The Lit Report

The Lit Report

SARAH N. HARVEY

Text copyright © 2008 Sarah N. Harvey
All rights reserved. No part of this publication may be reproduced or transmitted in
any form or by any means, electronic or mechanical, including photocopying,
recording or by any information storage and retrieval system now known or to be
invented, without permission in writing from the publisher.
Library and Archives Canada Cataloguing in Publication
Harvey, Sarah N., 1950-
The lit report / written by Sarah N. Harvey.
ISBN 978-1-55143-905-1
I. Title.
PS8615.A764L58 2008        jC813'.6        C2008-903337-X
First published in the United States, 2008
Library of Congress Control Number: 2008929107
Summary
: It will take all of Julia's wit, ingenuity and compassion
to help her best friend through her unexpected pregnancy.
Orca Book Publishers gratefully acknowledges the support for its publishing programs provided
by the following agencies: the Government of Canada through the Book Publishing Industry
Development Program and the Canada Council for the Arts, and the Province of British Columbia
through the BC Arts Council and the Book Publishing Tax Credit.
Design and typesetting by Teresa Bubela
Cover photo by Sarah MacNeill

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Printed on 100% PCW recycled paper.
11  10  09  08   •   4  3  2  1

To Joan, my first reader, who laughed
and cried in all the right places
.

Thank you first and foremost to my children, who encourage me, inspire me and provide me with endless material. I am grateful also to my editor, Bob Tyrrell, for his support and expertise; to Teresa Bubela, art director
extraordinaire
, for designing a gorgeous cover; to Dayle Sutherland and Andrew Wooldridge, for their unflagging enthusiasm; and to Christine Toller, for lunchtime debriefs and trips to London Drugs. Susan Eyres, of Cook Street Community Midwives, cheerfully read the manuscript, gave me detailed feedback and answered all my questions about pregnancy, birth and postnatal care. Any remaining errors are entirely my own.

Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.

—Charles Dickens,
David Copperfield

I'm not going to lie to you.

My opening line may not be as brilliant as the opening line of
David Copperfield
, but not many lines are. I adore Dickens. I realize that this is a peculiar and deeply uncool confession from a seventeen-year-old girl, but I can't help that. My book is sort of like
David Copperfield
—it's about parents and children and the abuse of power—but don't freak out and stop reading just because of that. It's not nearly as long as
David Copperfield
, it doesn't have hundreds of characters with weird names, and it's full of sex and foul language. Well, not full, exactly. But there is a bit of both.

Maybe in two hundred years the first line of
The Lit Report
by Julia Riley will be on a test in some futuristic high school where everyone wears identical silver jumpsuits and
all lectures are simulcast from a central teaching facility somewhere in rural Saskatchewan. Maybe some things never change and there will always be pop quizzes like the one Mrs. Hopper sprang on us in Lit class last week. There was a lot of groaning when she announced the quiz and even more when she handed out the assignment:
Identify three of the first lines listed below and write a brief paragraph (150–200 words) on the significance of each one
. This was good news for me— I had actually read all five of the books the quotations were taken from—but not so good for many of my classmates, who consider reading a form of punishment.

I finished the quiz quickly and had a lot of time to sit and think about what makes a great first line. I thought about it so much that I wrote an extra mini-essay comparing and contrasting “This is George.” and “Call me Ishmael.” My thesis was that the first sentence of a novel, whether it's written for four-year-olds or forty-year-olds, sets the tone for the whole book and reveals much of what is to come. It can be two words or twenty or two hundred—it doesn't matter. If the first line doesn't hook the reader, the book is doomed. End of story. Mrs. Hopper gave me bonus points for my essay, accompanied by her trademark happy face with cat's-eye glasses. I wondered if it was possible for a lousy book to have a fabulous first line and whether all great books have great beginnings. And then I started to think about how I would start my own story. And then I decided to try.
So here is my opening sentence again, in case it didn't make an indelible impression on you the first time.

I'm not going to lie to you.

It pissed me off that Ruth ditched me and went alone to Sharon West's party one Saturday night in early November. But when she didn't get on the bus at her stop the following Monday, I started to worry. Especially after I saw the Grim Reaper. I was on the upper level of a red double-decker bus, trying to avoid talking to my classmates. I'm not a morning person so I usually read on the bus, which confirms my reputation as a grind, if not a complete freak. No one on the bus is likely to engage me in conversation about
Jane Eyre
or
The Satanic Verses
, so it works out okay. But that day I had forgotten my book, probably because I was upset with Ruth, and as I gazed out the window, the Grim One zipped across the crosswalk on one of those skinny silver scooters, scythe over one shoulder, cowl casting a deep shadow over his face. Ruth would have enjoyed the vision of Death on a scooter. She certainly wouldn't have assumed, as I did, that it was a bad omen. She would have snorted and said, “Bad omen, my ass. What's next? Jesus on a Segway? Mary in a Smart Car? The Holy Ghost on rollerblades?” My reasoning was that since Halloween had come and gone, the Grim Reaper was a sign and not just a kid in a leftover Wal-Mart costume.

