be? Will it be the worst news? Will it be …’ He tails off, then looks up as though he’s seeing me for the first time. ‘Why did you come?’

‘I wanted … I thought you wouldn’t want to be alone.’

He looked at me as though I was insane. ‘I’m not alone,’ he said. He got up and pushed past me into the living room. For a moment, I just stood there. I didn’t know whether to follow him or to leave, but then he called out, ‘Do you want a coffee?’

There was a woman outside on the lawn, smoking. Tall, with salt and pepper hair, she was smartly dressed in black trousers and white blouse done up to the throat. She was pacing up and down the patio, but as soon as she caught sight of me, she stopped, flicked her cigarette on to the paving stones and crushed it beneath her toe.

‘Police?’ she asked me doubtfully, as she entered the kitchen.

‘No, I’m—’

‘This is Rachel Watson, Mum,’ Scott said. ‘The woman who contacted me about Abdic.’

She nodded slowly, as though Scott’s explanation didn’t really help her; she took me in, her gaze sweeping rapidly over me from head to toe and back again. ‘Oh.’

‘I just, er …’ I didn’t have a justifiable reason for being there. I couldn’t say, could I,
I just wanted to know. I wanted to see
.

‘Well, Scott is very grateful to you for coming forward. We’re obviously waiting now to find out what exactly is going on.’ She stepped towards me, took me by the elbow and turned me gently towards the front door. I glanced at Scott, but he wasn’t looking at me; his gaze was fixed somewhere out of the window, across the tracks.

‘Thank you for stopping by, Mrs Watson. We really are very grateful to you.’

I found myself on the doorstep, the front door closed firmly behind me, and when I looked up I saw them: Tom, pushing a buggy, and Anna at his side. They stopped dead when they saw me. Anna raised her hand to her mouth and swooped down to grab her child. The lioness protecting her cub. I wanted to laugh at her, to tell her, I’m not here for you, I couldn’t be less interested in your daughter.

I’m cast out. Scott’s mother made that clear. I’m cast out and I’m disappointed, but it shouldn’t matter, because they have Kamal Abdic. They’ve got him, and I helped. I did something right. They’ve got him, and it can’t be long now before they find Megan and bring her home.

T
OM WOKE ME UP
early with a kiss and a cheeky grin. He has a late meeting this morning, so he suggested we take Evie around the corner for breakfast. It’s a place where we used to meet when we first started seeing each other. We’d sit in the window – she was at work in London so there was no danger of her walking past and noticing us. But there was that thrill, even so – perhaps she’d come home early for some reason: perhaps she’d be feeling ill, or have forgotten some vital papers. I dreamed of it. I willed her to come along one day, to see him with me, to know in an instant that he was no longer hers. It’s hard to believe now that there was once a time when I wanted her to appear.

Since Megan went missing I’ve avoided walking this way whenever possible – it gives me the creeps passing that house – but to get to the café it’s the only route. Tom walks a little way ahead of me, pushing the buggy; he’s singing something to Evie, making her laugh. I love it when we’re out like this, the three of us. I can see the way people look at us; I can see them thinking,
What a beautiful family
. It makes me proud – prouder than I’ve ever been of anything in my life.

So I’m sailing along in my bubble of happiness, and we’re almost at number fifteen when the door opens. For a moment I think I’m hallucinating, because
she
walks out. Rachel. She comes out of the front door and stands there for a second, sees us and stops dead. It’s horrible. She gives us the strangest smile, a grimace almost, and I can’t help myself, I lunge forward and grab Evie out of her buggy, startling her in the process. She starts to cry.

Rachel walks quickly away from us, towards the station.

Tom calls after her, ‘Rachel! What are you doing here? Rachel!’ But she keeps going, faster and faster until she’s almost running, and the two of us just stand there, then Tom turns to me and with one glance at the expression on my face says, ‘Come on. Let’s just go home.’

We found out when we got home that they’ve arrested someone in connection with Megan Hipwell’s disappearance. Some guy I’d never heard of, a therapist she’d been seeing. It was a relief, I suppose, because I’d been imagining all sorts of awful things.

