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Authors: H.P. Lovecraft

The Horror in the Museum (61 page)

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THE MANUSCRIPT

Vague misgivings of the last quarter hour are now becoming definite fears. To begin with, I am thoroughly convinced that something must have happened to Dobbs. For the first time since we have been together he has failed to answer my summons. When he did not respond to my repeated ringing I decided that the bell must be out of order, but I have pounded on the table with vigor enough to rouse a charge of Charon. At first I thought he might have slipped out of the house for a breath of fresh air, for it has been hot and sultry all the forenoon, but it is not like Dobbs to stay away so long without first making sure that I would want nothing. It is, however, the unusual occurrence of the last few minutes which confirms my suspicion that Dobbs’s absence is a matter beyond his control. It is this same happening which prompts me to put my impressions and conjectures on paper in the hope that the mere act of recording them may relieve a certain sinister suggestion of impending tragedy. Try as I will, I cannot free my mind from the legends connected with this old house—mere superstitious fol-de-rol for dwarfed brains to revel in, and on which I would not even waste a thought if Dobbs were here.

Through the years that I have been shut away from the world I used to know, Dobbs has been my sixth sense. Now, for the first
time since my incapacitation, I realize the full extent of my impotency. It is Dobbs who had compensated for my sightless eyes, my useless ears, my voiceless throat, and my crippled legs. There is a glass of water on my typewriter table. Without Dobbs to fill it when it has been emptied, my plight will be like that of Tantalus. Few have come to this house since we have lived here—there is little in common between garrulous country folk and a paralytic who cannot see, hear, or speak to them—it may be days before anyone else appears. Alone … with only my thoughts to keep me company; disquieting thoughts which have been in no wise assuaged by the sensations of the last few minutes. I do not like these sensations, either, for more and more they are converting mere village gossip into a fantastic imagery which affects my emotions in a most peculiar and almost unprecedented manner.

It seems hours since I started to write this, but I know it can be only a few minutes, for I have just inserted this fresh page into the machine. The mechanical action of switching the sheets, brief though it was, has given me a fresh grip on myself. Perhaps I can shake off this sense of approaching danger long enough to recount that which has already happened.

At first it was no more than a mere tremor, somewhat similar to the shivering of a cheap tenement block when a heavy truck rumbles close by the curb—but this is no loosely built frame structure. Perhaps I am supersensitive to such things, and it may be that I am allowing my imagination to play tricks; but it seemed to me that the disturbance was more pronounced directly in front of me—and my chair faces the southeast wing; away from the road, directly in line with the swamp at the rear of the dwelling! Delusion though this may have been, there is no denying what followed. I was reminded of moments when I have felt the ground tremble beneath my feet at the bursting of giant shells; times when I have seen ships tossed like chaff before the fury of a typhoon. The house shook like a Dweurgarian cinder in the sieves of Niflheim. Every timber in the floor beneath my feet quivered like a suffering thing. My typewriter trembled till I could imagine that the keys were chattering of their fear.

A brief moment and it was over. Everything is as calm as before. Altogether too calm! It seems impossible that such a thing could happen and yet leave everything exactly as it was before. No, not exactly—I am thoroughly convinced that something has happened to Dobbs! It is this conviction, added to this unnatural calm, which accentuates the premonitory fear that persists in creeping over me.
Fear? Yes—though I am trying to reason sanely with myself that there is nothing of which to be afraid. Critics have both praised and condemned my poetry because of what they term a vivid imagination. At such a time as this I can heartily agree with those who cry “too vivid”. Nothing can be very much amiss or….

Smoke! Just a faint sulfurous trace, but one which is unmistakable to my keenly attuned nostrils. So faint, indeed, that it is impossible for me to determine whether it comes from some part of the house or drifts through the window of the adjoining room, which opens on the swamp. The impression is rapidly becoming more clearly defined. I am sure, now, that it does not come from outside. Vagrant visions of the past, somber scenes of other days, flash before me in stereoscopic review. A flaming factory … hysterical screams of terrified women penned in by walls of fire; a blazing schoolhouse … pitiful cries of helpless children trapped by collapsing stairs, a theatre fire … frantic babel of panic-stricken people fighting to freedom over blistering floors; and, over all, impenetrable clouds of black, noxious, malicious smoke polluting the peaceful sky. The air of the room is saturated with thick, heavy, stifling waves … at any moment I expect to feel hot tongues of flame lick eagerly at my useless legs … my eyes smart… my ears throb … I cough and choke to rid my lungs of the Ocypetean fumes … smoke such as is associated only with appalling catastrophes … acrid, stinking, mephitic smoke permeated with the revolting odor of burning flesh***

