The History of the Siege of Lisbon (25 page)

There is not a cloud in the sky, the warm sun shines on high, a flock of swallows flies back and forth, circles with much twittering over the heads of these sworn enemies. Mogueime looks up at the sky, gives a shudder, perhaps brought on by the wild screeching of the birds or the Moor's threats, the heat of the sun affords him no comfort, a strange chill makes his teeth chatter, the shame of a man who with a simple ladder brought down Santarém. The silence was broken by the Archbishop of Braga's voice giving an order to the scribe, You must make no mention, Fray Rogeiro, of what the Moor said, words thrown to the wind when we had already departed and were descending the slope of Santo André on our way to the encampment where the king awaits us, he will see, as we draw our swords and raise them to the sunlight, that battle has commenced, and that is something you can certainly write down.

D
URING THOSE FIRST DAYS
after he had thrown away the dyes which for years had concealed the ravages of time, Raimundo Silva, like an ingenuous sower waiting to see the first shoot break through, examined the roots of his hair, day and night, with obsessive interest, morbidly relishing his anticipation of the shock he would almost certainly get once the natural hairs began to appear amongst the dyed ones. But because one's hair, from a certain age onwards, is slow in growing, or because the last dyeing had tinged, or tinted, even the subcutaneous layers, let it be said in passing that all of this is no more than an assumption imposed by the need to explain what is, after all, not very important, Raimundo Silva gradually lost interest in the matter, and now combs his hair without another thought as if he were in the first flush of yiuth, although it is worth noting a certain amount of bad faith in this attitude, a certain falsification of self with oneself, more or less translatable in a phrase that was neither spoken nor thought, Because I can pretend that I cannot see, I do not see, which came to be converted into an apparent conviction, even less clearly expressed, if possible, and irrational, that the last dyeing had been definitive, like some prize conceded by fate in recompense for his courageous renunciation of the world's vanities. Today, however, when he has to deliver to the publisher the novel which he has finally read and prepared for the printers, Raimundo Silva, on entering the bathroom, slowly put his face to the mirror, with cautious fingers he pushed back the tuft of hair on his forehead, and refused to believe what his eyes were seeing, there were the white roots, so white that the contrast in colour seemed to make them whiter still, and they had an unexpected appearance, as if they had sprouted from one day to the next, while the sower had fallen asleep from sheer exhaustion. There and then, Raimundo Silva repented the decision he had taken, that is to say, he did not quite get round to repenting, but thought that he might have postponed it a little longer, he had foolishly chosen the least opportune moment, and he felt so vexed that he wondered whether there might be a bottle which he had forgotten and was still lying around somewhere, with some dye left, at least just for today, tomorrow I'll go back to sticking to my resolution. But he did not start searching, partly because he knew he had thrown out the lot, partly, because he feared, assuming that he found something, that he would have to make another decision, as it was quite possible that he might decide against it and end up playing this game of coming and going for lack of the willpower to refuse to succumb once and for all to the weakness he acknowledges in himself.

