The Illustrated Gormenghast Trilogy (115 page)

BOOK: The Illustrated Gormenghast Trilogy
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Bellgrove turned his head away from her. The wide, weak smile that had spread itself across his face was not the kind of thing that he would wish Irma to see. A year or so ago, he had once, with no warning, caught sight of himself in a mirror when a smile (an antecedent of the uncontrollable expression that was even now undermining the spurious grandeur of his face) had shocked him. It was to his credit that he had recognized the danger of allowing such a thing to become public – for he was, not without cause, proud of his features. And so he turned his face away. How could he help giving vent to some kind of demonstration of his feelings. For at Irma’s words ‘It is for you to say’ the wide rich panorama of married life suddenly appeared before him, stretched out, it seemed, to the horizon with its vistas of pale gold, its gentle meads. He saw himself as an immemorial oak, its branches spreading godlike, with Irma, a sapling poplar, whose leaves like heartthrobs twinkled in his shade. He saw himself as the proud eagle, landing with a sigh of his wings upon a solitary crag. He saw Irma, waiting for him in the nest, but curiously enough, she was sitting there in a nightdress. And then, suddenly, he saw himself as a very old man, with a toothache, and his memory caught sight of an ancient face in the mirrors of a thousand shaving-rooms.

He crushed this most unwelcome glimpse beneath the heel of his immediate sensations.

He turned back to Irma.

‘I offer you my arm, dear madam – such as it is.’

‘I will accompany you, Mr Headmaster.’

Irma lowered her little eyelids and then flicked a sideways glance at Mr Bellgrove, who having crooked out his elbow somewhat extravagantly paused a moment before dropping it with a sense of defeat that was quite intoxicating.

‘By hell!’ he murmured passionately to himself – ‘I am not so old that I miss the subtleties.’

‘Forgive my precipitation, dear madam,’ he said, bowing his head. ‘But perhaps … perhaps you understand …’

Clasping her hands together at her bosom Irma turned from the throng, and swaying strangely, began to pace into the empty regions of the room. The carpet lit by a hundred candles had lost something of its glow. It was even brighter but it was not so warm, for the chilly rays of the moon were now streaming through the open windows.

Bellgrove glanced about him as he turned to follow her. No one appeared to be interested in their departure. Every eye was fixed upon the Doctor. For a moment, Bellgrove felt disappointed that he could not stay, for there was drama in the air. The Doctor was evidently making an exhaustive overhaul of the stiffened figure whose clothes were being removed, one by one; no easy work; for the joints were quite inflexible. Mollocks and Canvas, the Prunesquallors’ servants, had, however, a pair of scissors each and, when necessary, were, under the Doctor’s supervision, using them to free the patient.

The Doctor still had the little silver hammer in one hand. With the other he was running his pianist-fingers over the rigid gentleman as though he were a keyboard – his eyebrows raised, his head cocked on one side like a tuner.

Bellgrove could see at a glance that in following Irma he was about to miss the climax of a considerable drama, but turning on his heel, and seeing her again he knew that a drama even more considerable was his for the making.

 

With his beautiful white gown rippling behind him, he strode in her wake, and on the eleventh stride he came within the orbit of her perfume.

Without pausing in the swaying movement of her gait she turned her head on its swan-white neck. Her emerald ear-ring flashed with light. Her long, sharp nose, immaculately powdered would have put most suitors off, but to Bellgrove it had the proportions of a beak on the proud head of a bird, exquisitely dangerous and sharp. Something to admire rather than love. It was almost a weapon, but a weapon which he felt confident would never be used against him. However that might be, it was hers – and in that simple fact lay its justification.

As they approached the bay window that was open to the night, Bellgrove inclined his head to her.

‘This,’ he said, ‘is our first walk together.’

She stopped as they reached the open window. What he had said had obviously touched her.

‘Mr Bellgrove,’ she whispered, ‘you mustn’t say things like that. We hardly know one another.’

‘Quite so, dear lady, quite so,’ said Bellgrove. He took out a large greyish handkerchief and blew his nose. This is going to be a long business, he thought – unless he were to take some kind of a short cut – some secret path through love’s enchanted glades.

Before them, shining balefully in the moonlight lay the walled-in garden. The upper foliage of the trees shone as white as foam. The underside was black as well-water. The whole garden was a lithograph of richest blacks and staring whites. The fishpool with its surrounding carvings appeared to blaze with a kind of lunar vulgarity. A fountain shot its white jets at the night. Under the livid pergolas, under the stone arches, under the garden tubs, under the great rockery, under the fruit trees, under each moon-white thing the shadows lay as black sea-drenched seals. There were no greys at all. There was no transition. It was a picture, terrifyingly simple.

They stared at it together.

‘You said just now, Miss Prunesquallor, that we hardly knew each other. And how true this is – when we measure our mutual recognition by the hands of the clock. But can we, madam,
can
we measure our knowledge thus? Is there not something in both of us which contradicts so mean a measure? Or am I flattering myself? Am I laying myself open to your scorn? Am I baring my heart too soon?’

‘Your
heart
, sir?’

‘My heart.’

Irma struggled with herself.

‘What were you saying about it, Mr Headmaster?’

Bellgrove could not quite remember, so he joined his big hands together at the height of the organ in question, and waited a moment or two for inspiration. He seemed to have proceeded rather faster than he had meant and then it struck him that his silence, rather than weakening his position, was enhancing it. It seemed to give an added profundity to the proceedings and to himself. He would keep her waiting. O the magic of it! The power of it! He could feel his throat contracting as though he were biting into a lemon.

