And yet she had to know. The thing that killed the cat was nibbling at her. The puzzle-piecing portion of her mind craved the boy’s guilt; and the sentimental side of a woman whose life had been valiantly saved provided a yearning for his innocence.
Thankfully, no one from the St. James crowd had come calling. She had sent strict orders with the chauffeur to convey to
the after-theater party at the Savoy that she was fine but wished under no circumstances to be disturbed tonight; she needed her rest (a lie) and they could come calling tomorrow, if they liked, when she was home again.
Quite likely the director and producer and others on the production staff were at this very moment huddled in a back private room of the posh hotel, oblivious to the hors d’oeuvres (though probably not the cocktails), wondering whatever to do—the play appeared to be a hit, judging by the enthusiastic response of the audience, and she herself had seen the
Times
critic walking out with a smile on his usually merciless lips. But with the theater damaged by that apparent UXB, the play and its players were as homeless as the poor rabble who’d unwittingly set off that bomb.
She had requested a robe, and this—a green flannel affair—is what she wore as she slipped out of the emergency ward and headed for the upper floor area that was home to the Department of Pharmacology and the dispensary. Rather absurdly, she had thrown her fur coat over the robe and hospital gown—after patting the fur free of as many little dirt and dust clouds as possible—but she abandoned the torn and filthy navy evening gown, thankful that she would never again have to force herself into the wretched thing.
Her keys to the pharmacy were in her purse, which lay somewhere under a ton or so of rubble where the St. James lobby had been. Her plan of action had been to find a member of the hospital janitorial staff to unlock the door for her, but no need: a charwoman was at work.
She exchanged pleasantries with the charwoman, who asked, “Where’s your pup tonight, missus?”
“Home asleep,” Agatha said cheerily, “dreaming of chasing rabbits across the commons, no doubt.”
The charwoman said, “He’s a good ’un, James is!” and returned to her sweeping, without apparent notice of Agatha’s bizarre wardrobe. In a small room off the pharmacy (itself cramped quarters), Agatha went to her locker, which—despite its name—was never locked.
This was where Agatha, upon arriving to work, would hang her Burberry and change into her lab coat; but she also kept a spare blouse and skirt—should there be any unexpected spillage in the dispensary—and a pair of sensible shoes and fresh pair of stockings, black woolen, knee-high. Since she was, at the moment, barefoot, the latter items came particularly in handy.
On the top shelf of the locker were three of her author’s copies of the new Poirot novel; she kept these within reach, as now and then a co-worker or patient would talk her out of one.
A single copy of
Evil Under the Sun
tucked under an arm, she left the dispensary, more or less dressed—the fur coat over white blouse and dark gray skirt—and, as she had expected, light glowed behind the pebbled glass of Sir Bernard’s laboratory.
She peeked in to the specimen-lined, bottle-and-beaker-flung cubbyhole. “Working all hours again?”
Looking very much like Sherlock Holmes, Sir Bernard, in his lab coat, sat perched on a stool at the counter with a microscope before him; but in one hand was a big-eyed Halloween-worthy gas mask, which he was examining through a magnifying glass held in the other.
He looked up sharply and his words were edged as well. “Whatever are you doing out of bed, young lady? I was just about to come down and check on your status.”
She moved to his side; a small pile of what appeared to be sand rested on a slide that had as yet to be slid under the microscope. “I have a clean bill of health, I’ll have you know….
I was hoping for a ride home, but you look to be in the midst of things. What do you have there?”
He held up the bug-eyed mask. “Inspector Greeno had it delivered around—it’s a gas respirator, part of an RAF kit. A man who may be our Ripper dropped it when a potential victim proved uncooperative.”
Another black mark against the boy; could young Cummins be so careless, so stupid? She began to wonder if this accumulation of clues was too good to be true—was there a possibility the cadet could have been fitted for a frame?
Frowning, she asked, “When did this happen?”
“Last night, I believe. That is, Thursday night. It is now technically Saturday.” Having delivered this typically precise pronouncement, the pathologist held the magnifying glass over the surface of the mask for her to look; she did so and saw nothing of note.
But the pathologist did: “I’ve found something most interesting on the fabric.”
