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Authors: Laird Barron

Tags: #Horror, #anthology

The Imago Sequence and Other Stories (30 page)

BOOK: The Imago Sequence and Other Stories
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Wallace lay trembling. Eventually he drifted away and slept with the covers over his head. He flinched at the chorus of night sounds, each knock upon the door.

 

11.

"Skip. Are you eating? Where've you been?"

"Nothing, Wallace. I'm tired."

"Skip, it's three. I've been calling for hours. Why don't you come over."

"Ahh, no thanks. I'm gonna sleep a while. I'm tired."

"Skip."

"Yeah?"

"Where's Randy? He doesn't answer his phone."

"Dunno. Try him at the office. Little bastard's always working late."

"I tried his office, Skip."

"Okay. That's right. He's out of town. On business."

"Business. What kind of business?"

"Dunno. Business."

"Where did he go, exactly? Skip? Skip, you still there?"

"Dunno. He won't be around much, I guess. There's a lot of business."

"Skip—"

"Wallace, I gotta sleep, now. Talk to you later. I'm very tired."

 

12.

Wallace sat on the steps, new cane across his knees, Bruno and Thor poised at his flanks like statuary come alive. The sun bled red and gold. The trees would be getting green buds any day now. He listened to the birds mating in the branches. The graveyard-shift security guard, a gray, melancholy fellow named Tom, was going off-duty. He came over to smoke a cigarette and introduce himself to his new boss. He was a talker, this dour, gaunt Tom. He used to drive school buses until his back went south—lower lumbar was a killer, yessiree. He was an expert security technician. Twenty-four years on the job; he had seen everything. The other two guys, Charlie and Dante, were kids, according to Tom. He promised to keep an eye on them for Wallace, make certain they were up to standard. Wallace said thanks and asked Tom to bring him the nightly surveillance video. The guard asked if he meant all four of them and Wallace considered that a moment before deciding, no, only the video feed from the garden area. Tom fetched it from the guard shack and handed it over without comment. The look on his face sufficed—he was working for a lunatic.

Wallace plugged the CD into the player on his theater-sized plasma television in the den. He called Randy's house and talked to Janice while silent, grainy night images flickered on the screen. Janice said Randy had left a cryptic message on the answering machine and nothing since. He had rambled about taking a trip and signed off by yelling,
Hallucigenia! Hallucigenia sparsa! It's a piece of something bigger—waaay bigger, honey!
Janice was unhappy. Randy had pulled crazy stunts before. He dodged lengthy stays in Federal penitentiaries as a college student and she had been there for the entire, wild ride. She expected the phone to ring at any moment and him to be in prison, or a hospital. What if he tried to sneak into Cuba again? What if he blew off his other hand? Who was going to wipe his ass then? Wallace reassured her that nothing of the sort was going to happen and made her promise to call when she heard anything.

Lance Pride dropped in to report his progress. Pride was lanky, a one-time NBA benchwarmer back in the '70s. He dressed in stale tweeds and emanated a palpable sense of repressed viciousness. His eyes were hard and small. He glanced at the video on the television and did not comment.

Pride confessed Joshua Choate appeared to be a dead end. His last known residence was a trailer court on the West Side of Olympia and he had abandoned the premises about three years ago. The former Ph.D. farm boy had not applied for a driver's license, a credit card, a job application or anything else. Maybe he was living on the street somewhere, maybe he had skipped the country, maybe he was dead. Nobody had seen him lately, of that much Pride was certain.

Pride strewed a bundle of newspaper clippings on the coffee table, artifacts he had unearthed pertaining to Paul, Tyler and Josh: stories detailing the promotion of Tyler Choate and a file picture of the young deputy sheriff grinning as he loomed near a Thurston County police cruiser and another of him shackled and bracketed by guards after he had been exposed as a mastermind cultist; a shot of Joshua when he had been selected as an all-American tackle—his wide, flabby face was nearly identical to his brother's; articles from the mid-'60s following Paul Choate's hiring at the newly founded Evergreen State College and his brief and largely undocumented collaboration with NASA regarding cosmic microwave background radiation. There were school records for Tyler and Josh—four-point-oh students and standout football players. Major universities had courted them with every brand of scholarship. Tyler did his time at Washington State, majored in psychology, perfect grades, but no sports, and joined the sheriff's department. Meanwhile, Josh earned a degree in physics at Northwestern, advanced degrees in theoretical physics from Caltech and MIT and then dropped off the radar forever. Tyler eventually became implicated in a never fully explained scandal involving Satanism and rape and got dropped in a deep, dark hole. The only other curious detail regarding the younger brothers was the fact both of them had been banned from every casino within two hundred miles of Olympia. None of the joints ever caught them cheating, but they were unstoppable at the blackjack tables and the houses became convinced the boys counted cards.