‘I told you it wouldn’t be a stranger,’ Tom said. ‘It never is, is it? In any case, we don’t even know what’s happened. She’s probably fine. She’s probably run off with someone.’

‘So why have they arrested that man then?’

He shrugged. He was distracted, pulling on his jacket, straightening his tie, getting ready to go and meet the day’s last client.

‘What are we going to do?’ I asked him.

‘Do?’ He looked at me blankly.

‘About her. Rachel. Why was she here? Why was she at the Hipwells’ house? Do you think … do you think she was trying to get into our garden – you know, going through the neighbours’ gardens?’

Tom gave a grim laugh. ‘I doubt it. Come on, this is Rachel we’re talking about. She wouldn’t be able to haul her fat arse over all those fences. I’ve no idea what she was doing there. Maybe she was pissed, went to the wrong door?’

‘In other words, she meant to come round here?’

He shook his head. ‘I don’t know. Look, don’t worry about it, OK? Keep the doors locked. I’ll give her a ring and find out what she’s up to.’

‘I think we should call the police.’

‘And say what? She hasn’t actually done anything—’

‘She hasn’t done anything
lately
– unless you count the fact that she was here the night Megan Hipwell disappeared,’ I said. ‘We should have told the police about her ages ago.’

‘Anna, come on.’ He slipped his arms around my waist. ‘I hardly think Rachel has anything to do with Megan Hipwell going missing. But I’ll talk to her, OK?’

‘But you said after last time—’

‘I know,’ he said softly. ‘I know what I said.’ He kissed me, slipped his hand into the waistband of my jeans. ‘Let’s not get the police involved unless we really need to.’

I think we do need to. I can’t stop thinking about that smile she gave us, that sneer. It was almost triumphant. We need to get away from here. We need to get away from
her
.

I
T TAKES ME A
while to realize what I’m feeling when I wake. There’s a rush of elation, tempered with something else: a nameless dread. I know we’re close to finding the truth. I just can’t help feeling that the truth is going to be terrible.

I sit up in bed and grab my laptop, turn it on and wait impatiently for it to boot up, then log on to the internet. The whole process seems interminable. I can hear Cathy moving around the house, washing up her breakfast things, running upstairs to brush her teeth. She hovers for a few moments outside my door. I imagine her knuckles raised, ready to rap. She thinks better of it and runs back down the stairs.

The BBC news page comes up. The headline is about benefit cuts, the second story about yet another 1970s television star accused of sexual indiscretions. Nothing about Megan; nothing about Kamal. I’m disappointed. I know that the police have twenty-four hours to charge a suspect, and they’ve had that now. In some circumstances, they can hold someone for an extra twelve hours, though.

I know all this because I spent yesterday doing my research. After I was shown out of Scott’s house, I came back here, turned on the television and spent most of the day watching the news, reading articles online. Waiting.

By midday, the police had named their suspect. On the news, they talked about ‘evidence discovered at Dr Abdic’s home and in his car’, but they didn’t say what. Blood, perhaps? Her phone, as yet undiscovered? Clothes, a bag, her toothbrush? They kept showing pictures of Kamal, close-ups of his dark, handsome face. The picture they use isn’t a mugshot, it’s a candid shot: he’s on holiday somewhere, not quite smiling, but almost. He looks too soft, too beautiful to be a killer, but appearances can be deceptive – they say Ted Bundy looked like Cary Grant.

I waited all day for more news, for the charges to be made public: kidnap, assault, or worse. I waited to hear where she is, where he’s been keeping her. They showed pictures of Blenheim Road, the station, Scott’s front door. Commentators mused on the likely implications of the fact that neither Megan’s phone nor her bank cards had been used for more than a week.

Tom called more than once. I didn’t pick up. I know what he wants. He wants to ask why I was at Scott Hipwell’s house yesterday morning. Let him wonder. It has nothing to do with him. Not everything is about him. I imagine he’s calling at her behest in any case. I don’t owe her any explanations.

I waited and waited, and still no charge: instead, we heard more about Kamal, the trusted mental-health professional who listened to Megan’s secrets and troubles, who gained her trust and then abused it, who seduced her and then, who knows what?

