The Greenstone Grail (5 page)

‘Don’t be silly. Married people often like other people; they get divorced; they marry someone else.’ She added, rather gruffly: ‘I sometimes wish Mum would divorce Dad. He doesn’t love her very much. Great-grandma Effie says he’s no good and never was.’

There was a short silence. Mention of Effie Carlow, Hazel’s great-grandmother, always commanded respect, since few people had great-grandmothers, and age had given her opinions the aura of wisdom, whether they deserved it or not. What that age was no one was certain: her piled-up grey hair was still abundant, her walk vigorous, her face wrinkled but not withered. She had a sharp nose and a sharper tongue, and her eyes, under heavy lids, were as keen as a hawk’s.

‘Even so,’ Nathan said at last, ‘I don’t think you should put your dad down.’

‘Only to you.’ She wouldn’t have chosen to confide in George, but Nathan had made him part of their group, and she treated him a little like a favoured pet. George being there counted no more than Hoover. Probably less.

‘Anyway,’ Nathan reverted to the original subject, ‘Mum wouldn’t … she wouldn’t want someone else’s husband.’

‘My mum says Michael’s very attractive,’ Hazel stated. ‘And Annie’s pretty. She ought to have boyfriends.’

Nathan didn’t answer. This was a point which had troubled him occasionally. He had friends with single mums, both at the village school and at Ffylde – even some with single dads – and boyfriends and girlfriends were always a problem. Children had to sort them out, encourage the good ones, fend off undesirables. They tended to buy lavish Christmas presents, woo the children with hamburgers and then shoo them from the room so they could indulge in kissing and fondling while their audience giggled outside. Some new partners brought unwanted brothers and sisters in their train. It was a hazard of modern life. Nathan knew he was lucky not to have these problems, but …
but
… ‘Do you want a father?’ Annie asked him once.

‘I
have
a father,’ Nathan responded. ‘He’s dead, but he’s still my father. I don’t need another one. Only … well … if you have a boyfriend that’s all right. As long as he’s a nice person, and he loves you. Is there – is there someone?’

‘When there is,’ Annie had said, ‘you’ll be the first to know.’

And now there was Michael Addison. Who was nice. And Lily Bagot said he was attractive. He had a wife, but she was an actress, and everyone knew actresses had affairs and got divorced a lot: it went with the territory. Still … maybe he loved his wife, and missed her when she was away, turning to Annie only for comfort. Nathan decided he didn’t like the
situation whichever way you looked at it. If he starts to give me presents and take me for hamburgers, he thought,
then
I’ll know.

The years in Eade had turned Annie from a girl into a woman. Time had firmed her softness and tapered the planes of her face; her fluffy hair was cut short and fell over her forehead in light brown feather-curls. She still wore little makeup, but the country air gave her pale skin the glow of health. Once in a while some man would be extra friendly, but she would smile politely and distance herself, in manner if not words, asserting in thought that it was for her son and knowing – in her more self-analytical moods – that Nathan was an excuse. Perhaps Daniel still had all her heart; perhaps there was something else, lost in that fold of time, which kept her alone and separate, unresponsive to all men. When Michael Addison took to dropping in, to browse among the books and chat, she liked him without reserve, confident that liking was all it would ever be. She was not cold, merely absent, like a nun who, wedded to the idea of God, seeks no mortal husband. But Annie had always been doubtful about God – the Catholic God of her childhood, demanding, faintly patronizing, immersed in ritual. She preferred Bartlemy’s theory of the Ultimate Powers, maintaining some kind of equilibrium throughout all the worlds, but exacting neither blind worship nor interminable repentance. Since the moment of Daniel’s death she had known with the certainty of experience that there were things out there beyond the range of ordinary human knowledge, other dimensions – universes – beings, and maybe some of them had a foothold on her memory, and a handhold on her heart.