“And what would that be?” she asked, since he seemed to want her to do so.
“Sand! I’m about to compare it to sand and mortar fragments taken from the air-raid shelter where the Hamilton woman’s body was discovered.”
She frowned thoughtfully. “Can that gas mask be traced?”
“Most certainly—there’s an Air Force number stamped inside. I spoke to the inspector… he’s working ’round the clock, it seems… and he’s getting in contact with your friend Glanville, to put the number with a name.”
She risked a smile. “Playing with sand is a far cry from performing autopsies, Bernard.”
“Agatha, forensics only begins with medicine. Science is science…. May I make a suggestion?”
“Always.”
“Why don’t you borrow my Armstrong-Siddeley? I can take the train home, when the time comes.”
“That’s very kind of you. I hope it wouldn’t be too much of an imposition….”
“Nonsense.” Then he looked at her. “This assumes you are in a condition to drive.” He arched an eyebrow and only one who knew him well could have detected the trace of a smile. “I would hate for anything to happen to my Armstrong-Siddeley.”
She grinned her most unguarded, horsey grin. “I know, Bernard. You’re so careful with it.” She gestured elaborately to herself. “No concussions, no broken bones. Tiny sprain—my left ankle. Otherwise I’m fine.”
“And you would like to go home and get some rest in your own bed? Understandable.”
She left with the keys to Sir Bernard’s automobile, the great man wholly unaware that she had entered his lab with that very intention.
Agatha prided herself a lay master of psychology. She felt certain her friend would have come to the hospital in order to keep an eye on her, and would pass the time by going to work on something or other in his laboratory.
And once Sir Bernard had become involved with his work, he would be loath to leave it, not even to give his ailing friend a ride home from the hospital….
Agatha had her own agenda, and driving to Hampstead to the Lawn Road Flats to curl up in bed was not first on that list.
It should have been: this she knew. Now that the gas mask had turned up, with its identifiable service number, the guilt or innocence of Cadet Cummins would soon be ascertained by Inspector Greeno and his minions. No need for any further involvement on her part; she was a civilian observer who, common sense would say, needed to retreat to the sidelines, and promptly.
Later she would reflect upon the events, and wonder if she would have behaved so recklessly, had the earlier brush with death not taken place. For now, she merely moved forward following her intentions.
St. John’s Wood had changed, since the time she and her first husband had lived there. In 1918, when Agatha and Archie had first moved to London, the district had been one of big old-fashioned houses with large gardens. Now the area had been invaded by large blocks of drearily modern flats, taking the place of many of those homes, particularly the smaller ones.
The address Cummins had given Agatha took her to Viceroy Court, between Edgmont and Townshend Streets, a particularly large example of the lusterless modern buildings that had invaded the district, a seven-story structure faced with yellow brick. Requisitioned for billets by the RAF, the building could not have dated back more than a few years and had a cold institutional quality that displeased Agatha.
Having left the Armstrong-Siddeley on the street, Agatha—a most unmilitary figure in her fur coat, copy of the new Poirot tucked under one arm—approached the building, which loomed monolithically in the moonlight. She entered to find the lobby a functional area of the same yellow brick with a few patriotic posters on several bulletin boards—“Let’s Go! Wings for Victory,”
“Tell Nobody—Not Even Her!” and (
irony again
, she thought) “Hitler Will Send No Warning—Always Carry Your Gas Mask.”
A pair of guards in RAF uniform played cards at a small table near the door; looking painfully young to her, they looked up at Agatha curiously. Standing, one asked, “Help you, ma’am?”
“Just visiting my nephew,” she said.
“At this hour, ma’am?”
“I only just got in to town by motor—terrible delays. He said he’d be up late. Am I breaking a rule? After visitors’ hours, is it?”
“We don’t stand on ceremony around here, least not on the weekend. What’s his name, ma’am?”
“Gordon Cummins.”
“Oh,” the guard said with a smile. “The Count!”
Oh dear
, she thought.
“Pardon?” she said.
“Nothing, ma’am, just a sort of nickname the blokes call your nephew…. I’m not sure LAC Cummins is in, ma’am. Hardly anybody is, y’know. Friday night. It’s an empty building, you’ve dropped by to.”
