The Green Mile (14 page)

Van Hay rolled on three and The Chief surged forward again, twisting a little from side to side in the grip of the current. When doc listened this time, he nodded. It was over. We had once again succeeded in destroying what we could not create. Some of the folks in the audience had begun talking in those low voices again; most sat with their heads down, looking at the floor, as if stunned. Or ashamed.

Harry and Dean came up with the stretcher. It was actually Percy's job to take one end, but he didn't know and no one had bothered to tell him. The Chief, still wearing the black silk hood, was loaded onto it by Brutal and me, and we whisked him through the door which led to the tunnel as fast as we could manage it without actually running. Smoke—too much of it—was rising from the hole in the top of the mask, and there was a horrible stench.

“Aw, man!” Percy cried, his voice wavering. “What's that smell?”

“Just get out of my way and stay out of it,” Brutal said, shoving past him to get to the wall where there was a mounted fire extinguisher. It was one of the old chemical kind that you had to pump. Dean, meanwhile, had stripped off the hood. It wasn't as bad as it could have been; Bitterbuck's left braid was smouldering like a pile of wet leaves.

“Never mind that thing,” I told Brutal. I didn't want to have to clean a load of chemical slime off the dead man's face before putting him in the back of the meatwagon. I slapped at The Chief's head (Percy staring at me, wide-eyed, the whole time) until the smoke quit rising. Then we carried the body down the twelve wooden steps to the tunnel. Here it was as chilly and dank as a dungeon, with the hollow plinkplink sound of dripping water. Hanging lights with crude tin shades—they were made in the prison machine-shop—showed a brick tube that ran thirty feet under the highway. The top was curved and wet. It made me feel like a character in an Edgar Allan Poe story every time I used it.

There was a gurney waiting. We loaded Bitterbuck's body onto it, and I made a final check to make sure his hair was out. That one braid was pretty well charred, and I was sorry to see that the cunning little bow on that side of his head was now nothing but a blackened lump.

Percy slapped the dead man's cheek. The flat smacking sound of his hand made us all jump. Percy looked around at us with a cocky smile on his mouth, eyes glittering. Then he looked back at Bitterbuck again. “Adiós, Chief,” he said. “Hope hell's hot enough for you.”

“Don't do that,” Brutal said, his voice hollow and declamatory in the dripping tunnel. “He's paid what he owed. He's square with the house again. You keep your hands off him.”

“Aw, blow it out,” Percy said, but he stepped back uneasily when Brutal moved toward him, shadow rising behind him like the shadow of that ape in the story about the Rue Morgue. But instead of grabbing at Percy, Brutal grabbed hold of the gurney and began pushing Arlen Bitterbuck slowly toward the far end of the tunnel, where his last ride was waiting, parked on the soft shoulder of the highway. The gurney's hard rubber wheels moaned on the boards; its shadow rode the bulging
brick wall, waxing and waning; Dean and Harry grasped the sheet at the foot and pulled it up over The Chief's face, which had already begun to take on the waxy, characterless cast of all dead faces, the innocent as well as the guilty.

W
HEN
I
WAS EIGHTEEN
, my Uncle Paul—the man I was named for—died of a heart attack. My mother and dad took me to Chicago with them to attend his funeral and visit relatives from my father's side of the family, many of whom I had never met. We were gone almost a month. In some ways that was a good trip, a necessary and exciting trip, but in another way it was horrible. I was deeply in love, you see, with the young woman who was to become my wife two weeks after my nineteenth birthday. One night when my longing for her was like a fire burning out of control in my heart and my head (oh yes, all right, and in my balls, as well), I wrote her a letter that just seemed to go on and on—I poured out my whole heart in it, never looking back to see what I'd said because I was afraid cowardice would make me stop. I didn't stop, and when a voice in my head clamored that it would be madness to mail such a letter, that I would be giving her my naked heart to hold in her hand, I ignored it with a child's breathless disregard of the consequences. I often wondered if Janice kept that letter, but never quite got up enough courage to ask. All I know for sure is that I did not find it when I went through her things after the funeral, and of course that by itself means nothing. I suppose I never asked because I was afraid of discovering that burning epistle meant less to her than it did to me.

