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Authors: P. G. Wodehouse

The Jeeves Omnibus - Vol 3 (48 page)

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At first, I couldn’t think what the thing reminded me of. Then I got it. At the time when I was engaged to Florence Craye and she was trying to jack up my soul, one of the methods she employed to this end was to take me on Sunday nights to see Russian plays; the sort of things where the old home is being sold up and people stand around saying how sad it all is. If I had to make a criticism of Catsmeat and Gussie, I should say that they got too much of the Russian spirit into their work. It was a relief to one and all when the poignant slice of life drew to a close.

‘My sister’s in the ballet,’ said Catsmeat despondently.

There was a pause here, because Gussie had fallen into a sort of trance and was standing staring silently before him as if the Church Organ had really got him down at last, and Catsmeat, realizing that only moral support, if that, was to be expected from this quarter, was obliged to carry on the conversation by himself, a thing which I always think spoils the effect on these occasions. The essence of a cross-talk
act
is that there should be wholesome give and take, and you never get the same snappy zip when one fellow is asking the questions and answering them himself.

‘You say your sister’s in the ballet?’ said Catsmeat with a catch in his voice. ‘Yes, begorrah, my sister’s in the ballet. What does your sister do in the ballet?’ he went on, taking a look at Gertrude Winkworth and quivering in agony. ‘She comes rushin’ in and she goes rushin’ out. What does she have to rush like that for?’ asked Catsmeat with a stifled sob. ‘Faith and begob, because it’s a Rushin’ ballet.’

And, too broken in spirit to hit Gussie with his umbrella, he took him by the elbow and directed him to the exit. They moved slowly off with bowed heads, like a couple of pallbearers who have forgotten their coffin and had to go back for it, and to the rousing strains of ‘Hallo, hallo, hallo, hallo, a-hunting we will go, pom pom’, Esmond Haddock strode masterfully onto the stage.

Esmond looked terrific. Anxious to omit no word or act which would assist him in socking the clientele on the button, he had put on full hunting costume, pink coat and everything, and the effect was sensational. He seemed to bring into that sombre hall a note of joy and hope. After all, you felt, there was still happiness in the world. Life, you told yourself, was not all men in green beards saying ‘Faith’ and ‘Begorrah’.

To the practised eye like mine it was apparent that in the interval since the conclusion of the scratch meal which had taken the place of dinner the young Squire had been having a couple, but, as I often say, why not? There is no occasion on which a man of retiring disposition with an inferiority complex and all the trimmings needs the old fluid more than when he is about to perform at a village concert, and with so much at stake it would have been madness on his part not to get moderately ginned.

It is to the series of quick ones which he had absorbed that I attribute the confident manner of his entry, but the attitude of the audience must speedily have convinced him that he could really have got by perfectly well on limejuice. Any doubt lingering in his mind as to his being the popular pet must have been dispelled instantly by the thunders of applause from all parts of the house. I noted twelve distinct standees who were whistling through their fingers, and those who were not whistling were stamping on the floor. The fellow with the hair oil on my left was doing both.

And now, of course, came the danger spot. A feeble piping at this point, like gas escaping from a pipe, or let us say a failure to remember more than an odd word or two of the subject matter, and
a
favourable first impression might well be undone. True, the tougher portion of the audience had been sedulously stood beers over a period of days and in return had entered into a gentleman’s agreement to be indulgent, but nevertheless it was unquestionably up to Esmond Haddock to deliver the goods.

He did so abundantly and in heaping measure. That first night over the port, when we had been having our run-through, my thoughts at the outset had been centred on the lyric and I had been too busy polishing up Aunt Charlotte’s material to give much attention to the quality of his voice. And later on, of course, I had been singing myself, which always demands complete concentration. When I was on the chair, waving my decanter, I had been aware in a vague sort of way of some kind of disturbance in progress on the table, but if Dame Daphne Winkworth on her entry had asked me my opinion of Esmond Haddock’s timbre and brio, I should have had to reply that I really hadn’t noticed them much.