When Raimundo Silva wore a wristwatch for the first time many years ago, he was a mere adolescent, and fortune pandered to his immense vanity as he strolled about Lisbon and proudly sported his latest novelty, by crossing his path with that of four different people who were anxious to know the time, Have you the time, they asked, and generous fellow as he was, he did indeed know the time and lost no time in telling them so. The movement of stretching out his arm in order to draw back his sleeve and display the watch's shining face gave him a feeling of importance at that moment that he would never experience again. And least of all now as he makes his way to the publishing house, trying to pass unnoticed in the street or amongst the passengers on the bus, withholding the slightest gesture that might attract the attention of anyone who, also wanting to know the time, might stand there staring in amusement at that unmistakable white line of the parting on the top of his head while waiting for him to overcome his nerves and disentangle his watch from the three sleeves that are covering it
today, that of his shirt, his jacket and his coat, It's half past ten, Raimundo Silva finally replies, furious and embarrassed. A hat would come in handy, but that is something the proof-reader has never worn, and if he did, it would only resolve a fraction of his problems, he certainly has no intention of walking into the publishers wearing a hat, Hello there, how is everyone, the hat still stuck on his head as he marches into Dr Maria Sara's office, I've brought you the novel, obviously, it would be best to act as if the colours in his hair were all quite natural, white, black, dyed, people look once, do not look a second time, and by the time they look a third time, they notice nothing. But it is one thing to acknowledge this mentally, to invoke the relativity that conciliates all differences, to ask oneself, with stoic detachment, what a white hair on earth means in the eyes of Venus, another dreadful moment is when he has to confront the telephonist, to withstand her indiscreet glance, to imagine the giggles and whisperings that will while away idle moments in the next few days, Senhor Silva has stopped dyeing his hair, he looks so comical, before they used to mock him because he dyed it, but then there are people who always find something to amuse themselves at the expense of others. And suddenly all these foolish worries disappeared because the telephonist Sara was saying to him, Dr Maria Sara isn't here, she is ill and hasn't come to work for the last two days, these simple words left Raimundo Silva divided between two conflicting sentiments, relief that she should not see his white hair reappearing, and deep distress, not caused by her illness, of the seriousness of which he was still unaware, it could be a flu without complications, or a sudden indisposition, the sort of complaint that affects women, for example, but because he suddenly felt lost, a man risks so much, subjects himself to vexations, just to be able to hand over in person the original manuscript of a novel, and there is no hand there, perhaps it is resting on a pillow beside a pale face, where, until when. Raimundo Silva realises in a second that he has lingered so long in handing over the work in order to savour, with unconscious voluptuousness, the anticipation of a moment that was now eluding him, Dr Maria Sara isn't here, the telephonist had informed him, and he made as if to leave, but then remembered that he ought to entrust the original manuscript to someone, to Costa presumably, Is Senhor Costa here, he asked, suddenly realising that he was deliberately standing in profile to avoid being observed by the telephonist, and, irritated by this show of weakness, he turned around in order to confront all the curiosities of this world, but young Sara did not as much as look at him, she was too busy inserting and pulling out plugs on the old-fashioned switchboard, and all he got was an affirmative gesture as she nodded vaguely towards the inner corridor, all this meaning that Costa was in his office, and that as far as Costa was concerned, there was no need to announce this visitor, something Raimundo Silva did not need to be told because before the arrival of Dr Maria Sara all he had to do was to walk straight in and look for Costa who, as Production Manager, could be found in any of the other offices, pleading, remonstrating, complaining, or simply apologising to the administration, as he always had to do, no matter whether he was responsible or not for any slip-ups in the schedule.