Once more I am alone with this portentous calm. The welcome breeze that fans my cheeks is fast restoring my vanished courage. Clearly, the house cannot be on fire, for every vestige of the torturous smoke is gone. I cannot detect a single trace of it, though I have been sniffing like a bloodhound. I am beginning to wonder if I am going mad; if the years of solitude have unhinged my mind— but the phenomenon has been too definite to permit me to class it as mere hallucination. Sane or insane, I cannot conceive these things as aught but actualities—and the moment I catalogue them as such I can come to only one logical conclusion. The inference in itself is enough to upset one’s mental stability. To concede this is to grant the truth of the superstitious rumors which Dobbs compiled from the villagers and transcribed for my sensitive finger-tips to read— unsubstantial hearsay that my materialistic mind instinctively condemns as asininity!

I wish the throbbing in my ears would stop! It is as if mad spectral
players were beating a duet upon the aching drums. I suppose it is merely a reaction to the suffocating sensations I have just experienced. A few more deep drafts of this refreshing air …

Something—someone is in the room! I am as sure I am no longer alone as if I could see the presence I sense so infallibly. It is an impression quite similar to one which I have had while elbowing my way through a crowded street—the definite notion that eyes were singling me out from the rest of the throng with a gaze intense enough to arrest my subconscious attention—the same sensation, only magnified a thousandfold. Who—what—can it be? After all, my fears may be groundless, perhaps it means only that Dobbs has returned. No … it is not Dobbs. As I anticipated, the tattoo upon my ears has ceased and a low whisper has caught my attention … the overwhelming significance of the thing has just registered itself upon my bewildered brain …
I can hear!

It is not a single whispering voice, but many! *** Lecherous buzzing of bestial blowflies … Satanic humming of libidinous bees … sibilant hissing of obscene reptiles … a whispering chorus no human throat could sing! It is gaining in volume … the room rings with demoniacal chanting; tuneless, toneless, and grotesquely grim … a diabolical choir rehearsing unholy litanies … paeans of Mephistophelian misery set to music of wailing souls … a hideous crescendo of pagan pandemonium * * *

The voices that surround me are drawing closer to my chair. The chanting has come to an abrupt end and the whispering has resolved itself into intelligible sounds. I strain my ears to distinguish the words. Closer … and still closer. They are clear, now—too clear! Better had my ears been blocked forever than forced to listen to their hellish mouthings * * *

Impious revelations of soul-sickening Saturnalia *** ghoulish conceptions of devastating debaucheries *** profane bribes of Cabirian orgies *** malevolent threats of unimagined punishments ***

It is cold. Unseasonably cold! As if inspired by the cacodemoniacal presences that harass me, the breeze that was so friendly a few minutes ago growls angrily about my ears—an icy gale that rushes in from the swamp and chills me to the bone.

If Dobbs has deserted me I do not blame him. I hold no brief for cowardice or craven fear, but there are some things * * * I only hope his fate has been nothing worse than to have departed in time!

My last doubt is swept away. I am doubly glad, now, that I have
held to my resolve to write down my impressions … not that I ex-pea anyone to understand … or believe … it has been a relief from the maddening strain of idly waiting for each new manifestation of psychic abnormality. As I see it, there are but three courses that may be taken: to flee from this accursed place and spend the torturous years that lie ahead in trying to forget—but flee I
cannot;
to yield to an abominable alliance with forces so malign that Tartarus to them would seem but an alcove of Paradise—but yield I
will not;
to die—far rather would I have my body torn limb from limb than to contaminate my soul in barbarous barter with such emissaries of Belial ***

I have had to pause for a moment to blow upon my fingers. The room is cold with the foetid frigor of the tomb … a peaceful numbness is creeping over me … I must fight off this lassitude; it is undermining my determination to die rather than give in to the insidious importunings … I vow, anew, to resist until the end … the end that I know cannot be far away * * *

The wind is colder than ever, if such a thing be possible … a wind freighted with the stench of dead-alive things * * * merciful God Who took my sight! *** a wind so cold it burns where it should freeze … it has become a blistering sirocco ***

