The Killing 2 (75 page)

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Authors: David Hewson

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He passed over an email from Reinhardt at Zeeland.

‘You wanted to know what the crew had been up to. According to the company the only one who’d been ashore in the last week was the mate. He asked for permission to leave because
he’d been called as a witness in a court case. These places you’re checking—’

‘What court case?’

‘I don’t know. He was the one you found in bits in the junkyard. These lock-ups . . .’

Brix took a call. Held up a hand to be quiet. Finished it.

‘Robert and Maja Zeuthen are here,’ he said. ‘We’ve got to brief them.’

‘I’ll deal with it.’

When she got to the door Borch came and stopped her.

‘Sarah?’

He had Emilie’s phone in his hand.

Praise for
The Killing II

‘As with Hewson’s first Killing novel it both illuminates and expands on the series, as well as being equally compelling’

Choice

‘British author David Hewson is making a brilliant job of bringing the acclaimed Danish TV crime drama
The Killing
to the literary market place’

Lancashire Evening Post

Praise for
The Killing

‘A very fine novel, which is more of a re-imagining of the original story than a carbon copy – and with the bonus of a brand new twist to the ending’

Daily Mail

‘David Hewson’s literary translation is far more than a cheap tie-in . . . the book allows the characters more room to breathe . . . Hewson’s greatest
achievement is that it’s compelling reading’

Observer

‘Not just a novelization. Hewson is a highly regarded crime writer in his own right; he spent a lot of time with the creators of the original to ensure that he did not
offend its spirit and mood, and he has provided his own, different solution to the central murder mystery’

Marcel Berlins,
The Times

‘A fast-paced crime novel that’s five-star from start to finish’

Irish Examiner

‘As gripping as the TV series. It will keep you pinned to very last page’

Jens Lapidus

THE KILLING II

David Hewson
is the author of ten novels in the highly acclaimed Detective Nic Costa series, set mostly in Rome, which are currently being adapted for TV. He
has also written thrillers set in Seville, the US and Venice, and he has brought the highly acclaimed Danish TV crime drama
The Killing
to the literary market place. Formerly a journalist
working for the
Sunday Times
,
The Times
and the
Independent
, he lives in Kent.

Also by David Hewson

The Killing

Nic Costa series

A Season for the Dead

The Villa of Mysteries

The Sacred Cut

The Lizard’s Bite

The Seventh Sacrament

The Garden of Evil

Dante’s Numbers

The Blue Demon

The Fallen Angel

Carnival for the Dead

Other titles

The Promised Land

The Cemetery of Secrets

(previously published as
Lucifer’s Shadow
)

Death in Seville

(previously published as
Semana Santa
)

Acknowledgements

I’m once again indebted to a number of people for their assistance. Søren Sveistrup, the creator of the series, Susanne Bent Andersen and Lars Ringhof in Copenhagen
were enormously helpful. I’m also deeply grateful to my editor Trisha Jackson in the UK and her colleagues at Pan Macmillan for their useful insights. As with the first book, all diversions
from the original TV narrative should, however, be laid at my door alone.

David Hewson

First published 2013 by Macmillan

This electronic edition published 2013 by Pan Books
an imprint of Pan Macmillan, a division of Macmillan Publishers Limited
Pan Macmillan, 20 New Wharf Road, London N1 9RR
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com

ISBN 978-1-4472-3767-9

Copyright © David Hewson 2013

Based on Søren Sveistrup’s
Forbrydelsen (The Killing)
– an original Danish Broadcasting Corporation TV series co-written by Torleif Hoppe and
Michael W. Horsten

The right of David Hewson to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

The Macmillan Group has no responsibility for the information provided by any author websites whose address you obtain from this book (‘author websites’). The
inclusion of author website addresses in this book does not constitute an endorsement by or association with us of such sites or the content, products, advertising or other materials presented on
such sites.

You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital,
optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be
liable to criminal prosecution and civil claims for damages.

A CIP catalogue record for this book is available from the British Library.

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www.panmacmillan.com
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