The Golden Apples of the Sun (24 page)

BOOK: The Golden Apples of the Sun
6.85Mb size Format: txt, pdf, ePub

"What's wrong?" At last her voice came through to him. She must have said it three or four times.

"Wrong?" He looked at this woman and yes, it was his wife all right, it was someone he knew, and this was their apartment with the tall ceilings and the worn carpeting.

"Something happened at work today," he said.

She waited for him.

"On my garbage truck, something happened." His tongue moved dryly on his lips and his eyes shut over his seeing until there was all blackness and no light of any sort and it was like standing alone in a room when you got out of bed in the middle of a dark night "I think I'm going to quit my job. Try to understand."

"Understand!" she cried.

"It can't be helped. This is all the strangest damned thing that ever happened to me in my life." He opened his eyes and sat there, his hands feeling cold when he rubbed his thumb and forefingers together. "The thing that happened was strange."

"We'll don't just
sit
there!"

He took part of a newspaper from the pocket of his leather jacket. "This is today's paper," he said. "December 10, 1951. Los Angeles
Times.
Civil Defense Bulletin. It says they're buying radios for our garbage trucks."

"Well, what's so bad about a little music?"

"No music. You don't understand. No music."

He opened his rough hand and drew with one clean fingernail, slowly, trying to put everything there where he could see it and she could see it. "In this article the mayor says they'll put sending and receiving apparatus on every garbage truck in town." He squinted at his hand. "After the atom bombs hit our city, those radios will talk to us. And then our garbage trucks will go pick up the bodies."

"Well, that seems practical. When—"

"The garbage trucks," he said, "go out and pick up all the bodies."

"You can't just leave bodies around, can you? You've got to take them and—" His wife shut her mouth very slowly. She blinked, one time only, and she did this very slowly also. He watched that one slow blink of her eyes. Then, with a turn of her body, as if someone else had turned it for her, she walked to a chair, paused, thought how to do it, and sat down, very straight and stiff. She said nothing.

He listened to his wrist watch ticking, but with only a small part of his attention.

At last she laughed. "They were joking!"

He shook his head. He felt his head moving from left to right and from right to left, as slowly as everything else had happened. "No. They put a receiver on my truck today. They said, at the alert, if you're working, dump your garbage anywhere. When we radio you, get
in
there and haul out the dead."

Some water in the kitchen boiled over loudly. She let it boil for five seconds and then held the arm of the chair with one hand and got up and found the door and went out. The boiling sound stopped. She stood in the door and then walked back to where he still sat, not moving, his head in one position only.

"It's all blueprinted out. They have squads, sergeants, captains, corporals, everything," he said. "We even know where to
bring
the bodies."

"So you've been thinking about it all day," she said.

"All day since this morning. I thought: Maybe now I don't want to be a garbage collector any more. It used to be Tom and me had fun with a kind of game. You got to do that. Garbage is bad. But if you work at it you can make a game. Tom and me did that. We watched people's garbage. We saw what kind they had. Steak bones in rich houses, lettuce and orange peel in poor ones. Sure it's silly, but a guy's got to make his work as good as he can and worth while or why in hell do it? And you're your own boss, in a way, on a truck. You get out early in the morning and it's an outdoor job, anyway; you see the sun come up and you see the town get up, and that's not bad at all. But now, today, all of a sudden it's not the kind of job for me any more."

His wife started to talk swiftly. She named a lot of things and she talked about a lot more, but before she got very far he cut gently across her talking. "I know, I know, the kids and school, our car, I know," he said. "And bills and money and credit. But what about that farm Dad left us? Why can't we move there, away from cities? I know a little about farming. We could stock up, hole in, have enough to live on for months if anything happened."

She said nothing.

"Sure, all of our friends are here in town," he went on reasonably. "And movies and shows and the kids' friends, and..."

She took a deep breath. "Can't we think it over a few more days?"

"I don't know. I'm afraid of that. I'm afraid if I think it over, about my truck and my new work, I'll get used to it. And, oh Christ, it just doesn't seem right a man, a human being, should ever let himself get used to any idea like that."

She shook her head slowly, looking at the windows, the gray walls, the dark pictures on the walls. She tightened her hands. She started to open her mouth.

"I'll think tonight," he said. "I'll stay up awhile. By morning I'll know what to do."

"Be careful with the children. It wouldn't be good, their knowing all this."

"I'll be careful."

"Let's not talk any more, then. I'll finish dinner!" She jumped up and put her hands to her face and then looked at her hands and at the sunlight in the windows. "Why, the kids'll be home any minute."

"I'm not very hungry."

"You got to eat, you just got to keep on going." She hurried off, leaving him alone in the middle of a room where not a breeze stirred the curtains, and only the gray ceiling hung over him with a lonely bulb unlit in it, like an old moon in a sky. He was quiet. He massaged his face with both hands. He got up and stood alone in the dining-room door and walked forward and felt himself sit down and remain seated in a dining-room chair. He saw his hands spread on the white tablecloth, open and empty.

"All afternoon," he said, "I've thought."

She moved through the kitchen, rattling silverware, crashing pans against the silence that was everywhere.

"Wondering," he said, "if you put the bodies in the trucks lengthwise or endwise, with the heads on the right, or the
feet
on the right. Men and women together, or separated? Children in one truck, or mixed with men and women? Dogs in special trucks, or just let them lay? Wondering how
many
bodies one garbage truck can hold. And wondering if you stack them on top of each other and finally knowing you must just have to. I can't figure it. I can't work it out. I try, but there's no guessing, no guessing at all how many you could stack in one single truck."