None of it seemed too useful and Wallace barely skimmed the surface items before conceding defeat and shoving the pile aside. Pride just smiled dryly and said he'd make another pass at things. He had a lead on the company that had sold the Choates a ton of fabricated metals in the '60s and '70s. Unfortunately the company had gone under, but he was looking into former employees. He told Wallace to hang onto the newspaper clippings and left with a promise to check in soon.

Wallace moped around the house, mixing his vodka with lots of orange juice in a feeble genuflection toward sobriety. He picked up the newspaper photo of Josh Choate aged seventeen, in profile with his shoulder pads on. He wore a slight smile and his pixilated eye was inscrutable.
I am a loyal son. I am here to usher in the dark.

The day was bright and hot like it often was in Western Washington during the spring. The garden filled the television with static gloom. Upstairs, Helen began to scream. Wallace was out of orange juice.

He called Lyle Ferguson. The contractor was cordial as ever. He was moving crews into the Otter Creek Housing Development, AKA the old Choate place as of that morning. Yeah, Skip Arden had called him, sure; asked whether he could nose around the property. No problem, Ferguson had said, just don't trip and break anything. Pylons? Oh, yeah they found some rocks on the site. Nothing a bulldozer couldn't handle . . . .

 

13.

The next day Wallace became impatient and had Delaney drive him to the branch office of Fish and Wildlife. Short visit. Randy Freeman's supervisor told Wallace that Randy had two months vacation saved. The lady thought perhaps he had gone to Canada. Next, he phoned the number Detective Adams gave him and got the answering machine. He hit the number for the front desk and was told Detective Adams was on sick leave—would he care to leave a message or talk to another officer?

Wallace sat in the rear of the Bentley, forehead pressed against the glass as they waited in traffic beside Sylvester Park. Two lean, sun-dried prostitutes washed each other's hair in the public drinking fountain. Nearby, beat cops with faces the shade of raw flank steak loomed over a shirtless man sprawled in the grass. The man laughed and flipped the cops off and a pug dog yapped raucously at the end of a rope tied to the man's belt.

Delaney chewed on a toothpick. He said, "Boss, where are we going with this?"

Wallace shrugged and wiped his face, his neck. His thoughts were shrill and inchoate.

"Well, I don't think it's a good idea," Delaney said.

"You should've kept feeding me my pills. Then we wouldn't be sitting here."

"You need to see a shrink. This is what they call the grieving process."

"Think I'm in the denial stage?"

"I don't know what stage to call it. You aren't doing so hot. You're running in circles." The car moved again. Delaney drove with the window rolled down, his arm on the frame. "Your wife isn't going to recover. It's a bitch and it hurts, I know. But she isn't going to come around, Mr. S. She won't ever be the woman you married. And you got to face that fact, look it dead in the eye. 'Cause, till you do, whatever screws are rattling loose in your head are going to keep on rattling." He glanced over at Wallace. "I'm sorry to say that. I'm real sorry."

"Don't be sorry." Wallace smiled, thin and sad. "Just stick with me if you can. I'll talk to that Swedish psychiatrist Green recommended. Ha, I've been ducking that guy since I got out of the hospital. I'll do that, but there's something else. I have to find out what the Choates were doing on that property."

"Pit bull, aren't you, Boss?" There was admiration mixed with the melancholy.

"Bruenig said the man moved out of state. He's wrong. Choate's in the neighborhood. Maybe he lives here, maybe he's visiting, hiding under a bridge. Whatever. I saw his tracks at the barn and I think he's been creeping around the garden. I told you."
Saw him in the alley, too, didn't you, Wally?
He shuddered at the recollection of that febrile mouth closing on him.

"Yup, you saw tracks. Almost a year ago," Delaney said. "If they were even his."

