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Authors: H. P. Lovecraft

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BOOK: The Horror in the Museum
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Browne, who at once telephoned to Robert’s parents, accepted my story without question; and forbore to interrogate the boy because of the latter’s manifest exhaustion. It was arranged that he should remain at the school for a rest, under the expert care of Mrs. Browne, a former trained nurse. I naturally saw a good deal of him during the remainder of the Christmas vacation, and was thus enabled to fill in certain gaps in his fragmentary dream-story.

Now and then we would almost doubt the actuality of what had occurred; wondering whether we had not both shared some monstrous delusion born of the mirror’s glittering hypnotism, and whether the tale of the ride and accident were not after all the real truth. But whenever we did so we would be brought back to belief by some monstrous and haunting memory; with me, of Robert’s dream-figure and its thick voice and inverted colors; with him, of the whole fantastic pageantry of ancient people and dead scenes that he had witnessed. And then there was that joint recollection of that damnable dusty odor…. We knew what it meant: the instant dissolution of those who had entered an alien dimension a century and more ago.

There are, in addition, at least two lines of rather more positive evidence; one of which comes through my researches in Danish annals concerning the sorcerer, Axel Holm. Such a person, indeed,
left many traces in folklore and written records; and diligent library sessions, plus conferences with various learned Danes, have shed much more light on his evil fame. At present I need say only that the Copenhagen glass-blower—born in 1612—was a notorious Luciferian whose pursuits and final vanishing formed a matter of awed debate over two centuries ago. He had burned with a desire to know all things and to conquer every limitation of mankind—to which end he had delved deeply into occult and forbidden fields ever since he was a child.

He was commonly held to have joined a coven of the dreaded witch-cult, and the vast lore of ancient Scandinavian myth—with its Loki the Sly One and the accursed Fenris-Wolf—was soon an open book to him. He had strange interests and objectives, few of which were definitely known, but some of which were recognized as intolerably evil. It is recorded that his two Negro helpers, originally slaves from the Danish West Indies, had become mute soon after their acquisition by him; and that they had disappeared not long before his own disappearance from the ken of mankind.

Near the close of an already long life the idea of a glass of immortality appears to have entered his mind. That he had acquired an enchanted mirror of inconceivable antiquity was a matter of common whispering; it being alleged that he had purloined it from a fellow-sorcerer who had entrusted it to him for polishing.

This mirror—according to popular tales a trophy as potent in its way as the better-known Aegis of Minerva or Hammer of Thor— was a small oval object called “Loki’s Glass,” made of some polished fusible mineral and having magical properties which included the divination of the immediate future and the power to show the possessor his enemies. That it had deeper potential properties, realizable in the hands of an erudite magician, none of the common people doubted; and even educated persons attached much fearful importance to Holm’s rumored attempts to incorporate it in a larger glass of immortality. Then had come the wizard’s disappearance in 1687, and the final sale and dispersal of his goods amidst a growing cloud of fantastic legendry. It was, altogether, just such a story as one would laugh at if possessed of no particular key; yet to me, remembering those dream messages and having Robert Grandison’s corroboration before me, it formed a positive confirmation of all the bewildering marvels that had been unfolded.

But as I have said, there is still another line of rather positive evidence—of a very different character—at my disposal. Two days
after his release, as Robert, greatly improved in strength and appearance, was placing a log on my living-room fire, I noticed a certain awkwardness in his motions and was struck by a persistent idea. Summoning him to my desk I suddenly asked him to pick up an ink-stand—and was scarcely surprised to note that, despite lifelong right-handedness, he obeyed unconsciously with his left hand. Without alarming him, I then asked that he unbutton his coat and let me listen to his cardiac action. What I found upon placing my ear to his chest—and what I did not tell him for some time afterward—was that
his heart was beating on his right side.

He had gone into the glass right-handed and with all organs in their normal positions. Now he was left-handed and with organs reversed, and would doubtless continue so for the rest of his life. Clearly, the dimensional transition had been no illusion—for this physical change was tangible and unmistakable. Had there been a natural exit from the glass, Robert would probably have undergone a thorough re-reversal and emerged in perfect normality—as indeed the color-scheme of his body and clothing did emerge. The forcible nature of his release, however, undoubtedly set something awry; so that dimensions no longer had a chance to right themselves as chromatic wave-frequencies still did.