He now stood forth as the possessor of a charming baritone – full of life and feeling and, above all, loud. And volume of sound is what you want at a village concert. Make the lights flicker and bring plaster down from the ceiling, and you are home. Esmond Haddock did not cater simply for those who had paid the price of admission, he took in strollers along the High Street and even those who had remained at their residences, curled up with a good book. Catsmeat, you may recall, in speaking of the yells which Dame Daphne and the Misses Deverill had uttered on learning of his betrothal to Gertrude Winkworth, had hazarded the opinion that they could have been heard at Basingstoke. I should say that Basingstoke got Esmond Haddock’s hunting song nicely.

If so, it got a genuine treat and one of some duration, for he took three encores, a couple of bows, a fourth encore, some more bows and then the chorus once over again by way of one for the road. And even then his well-wishers seemed reluctant to let him go.

This reluctance made itself manifest during the next item on the programme – Glee (Oh, come unto these yellow sands) by the Church Choir, conducted by the school-mistress – in murmurs at the back and an occasional ‘Hallo’, but it was not until Miss Poppy Kegley-Bassington was performing her rhythmic dance that it found full expression.

Unlike her sister Muriel, who had resembled a Criterion barmaid of the old school, Poppy Kegley-Bassington was long and dark and supple, with a sinuous figure suggestive of a snake with hips; one of those girls who do rhythmic dances at the drop of a hat and can be
dissuaded
from doing them only with a meat-axe. The music that accompanied her act was Oriental in nature, and I should be disposed to think that the thing had started out in life as a straight Vision of Salome but had been toned down and had the whistle blown on it in spots in deference to the sensibilities of the Women’s Institute. It consisted of a series of slitherings and writhings, punctuated with occasional pauses when, having got herself tied in a clove-hitch, she seemed to be waiting for someone who remembered the combination to come along and disentangle her.

It was during one of these pauses that the plug-ugly with the hair oil made an observation. Since Esmond’s departure he had been standing with a rather morose expression on his face, like an elephant that has had its bun taken from it, and you could see how deeply he was regretting that the young Squire was no longer with us. From time to time he would mutter in a peevish undertone, and I seemed to catch Esmond’s name. He now spoke, and I found that my hearing had not been at fault.

‘We want Haddock,’ he said. ‘We want Haddock, we want Haddock, we want Haddock, we want HADDOCK!’

He uttered the words in a loud, clear, penetrating voice, not unlike that of a costermonger informing the public that he has blood oranges for sale, and the sentiment expressed evidently chimed in with the views of those standing near him. It was not long before perhaps twenty or more discriminating concert-goers were also chanting:

‘We want Haddock, we want Haddock, we want Haddock, we want Haddock, we want HADDOCK!’

And it just shows you how catching this sort of thing is. It wasn’t more than about five seconds later that I heard another voice intoning.

‘We want Haddock, we want Haddock, we want Haddock, we want Haddock, we want HADDOCK!’ and discovered with a mild surprise that it was mine. And as the remainder of the standees, some thirty in number, also adopted the slogan, this made us unanimous.

To sum up, then, the fellow with the hair oil, fifty other fellows, also with hair oil, and I had begun to speak simultaneously and what we said was:

‘We want Haddock, we want Haddock, we want Haddock, we want Haddock, we want HADDOCK!’

There was some shushing from the two-bobbers, but we were firm, and though Miss Kegley-Bassington pluckily continued to slither for a few moments longer, the contest of wills could have but one ending. She withdrew, getting a nice hand, for we were generous in victory,
and
Esmond came on, all boots and pink coat. And what with him going a-hunting at one end of the hall and our group of thinkers going a-hunting at the other, the thing might have occupied the rest of the evening quite agreeably, had not some quick-thinking person dropped the curtain for the intermission.

You might have supposed that my mood, as I strolled from the building to enjoy a smoke, would have been one of elation. And so, for some moments, it was. The whole aim of my foreign policy had been to ensure the making of a socko by Esmond, and he had made a socko. He had slain them and stopped the show. For perhaps the space of a quarter of a cigarette I rejoiced unstintedly.

Then my uplifted mood suddenly left me. The cigarette fell from my nerveless fingers, and I stood rooted to the spot, the lower jaw resting negligently on the shirt front. I had just realized that, what with one thing and another – my disturbed night, my taxing day, the various burdens weighing on my mind and so forth – every word of those Christopher Robin poems had been expunged from my memory.