"Trust me, they were. Pride's running skips on him, although I'm getting the feeling this fellow isn't the type who's easy to find. That's why I've got Pride tracking down whoever sold the Choates the materials for their projects in the back forty. Maybe you can call in a favor with the Marconi boys, or Cortez, see if you can't turn up some names. I gotta know."

"Maybe you don't wanna know."

"Dee . . .something's wrong. People are dying."

Delaney looked at him in the rearview mirror.

"You better believe it," Wallace said. "Stop acting like my wet nurse, damn it."

Delaney stared straight ahead. "Okay," he said.

"Thank you," Wallace said, slightly ashamed. He lighted a cigarette as a distraction.

They went to Skip's home, idled at the gate. Delaney leaned out and pressed on the buzzer until, finally, a butler emerged with apologies from the master of the house. The servant, a rigid, ramrod of a bloke, doubtless imported directly from the finest Hampton school of butlery, requested that they vacate the premises at once. Wallace waited until the butler was inside. He climbed out of the car and hurled a brandy flask Skip gave him some birthday past, watched with sullen pleasure as it punched a hole through a parlor window. Delaney laughed in amazement, shoved Wallace into the car, left rubber smoking on the breeze.

 

14.

Wallace and Delaney were sitting in the study playing cards and eating a dinner of tuna fish sandwiches and Guinness when Lyle Ferguson called to say the barn had been razed. Ferguson hoped Helen would be more at peace. There was an awkward silence and then the men exchanged meaningless pleasantries and hung up.

"It's done," Wallace said. He drank the last of his beer and set the dead soldier near its mates.

Delaney dragged on his cigarette and tossed his cards down. He said, "Thing is, no matter how much you cut, cancer always comes back."

Wallace chose not to acknowledge that. "Next week, I'll hunt for the rest of those pylons, the ones in the woods, and take a jackhammer to them. I'll dynamite them if it comes to that."

"Not big on respecting cultural artifacts, are we?"

"I have a sneaking suspicion that it's better for us whatever culture they belong to is dead and in the ground." Wallace missed his little brother. The kid was an ace; he would have known what was what with Bruenig's story, the crazy altar in the barn, the pylons.

"I saw Janice yesterday. She's losing her marbles. Randy was supposed to take her and the kids to Yellowstone for spring vacation. She called the cops."

"I have two postcards from him." What Wallace didn't say was that there was something strange about the cards. They were unstamped, for one. And they seemed too old, somehow, their picturesque photographs of Mount Rainier and the Mima Mounds yellowing at the edges, as if they'd lingered on a gift shop rack for decades. Which, in fact, made sense when he checked the photo copyrights and saw the dates 1958 and 1971.

"Sure you do." Delaney dropped his butt into an empty bottle, pulled another cigarette from behind his ear and lighted it. His eyes were bloodshot. "Hate to admit it . . .but I was a little stoned that day. When everything happened. Nothing major—I wasn't impaired, I mean."

"Hey, it doesn't matter. I'm not going to bust your chops over something stupid like that."

"No. It's important. I wasn't totally fucked up, but I don't completely trust my recollections either. Not
completely
."

"What're you talking about?"

"I pulled you out of the barn first. Then I ran in for Mrs. S. You're not supposed to move a person with injuries. Know why I moved her?"

Wallace's mouth was full of sand. He shook his head.

"Because it took the horse, Mr. S. The horse was already trussed like a fly in a spider web and hanging. I still see its hooves twitching. I didn't look too close. Figured I wouldn't have the balls to go under there and grab your wife." Delaney's mouth turned down. "That wasp nest of yours . . .it had a face," he said, and looked away. "An old man's face."

"Dee—"

"Randy was an okay dude. He deserves a pyre. You gonna deal, or what?"

 

15.

Night seeped down. It rained. The power came and went, stuttered in the wires. Wallace picked up on the second ring. The caller ID said, UNKNOWN NAME-UNKNOWN NUMBER.

"Hi, Wally. Your friend is right." The mouth on the other end was too close to the receiver, was full, sensual and malicious.

Wallace's face stiffened. "Josh?"

"Cancer always returns because time is a ring. And a ring . . .well, that's just a piece of metal around a hole." A wave of crackling interference drowned the connection.

BOOK: The Imago Sequence and Other Stories
2.68Mb size Format: txt, pdf, ePub
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