I closed my eyes and listened to the music seeping out of my seatmate's headphones. I inhaled the perfume the girl in front of me had bathed in, wondering idly which cash-crazed celebrity had lent her name to this particularly nasty combination of musk and—was that licorice? I don't wear perfume. It makes me sneeze, and besides, it's frowned upon at my house, along with smoking, junk food, alcohol, drugs, swearing, sex, all forms of popular music and most of the other things normal teenagers take for granted. I have a cell phone, but only because my mother likes to keep tabs on me. Also because she got a great two-for-one deal through her job at the law firm. I'm only supposed to shut it off during school and church or if I'm asleep (which I often am at church or school). When it rang on the bus, I assumed it was just my mom making sure I'd packed the nutritious lunch she left in the fridge for me. She leaves for work before I go to school, but she always puts a note with my lunch, a note that she signs
In God's love
, as if her own love is insufficient to the task.

I reached into my pack and shut the phone off without looking at it. I wasn't up for a lecture on the merits of skinless chicken breasts. My mother frets about my weight. I was an adorably chubby baby, a cute but chunky little kid, and I'm a pretty hefty teenager, which is neither cute nor adorable. I could easily model for a Botero painting—I'm all ass and thighs. Most of the girls I go to school with are
more Giacometti-esque, if that's a word. Not that they'd know what I meant. My mother, who has never weighed a feather over 130 pounds, even when she was pregnant, is a devoted perimeter-aisle shopper and fanatical participator in Christian-themed step-aerobics classes (don't ask). Baked potatoes are a huge indulgence at our house, as is full-fat sour cream, real bacon or any of the other things that make a baked potato even remotely edible. I tease her about worshipping the Canada Food Guide, and if she's in a good mood she swats me with a Beatitudes tea towel. If she's in a bad mood, I get a lecture on sacrilege. She is proud that she has never eaten a Big Mac. I'm pretty sure she believes that heaven is full of anorexic angels, sort of a divine Calvin Klein ad with wings. Maybe she thinks there is a special hell for fat people, and her only child is going to end up there, and we will be separated throughout eternity by my belly flab. She is mystified by my weight and probably prays nightly that my metabolism will self-correct. She doesn't know that for the last four years, ever since I've had an income from babysitting, I've eaten at least one Big Mac a day. More if I have time and money. I also inhale fries, guzzle milkshakes, devour pizza and suck back as much pop as my bladder can stand. I make Queen Latifah look like a wood nymph.

The bus pulled up in front of my school, and I got up and staggered down the narrow spiral staircase and out the back door.

“When's the baby due?” Mark Grange yelled as I made my way up the stairs to homeroom. Mark's a wiry little guy in grade ten, taking every possible liberty with the school uniform: pants slung low so you can see what brand of underwear he wears (Joe Boxer with happy faces), unlaced black oxfords, white shirtsleeves rolled up to his knobby elbows, plaid tie hanging like a scarf around his scrawny neck, blazer stuffed in his pack.

I rubbed my belly and smiled beatifically. Maybe it really was time to start dieting. “Any day now,” I said serenely. “Any day.” I squeezed myself into my desk as Mr. Dooley's voice came over the
PA
system, exhorting us to prayer and reminding us that it's hotdog day. Goody—cheap calories. While I listened, I looked over at Ruth's desk. No sign of Ruth, but her lucky hair elastic was sitting where she left it, wrapped around a tin of Altoids (like Ruth, they are curiously strong). A picture of Ruth playing tonsil hockey with Queen Elizabeth is taped to the desk. Ruth's dad has Photoshop on his computer so he can put color pictures—sunrises, rainbows, big-eyed African children—in the programs he makes for his church. He claims people put more in the collection plate if they have something inspirational to look at during his sermon. Ruth has been Photoshopping for years, so she has a great collection of pictures of herself with everybody from Raffi and Big Bird to the Pope and the Dalai Lama. The only thing that the pictures have in common is that
all the celebrities, with the exception of Big Bird, look like dwarves, and Ruth looks like an Amazon. I have no idea whether this is intentional or simply a technological glitch.

Ruth has always been big: big-boned, big-headed, big-mouthed, big-hearted, big-haired, big-assed. When I first met her, which was in Sunday school when we were four, she was already taller, broader, louder and wilder than most of the boys in our little class. She would climb on top of our Bible-crafts table and belt out “Jesus loves me” or “What a friend we have in Jesus” at the top of her lungs until one of the lemon-sucking deacons would come running down the stairs from the sanctuary and hiss at Miss Reynolds to keep Ethel Merman quiet. I had no idea who Ethel Merman was, but I was in awe of Ruth, who jumped down from the table, smiled sweetly at Miss Reynolds and said she was just singing for Jesus. When she was older, whenever anyone tried to shut her up, she'd say, “I'm making a joyful noise unto the Lord—is that so wrong?” For some reason—maybe because of my look of abject adoration, or maybe because I gave her my crackers and cheese—Ruth latched onto me that first Sunday and we've been inseparable ever since.