Read The Last Highlander Online
Authors: Sarah Fraser
Tags: #Best 2016 Nonfiction, #Biography & Autobiography, #Europe, #Great Britain, #Historical, #Nonfiction, #Retail
The Last Highlander
SCOTLAND’S MOST
NOTORIOUS CLAN CHIEF,
REBEL & DOUBLE AGENT
SARAH FRASER
For Kim
&
For Arabella Vanneck
1959–2011
‘[The soul] demands that we should not live alternately with our opposing tendencies in continual see-saw of passion and disgust, but seek some path on which the tendencies shall no longer oppose, but serve each other to common end … The soul demands unity of purpose, not the dismemberment of man’
– ROBERT LOUIS STEVENSON
‘A son can bear with equanimity the loss of his father, but the loss of his inheritance may drive him to despair’
– NICCOLÒ MACHIAVELLI
CONTENTS
Prologue: Death of a Highland chief
PART ONE:
FORMATIVE YEARS, C.1670–1702
ONE:
Home, birth, youth,
c
.1670–94
TWO:
To be a fox and a lion, 1685–95
THREE:
‘Nice use of the beast and the man’, 1695–96
FOUR:
‘No borrowed chief!’, 1696–97
FIVE:
‘The Grand Fornicator of the Aird’, 1697–99
SIX:
Victory and loss, 1699–1702
PART TWO:
AT THE COURT OF THE SUN KING, 1702–15
SEVEN:
The Stuart Court of St Germains, 1702
EIGHT:
Planning an invasion, 1702–04
NINE:
‘A disposition in Scotland to take up arms’, 1703
TEN:
The ‘political sensation’, autumn 1703
ELEVEN:
The ‘Scotch plot’ exposed, winter 1703–04
TWELVE:
‘You walk upon glass’, 1704–14
THIRTEEN:
The end of exile, 1714
FOURTEEN:
A necessary change, 1714–15
FIFTEEN:
Return to Scotland, 1715
SIXTEEN:
Fighting for the prize, 1715
PART THREE:
THE RETURN OF THE CHIEF, 1715–45
EIGHTEEN:
The legal battles begin, 1716
NINETEEN:
Living like a fox, 1716
TWENTY:
‘What a lion cannot manage, the fox can’, 1717–18
TWENTY-ONE:
Matters of life and death, 1718–21
TWENTY-TWO:
Networking from Inverness, 1722–24
TWENTY-THREE:
Lovat under Wade’s eye, 1725–27
TWENTY-FIVE:
Kidnapping and election-rigging, 1731–34
TWENTY-SIX:
A pyrrhic victory, 1734–39
PART FOUR:
LORD LOVAT’S LAMENT, 1739–47
TWENTY-SEVEN:
Floating between interests, 1738–43
TWENTY-EIGHT:
‘A foolish and rash undertaking’, 1743–45
TWENTY-NINE:
Rebellion, July–December 1745
THIRTY:
A quick victory, and long march to defeat, December 1745–June 1746
THIRTY-ONE:
The beginning of the end, 1746–47
Etching of Simon Fraser, Lord Lovat after William Hogarth. (
Scottish National Portrait Gallery
)
James II and family, 1694, by Pierre Mignard. (
The Royal Collection © 2011 Her Majesty Queen Elizabeth II/The Bridgeman Art Library
)
Queen Mary II,
c
. 1685, studio of Willem Wissing. (
Kenwood House, London © English Heritage Photo Library/The Bridgeman Art Library
)
King William III by Godfried Schalcken. (
© The Crown Estate/The Bridgeman Art Library
)
Prince James Francis Edward Stuart, 18th century English School. (
© Scottish National Portrait Gallery/The Bridgeman Art Library
)
Louis XIV in Royal Costume, 1701, by Hyacinthe Rigaud. (
© Louvre, Paris/Giraudon/The Bridgeman Art Library
)
View of Edinburgh by J Slezer (engraved copper plate) produced for D. Browne, London, 1718. (
© The British Library Board
)
Major James Fraser of Castle Leathers,
c
. 1720, attributed to John Vanderbank. (
Private Collection
)
John Campbell, 2nd Duke of Argyll and Greenwich, William Aikman. (
Scottish National Portrait Gallery
)
Archibald Campbell, 3rd Duke of Argyll, attributed to Allan Ramsay. (
Scottish National Portrait Gallery
)
Sir James Grant. Etching by John Kay, 1798. (
© The Mary Evans Picture Library
)
The death of Colonel Gardiner on the field of Prestonpans. Sir William Allan lithograph by E. Walker. (
© The Mary Evans Picture Library
)
George II at the Battle of Dettingen by David Morier. (
© Private Collection/Arthur Ackerman Ltd/The Bridgeman Art Library
)
Field-Marshal George Wade, attributed to Johan van Diest. (
Scottish National Portrait Gallery
)
Prince Charles Edward Stuart, by William Mosman. (
Scottish National Portrait Gallery
)
The Battle of Culloden, 1746. Coloured engraving published by R. Sayer and J. Bennett, London
c
. 1780. (
© The National Army Museum, London
)
William Augustus, Duke of Cumberland, mid 18th century English School. (
© Royal Armouries, Leeds/The Bridgeman Art Library
)
Lord Lovat’s ghost. Mezzotint by Samuel Ireland. (
© Grosvenor Prints/The Mary Evans Picture Library
)
Simon Fraser, Lord Lovat. Engraved by Cook after a portrait by Le Clare. (
© The Mary Evans Picture Library
)