The door of Dr Maria Sara's office is closed. Raimundo Silva opens it, peers inside and feels a knot in his stomach, not so much because of her absence as because of a dispiriting sense of emptiness, of final abandonment, suggested perhaps by the tidy arrangement of objects which, it occurred to him one day, is only tolerable when disturbed by a human presence. Over the desk drooped a withered white rose, two of its petals having already been shed. Raimundo Silva nervously shut the door, he could not stay there in case someone appeared, but this idea of an empty office, where a single life, that of a rose, was slowly withering, close to death because of a progressive depletion of cells, filled him with evil premonitions, with dark omens, all quite absurd, as he would subsequently reflect, What have I got to do with this woman, but not even this feigned detachment will put his mind at rest. Costa received him cordially, Yes, Dr Maria Sara is ill, I'm looking after things, superfluous words, all of them, Raimundo Silva already knew that Maria Sara was ill, that Costa should be dealing with her work was only to be expected, and, as for the rest, no need to worry; he could not care less about the novel's immediate or future destiny, what he needed was some information that no one was likely to give him unless he asked, after all, an employee on sick leave scarcely justifies the publication of hourly medical bulletins. So at the risk of rousing Costa's curiosity as to why he should be so interested, Raimundo Silva finally plucked up the courage to ask, Is it serious, Is what serious, the other asked in return, having failed to grasp what he was talking about, Dr Maria Sara's illness, now Raimundo Silva is worried at the thought that he might be blushing at this very moment, Oh, I shouldn't imagine so, and steering the conversation towards more professional matters, Costa added, introducing a subtle note of irony, directed both at the absent Dr Maria Sara and the proof-reader who is present, Even if she were to stay at home for a while, you may rest assured that work will proceed as normal. At this point Costa ever so slightly averted his eyes, a hint of smiling malice creeping into his expression. Raimundo Silva frowned, waiting for some further remark, but Costa had already turned to the novel, was leafing through it as if searching for something he could not quite define, but his attitude was not altogether conscious, and now it was the proof-reader's turn to smile as he remembered that day when Costa had leafed through another book, the erroneous proofs of
The History of the Siege of Lisbon,
their falsification finally frustrated, yet the cause of these radical changes, these outrageous alterations, a new siege, an encounter no one could have foreseen, certain feelings that slowly began to stir, like the impenetrable waves of a sea of mercury. Suddenly, Costa became aware that he was being observed, thought he understood why, and like someone carrying out tardy revenge, asked, Have you by any chance inserted the odd
Not
this time, and Raimundo Silva answered with tranquil irony, Put your mind at rest, this time I put in a
yes.
Costa abruptly pushed aside the bundle of page proofs and said drily, If there is nothing else I can do for you, he left the phrase in suspense, with invisible dots of suspension, but thanks to his lengthy experience as a proof-reader, Raimundo did not need them in order to know that it was time for him to leave.

Young Sara takes advantage of a quiet moment to give all her attention to a fingernail that had broken a few minutes earlier in that infernal bustle of inserting and pulling out plugs, she has already repaired the damage and is now deeply absorbed in gently smoothing the nail with her file, she is certainly not going to reply to Raimundo Silva as he would wish, having had the bright idea whilst walking down the corridor perhaps helped by the dialectic parrying with Costa, these are the advantages of an intellectual gymnastic exercise, but now we shall see if it will serve any purpose, the question being the following, Do you know if Dr Maria Sara is well enough to receive telephone calls, it's just that I have some business, another interrupted phrase, an anxious look, in fact, he could not have chosen a worse moment, the inevitable annoyance of someone who has just broken a long, oval-shaped fingernail, and besides the number will have to be traced in the telephone directory, assuming the telephonist is willing to divulge it, Just my luck, muses Raimundo Silva, that this should have happened, the broken nail, the file, Ah, Senhor Silva, if only you knew the trouble I have with these nails, how I wish they would get rid of this old contraption and give me a modern push-button electronic switchboard, whether she is well enough to receive telephone calls, I cannot say, but here is her number if you'd like to write it down. She knew it by heart, one of her little vanities, to memorise as many numbers as she could, to boast of her memory, Sara has a phenomenal memory, and just as well, because she had to repeat the number twice, Raimundo Silva was in such a muddle, first of all because he could not find anywhere to write, then he got the numbers mixed up, hearing six instead of three, at the same time as his brain pursued a nagging question he could not resist raising in a tone of voice feigning nonchalance, Obviously if no one has called her from here, then she isn't receiving any calls, No calls have passed through me, but, the administration may have called her on a direct line, of course, the direct line does not pass through the telephonist, one can speak at will by means of a direct line and Raimundo Silva seems to remember there having been a direct line in the Editorial Director's office. Young Sara has finished repairing her broken nail and critically appraises the result, bearing in mind the seriousness of the damage, she has done her best and is moderately satisfied, which may explain why she asks him, If you wish, I can call her from here, leaving Raimundo Silva speechless, he shook his head vigorously, and just at that moment, divine providence, the switchboard signalled an incoming call, two signals that were almost simultaneous, the world went into its routine orbit, or so it will seem to anyone who does not know that Raimundo Silva is already carrying Maria Sara's telephone number in his pocket, and this makes a vast difference to the universe.