The Japanese Lover (6 page)

“My bridge companions tell me there's a wonderful child psychologist in San Francisco,” Lillian said to her husband when she learned of her niece's suffering.

“And what might that be?” asked the patriarch, raising his eyes from his newspaper for an instant.

“The name says it all, Isaac, don't pretend you don't understand.”

“Do any of your friends know anyone with a child so disturbed they've had to turn to a psychologist?”

“No doubt they do, Isaac, but they'd never in their lives admit it.”

“Childhood is a naturally unhappy period of our existence, Lillian. It was Walt Disney who invented the notion that it has to be happy, simply to make money.”

“You're so stubborn! We can't let Alma sob her heart out forever. We have to do something.”

“All right, Lillian. We'll resort to that extreme if all else fails. For now, you could give Alma a few drops of your mixture at night.”

“I'm not sure, Isaac. That's a double-edged sword. We don't want to turn the girl into an opium addict so early in her life.”

They were still debating the relative merits of the psychologist and the opium when they realized that for three nights now there had been no sound from the wardrobe. They listened for another couple of nights and were able to confirm that for some unknown reason the girl had calmed down, and not only slept the whole night but had begun to eat like any normal child. Alma had not forgotten her parents or her brother, and still wanted the family to be reunited as soon as possible, but she was running out of tears and was starting to enjoy her burgeoning friendship with the two people who were to become her life's only loves: Nathaniel Belasco and Ichimei Fukuda. Nathaniel was about to turn thirteen and was the Belascos' youngest child. Like her, Ichimei was almost eight, and he was the gardener's youngest son.

The Belascos' two daughters, Martha and Sarah, lived in such a different world from Alma, concerned only with fashion, parties, and potential boyfriends, that whenever they bumped into her in the nooks and crannies of the Sea Cliff mansion or during the rare formal dinners in the dining room, they were startled, as if unable to recall who this little girl was or what she was doing there. Nathaniel on the other hand could not ignore her, because Alma followed him around from the very first day, determined to replace her beloved brother, Samuel, with this shy cousin. Even though he was five years older, he was the closest to her in age of the Belasco clan, and the most approachable due to his gentle disposition. In Nathaniel she aroused a mixture of fascination and dread. To him she seemed to have stepped out of an old-fashioned photograph, with her grave demeanor and the pretentious British accent she had learned from her devious governess. She was as stiff and angular as a board, smelled of the mothballs from her traveling trunks, and had a defiant white lock that fell over her forehead and contrasted strongly with the rest of her black hair and her olive complexion. At first, Nathaniel tried to escape, but when nothing managed to deter Alma's clumsy attempts to become friends, he surrendered. He had inherited his father's kind heart and could intuit his cousin's secret pain, which she proudly concealed. Still, he found a variety of excuses to avoid helping her. She was a little brat, she wasn't a close relative, she was only in San Francisco for a while, and it would be a waste of time to become friends with her. After three weeks had gone by with no sign that his cousin's visit might be coming to an end, his excuses were wearing thin, and so Nathaniel went to ask his mother if they were thinking of adopting her. “I hope it doesn't come to that,” Lillian replied with a shudder. The news from Europe was very disturbing, and the possibility that her niece might become an orphan was gradually taking shape in her mind. From the tone of his mother's reply, Nathaniel concluded that Alma would be there indefinitely, and so he yielded to his instinct to care for her. He slept in another wing of the mansion and no one had told him that Alma was whimpering in the wardrobe, but he somehow found this out and on many nights tiptoed there to be with her.

It was Nathaniel who introduced the Fukuda family to Alma. She had seen them through the windows but didn't go out to explore the garden until later in the spring, when the weather improved. One Saturday, Nathaniel blindfolded her and told her he had a surprise for her. Then he led her through the kitchen and laundry and out into the garden. When he removed the blindfold and she looked up, she found she was standing beneath a cherry tree in blossom, a cloud of pink cotton. Next to the tree was a short, broad-shouldered Asian man in overalls and a straw hat, leaning on a spade. His face was weathered, and in a halting English difficult to follow, he told Alma that this moment was beautiful, but that it would last only a few days before the blooms fell like rain to the ground; much better was the memory of the cherry tree in bloom, because that would last all year, until the following spring. He was Takao Fukuda, the Japanese gardener who had worked at Sea Cliff for years, and the only person Isaac Belasco doffed his hat to as a mark of respect.