“I spoke to him on the telephone. I think he’s expecting me.”
“Do you know what billet, ma’am?”
“I do indeed. Room 405.”
“Go on up, ma’am.”
The guards returned to their cards—that new game, gin rummy, if she wasn’t mistaken—and she took the automatic lift to the fourth floor.
Flats faced each other across a central hall, in hotel fashion; the brick walls and the tile flooring again gave off an institutional air which seemed appropriate for the building’s commandeered use as a billets, but which must have been depressing for apartment living.
The guards were correct: the hallway was deserted. No Saturday night parties or card games could be discerned, no radios blared behind doors. The troops had no doubt descended upon Piccadilly.
She hoped she wouldn’t have to return to the lobby to request that one of those young guards unlock Cummins’s door for her—and she didn’t: after her knock went unheeded, she tried the knob and found it unlocked. Not surprising, in what was after all a glorified barracks.
The flat, drably modern, was a sitting room beyond which lay a small, separate kitchen and two small bedrooms, one of which was off the kitchen, the other off the sitting room, which also had an adjacent bathroom. Four cots had been erected in the sitting room and each cramped bedroom had a single cot. Those using the sitting room were apparently living out of small wooden RAF-issue trunks; but each tiny bedroom, glorified closets really, had bureaus—Viceroy Court had apparently provided furnished apartments to its prior tenants.
The small bedroom off the kitchen—with its easy access to the fire escape—was Cadet Cummins’s, or so she assumed. The reason for her deduction provided one more small irony: on the bureau were two stacks of popular inexpensive editions of her novels.
That much, at least, had been true: Gordon Cummins was a fan, a dedicated reader of hers.
She did not even have to open the drawers of the bureau to find what she’d been looking for: near one stack of her books, beside multiple sideways displays of her own name, were the apparent souvenirs of slaughter: a cheap comb missing teeth; a fountain pen; and a woman’s wristwatch.
Though it would take measurements and the forensics skills of Sir Bernard to confirm so, Agatha’s eyes told her these items mirrored the shapes she’d discovered in the dust at the Jouannet murder flat.
Leaning closer, narrowing her eyes, she thought she could make out something odd about that watch: it had something on the back of it….
She lifted the cheap watch and turned it over and saw the oddly cut piece of elastic tape, fitted there for the original (late) wearer’s comfort, again seeming to mirror the shape of the portion cut from the roll of sticking plaster Ted Greeno had found in a drawer of that dust-covered dresser in the Jouannet place.
Finally, an inexpensive silver-plated cigarette case, bearing the initials N.W., seemed to indicate the ghost of actress Nita Ward. A pack rat, this killer was; not a good thing to be, in that line of interest.
“
What a pleasant surprise
….”
Startled, she turned to see the owner, or at least the possessor, of these ghoulish keepsakes: the boyishly handsome RAF cadet, Gordon Cummins, standing with cap in hand, his smile sideways, his eyes a greenish unblinking blue.
And in a flash she recognized him, finally: the Gunman.
The smiling blue-eyed Gunman of her childhood nightmares, who had come back to haunt… and perhaps warn… her in recent nights.
How like Archie he was.
“Oh, do forgive me,” Agatha said, turning her back to the bureau and beaming at her host. “I was driving home from the hospital, and I simply couldn’t sleep, and thought I’d run over and leave this here, to surprise you….”
She held out the copy of
Evil Under the Sun
for him to see, then placed it on the bureau top behind her.
“I still need to sign it, I’m afraid, but I wanted to thank you properly. I thought you were spending the night with Mrs. Cummins.”
He shut the door. The cadet remained near the door, but the bedroom was so small, so claustrophobic, that they still stood relatively close to one another.
“I thought when you got back,” she said, “that you would find the book in your bedroom and just be… pleasantly surprised. But then, you said you were pleasantly surprised, just now, didn’t you? And I hope that’s true.”
He said nothing. Still smiling. Twisting the hat around in his hands.
“Well… perhaps I should go,” she said. “I’m afraid I was misguided… invading your sanctum sanctorum, as I have.”
“No,” he said. “I’m pleased to see you…. The party broke up early. Everyone was too concerned about you, and the explosion at the theater, for the merriment to continue.”