Authors: Anne-Marie O'Connor
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1
“MY BELOVED FRITZL”:
Letter, Maria Altmann, Apr. 29, 1938. The 1938 correspondence between Maria Altmann and Fritz Altmann is courtesy of Maria Altmann.
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2
“MY BELOVED DUCKLING
!
”:
Letter from Fritz Altmann to Maria Altmann, Apr. 28, 1938.
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3
“FROM AN OLD AUSTRIAN”:
Maria Altmann, interviews; also private family memoir.
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4
“MY BELOVED FRITZL”:
Letter from Maria Altmann to Fritz Altmann, Apr. 30, 1938.
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5
“HAS PROBLEMS WITH HIS NERVES”:
Letter from Maria Altmann to Fritz, May 5, 1938.
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6
“THE DUCKLING RUFFLES HER FEATHERS”:
Letter from Thea Bentley to Fritz Altmann, May 6, 1938.
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7
SEVEN CLOSE FAMILY FRIENDS:
Maria Altmann, interviews.
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8
“WE'RE THINKING OF YOU”:
Postcard, Therese Bloch-Bauer, Gustav Bloch-Bauer, and Maria Altmann to Fritz Altmann, undated.
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9
“MY DEAREST FRITZL”:
Letter, undated, from Maria Altmann to Fritz Altmann, May 11, 1938.
10
BERNHARD HAD TRAMPED THROUGH:
Cecil Altmann, interview.
11
“I WENT AWAY QUITE DEPRESSED”:
Letter from Maria Altmann to Fritz Altmann, May 13, 1938.
12
“MY BELOVED WIFE”:
Letter from Fritz Altmann to Maria Altmann, May 15, 1938.
13
“WE BOTH HAVE TO BE PATIENT”:
Letter from Maria Altmann to Fritz Altmann, May 16, 1938.
14
“MY LOVE, TODAY”:
Letter from Maria Altmann to Fritz Altmann, May 18, 1938.
15
HE WAS BORN IN 1910:
Jerzy Ficowski,
Regions of the Great Heresy: Bruno Schulz, a Biographic Portrait
(New York: W. W. Norton, 2003), p. 164.
16
WHEN HITLER ROSE TO POWER:
Ibid.
17
RELEASED IN 1937, LANDAU HEADED:
Ibid.
18
LANDAU WAS PLAYING A STEALTHY GAME:
Petropoulos, “Report of Professor Jonathan Petropoulos.”
19
“FROM THE POST I GET”:
Letter from Fritz Altmann to Maria Altmann, May 22, 1938.
20
THE NUREMBERG LAWS:
Bukey,
Hitler's Austria,
p. 135.
21
THERE WERE 170,000 JEWS IN VIENNA:
Ibid., p. 131.
22
“I CAN HEARTILY RECOMMEND”:
Ernest Jones,
The Life and Work of Sigmund Freud
(Garden City, NY: Doubleday, 1963), p. 506. Freud was rephrasing the slogan of a Vienna ad.
23
“DEAREST WIFE”:
Letter from Fritz Altmann to Maria Altmann, May 22, 1938.
24
“DESPERATELY BEGGING FOR INFORMATION”:
Letter from Maria Altmann to the Dachau administration, May 24, 1938.
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1
“THE GANGSTER'S METHOD”:
Fritz Altmann,
My Adventures and Escape from Nazi Germany,
undated. Courtesy of Maria Altmann.
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2
THEY SET UP A MEETING IN PARIS:
Ibid.
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3
AS THE AFTERNOON WORE ON:
Dirk Riedel, research associate, Dachau Concentration Camp Memorial.
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4
“EVERYTHING IN DACHAU IS PROHIBITED”:
Paul Cummins,
Dachau Song: The Twentieth-Century Odyssey of Herbert Zipper
(New York: Peter Lang, 1992), p. 77.
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5
SOME OF THE FIVE HUNDRED MEN:
Ibid., p. 76.
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6
THE DEPOSED MAYOR OF VIENNA:
Giles MacDonogh,
1938: Hitler's Gamble
(London: Constable, 2009), p. 109.
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7
ALSO IN DACHAU, UNBELIEVABLY, WERE ERNST AND MAXIMILIAN HOHENBERG:
Ibid. See also Cummins,
Dachau Song,
pp. 86â87.
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8
“JEWS AND JEW LACKEYS”:
Marie-Therese Arnbom and Christoph Wagner-Trenkwitz,
Grüss mich Gott! Fritz Grünbaum 1880â1941: Eine Biographie
(Vienna: Christian Brandstätter Verlag, 2005), p. 78.
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“YOUR MOTHER CROAKED”:
Cummins,
Dachau Song,
p. 81.
