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Authors: C. S. Lewis

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And suddenly all was changed. I saw a great assembly of gigantic forms all motionless, all in deepest silence, standing forever about a little silver table and looking upon it. And on the table there were little figures like chessmen who went to and fro doing this and that. And I knew that each chessman was the idolum or puppet representative of some of the great presences that stood by. And the acts and motions of each chessman were a moving portrait, a mimicry or pantomime, which delineated the inmost nature of his giant master. And these chessmen are men and women as they appear to themselves and to one another in this world. And the silver table is Time. And those who stand and watch are the immortal souls of those same men and women. Then vertigo and terror seized me and, clutching at my Teacher, I said, ‘Is
that
the truth? Then is all that I have been seeing in this country
false? These conversations between the Spirits and the Ghosts—were they only the mimicry of choices that had really been made long ago?'

‘Or might ye not as well say, anticipations of a choice to be made at the end of all things? But ye'd do better to say neither. Ye saw the choices a bit more clearly than ye could see them on Earth: the lens was clearer. But it was still seen through the lens. Do not ask of a vision in a dream more than a vision in a dream can give.'

‘A dream? Then—then—am I not really here, Sir?'

‘No, Son,' said he kindly, taking my hand in his. ‘It is not so good as that. The bitter drink of death is still before you. Ye are only dreaming. And if ye come to tell of what ye have seen, make it plain that it was but a dream. See ye make it very plain. Give no poor fool the pretext to think ye are claiming knowledge of what no mortal knows. I'll have no Swedenborgs and no Vale Owens among my children.'

‘God forbid, Sir,' said I, trying to look very wise.

‘He
has
forbidden it. That's what I'm telling ye.' As he said this he looked more Scotch than ever. I was gazing steadfastly on his face. The vision of the chessmen had faded, and once more the quiet woods in the cool light before sunrise were about us. Then, still looking at his
face, I saw there something that sent a quiver through my whole body. I stood at that moment with my back to the East and the mountains, and he, facing me, looked towards them. His face flushed with a new light. A fern, thirty yards behind him, turned golden. The eastern side of every tree-trunk grew bright. Shadows deepened. All the time there had been bird noises, trillings, chatterings, and the like; but now suddenly the full chorus was poured from every branch; cocks were crowing, there was music of hounds, and horns; above all this ten thousand tongues of men and woodland angels and the wood itself sang. ‘It comes, it comes!' they sang. ‘Sleepers awake! It comes, it comes, it comes.' One dreadful glance over my shoulder I essayed—not long enough to see (or did I see?) the rim of the sunrise that shoots Time dead with golden arrows and puts to flight all phantasmal shapes. Screaming, I buried my face in the fold of my Teacher's robe. ‘The morning! The morning!' I cried, ‘I am caught by the morning and I am a ghost.' But it was too late. The light, like solid blocks, intolerable of edge and weight, came thundering upon my head. Next moment the folds of my Teacher's garment were only the folds of the old ink-stained cloth on my study table which I had pulled down with me as I fell from my chair. The blocks of
light were only the books which I had pulled off with it, falling about my head. I awoke in a cold room, hunched on the floor beside a black and empty grate, the clock striking three, and the siren howling overhead.

About the Author

CLIVE STAPLES LEWIS
(1898–1963) was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include
The Chronicles of Narnia, Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity
. To learn more about C. S. Lewis, visit www.cslewis.com.

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B
OOKS BY
C. S. L
EWIS

A Grief Observed

George MacDonald: An Anthology

Mere Christianity

Miracles

The Abolition of Man

The Great Divorce

The Problem of Pain

The Screwtape Letters
(with
“Screwtape Proposes a Toast”)

The Weight of Glory

ALSO AVAILABLE FROM
H
ARPER
C
OLLINS

The Chronicles of Narnia:

The Magician's Nephew

The Lion, the Witch and the Wardrobe

The Horse and His Boy

Prince Caspian

The Voyage of the Dawn Treader

The Silver Chair

The Last Battle

Credits

Cover design: The Designworksgroup, Jason Gabbert

Illustration: Antar Dayal

THE GREAT DIVORCE
. Copyright © 1946, C. S. Lewis Pte. Ltd. Copyright renewed 1973 C. S. Lewis Pte. Ltd. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Adobe Digital Edition May 2009 ISBN 9780061947353

Version 08312012

10 9 8 7 6 5 4 3 2 1

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1
This method of travel also I learned from the ‘scientifictionists'.

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