Nathaniel went back inside, leaving his cousin with Takao, who showed her around the rest of the garden. He took her to the different terraces built into the side of the hill, from the summit where the house stood all the way down to the beach. He walked with her along narrow paths between classical statues stained green with damp and among fountains, exotic trees, and succulents, explaining where each one came from and the kind of care it needed, until they reached a pergola covered in climbing roses with a panoramic view of the ocean, the entrance to the bay on the left, and the Golden Gate Bridge, inaugurated a couple of years earlier, on the right. Colonies of sea lions were visible resting on the rocks, and scanning the horizon, he told her that with patience and luck you could sometimes see whales coming from the north to have their young in Californian waters. Then Takao showed her the greenhouse, a miniature replica of a classic Victorian railway station, all wrought iron and glass. Inside, thanks to the filtered light, the moist warmth of the heating, and the humidifiers, the delicate plants began their lives on trays, each one labeled by name and the date when it was to be transplanted. Between two long rough wooden tables, Alma saw a boy bent over some seedlings. When he heard them come in, he dropped his pair of pruning shears and stood stiffly to attention. Going over to him, Takao whispered something in a language Alma could not understand and ruffled his hair. “My youngest son,” he said. Alma stared wide-eyed at father and son as if they were from another species: they were nothing like the Chinese she had seen in the illustrations in the
Encyclopaedia Britannica
.

The boy greeted her with a bow and kept his head down while he introduced himself.

“I am Ichimei, the fourth child of Takao and Heideko Fukuda. It is an honor to meet you, miss.”

“I am Alma, the niece of Isaac and Lillian Belasco. An honor to meet you, sir,” she replied, taken aback but amused.

This initial formality, which as time went on became tinged with humor, set the tone for their lifelong relation. Alma was taller and more robust, and so looked older than him. Ichimei's slender frame was deceptive, because he could pick up heavy bags of soil effortlessly and push a laden wheelbarrow uphill. His head was large compared to his body; he had a honey-colored complexion, black eyes set wide apart, and thick, unruly hair. His adult teeth were still emerging, and when he smiled his eyes seemed to disappear.

For the rest of that morning, Alma followed Ichimei around as he planted the seedlings in the holes his father had dug and pointed out the secret life of the garden to her, the roots beneath the surface, the near-invisible insects, the tiny shoots that in a week would be several inches tall. He explained about the chrysanthemums he was taking out of the greenhouse, and how they were transplanted in spring to flower at the start of autumn so that they could provide color and life to the garden after all the summer flowers had withered. He showed her some rosebushes still in bud and revealed how you had to remove most of them so that the remaining ones gave big, healthy blooms. He told her about the difference between plants coming from seed and those growing from bulbs, the ones that preferred sun or shade, the native ones and those brought from elsewhere. Takao Fukuda, who was keeping his eye on them, came up and proudly announced that it was Ichimei who carried out the most delicate tasks, because he had been born with a green thumb. The boy blushed at this praise.

From that day on, Alma waited impatiently for the gardeners to arrive, as they did punctually each weekend. Takao Fukuda always brought Ichimei and occasionally, if there was extra work to do, he was also accompanied by Charles and James, his older boys, or by Megumi, his only daughter. Several years older than Ichimei, she was only interested in science and detested getting her hands dirty with soil. Ichimei remained patient and disciplined, carrying out his tasks without being distracted by Alma, trusting his father to give him half an hour off at the end of the day to play with her.

T
he house at Sea Cliff was so vast, and its inhabitants always so busy, that the children's games went unnoticed. If one of the adults suddenly noticed that Nathaniel was spending hours with a much younger girl, the interest soon passed, because there was always something else to attend to. Alma had grown out of what little devotion she felt for dolls, and instead learned to play Scrabble with a dictionary and chess out of pure determination, since strategy was never her strong point. For his part, Nathaniel had grown bored of collecting stamps and going camping with Boy Scouts. Both became absorbed in the plays for two or three characters that he wrote and then they put on together in the attic. The lack of an audience never bothered them, because the process was far more interesting than the outcome, and they were not seeking applause: the pleasure resided in fighting over the script and rehearsing. Old clothes, discarded curtains, battered furniture, and odds and ends in various stages of decay were the raw material for their disguises, props, and special effects; their imagination supplied everything else. Ichimei, who often came to the house because he had no need of an invitation, was only allowed to take on minor roles in their theater company because he was such a lousy actor. This lack of talent was compensated for by his prodigious memory and his skill at drawing. He could recite verbatim lengthy monologues inspired by Nathaniel's favorite characters, from Dracula to the Count of Monte Cristo. He was also in charge of painting the backdrops. But this camaraderie, which helped rescue Alma from her initial sense of being an abandoned orphan, was not to last long.