Unseen fingers grip me … ghost fingers that lack the physical strength to force me from my machine … icy fingers that force me into a vile vortex of vice … devil-fingers that draw me down into a cesspool of eternal iniquity … death fingers that shut off my breath and make my sightless eyes feel they must burst with the pain *** frozen points press against my temples *** hard, bony knobs, akin to horns *** boreal breath of some long-dead thing kisses my fevered lips and sears my hot throat with frozen flame * * *

It is dark *** not the darkness that is part of years of blindness *** the impenetrable darkness of sin-steeped night *** the pitch-black darkness of Purgatory * * *

I see ***
spes mea Christus!
*** it is the end ***

***********

Not for mortal mind is any resisting of force beyond human imagination. Not for immortal spirit is any conquering of that which hath probed the depths and made of immortality a transient moment. The end? Nay! It is but the blissful beginning
….

Wilfred Blanch Talman

Two Black Bottles

Not all of the few remaining inhabitants of Daalbergen, that dismal little village in the Ramapo Mountains, believe that my uncle, old Dominie Vanderhoof, is really dead. Some of them believe he is suspended somewhere between heaven and hell because of the old sexton’s curse. If it had not been for that old magician, he might still be preaching in the little damp church across the moor.

After what has happened to me in Daalbergen, I can almost share the opinion of the villagers. I am not sure that my uncle is dead, but I am very sure that he is not alive upon this earth. There is no doubt that the old sexton buried him once, but he is not in that grave now. I can almost feel him behind me as I write, impelling me to tell the truth about those strange happenings in Daalbergen so many years ago.

It was the fourth day of October when I arrived at Daalbergen in answer to a summons. The letter was from a former member of my uncle’s congregation, who wrote that the old man had passed away and that there should be some small estate which I, as his only living relative, might inherit. Having reached the secluded little hamlet by a wearying series of changes on branch railways, I found my way to the grocery store of Mark Haines, writer of the letter, and he, leading me into a stuffy back room, told me a peculiar tale concerning Dominie Vanderhoof’s death.

“Y’ should be careful, Hoffman,” Haines told me, “when y’ meet that old sexton, Abel Foster. He’s in league with the devil, sure’s you’re alive. ‘Twa’n’t two weeks ago Sam Pryor, when he passed the old graveyard, heared him mumblin’ t’ the dead there. ‘Twa’n’t right he should talk that way—an’ Sam does vow that there was a voice answered him—a kind o’ half-voice, hollow and muffled-like, as though it come out o’ th’ ground. There’s others, too, as could tell y’ about seein’ him standin’ afore old Dominie Slott’s grave— that one right agin’ the church wall—a-wringin’. his hands an’ a-talkin’ t’ th’ moss on th’ tombstone as though it was the old Dominie himself.”

Old Foster, Haines said, had come to Daalbergen about ten years before, and had been immediately engaged by Vanderhoof to take care of the damp stone church at which most of the villagers worshipped. No one but Vanderhoof seemed to like him, for his presence brought a suggestion almost of the uncanny. He would sometimes stand by the door when the people came to church, and the men would coldly return his servile bow while the women brushed past in haste, holding their skirts aside to avoid touching him. He could be seen on week days cutting the grass in the cemetery and tending the flowers around the graves, now and then crooning and muttering to himself. And few failed to notice the particular attention he paid to the grave of the Reverend Guilliam Slott, first pastor of the church in 1701.

It was not long after Foster’s establishment as a village fixture that disaster began to lower. First came the failure of the mountain mine where most of the men worked. The vein of iron had given out, and many of the people moved away to better localities, while those who had large holdings of land in the vicinity took to farming and managed to wrest a meager living from the rocky hillsides. Then came the disturbances in the church. It was whispered about that the Reverend Johannes Vanderhoof had made a compact with the devil, and was preaching his word in the house of God. His sermons had become weird and grotesque—redolent with sinister things which the ignorant people of Daalbergen did not understand. He transported them back over ages of fear and superstition to regions of hideous, unseen spirits, and peopled their fancy with night-haunting ghouls. One by one the congregation dwindled, while the elders and deacons vainly pleaded with Vanderhoof to change the subject of his sermons. Though the old man continually promised to comply, he seemed to be enthralled by some higher power which forced him to do its will.

BOOK: The Horror in the Museum
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