It was four pages long. I thought I would never write anything longer in my life, and now look at this. All this, and the end still not in sight. If I'd known the story was going to go on this long, I might never have started. What I didn't realize was how many doors the act of writing
unlocks, as if my Dad's old fountain pen wasn't really a pen at all, but some strange variety of skeleton key. The mouse is probably the best example of what I'm talking about—Steamboat Willy, Mr. Jingles, the mouse on the Mile. Until I started to write, I never realized how important he (yes,
he
) was. The way he seemed to be looking for Delacroix before Delacroix arrived, for instance—I don't think that ever occurred to me, not to my conscious mind, anyway, until I began to write and remember.

I guess what I'm saying is that I didn't realize how far back I'd have to go in order to tell you about John Coffey, or how long I'd have to leave him there in his cell, a man so huge his feet didn't just stick off the end of his bunk but hung down all the way to the floor. I don't want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan. These weren't the sounds of agony and regret we sometimes heard on E Block, sharp cries with splinters of remorse in them; like his wet eyes, they were somehow removed from the pain we were used to dealing with. In a way—I know how crazy this will sound, of course I do, but there is no sense in writing something as long as this if you can't say what feels true to your heart—in a way it was as if it was sorrow for the whole world he felt, something too big ever to be completely eased. Sometimes I sat and talked to him, as I did with all of them—talking was our biggest, most important job, as I believe I have said—and I tried to comfort him. I don't feel that I ever did, and part of my heart was glad he was suffering, you know. Felt he
deserved
to suffer. I even thought sometimes of calling the governor (or getting Percy to do it—hell, he was Percy's damn uncle, not mine) and asking for a stay of execution.
We shouldn't burn him yet,
I'd say.
It's still hurting him too much, biting into him too much, twisting in his guts like a nice sharp stick. Give him another ninety days, your honor, sir. Let him go on doing to himself what we can't do to him.

It's that John Coffey I'd have you keep to one side of your mind while I finish catching up to where I started—that John Coffey lying on his bunk, that John Coffey who was afraid of the dark perhaps with
good reason, for in the dark might not two shapes with blonde curls—no longer little girls but avenging harpies—be waiting for him? That John Coffey whose eyes were always streaming tears, like blood from a wound that can never heal.

S
O
T
HE
C
HIEF
burned and The President walked—as far as C Block, anyway, which was home to most of Cold Mountain's hundred and fifty lifers. Life for The Pres turned out to be twelve years. He was drowned in the prison laundry in 1944. Not the Cold Mountain prison laundry; Cold Mountain closed in 1933. I don't suppose it mattered much to the inmates—walls is walls, as the cons say, and Old Sparky was every bit as lethal in his own little stone death chamber, I reckon, as he'd ever been in the storage room at Cold Mountain.

As for The Pres, someone shoved him face-first into a vat of dry-cleaning fluid and held him there. When the guards pulled him out again, his face was almost entirely gone. They had to ID him by his fingerprints. On the whole, he might have been better off with Old Sparky . . . but then he never would have had those extra twelve years, would he? I doubt he thought much about them, though, in the last minute or so of his life, when his lungs were trying to learn how to breathe Hexlite and lye cleanser.

They never caught whoever did for him. By then I was out of the corrections line of work, but Harry Terwilliger wrote and told me. “He got commuted mostly because he was white,” Harry wrote, “but he got it in the end, just the same. I just think of it as a long stay of execution that finally ran out.”

There was a quiet time for us in E Block, once The Pres was gone. Harry and Dean were temporarily reassigned, and it was just me, Brutal, and Percy on the Green Mile for a little bit. Which actually meant
just me and Brutal, because Percy kept pretty much to himself. I tell you, that young man was a genius at finding things not to do. And every so often (but only when Percy wasn't around), the other guys would show up to have what Harry liked to call “a good gab.” On many of these occasions the mouse would also show up. We'd feed him and he'd sit there eating, just as solemn as Solomon, watching us with his bright little oilspot eyes.

