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Authors: Kage Baker

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The Machine's Child

BOOK: The Machine's Child
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The Machine’s Child

 

 

 

 

 

TOR BOOKS BY KAGE BAKER

 

The Anvil of the World

The Graveyard Game

In the Garden of Iden

Mendoza in Hollywood

The Life of the World to Come

The Children of the Company

The Machine’s Child

The Machine’s Child

________________

Kage Baker

A TOM DOHERTY ASSOCIATES BOOK
NEW YORK

The author and publisher have provided this e-book to you without Digital Rights Management software (DRM) applied so that you can enjoy reading it on your personal devices. This e-book is for your personal use only. You may not print or post this e-book, or make this e-book publicly available in any way. You may not copy, reproduce or upload this e-book, other than to read it on one of your personal devices.

Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at:
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.

 

 

 

 

 

This is a work of fiction. All the characters and events portrayed in this novel are
either fictitious or are used fictitiously.

 

THE MACHINE’S CHILD

 

Copyright © 2006 by Kage Baker

 

All rights reserved, including the right to reproduce this book, or portions thereof, in any form.

 

This book is printed on acid-free paper.

 

Edited by David G. Hartwell

 

A Tor Book
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010

 

www.tor.com

 

Tor
®
is a registered trademark of Tom Doherty Associates, LLC.

 

Library of Congress Cataloging-in-Publication Data

 

Baker, Kage.

The machine’s child / Kage Baker.—1st ed.

    p. cm.

ISBN-13: 978-0-765-31551-9

ISBN-10: 0-765-31551-3 (acid-free paper)

1. Dr. Zeus Incorporated (Imaginary organization)—Fiction. 2. Immortalism—Fiction. 3. Cyborgs—
Fiction. I. Title.

PS3552.A4313M33 2006

813’.54—dc22

2006005723

 

First Edition: September 2006

 

Printed in the United States of America

 

0 9 8 7 6 5 4 3 2 1

Cui hunc librum dedicem?
Katiae, cauponae ad Viridem Virum.
Mater actoribus bonam cerevisiam aequo pretio praebet.

The Machine’s Child

PROLOGUE:
ONE EVENING IN 2302
AD
,
THIRTY MILES OFF THE
GALAPAGOS

There was a spark of light on the wide sea, no other visible in miles of rolling darkness. It wasn’t a fixed point. Sometimes it seemed to wink out, sometimes to wander along the line of the black horizon, only to double back on itself in an aimless sort of way.

Anyone crossing the surging distance toward it would have seen gradually the pale outline of a ship, the spark resolving into a window in her aft cabin. Her running lights were extinguished. She had no fear of encounters on that empty sea where she stood on and off, nor any desire to let passersby know she was there.

Closer to, now, and the observer would have found her size staggering. Four great masts, a sequoia forest of reefed sail, her shrouds and spars quartering the night sky like Mercator lines. White and sleek as a sleeping seabird, all smooth modern form; but through that yellow window, a glimpse of an older style. Dark wood, rich paneling, red and blue and gold. The interior seemed to have been designed by someone very fond of pirate films. Much brass and elaborate carving, to the point where taste was definitely in question. The cabin’s centerpiece was its vast bed.

What the observer saw next would depend on who, or what, the observer was.

A human observer—though it is unlikely a mere human could swoop in with such omniscience—would see a single man lying in the exact center of the red-and-gold pirate bed.

The man was sleeping, sprawled in exhaustion. There was a certain
tension in his long body that failed to relax even so, and his eyes darted behind his eyelids in uneasy dreams. He had not slept well since the night when Mars Two had died, with all its citizens, as the result of his error in judgment. His name, by the way, was Alec Checkerfield, and he was the seventh earl of Finsbury.

He was a lanky fellow, quite tall but built solidly. He wore pajamas violently patterned with palm trees and vahines, not at all the kind of thing you’d expect a hunted man to wear. He had a long broken nose, and high broad cheekbones. When he rolled over, he exposed something strange twining up the back of his neck. It looked like a silver tattoo, in a pattern of vaguely Celtic-knot complexity.

It was not a tattoo, however. It was a subcutaneous wire hooking Alec up to the artificial intelligence sailing his ship, for Alec was a cyborg. Not at all some human-machine hybrid with a whirring ocular implant and a toneless voice, oh dear no; that sort of fashion went out generations before Alec was born. In any case, being a peer, he could afford the most elegantly understated cybernetic implants.

So much for what the hypothetical human observer would notice.

It would be rather more likely that a surveillance drone would see all this, zooming in across such distance, noting such detail. And a surveillance drone, having the ability to tune in to the ship’s system, its cameras and indeed to Alec’s own cyborged brain, would see a great deal more.

It would see, for example, two other men lying in the bed, at extreme arm’s length from Alec on either side, who appeared to be his nearly identical brothers.

The virtual man who slept, or tried to sleep, on the left, looked slightly older than the other two. He lay stretched on his side, one hand under his pillow as though groping after something he’d hidden there. He wore only ivory-colored drawers of an antiquated design. His name was, or had been, Edward Alton Bell-Fairfax.