That Christmas Michael and Rianna went to stay with friends in Gloucestershire, and afterwards went skiing, Hazel’s father got drunk and hit Lily, causing her, for the first time,
to consult a lawyer, and George was given a pair of binoculars, which were almost as good as a telescope. Annie and Nathan spent the day as they always did, with Bartlemy and Hoover, eating what was, had they but known it, the best Christmas dinner in the country. Bartlemy could do mysterious and wonderful things with food: children would fight to eat their greens when he had cooked them, his roast turkey was moist inside and crisp outside, oozing golden-brown juices, his potatoes crunched and melted, his plum pudding magically combined both airy lightness and dark fruitiness. Afterwards, Nathan always remembered that Christmas as especially perfect. It didn’t snow, in fact it rained, but they were indoors and the rain was out, and the fire filled the room with warmth and radiance, and his huge dinner disappeared into an elastic stomach and slender body, leaving no visible trace. Bartlemy had a television, which picked up channels no one else ever received, so they watched a fairytale in a foreign language, about an arrogant king who was forced to wander among his people in the guise of a beggar, and learned wisdom and humility, then they played chess, and Nathan almost won, and Annie watched them affectionately and thought: ‘How lucky I am. How
lucky
.’ And suddenly she was afraid, though she had never been afraid before, in case her luck would change.

And in the New Year Nathan found the sunken chapel, and saw the whispering cup, and then everything was different.

In February, Michael Addison got a new computer and asked Annie if she would come round to help him set it up. ‘I hear you’re the resident expert,’ he said.

‘In a place like Eade,’ she retorted, ‘that isn’t saying much.’

‘I’ll pay you …’

‘Don’t be ridiculous. I’d do it for the chance to look at your house. The whole village wants to know if it’s been transformed like on one of those TV makeover shows.’

‘The village,’ he grinned, ‘is going to be very disappointed.’

Annie closed the shop early – Bartlemy had always encouraged her to keep whatever business hours she liked, but since Nathan became a weekly boarder she had tried to stick to ten till five – walked along the High Street and turned into the lane to Riverside House. The route ran between hedgerows that were brown and shrunken in their winter barrenness, with meadows on either side; Annie knew one was a conservation area because of the presence of a rare butterfly or orchid. The house lay beyond: she could see the pixy-hat roofs some way off. From the outside, it presented an image of rustic desirability, but when Michael admitted her, leading her through the hallway into what was clearly the main drawing room, she thought it looked curiously unlived-in. The
furniture was too perfectly arranged, the rugs untrodden upon, everything clean, immaculate, untouched. ‘I don’t use this room much,’ Michael said, as though reading her mind. ‘My domain is in one tower, Rianna’s in the other. We meet occasionally in the bedroom.’ Annie assumed he was joking, but she wasn’t sure. She followed him down some steps and into the round chamber which was evidently his study. Units had been designed especially to fit the curve of the wall, and a wooden desk supported the latest in computer technology. ‘Here we are,’ said Michael. ‘Tea first, or work first?’

‘Work,’ said Annie.

In the end, it took far longer than she had intended. ‘To me, this machine is just a glorified typewriter,’ Michael said, so she spent some time sorting out his files, teaching him to use search engines and surf the Internet. When they finished it was dark, and Michael declared it was too late for tea, offering her a drink instead, and a quick tour of the house, if she wanted. ‘So you can tell the village grapevine about all the redecorating we haven’t done.’ Even the master bedroom, Annie thought, looked unslept-in: Michael had a couch in the upper room of his ‘tower’. The bathroom boasted a circular bath almost the size of a swimming pool; there were several guest bedrooms though they never seemed to have guests; the kitchen had the latest kind of Aga but the microwave appeared to have seen more use. Except in Michael’s rooms there was luxury without personality, and a strange coldness, as if the whole house was an exhibit rather than a residence. Annie didn’t get to see inside Rianna’s tower: that was kept locked. ‘Rianna’s very intense about her privacy,’ Michael explained. ‘Even I don’t have a key.’

‘Bluebeard’s Chamber,’ Annie said before she could stop herself.

‘Stacked with the bodies of her ex-husbands?’ Michael
laughed. ‘There’s only been one, he’s a producer, I’ve met him. He’s about sixty now and married to a blonde of twenty-three.’

‘Sorry,’ Annie said. ‘I didn’t mean to be rude, or … or nosy.’