And I was billed next but two after intermission.

23

HOW LONG I
stood there, rooted to the s., I cannot say. A goodish while, no doubt, for this wholly unforeseen development had unmanned me completely. I was roused from my reverie by the sound of rustic voices singing ‘Hallo, hallo, hallo, hallo, a-hunting we will go, my lads, a-hunting we will go’ and discovered that the strains were proceeding from the premises of the Goose and Cowslip on the other side of the road. And it suddenly struck me – I can’t think why it hadn’t before – that here might possibly be the mental tonic of which I was in need. It might be that all that was wrong with me was that I was faint for lack of nourishment. Hitching up the lower jaw, I hurried across and plunged into the saloon bar.

The revellers who were singing the gem of the night’s Hit Parade were doing so in the public bar. The only occupant of the more posh saloon bar was a godlike man in a bowler hat with grave, finely chiselled features and a head that stuck out at the back, indicating great brain power. To cut a long story short, Jeeves. He was having a meditative beer at the table by the wall.

‘Good evening, sir,’ he said, rising with his customary polish. ‘I am happy to inform you that I was successful in obtaining the cosh from Master Thomas. I have it in my pocket.’

I raised a hand.

‘This is no time for talking about coshes.’

‘No, sir. I merely mentioned it in passing. Mr Haddock’s was an extremely gratifying triumph, did you not think, sir?’

‘Nor is it a time for talking about Esmond Haddock, Jeeves,’ I said, ‘I’m sunk.’

‘Indeed, sir?’

‘Jeeves!’

‘I beg your pardon, sir. I should have said “Really, sir?”’

‘“Really, sir?” is just as bad. What the crisis calls for is a “Gosh!” or a “Gorblimey!” There have been occasions, numerous occasions, when you have beheld Bertram Wooster in the bouillon, but never so deeply immersed in it as now. You know those damned poems I was
to
recite? I’ve forgotten every word of them. I need scarcely stress the gravity of the situation. Half an hour from now I shall be up on that platform with the Union Jack behind me and before me an expectant audience, waiting to see what I’ve got. And I haven’t got anything. I shan’t have a word to say. And while an audience at a village concert justifiably resents having Christopher Robin poems recited at it, its resentment becomes heightened if the reciter merely stands there opening and shutting his mouth in silence like a goldfish.’

‘Very true, sir. You cannot jog your memory?’

‘It was in the hope of jogging it that I came in here. Is there brandy in this joint?’

‘Yes, sir. I will procure you a double.’

‘Make it two doubles.’

‘Very good, sir.’

He moved obligingly to the little hatch thing in the wall and conveyed his desire to the unseen provider on the other side, and presently a hand came through with a brimming glass and he brought it to the table.

‘Let’s see what this does,’ I said. ‘Skin off your nose, Jeeves.’

‘Mud in your eye, sir, if I may use the expression.’

I drained the glass and laid it down.

‘The ironical thing,’ I said, while waiting for the stuff to work, ‘is that though, except for remembering in a broad, general way that he went hoppity-hoppity-hop, I am a spent force as regards Christopher Robin, I could do them “Ben Battle” without a hitch. Did you hear Master George Kegley-Bassington on the subject of “Ben Battle”?’

‘Yes, sir. A barely adequate performance, I thought.’

‘That is not the point, Jeeves. What I’m trying to tell you is that listening to him has had the effect of turning back time in its flight, if you know what I mean, so that from the reciting angle I am once more the old Bertram Wooster of bygone days and can remember every word of “Ben Battle” as clearly as in the epoch when it was constantly on my lips. I could do the whole thing without fluffing a syllable. But does that profit me?’

‘No, sir.’

‘No, sir, is correct. Thanks to George, saturation point has been reached with this particular audience as far as “Ben Battle” is concerned. If I started to give it them, too, I shouldn’t get beyond the first stanza. There would be an ugly rush for the platform, and I should be roughly handled. So what do you suggest?’

‘You have obtained no access of mental vigour from the refreshment which you have been consuming, sir?’

‘Not a scrap. The stuff might have been water.’

BOOK: The Jeeves Omnibus - Vol 3
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