I learned that he is a Muslim, a Bosniak, a survivor of the Balkans conflict who came to Britain as a fifteen-year-old refugee. No stranger to violence, he lost his father and two older brothers at Srebrenica. He has a conviction for domestic violence. The more I heard about Kamal, the more I knew that I was right: I was right to speak to the police about him, I was right to contact Scott.

I get up and pull my dressing gown around me, hurry downstairs and flick on the TV. I have no intention of going anywhere today. If Cathy comes home unexpectedly, I can tell her I’m ill. I make myself a cup of coffee and sit down in front of the television, and I wait.

I got bored around three o’clock. I got bored with hearing about benefits and seventies TV paedophiles, I got frustrated with hearing nothing about Megan, nothing about Kamal, so I went to the off-licence and bought two bottles of white wine.

I’m almost at the bottom of the first bottle when it happens. There’s something else on the news now, shaky camera footage taken from a half-built (or half-destroyed) building, explosions in the distance. Syria, or Egypt, maybe Sudan? I’ve got the sound down, I’m not really paying attention. Then I see it: the ticker running across the bottom of the screen tells me that the government is facing a challenge to legal-aid cuts and that Fernando Torres will be out for up to four weeks with a hamstring strain and that the suspect in the Megan Hipwell disappearance has been released without charge.

I put my glass down and grab the remote, clicking the volume button up, up, up. This can’t be right. The war report continues, it goes on and on, my blood pressure rising with it, but eventually it ends and they go back to the studio and the newsreader says:

‘Kamal Abdic, the man arrested yesterday in connection with the disappearance of Megan Hipwell, has been released without charge. Abdic, who was Mrs Hipwell’s therapist, was detained yesterday, but was released this morning because police say there is insufficient evidence to charge him.’

I don’t hear what she says after that. I just sit there, my eyes blurring over, a wash of noise in my ears, thinking,
they had him. They had him and they let him go
.

Upstairs, later. I’ve had too much to drink, I can’t see the computer screen properly, everything doubles, trebles. I can read if I hold my hand over one eye. It gives me a headache. Cathy is home, she called out to me and I told her I was in bed, unwell. She knows that I’m drinking.

My belly is awash with alcohol. I feel sick. I can’t think straight. Shouldn’t have started drinking so early. Shouldn’t have started drinking at all. I phoned Scott’s number an hour ago, again a few minutes ago. Shouldn’t have done that either. I just want to know, what lies has Kamal told them? What lies have they been fool enough to believe? The police have messed the whole thing up. Idiots. That Riley woman, her fault. I’m sure of it.

The newspapers haven’t helped. There was no domestic violence conviction, they’re saying now. That was a mistake. They’re making
him
look like the victim.

Don’t want to drink any more. I know that I should pour the rest down the sink, because otherwise it’ll be there in the morning and I’ll get up and drink it straight away, and once I’ve started I’ll want to go on. I should pour it down the sink, but I know I’m not going to. Something to look forward to in the morning.

It’s dark, and I can hear someone calling her name. A voice, low at first, but then louder. Angry, desperate, calling Megan’s name. It’s Scott – he’s unhappy with her. He calls her again and again. It’s a dream, I think. I keep trying to grasp at it, to hold on to it, but the harder I struggle, the fainter and the further away it gets.

I’m woken by a soft tapping at the door. Rain batters against the windows; it’s after eight but still seems dark outside. Cathy pushes the door gently open and peers into the room.

‘Rachel? Are you all right?’ She catches sight of the bottle next to my bed and her shoulders sag. ‘Oh, Rachel.’ She comes across to my bed and picks up the bottle. I’m too embarrassed to say anything. ‘Are you not going into work?’ she asks me. ‘Did you go yesterday?’

She doesn’t wait for me to answer, just turns to go, calling back as she does, ‘You’ll end up getting yourself sacked if you carry on like this.’

I should just say it now, she’s already angry with me. I should go after her and tell her: I was sacked months ago for turning up blind drunk after a three-hour lunch with a client during which I managed to be so rude and unprofessional that I cost the firm his business. When I close my eyes, I can still remember the tail end of that lunch, the look on the waitress’s face as she handed me my jacket, weaving into the office, people turning to look. Martin Miles taking me to one side.
I think it’s best if you go home now, Rachel
.