I had not merely
opened
Holm’s trap; I had
destroyed
it; and at the particular stage of destruction marked by Robert’s escape some of the reversing properties had perished. It is significant that in escaping Robert had felt no pain comparable to that experienced in entering. Had the destruction been still more sudden, I shiver to think of the monstrosities of color the boy would always have been forced to bear. I may add that after discovering Robert’s reversal I examined the rumpled and discarded clothing he had worn in the glass, and found, as I had expected, a complete reversal of pockets, buttons, and all other corresponding details.

At this moment Loki’s Glass, just as it fell on my Bokhara rug from the now patched and harmless mirror, weighs down a sheaf of papers on my writing-table here in St. Thomas, venerable capital of the Danish West Indies—now the American Virgin Islands. Various collectors of old Sandwich glass have mistaken it for an odd bit of that early American product—but I privately realize that my paper-weight is an antique of far subtler and more paleogean craftsmanship. Still, I do not disillusion such enthusiasts.

Duane W. Rimel

The Tree on the Hill

I.

Southeast of Hampden, near the tortuous Salmon River gorge, is a range of steep, rocky hills which have defied all efforts of sturdy homesteaders. The canyons are too deep and the slopes too precipitous to encourage anything save seasonal livestock grazing. The last time I visited Hampden the region—known as Hell’s Acres— was part of the Blue Mountain Forest Reserve. There are no roads linking this inaccessible locality with the outside world, and the hillfolk will tell you that it is indeed a spot transplanted from his Satanic Majesty’s front yard. There is a local superstition that the area is haunted—but by what or by whom no one seems to know. Natives will not venture within its mysterious depths, for they believe the stories handed down to them by the Nez Perce Indians, who have shunned the region for untold generations, because, according to them, it is a playground of certain giant devils from the Outside. These suggestive tales made me very curious.

My first excursion—and my last, thank God!—into those hills occurred while Constantine Theunis and I were living in Hampden the summer of 1938. He was writing a treatise on Egyptian mythology, and I found myself alone much of the time, despite the fact that we shared a modest cabin on Beacon Street, within sight of the infamous Pirate House, built by Exer Jones over sixty years ago.

The morning of June 23rd found me walking in those oddly shaped hills, which had, since seven o’clock, seemed very ordinary indeed. I must have been about seven miles south of Hampden before I noticed anything unusual. I was climbing a grassy ridge overlooking a particularly deep canyon, when I came upon an area totally devoid of the usual bunch-grass and greaseweed. It extended southward, over numerous hills and valleys. At first I thought the spot had been burned over the previous fall, but upon examining the turf, I found no signs of a blaze. The nearby slopes and ravines looked terribly scarred and seared, as if some gigantic torch had blasted them, wiping away all vegetation. And yet there was no evidence of fire….

I moved on over rich, black soil in which no grass flourished. As I headed for the approximate center of this desolate area, I began to notice a strange silence. There were no larks, no rabbits, and even the insects seemed to have deserted the place. I gained the summit of a lofty knoll and tried to guess at the size of that bleak, inexplicable region. Then I saw the lone tree.

It stood on a hill somewhat higher than its companions, and attracted the eye because it was so utterly unexpected. I had seen no trees for miles: thorn and hackberry bushes clustered the shallower ravines, but there had been no mature trees. Strange to find one standing on the crest of the hill.

I crossed two steep canyons before I came to it; and a surprise awaited me. It was not a pine tree, nor a fir tree, nor a hackberry tree. I had never, in all my life, seen one to compare with it—and I never have to this day, for which I am eternally thankful!

More than anything it resembled an oak. It had a huge, twisted trunk, fully a yard in diameter, and the large limbs began spreading outward scarcely seven feet from the ground. The leaves were round, and curiously alike in size and design. It might have been a tree painted on a canvas, but I will swear that it was real. I shall always know that it
was
real, despite what Theunis said later.