The virtual man on the right was not asleep at all. He lay on his back like an effigy on a tomb, clad in a flowing white shirt of even more antique design, his arms crossed on his chest. He gazed with an expression of despair on the gimbal lamp, which rocked gently as the ship crested each rolling swell, and which had dimmed itself to the comforting glow of
a nursery light. He wasn’t comforted. His lips moved for a while in silent prayer. Tears welled in his eyes.

He could hardly be blamed. He found his present situation bizarre and intolerable, as you might if you, too, were Nicholas Harpole, burned as a heretic in 1555 but now inexplicably alive and drifting in a twenty-fourth-century ship, with a pair of your clones.

He looked away from the lamp and up to the single red eye of a surveillance camera. After a long moment he ventured to say:

“Spirit, dost thou watch in the night?”

Instantly awake, the virtual man on the left rolled over and sat bolt upright, taking aim with the very real pistol he’d fetched from under his pillow. Its muzzle was a bare two inches from the face of Nicholas on the right, who recoiled from it. Alec, between them, opened startled eyes but lay motionless, staring at the pistol in confusion.

Any hypothetical human viewer would be confused, too. Without a way to tap into Alec’s brain, he or she would have seen only the man in the bed’s center sitting up, pointing a gun at empty space to his right. And the cold glare and military bearing of the man were not those of anyone who would ever wear vahine-patterned pajamas by choice. This was because virtual Edward had just seized control of Alec’s real body.

Edward! Belay that!
said a gruff male voice, from a speaker concealed within a carving of a Spanish galleon. It was the voice of the artificial intelligence that ran the ship, and not—as one might be forgiven for supposing—a pirate hiding behind the panel.

Edward exhaled, shaking, but did not lift the pistol.

“Ghost or no ghost,” he said through his teeth, “if you start that damned praying again, I swear I shall kill you.”

“Do it, Homicide,” said Nicholas, “an thou darest!”

Edward regarded Nicholas, moving the pistol away only regretfully. During his life, which had ended abruptly in 1863, he had been what was known at the time as a Political; which meant he had done things for Queen Victoria’s government that would have horrified that good lady, had her cabinet ministers ever seen fit to tell her about them.

Alec began to hyperventilate. He wasn’t a particularly oversensitive person, but his nerves had been rather strained lately.

“Are you nuts?” he yelled. “That’s a disrupter pistol! In
bed
? You want
to burn a hole through a bulkhead? How’d you get it out of the locker, anyway?”

D’you really reckon he’d tell you, Alec?

“You don’t know either, do you, machine?” said Edward with a sneer. “When your little pivot-lenses aren’t turned on the locker, you can’t see it. And neither one of you noticed,” he added, turning to Alec and Nicholas.

Well, now, Mr. Bell-Fairfax, sir, thank you for telling me, to be sure. It’ll be a cold day in Hell afore I takes an eye off
you
again. Put that bloody pistol away.

Sullenly Edward set it on the bedside table. “I may as well, after all,” he said. “Since I’ve precious little chance of sending Nicholas to Heaven, where he belongs, instead of this wretchedly crowded bed. But you’re a fool to sleep without a weapon in reach, Alec, you really are.”

“Sleep? How am I ever going to get any sleep?” said Alec, flailing with his fists. “We’ve got work to do tomorrow! How are we going to break into Options Research if you two fight all the time?”

Stand to!
You calm down, now, matey, old Captain Morgan’ll take the helm. That goes for you too, Mr. Bell-Fairfax, yer worship.

Muttering, Edward lay down and punched his virtual pillow savagely.

A word or two of explanation might be helpful at this point. Neither Edward nor Nicholas were
ghosts,
technically; but during their respective lifetimes each had carried in his brain, quite unknown to himself, a sort of black box. This device recorded in electromagnetic analogue every sensation, thought, and emotion experienced from the moment of its installation (immediately after birth) to the moment of death.

These recordings were made because neither Edward nor Nicholas were
human,
technically. They were Recombinants, as Alec was, and they had been made (very, very illegally) by an all-powerful cabal of scientists and investors known collectively as Dr. Zeus Incorporated, or more usually just the Company, which also possessed the secret of time travel, among other things.

For reasons that will not be gone into immediately but involved ensuring its own existence, the Company had needed a Recombinant. A prototype was designed, DNA engineered to produce it, and three test embryos cloned from one blastocyst. They were then scattered across time, implanted in human mothers by hard-working immortal Company
operatives. Being, after all, test runs, the prototypes were not made immortal.

Nicholas and Edward, completely unaware of their destinies, nevertheless fulfilled them and died untimely if necessary deaths, whereupon the recorded sum of their lives went into their Company project files. Alec, however, had not died.

Like his—clones? brothers? other selves?—Alec had certain abilities completely unguessed-at by his shadowy creators. Unlike them, he was born into an era of advanced technology. When, as a child, he had been given a cybernetic companion, he had not only been able to modify it to suit his tastes, he removed the safeguard that prevented it from breaking any laws in the fulfillment of its primary directive, which was to protect and nurture him.

The astute reader will have guessed that little Alec had liked pirate stories.

BOOK: The Machine's Child
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ads

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