10
“MY BELOVED GOOD WIFE”:
Letter from Fritz Altmann to Maria Altmann, June 1, 1938.
11
“I'M FIT AS A FIDDLE”:
Letter from Fritz Altmann to Maria Altmann, June 6, 1938.
12
ON THIS LEVEL PLAYING FIELD:
Cummins,
Dachau Song,
p. 87.
13
“THAT I WAS THE PERSON”:
Altmann,
My Adventures and Escape.
14
“MY BELOVED HUSBAND”:
Letter from Maria Altmann to Fritz Altmann, June 17, 1938.
15
“AFTER YOUR LAST LETTER”:
Letter from Fritz Altmann to Maria Altmann, July 3, 1938.
16
HE HELD UP A NEWSPAPER OBITUARY:
Maria Altmann, interviews, 2001.
17
AS HE WORKED, HE BEGAN TO SING:
Maria Altmann, private family memoir.
18
“WHEN YOUR HEART WITHIN YOU BREAKS”:
Franz Liszt,
The Schubert Song Transcriptions for Solo Piano/Series II: The Complete
Winterreise
and Seven Other Great Songs
(New York: Dover, 1996).
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1
“THINGS WILL BE DIFFERENT NOW”:
Maria Altmann, interviews, 2006.
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2
“WHERE IS FRITZL?”:
Maria Altmann, interviews, 2006.
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3
ONE OF THE RICHTHOFEN BARONS:
Rinesch, memoir.
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4
“I'M IN LOVE WITH MY HUSBAND”:
Maria Altmann, notes to herself while under house arrest, Sept. 29, 1938. Courtesy of Maria Altmann.
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5
“YOU DON'T LOOK LIKE A JEW”:
Rinesch, memoir.
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6
“I HAVE FOUND A WAY”:
Maria Altmann, interviews, 2006.
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7
“GO WITH GOD”:
Maria Altmann, interviews, 2006.
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8
“I WAS ADMIRING YOUR RAINCOAT”:
Maria Altmann, interviews.
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9
THEY ARRESTED JAN HONNEF:
Letter from Jules Huf to Maria Altmann, June 6, 1999.
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1
“ALL THE JEWISH STUDENTS”:
Thea Bentley, interview, Aug. 9, 2006.
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2
“YOU DON'T LIKE ME”:
Thea Bentley, interview, Aug. 9, 2006.
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3
“WE HAVE TO GET OUT”:
Thea Bentley, interview, Aug. 9, 2006.
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4
“TODAY GERMANY BELONGS TO US”:
Thea Bentley, interview, Aug. 9, 2006.
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5
“WE'RE NOT GOING ANYWHERE”:
Thea Bentley, interview, Aug. 9, 2006.
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6
ONE DAY THERE WAS A KNOCK:
Thea Bentley, interview, Aug. 9, 2006.
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7
GUSTAV RINESCH HAD WARNED THE FAMILY:
Thea Bentley, private family memoir.
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8
THE OBSTETRICIAN CAREFULLY EXAMINED:
Thea Bentley, interview, Aug. 9, 2006.
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1
SOME GAY MEN MARRIED JEWISH WOMEN:
Thea Bentley, interview, Aug. 9, 2006. Thea Bentley also had an account in a draft of the collective family memoir, as does the Rinesch memoir.
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2
ADA FOUND A DUTCH “FIANCÔ:
Rinesch, memoir.
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3
“NATURALLY,” GUSTAV RINESCH OBSERVED:
Rinesch, memoir.
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4
ADA BOUGHT A SOLITAIRE:
Rinesch, memoir.
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5
“NOT A WORD ABOUT SENTIMENT”:
Rinesch, memoir.
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6
“VERY DECENT”:
Thea Bentley, interview, Aug. 9, 2006.
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1
RINESCH HELPED THEA AND ROBERT:
Rinesch, memoir.
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2
LUISE SENT SERVANTS:
Thea Bentley, interview, Aug. 9, 2006; Rinesch, memoir.
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3
THEN THE TRAIN SLOWED:
Thea Bentley, interview, Aug. 9, 2006.
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4
SOON THE CARABINIERE WAS GALLANTLY FETCHING:
Thea Bentley, interview, Aug. 9, 2006.
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5
MEN ROUNDED UP JEWS:
Alan E. Steinweis,
Kristallnacht 1938
(Cambridge, MA: Belknap Press of Harvard University Press, 2009), p. 94.
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THREE DAYS BEFORE CHRISTMAS, THERESE BEGAN:
Claims Resolution Tribunal, Timeline of Events Re: Account of Ãsterreichische Zuckerindustries AG Syndicate, Exhibit C, p. 4 (“December 22: Therese Bloch-Bauer renounces her late husband's legacy in an effort to gain permission to leave Austria”).