I recall that I glanced at the sun and judged the time to be about ten o’clock a.m., although I did not look at my watch. The day was becoming warm, and I sat for a while in the welcome shade of the huge tree. Then I regarded the rank grass that flourished beneath it—another singular phenomenon when I remembered the bleak terrain through which I had passed. A wild maze of hills, ravines, and bluffs hemmed me in on all sides, although the rise on which I sat was rather higher than any other within miles. I looked far to the east—and I jumped to my feet, startled and amazed. Shimmering
through a blue haze of distance were the Bitterroot Mountains! There is no other range of snow-capped peaks within three hundred miles of Hampden; and I knew—at this altitude—that I shouldn’t be seeing them at all. For several minutes I gazed at the marvel; then I became drowsy. I lay in the rank grass, beneath the tree. I unstrapped my camera, took off my hat, and relaxed, staring skyward through the green leaves. I closed my eyes.

Then a curious phenomenon began to assail me—a vague, cloudy sort of vision—glimpsing or day-dreaming seemingly without relevance to anything familiar. I thought I saw a great temple by a sea of ooze, where three suns gleamed in a pale red sky. The vast tomb, or temple, was an anomalous color—a nameless blue-violet shade. Large beasts flew in the cloudy sky, and I seemed to hear the pounding of their scaly wings. I went nearer the stone temple, and a huge doorway loomed in front of me. Within that portal were swirling shadows that seemed to dart and leer and try to snatch me inside that awful darkness. I thought I saw three flaming eyes in the shifting void of a doorway, and I screamed with mortal fear. In that noisome depth, I knew, lurked utter destruction—a living hell even worse than death. I screamed again. The vision faded.

I saw the round leaves and the sane earthly sky. I struggled to rise. I was trembling; cold perspiration beaded my brow. I had a mad impulse to flee; run insanely from that sinister tree on the hill—but I checked the absurd intuition and sat down, trying to col-lea my senses. Never had I dreamed anything so realistic; so horrifying. What had caused the vision? I had been reading several of Theunis’ tomes on ancient Egypt…. I mopped my forehead, and decided that it was time for lunch. But I did not feel like eating.

Then I had an inspiration. I would take a few snapshots of the tree, for Theunis. They might shock him out of his habitual air of unconcern. Perhaps I would tell him about the dream…. Opening my camera, I took half a dozen shots of the tree, and every aspect of the landscape as seen from the tree. Also, I included one of the gleaming, snow-crested peaks. I might want to return, and these photos would help….

Folding the camera, I returned to my cushion of soft grass. Had that spot beneath the tree a certain alien enchantment? I know that I was reluctant to leave it….

I gazed upward at the curious round leaves. I closed my eyes. A breeze stirred the branches, and their whispered music lulled me into tranquil oblivion. And suddenly I saw again the pale red sky
and the three suns. The land of three shadows! Again the great temple came into view. I seemed to be floating on the air—a disembodied spirit exploring the wonders of a mad, multi-dimensional world! The temple’s oddly angled cornices frightened me, and I knew that this place was one that no man on earth had ever seen in his wildest dreams.

Again the vast doorway yawned before me; and I was sucked within that black, writhing cloud. I seemed to be staring at space unlimited. I saw a void beyond my vocabulary to describe; a dark, bottomless gulf teeming with nameless shapes and entities—things of madness and delirium, as tenuous as a mist from Shamballah.

My soul shrank. I was terribly afraid. I screamed and screamed, and felt that I would soon go mad. Then in my dream I ran and ran in a fever of utter terror, but I did not know what I was running from…. I left that hideous temple and that hellish void, yet I knew I must, barring some miracle, return….

At last my eyes flew open. I was not beneath the tree. I was sprawled on a rocky slope, my clothing torn and disordered. My hands were bleeding. I stood up, pain stabbing through me. I recognized the spot—the ridge where I had first seen the blasted area! I must have walked miles—unconscious! The tree was not in sight, and I was glad…. Even the knees of my trousers were torn, as if I had crawled part of the way….

I glanced at the sun. Late afternoon!
Where
had I been? I snatched out my watch. It had stopped at 10:34….

BOOK: The Horror in the Museum
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