The Liar's Lullaby (4 page)

“But not a suicide note. What did she say?” Jo said.

“I’ll get to that, but first let me explain how we got to
this.
” Tang nodded grimly at the yellow tarp on the baseball field. “She was supposed to slide down the zip line, singing the song from that action movie. Guns ’n’ poses. All butch- and-big-hair, patriotism and sexual innuendo. She turned up with a real gun. A Colt forty-five.”

Jo raised an eyebrow. “Classic weapon. And a hell of a choice.”

“She liked big statements.”

“Was she known to carry?”

Tang shook her head. “No. I’ve spoken to her agent and manager, plus the tour manager and the concert promoter. Nobody had ever seen her with firearms. But she wasn’t the most reliable person—which we’ll also get to.”

High above the stands the American flag snapped in the wind, vivid under the stadium lights. Jo brushed her hair from her eyes.

“Ballistics?” she said.

“Don’t count on it. The shot was through and through. We haven’t found the round or the brass. We’re bringing in metal detectors, but I’m not hopeful.”

The field was churned to bits. The scene was hopelessly contaminated.

“How many cartridges were loaded?” Jo said.

“That’s part of the problem. After the fatal shot, the weapon fell into the crowd and a bunch of idiots fought for possession of it.”

Jo almost guffawed. It seemed preposterous, yet unsurprising.

“They grappled like bridesmaids fighting for the bouquet at a wedding. One guy finally got it and ran off, then had second thoughts about selling it online. He turned it over. Unloaded—says that’s the way he got it.”

“You’re sure it’s the weapon?” Jo said.

“There’s DNA on it. Of types I have no doubt will prove to come from the victim.”

Tang didn’t need to say
blood, bone, brain matter
. Her face said it for her.

“Tasia told the stunt coordinator the weapon was unloaded,” she said. “But he didn’t know if she was lying, teasing him, or serious. And the Colt’s capacity is seven-plus-one.”

Seven rounds in the cylinder plus one in the chamber. “You think she checked the cylinder but not the chamber—and actually believed the weapon was empty?”

“It’s possible. The gun’s twenty years old. The round that killed her could have been in there for decades. But without the bullet and the casing, we can’t tell.”

“You think it was an accident?” Jo said.

“You think it wasn’t?”

Jo stated it as clearly as she could. “Self-inflicted, contact gunshot wounds to the head are presumptive evidence of suicide.”

Tang grumbled. It was as close as she came to sighing.

But Jo knew the statistics. The majority of gunshot deaths in the United States were suicide. Almost as many were homicide. Only a small percentage were accidental.

“If a victim has a history of depression, the presumption of suicide is even stronger,” she said. “Did Tasia?”

“Yes.”

“But you think it was a prank? Stupidity?”

“It’s been known to happen. Brandon Lee died filming
The Crow.
”

“That was an accident. Unequivocally. Fatal error on the movie set. Nobody noticed that a bullet had jammed in the barrel of the gun. When the weapon was reloaded with blanks and fired again, the jammed round discharged and hit Lee in the chest.”

“That actor on a Hollywood TV set shot himself with blanks.”

“Jon-Erik Hexum. Also unequivocally an accident. Hexum didn’t realize that blanks can discharge with enough force to kill. He put a stunt gun to his temple, apparently as a joke, and pulled the trigger.” Jo stuck her hands in her pockets. “On the other hand, there’ve been televised suicides. A reporter in Florida sat down at the news desk, made a crack about bringing viewers blood and guts in living color, put a revolver to her head, and fired.”

Tang’s mouth pursed. “Never challenge a forensic shrink on death trivia.”

“I’ll take Onstage Fatalities for two thousand, Alex.”

Tang looked like she had a burr under her shirt. “We’re checking whether Tasia purchased ammunition recently.”

“What’s gnawing at you?”

“The wing nuts are out there, the political banshees, and you can bet they’re getting ready to fly. I need to shut down any talk that dark forces are at work here.”

My superiors want me to shut it down
was the undertone.

“You’re talking about murder,” Jo said.

“If somebody killed Tasia, I need to know it. And to know if her death is a fuse that’s been lit.”

Jo’s hair blew across her face. “You’d better tell me about the message she left.”

“It’s a recording. It’s her playing two songs she wrote last night. Plus a rambling statement, saying, ‘Publish this in the event of my assassination.’ ”

“She used that word?”

“Hear for yourself.”

Tang took an audio player from her pocket. “The tracks are called ‘After Me’ and ‘The Liar’s Lullaby.’ She left it for her boyfriend.”

They each put in an earbud and Tang pushed
Play
. Jo heard a piano, spare and melancholy, and Tasia McFarland’s shimmering soprano.

The melody was mournful, Tasia’s voice bright and riven with cracks. She hit a hard minor chord and let it fade. Then she spoke.

“I’m in danger of being silenced. If that happens, I won’t be the last.”

Her speaking voice was bold, ringing, and rushed. “Searle, my love, my baby boy, Mister Blue Eyes with the silver tongue, listen close. Turn your ear, turn your heart, turn your head. Because I might not make it.”