This time as he angled his arm he knew she would take it. She did. Her fingers on his forearm set his old heart pounding and then, without a word they stepped forward together into the moonlit garden.

 

It was not easy for Bellgrove to know in which direction to escort his hostess. Little did he know that it was he who was being steered. And this was natural, for Irma knew every inch of the hideous place.

For some while they stood by the fishpond in which the reflection of the moon shone with a fatuous vacancy. They stared at it. Then they looked up at the original. It was no more interesting than its watery ghost, but they both knew that to ignore the moon on such an evening would be an insensitive, almost a brutish thing to do.

That Irma knew of an arbour in the garden was not her fault. And it was not her fault that Bellgrove knew it not. Yet she blushed inwardly, as casually turning to left and right at the corners of paths, or under flower-loaded trellises, she guided the headmaster circuitously yet firmly in its direction.

Bellgrove, who had in his mind’s eye just such a place as he was now unwittingly approaching, had felt it better that they should perambulate together in silence, so that when he had a chance to sit and rest his feet, his deep voice, when he brought it forth again from the depths of his chest, should have its full value.

On rounding a great moon-capped lilac bush and coming suddenly upon the arbour, Irma started, and drew back. Bellgrove came to a halt beside her. Finding her face was turned away from him, he gazed absently at the hard boulder-like bun of iron-grey hair which, with not a hair out of place, shone in the moonlight. It was nothing, however, for a man to dwell upon, and turning from her to the arbour which had caused her trepidation, he straightened himself, and turning his right foot out at a rather more aggressive angle, he struck an attitude, which he knew nothing about, for it was the unconscious equivalent of what was going on in his mind.

He saw himself as the type of man who would never take advantage of a defenceless woman, greathearted, and understanding. Someone a damsel might trust in a lonely wood. But he also saw himself as a buck. His youth had been so long ago that he could remember nothing of it but he presumed, erroneously, that he had tasted the purple fruit, had broken hearts and hymens, had tossed flowers to ladies on balconies, had drunk champagne out of their shoes and generally been irresistible.

He allowed her fingers to fall from his arm. It was at moments like this that he must give her a sense of freedom only to draw her further into the rich purdah of his benevolence.

He held the tabs of his white gown near the shoulders.

‘Can you not smell the lilac, madam,’ he said – ‘the moon-lit lilac?’

Irma turned.

‘I must be honest with you, mustn’t I, Mr Bellgrove?’ she said. ‘If I said I could smell it, when I couldn’t, I would be false to you, and false to myself. Let us not start
that
way. No, Mr Bellgrove, I cannot smell it. I have a bit of a cold.’

Bellgrove had the sense of having to start life all over again.

‘You women are delicate creatures,’ he said after a long pause. ‘You must take care of yourselves.’

‘Why are you talking in the plural, Mr Bellgrove?’

‘My dear madam,’ he replied slowly, and then, after a pause, ‘my … dear … madam,’ he said again. As he heard his voice repeat the three words for the second time, it struck him that to leave them as they were – inconsequent, rudderless, without preface or parenthesis, was by far the best thing he could do. He lapsed into silence and the silence was thrilling – the silence which to break with an answer to her question would be to make a commonplace out of what was magic.

He would not answer her. He would play with her with his venerable brain. She must realize from the first that she could not always expect replies to her questions – that his thoughts might be elsewhere, in regions where it would be impossible for her to follow him – or that her questions were (for all his love for her and her for him) not worth answering.

The night poured in upon them from every side – a million million cubic miles of it. O, the glory of standing with one’s love, naked, as it were, on a spinning marble, while the spheres ran flaming through the universe!

Involuntarily they moved together into the arbour and sat down on a bench which they found in the darkness. This darkness was intensely rich and velvety. It was as though they were in a cavern, save that the depths were dramatized by a number of small and brilliant pools of moonlight. Pranked for the most part to the rear of the arbour these livid pools were at first a little disturbing, for portions of themselves were lit up with blatant emphasis. This arbitrary illumination had to be accepted, however, for Bellgrove, raising his eyes to where the vents in the roof let through the moonlight, could think of no way by which he could seal them.

From Irma’s point of view the dappled condition of the cavernous arbour was both calming and irritating at the same time.

Calming, in that to enter a cave of clotted midnight, with not so much as a flicker of light to gauge her distance from her partner would have been terrifying even with her knowledge of, and confidence in, so reliable and courteous a gentleman as her escort. This dappled arbour was not so fell a place. The pranked lights, more livid, it is true, than gay, removed, nevertheless, that sense of terror only known to fugitives or those benighted in a shire of ghouls.

Strong as was her feeling of gratification that the dark was broken, yet a sense of irritation as strong as her relief fought in her flat bosom for sovereignty. This irritation, hardly understandable to anyone who has neither Irma’s figure, nor a vivid picture of the arbour in mind, was caused by the maddening
way
in which the lozenges of radiance fell upon her body.

She had taken out a small mirror in the darkness, more from nervousness than anything else and in holding it up, saw nothing in the dark air before her but a long sharp segment of light. The mirror itself was quite invisible, as was the hand and arm that held it, but the detached and luminous reflection of her nose hovered before her in the darkness. At first she did not know what it was. She moved her head a little and saw in front of her one of her small weak eyes glittering like quicksilver, a startling thing to observe under any conditions, but infinitely more so when the organ is one’s own.

BOOK: The Illustrated Gormenghast Trilogy
5.08Mb size Format: txt, pdf, ePub
ads

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