That was a good few weeks, calm and easy even with Percy's more than occasional carping. But all good things come to an end, and on a rainy Monday in late July—have I told you how rainy and dank that summer was?—I found myself sitting on the bunk of an open cell and waiting for Eduard Delacroix.

He came with an unexpected bang. The door leading into the exercise yard slammed open, letting in a flood of light, there was a confused rattle of chains, a frightened voice babbling away in a mixture of English and Cajun French (a patois the cons at Cold Mountain used to call
da bayou
), and Brutal hollering, “Hey! Quit it! For Chrissakes! Quit it, Percy!”

I had been half-dozing on what was to become Delacroix's bunk, but I was up in a hurry, my heart slugging away hard in my chest. Noise of that kind on E Block almost never happened until Percy came; he brought it along with him like a bad smell.

“Come on, you fuckin French-fried faggot!” Percy yelled, ignoring Brutal completely. And here he came, dragging a guy not much bigger than a bowling pin by one arm. In his other hand, Percy had his baton. His teeth were bared in a strained grimace, and his face was bright red. Yet he did not look entirely unhappy. Delacroix was trying to keep up with him, but he had the leg-irons on, and no matter how fast he shuffled his feet, Percy pulled him along faster. I sprang out of the cell just in time to catch him as he fell, and that was how Del and I were introduced.

Percy rounded on him, baton raised, and I held him back with one arm. Brutal came puffing up to us, looking as shocked and nonplussed by all this as I felt.

“Don't let him hit me no mo,
m'sieu,”
Delacroix babbled.
“S'il vous plaît, s'il vous plaît!”

“Let me at im, let me at im!” Percy cried, lunging forward. He began to hit at Delacroix's shoulders with his baton. Delacroix held his arms up, screaming, and the stick went whap-whap-whap against the sleeves of his blue prison shirt. I saw him that night with the shirt off, and that boy had bruises from Christmas to Easter. Seeing them made me feel bad. He was a murderer, and nobody's darling, but that's not the way we did things on E Block. Not until Percy came, anyhow.

“Whoa! Whoa!” I roared. “Quit that! What's it all about, anyway?” I was trying to get my body in between Delacroix's and Percy's, but it wasn't working very well. Percy's club continued to flail away, now on one side of me and now on the other. Sooner or later he was going to bring one down on
me
instead of on his intended target, and then there was going to be a brawl right here in this corridor, no matter who his relations were. I wouldn't be able to help myself, and Brutal was apt to join in. In some ways, you know, I wish we'd done it. It might have changed some of the things that happened later on.

“Fucking faggot! I'll teach you to keep your hands off me, you lousy bum-puncher!”

Whap! Whap! Whap! And now Delacroix was bleeding from one ear and screaming. I gave up trying to shield him, grabbed him by one shoulder, and hurled him into his cell, where he went sprawling on the bunk. Percy darted around me and gave him a final hard whap on the butt—one to go on, you could say. Then Brutal grabbed him—Percy, I mean—by the shoulders and hauled him across the corridor.

I grabbed the cell door and ran it shut on its tracks. Then I turned to Percy, my shock and bewilderment at war with pure fury. Percy had been around about several months at that point, long enough for all of us to decide we didn't like him very much, but that was the first time I fully understood how out of control he was.

He stood watching me, not entirely without fear—he was a coward at heart, I never had any doubt of that—but still confident that his connections would protect him. In that he was correct. I suspect there are people who wouldn't understand why that was, even after all I've said, but they would be people who only know the phrase
Great Depression
from the history books. If you were there, it was a lot more than a
phrase in a book, and if you had a steady job, brother, you'd do almost anything to keep it.

The color was fading out of Percy's face a little by then, but his cheeks were still flushed, and his hair, which was usually swept back and gleaming with brilliantine, had tumbled over his forehead.

“What in the Christ was
that
all about?” I asked. “I have never—I have
never
!—had a prisoner beaten onto my block before!”