The following year Nathaniel began his secondary education at a boys' school based on the British model. His life changed overnight. As well as starting to wear long trousers, he had to face the endless brutality of youths learning to be grown-ups. He was not ready for this: he looked more like a ten-year-old than the fourteen he actually was. He was not yet suffering from the merciless bombardment of hormones; he was introverted, wary, and unfortunately for him loved books and hated sports. He would never be boastful, cruel, or vulgar like the other boys, and since none of this came naturally, he tried in vain to copy them; his sweat smelled of fear. On the first Wednesday of classes he came home with a black eye and his shirt stained from a nosebleed. He refused to answer his mother's questions and told Alma he had bumped into the flagpole. That night, for the first time he could remember, he wet his bed. In his horror, he stuffed the soaking sheets up the chimney, where they were only discovered at the end of September, when the fire was lit and the house immediately filled with smoke. Lillian could not get her son to explain what had happened to the sheets either, but she guessed the reason and decided to intervene. She went to see the headmaster, a red-haired Scotsman with a drinker's nose, who received her behind a regimental desk in a dark-paneled room presided over by a portrait of King George VI. He told Lillian that a proper dose of violence was seen as an essential part of the school's educational methods. That was why they encouraged tough sports, quarrels between students were resolved in a ring with boxing gloves, and discipline infractions were punished by caning on the backside, which he himself administered. Blows made men. That was how it had always been, and the sooner Nathaniel learned how to gain respect, the better for him. He added that Lillian's intervention made her son look ridiculous, but since Nathaniel was a new pupil, he would make an exception and not mention it.

Furious, Lillian rushed off to her husband's office on Montgomery Street but got no support there either.

“Don't get involved in this, Lillian. All boys have to go through these initiation rites, and almost all of them survive,” Isaac told her.

“Did you get roughed up as well?”

“Of course. And as you can see, it didn't turn out so bad.”

The four years of secondary school would have been endless torment for Nathaniel without help from a wholly unexpected quarter. The weekend following the beating, when he saw Nathaniel covered in scratches and bruises, Ichimei took him to the garden pergola and gave him a useful demonstration of the martial arts, which he had practiced since he could stand upright. He handed Nathaniel a spade and told him to come at him as if he wanted to slice his head in two. Nathaniel assumed he was joking and raised the spade in the air like an umbrella. Ichimei had to insist before he finally understood and made to attack him for real. Nathaniel never knew how he lost control of the spade, flew through the air, and landed on his back on the pergola's Italian tiles, all of this witnessed by an astonished Alma, who was looking on closely. This was how Nathaniel found out that the imperturbable Takao Fukuda taught a combination of judo and karate to his children as well as other youngsters from the Japanese community, in a rented garage on Pine Street. Nathaniel told his father, who had vaguely heard of these sports, which were gaining popularity in California at the time. And so Isaac visited Pine Street. He did not really think Fukuda could help his son, but the gardener explained that the beauty of the martial arts was that they did not require physical strength as much as concentration and the ability to use the adversary's weight and thrust to topple him. Nathaniel began the classes. The chauffeur drove him to the garage three times a week, and there he first took on Ichimei and the younger boys, and later Charles, James, and other older opponents. For several months it felt as if his body were being crushed to pieces, until he finally learned to fall without hurting himself. He lost his fear of getting into a fight. He never got beyond the beginners' level, but that was more than the school bullies knew. They soon stopped picking on him because if any of them came looking for a fight he would put them off with four guttural cries and an exaggerated choreography of martial poses. Just as he had never admitted he was aware of his son's beatings, Isaac never inquired about the outcome of the classes, and yet he must have checked up, because one day he arrived at Pine Street in a truck with four workmen to lay a wooden floor in the garage. Takao Fukuda gave several formal bows but made no comment either.