He sat thinking of how it was late in the day at his work, with the truck full and the canvas pulled over the great bulk of garbage so the bulk shaped the canvas in an uneven mound. And how it was if you suddenly pulled the canvas back and look in. And for a few seconds you saw the white things like macaroni or noodles, only the white things were alive and boiling up, millions of them. And when the white things felt the hot sun on them they simmered down and burrowed and were gone in the lettuce and the old ground beef and the coffee grounds and the heads of white fish. After ten seconds of sunlight the white things that looked like noodles or macaroni were gone and the great bulk of garbage silent and not moving, and you drew the canvas over the bulk and looked at how the canvas folded unevenly over the hidden collection, and underneath you knew it was dark again, and things beginning to move as they must always move when things get dark again.

He was still sitting there in the empty room when the front door of the apartment burst wide. His son and daughter rushed in, laughing, and saw him sitting there, and stopped.

Their mother ran to the kitchen door, held to the edge of it quickly, and stared at her family. They saw her face and they heard her voice:

"Sit down, children, sit down!" She lifted one hand and pushed it toward them. "You're just in time."

20
THE GREAT FIRE

Copyrlght, 1949, by Triangle Publications, Inc.

The morning the great fire started, nobody in the house could put it out. It was Mother's niece, Marianne, living with us while her parents were in Europe, who was all aflame. So nobody could smash the little window in the red box at the corner and pull the trigger to bring the gushing hoses and the hatted firemen. Blazing like so much ignited cellophane, Marianne came downstairs, plumped herself with a loud cry or moan at the breakfast table, and refused to eat enough to fill a tooth cavity.

Mother and Father moved away, the warmth in the room being excessive.

"Good morning, Marianne."

"What?" Marianne looked beyond people and spoke vaguely. "Oh, good morning."

"Did you sleep well last night, Marianne?"

But they knew she hadn't slept. Mother gave Marianne a glass of water to drink, and everyone wondered if it would evaporate in her hand. Grandma, from her table chair, surveyed Marianne's fevered eyes. "You're sick, but it's no microbe," she said. "They couldn't find it under a microscope."

"What?" said Marianne.

"Love is godmother to stupidity," said Father detachedly.

"She'll be all right," Mother said to Father. "Girls only seem stupid because when they're in love they can't hear."

"It affects the semicircular canals," said Father. "Making many girls fall right into a fellow's arms. I
know
. I was almost crushed to death once by a falling woman, and let me tell you—"

"Hush." Mother frowned, looking at Marianne.

"She can't hear what we're saying; she's cataleptic right now."

"He's coming to pick her up this morning," whispered Mother to Father, as if Marianne wasn't even in the room. "They're going riding in his jalopy."

Father patted his mouth with a napkin. "Was our daughter like this, Mama?" he wanted to know. "She's been married and gone so long, I've forgotten. I don't recall she was so foolish. One would never know a girl had an ounce of sense at a time like this. That's what fools a man. He says, Oh, what a lovely brainless girl, she loves me, I think I'll marry her. He marries her and wakes up one morning and all the dreaminess is gone out of her and her intellect has returned, unpacked, and is hanging up undies all about the house. The man begins running into ropes and lines. He finds himself on a little desert isle, a little living room alone in the midst of a universe, with a honeycomb that has turned into a bear trap, with a butterfly metamorphosed into a wasp. He then immediately takes up a hobby: stamp collecting, lodge meetings, or—"

"How you
do
run on," cried Mother. "Marianne, tell us about this young man. What was his name again? Was it Isak Van Pelt?"

"What? Oh—Isak, yes." Marianne had been roving about her bed all night, sometimes flipping poetry books and reading incredible lines, sometimes lying flat on her back, sometimes on her tummy looking out at dreaming moonlit country. The smell of jasmine had touched the room all night and the excessive warmth of early spring (the thermometer read fifty-five degrees) had kept her awake. She looked like a dying moth, if anyone had peeked through the keyhole.

This morning she had clapped her hands over her head in the mirror and come to breakfast, remembering just in time to put on a dress.

Grandma laughed quietly all during breakfast. Finally she said, "You must eat, child, you
must
." So Marianne played with her toast and got half a piece down. Just then there was a loud honk outside. That was Isak! In his jalopy!

"Whoop!" cried Marianne, and ran upstairs quickly.

The young Isak Van Pelt was brought in and introduced around.

When Marianne was finally gone, Father sat down, wiping his forehead. "I don't know. This is too much."

"You were the one who suggested she start going out," said Mother.

"And I'm sorry I suggested it," he said. "But she's been visiting us for six months now, and six more months to go. I thought if she met some nice young man—"

"And they were married," husked Grandma darkly, "why, Marianne might move out almost immediately—is
that
it?"

"Well," said Father.

"Well," said Grandma.

"But now it's worse than before," said Father. "She floats around singing with her eyes shut, playing those infernal love records and talking to herself. A man can stand so much. She's getting so she laughs all the time, too. Do eighteen-year-old girls often wind up in the booby hatch?"

"He seems a nice young man," said Mother.

"Yes, we can always pray for that," said Father, taking out a little shot glass. "Here's to an early marriage."

The second morning Marianne was out of the house like a fireball when first she heard the jalopy horn. There was no time for the young man even to come to the door. Only Grandma saw them roar off together, from the parlor window.

"She almost knocked me down." Father brushed his mustache. "What's
that
? Brained eggs? Well."

In the afternoon, Marianne, home again, drifted about the living room to the phonograph records. The needle hiss filled the house. She played "That Old Black Magic" twenty-one times, going "la la la" as she swam with her eyes closed in the room.

Other books

The Traitor by Grace Burrowes
Chasing the North Star by Robert Morgan
A Splendid Little War by Derek Robinson
Black Tide by Peter Temple
Because of You by Rochelle Alers
Ready by Lucy Monroe
Last Night in Montreal by Emily St. John Mandel
Pranked by Katy Grant