‘You weren’t,’ said Michael. ‘I suppose it does sound a bit odd, to people who don’t know Rianna. She’s – I expect you would call her temperamental. Personal space is very important to her. We have a wonderful cleaner, a Yugoslav émigré who comes over from Crowford, but Rianna won’t let her in there; she prefers to do the cleaning herself. Now, what would you like to drink? There’s whisky, gin, beer … whisky, more whisky.’

‘I’ll have a whisky,’ Annie said with a smile.

They had their drinks in the sitting room above Michael’s study, containing the couch ‘for those short kips between periods of not working’, and a couple of worn leather armchairs. Its windows framed a view over the conservation area in one direction, and down to the river in the other. Since it was too dark to see very far, Michael took some pains to explain about the benefits of the view. When they dimmed the light Annie saw a shiny new moon in a sky full of crispy stars, and shadowy fields stretching away towards the village, and the twinkling of illuminated windows in the nearest houses. She turned back, and there was Michael’s crooked smile, soft in the dimness, and his glasses hiding the expression in his eyes. He turned up the light, and she found herself looking at a picture of Rianna on a sideboard, a very glamorous picture, black-and-white, with a cloud of dark hair framing her artistic cheekbones, and deepset eyes darkly made up under the flying line of her brows.

‘She’s very beautiful,’ Annie said politely.

‘I know,’ said Michael. It might have been her fancy that he sounded almost rueful.

When their glasses were empty, he said: ‘I’ll walk you home.’ And then: ‘Damn. It’s later than I thought. I’ve got a call coming in, from the States.’

‘I’ll be fine,’ Annie assured him.

I like him, she thought, but I don’t like the house. Apart from his bit. There’s something wrong about it, something …

Something to do with Rianna Sardou.

She set off down the lane, hugging her coat round her in the cold, lost in her own reflections. The awareness didn’t come upon her suddenly; rather, it was a gradual feeling, a creeping change in the night, a slow prickle down her spine. There was a moment when she stopped, and glanced back, seeing nothing, and felt that the wrongness which she had sensed in the house had come with her, following her, becoming a shadow at her heels, a listener on the edge of hearing. There was a horrible familiarity about it. And then a shiver seemed to run through the hedgerows, as if a darkness slipped between the leafless stems, and she caught the whisper of words that could not be discerned, a whisper quieter than quiet, so close to her ear she expected to feel the chill of its breath on her cheek.

Them
.

She didn’t run: there was no point. She walked very quickly, trying not to look back again, counting her paces in heartbeats. The lane dipped as it ran through the meadows and for a few minutes she could see no lights ahead, and she was alone, or not alone, and behind her she knew the shadows were playing grandmother’s footsteps, and the whisper was so intimate she could imagine disembodied lips moving within an inch of her face. She fancied there was a cold touch on her nape, as if a groping hand reached out to seize her – and then she saw the lights of a house in front, and the fantasy withdrew, she began to run as though released from a spell.
Past gardens and back gates, into the village street, down the road to the bookshop. She shut and locked the door, but she knew it would be no use: no door had ever kept
them
out save that of Thornyhill. She stumbled to the phone and pressed out a number with unsteady fingers.

Ten minutes later Bartlemy was sitting in her little back room, filling much of it, a quiet, reassuring presence.

‘After Nathan was born,’ Annie was saying, ‘I always thought I went a little crazy.
They
were part of the craziness – that was what I told myself. Until now. But
you
saw them, didn’t you? The night we came to Thornyhill. You saw them following me.’

‘Oh yes,’ he said calmly. ‘I saw them.’

‘What are they? Who are they? Why have they come back?’

‘If I knew the answers to those questions,’ said Bartlemy, ‘I would be a wiser, if not a happier man. I know only what I have observed or deduced. They seem to have no real substance, yet they exist. They are made of shadow and fear. There are always many, a swarm rather than individuals. They are like nothing I have ever seen before, and I have seen many strange things. I was able to keep them away from Thornyhill – my influence is strong there – and I hoped they were gone for good, but clearly that isn’t so. Yet why should they reappear now? Where have they been? In hibernation maybe, until some call or need drew them forth. You were visiting Riverside House?’