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1
“WE'RE GOING TO HAVE TO LEAVE”:
Emile Zuckerkandl, interview, June 24, 2006, and subsequent telephone interviews.
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2
FERDINAND PROVIDED FINANCIAL HELP:
Petropoulos, “Report of Professor Jonathan Petropoulos,” p. 43, citing Ruth Pleyer.
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3
AMALIE'S ARRESTING UNFINISHED KLIMT PORTRAIT:
Ibid., pp. 24, 42.
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4
“ANY NONSENSE CAN ATTAIN IMPORTANCE”:
Albert Einstein, inscription in the autograph book of Emile Zuckerkandl, 1937â38, trans. Emile Zuckerkandl. Courtesy of Emile Zuckerkandl.
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5
“IF HUMANS, NOW THAT AT LONG LAST”:
Zuckerkandl autograph book.
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6
“FOR EMILE ZUCKERKANDL”:
Zuckerkandl autograph book.
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7
“SO, YOU ARE AN AUTOGRAPH HUNTER”:
Zuckerkandl autograph book.
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8
“A DESCENDANT OF NOBLE LINEAGE”:
Zuckerkandl autograph book.
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9
“ONE WILL ALWAYS FORGET”:
Zuckerkandl autograph book.
10
“HAS NOT EVERYTHING”:
Zuckerkandl autograph book.
11
“FOR KIND REMEMBRANCE”:
Zuckerkandl autograph book.
12
IF I HAD A GUN:
Emile Zuckerkandl, interviews.
13
“BURN YOUR DIARY”:
Emile Zuckerkandl, interviews.
14
HE PULLED IT OFF THE WALL:
Emile Zuckerkandl, interviews.
15
FRIEDELL HAD ONCE SUGGESTED:
Szeps,
My Life,
p. 318.
16
“A DICTATORSHIP WITHOUT A GOSPEL OF HATRED”:
Ibid.
17
HE WALKED TO HIS OPEN WINDOW:
Mahler and Ashton,
And the Bridge Is Love,
p. 220.
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1
“THOUSANDS OF JEWS WERE FLEEING”:
Czernin,
Die Falschung,
pp. 166â67.
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2
NOW HE COULD GET HIS HANDS ON:
Petropoulos, “Report of Professor Jonathan Petropoulos,” p. 12.
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3
LEOPOLD RUPPRECHT REPRESENTED:
Ibid.
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4
“DEGENERATE ARTISTS”:
Magdalene Magnin-Haberditzl,
Familien-Chronik aus dem europaweiten Ãsterreich, 1678â1982
(Vienna: Christian Brandstätter Verlag, 2008), p. 435. Also see Stephan Koja, interview, Oct. 2006.
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5
HIS WIFE'S JEWISH HERITAGE:
Magnin-Haberditzl,
Familien-Chronik,
p. 17.
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6
“RELIEVED OF HIS DUTIES”:
Anselm Wagner, “Integrating Photography into History of Art: Remarks on the Life and Scientific Estate of Heinrich Schwarz,”
Photoresearcher,
no. 11 (April 2008): 15 (publication of the European Society for the History of Photography, Danube University Krems).
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7
HE CLOSED THE MODERNE GALERIE:
Magnin-Haberditzl,
Familien-Chronik,
pp. 17, 435. The Moderne Galerie opened July 15, 1929, and closed Mar. 22, 1938.
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8
KAJETAN MÃHLMANN, A NAZI AESTHETE:
Jonathan Petropoulos,
The Faustian Bargain: The Art World in Nazi Germany
(London: Penguin, 2001), p. 182.
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9
“HE HAS NO CONSCIENCE”:
Ibid., p. 198.
10
FOR NOW, ONE OF HIS FIRST TASKS:
Petropoulos, “Report of Professor Jonathan Petropoulos,” pp. 11, 12.
11
“NEGOTIATION BETWEEN AGENCIES”:
Ibid., p. 13.
12
“ALT AKTION”:
Lillie and Gaugusch,
Portrait,
pp. 68â70.
13
HERMANN GÃRING:
Ibid., p. 70.
14
“MOMENTARILY LORD OF THE WORLD”:
Sultano and Werkner,
Oskar Kokoschka,
p. 12.
15
“I WOULD LIKE TO DO SOMETHING”:
Letter from Carl Moll to Oskar Kokoschka, undated, early 1938, quoted in Sultano and Werkner,
Oskar Kokoschka,
p. 51.
16
“THERE ARE 75 MILLION PEOPLE”:
Ibid.
17
“UNCLE FERDINAND HAS LEFT VIENNA”:
Ibid.