Jo glanced at Tang. “Lecroix?”

Tang nodded.

“Things have gone haywire,” Tasia said. “I can’t tell you more than that. Telling you more would kill me. But if I die, it means the countdown’s on.”

A chill inched up Jo’s neck. She glanced at the tarp on the field.

“It means time’s running out like a train headed for a wreck. My death will be the evidence.” Tasia inhaled, like a swimmer coming up for air before plowing on. “I was confused, but not anymore. I thought I got away without being followed. But they’re after me. Robert McFarland makes that inevitable.” She paused. “Publish this in the event of my assassination.”

She played a heavy chord on the piano, and began to sing.

Tang stopped the playback. “There’s another verse, but you get the gist.”

“That’s the creepiest song I’ve ever heard.”

They stood above the field, silent under the harsh lights and the wind.

“ ‘They,’ ” Jo said.

“Unfortunately. And no, I don’t know whether it was just a paranoid rant.”

“Did she have a psych history?”

“Manic-depression. But that’s not my point.”

“She was bipolar? That’s huge. It’s—”

Tang raised a hand. “It’s not my point.”

Jo thought about it. “If she genuinely feared for her life and brought the gun for self-protection, it argues against an intent to commit suicide.”

“The stuntman claims she said, ‘He’s out there,’ and ‘It’s life or death.’ Maybe she was acting. Maybe she was delusional. But maybe not.”

“Are you suggesting somebody really wanted her dead? Why—because she was once married to Robert McFarland?”

Tang turned to her. “Will you perform the psychological autopsy? Are you in?”

“You bet I’m in.”

“Good. I need you to find out why Tasia McFarland was carrying a pistol that, according to California firearms records, is registered to the commander in chief of the United States.”

T
HE MUSIC RAGED THROUGH THE PARKED TRUCK. IVORY TURNED IT UP. “You tell it, Searle.”

The man sang about the hardest life around, Ivory thought—being a white American. Work yourself into the grave, while the government confiscates your wages and an ungrateful world demands handouts or tries to blow you up.

She stared across the street at the ballpark. “It’s time to launch a rocket up somebody’s crack.”

Behind the wheel, Keyes chewed on a toothpick. “Unbunch your panties.”

“Searle Lecroix’s woman just got shot down like a dog. Two choppers got taken out—you think that wasn’t to cover the shooter escaping? You should put on a pair of tighty-whiteys yourself, and bunch them so tight you squeal.”

“Like you know how to fire a rocket launcher?” he said.

“You’ll teach me.”

That finally earned her a look from him.

“Tasia dying wasn’t any accident. It was a government hit, no joke.”
Government
came out “gubmint
.
” “Government brought down the twin towers, Keyes—they wouldn’t think twice about killing McFarland’s first wife.”

Keyes looked away again. He watched the police and media spectacle outside the ballpark with a cool eye. People took that look for boredom, Ivory thought, when really he was scanning the scene for threats, soft targets, weak points in the police cordon. Years of experience, it came as a reflex to him.

“Question isn’t what the government does. It’s what we do about the government.” He turned off Lecroix’s music. “And entertainers don’t have the answer.”

He took out his phone and went online. His face, pale and pocked, looked vivid. His anger didn’t run hot; it was reptile anger—cold and submerged and liable to erupt in ruthless bursts. Being near it made Ivory feel confident. She was in the vanguard, with a man who would be the teeth and claws of the fightback.

She leaned close and saw him load the Tree of Liberty home page. On-screen was a message to the faithful.

“When did this post?” she said.

“Ten minutes ago.”

Tree of Liberty was the cyberdomain of True America. It was the online outpost of people like Keyes and Ivory, who saw the nightmare of government tyranny darkening the horizon. Tom Paine was their voice crying in the wilderness.

His post began, like all his essays, with a quote from the original Thomas Paine, the American revolutionary. Then it launched.

Keyes and Ivory stared at the screen. Nobody knew who Tom Paine was. Tree of Liberty skipped around the Net, changing host sites to prevent the feds from tracing it. Paine was a specter.

“Fuckin’ A,” Keyes said.

Ivory drew a breath. She had chills. “We’re at ground zero. We need to send him photos.”

Nobody had met Paine, but Keyes and Ivory volunteered as his scouts. Keyes got out of the truck and crossed the street toward the ballpark. Ivory put on a ball cap and followed.

The cap said BLUE EAGLE SECURITY
.
She was clocked in for work, so she covered her hair, which she dyed as snowy as a swan’s wing. She covered her tattoos with long sleeves. And at the depot, she kept her opinions to herself. She worked in San Fran- freak-show, where whack jobs could parade bare- butt naked, chanting about diversity, but an Aryan woman had to hide her Valkyrie Sisterhood tattoos and apologize for the crime of being born white.

Outside the ballpark, it was a scene. News trucks, reporters with microphones. And police cars lined up for a hundred yards, lights shrill, a bigfoot presence that made her skin creep.