Read The Magic Cake Shop Online
Authors: Meika Hashimoto
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Text copyright © 2011 by Meika Hashimoto
Jacket art and interior illustrations copyright © 2011 by Josée Masse
All rights reserved. Published in the United States by Random House Children’s Books, a division of Random House, Inc., New York.
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Library of Congress Cataloging-in-Publication Data
Hashimoto, Meika.
The magic cake shop / by Meika Hashimoto; illustrations by Josée Masse. — 1st ed.
p. cm.
Summary: When ten-year-old Emma Burblee’s beautiful but snobbish parents banish her to Nummington for the summer with her loathsome Uncle Simon, she is befriended by the seemingly magical town baker, Mr. Crackle, who soon becomes a target of Simon and his cohort.
eISBN: 978-0-375-89874-7
[1. Bakers and bakeries—Fiction. 2. Magic—Fiction. 3. Conduct of life—Fiction.
4. Uncles—Fiction.] I. Masse, Josée, ill. II. Title.
PZ7.H27Mag 2011 [Fic]—dc22 2010041098
Random House Children’s Books supports the
First Amendment and celebrates the right to read.
v3.1
For
who loves dessert even more
than his bigger sister
M
r. and Mrs. Burblee were very beautiful. Mrs. Burblee had a delicate chin, dainty earlobes, and a charming smile. Mr. Burblee had a rugged chin, manly earlobes, and a winning smile.
When Mrs. Burblee went for a walk, many a man tripped over his feet in a rush to say hello. If Mrs. Burblee said hello back, the goggle-eyed man usually fell off the sidewalk, sometimes into oncoming traffic.
Mrs. Burblee took this as a compliment.
When Mr. Burblee took a ride on his motorcycle, he liked to grin at the lady drivers at stoplights. They usually fainted. In the past year, Mr. Burblee had been responsible for eighty-two traffic jams.
He liked to keep count.
From the moment they opened their dazzling eyes in the morning to their eighty-step face-washing ritual before bed, the Burblees busied themselves with powdering, perfuming, and polishing. When they weren’t applying lotion
or slicking hair or beautifying themselves in hundreds of ways, they bickered over who got to be admired.
“What shall we talk about today?” Mr. Burblee asked Mrs. Burblee one morning over a breakfast of carrots and celery. “Shall it be the noble shape of my nose or my fabulously silky locks of hair?”
Mrs. Burblee pouted her rosy lips and frowned. “We talked about your hair yesterday. It’s my turn. I want to compose poems about the graceful curves of my feet.”
“As long as it’s my nose tomorrow,” Mr. Burblee huffed, sinking his pearly teeth into a celery stick.
For the rest of the day, they wrote odes to Mrs. Burblee’s feet.
The Burblees lived in a fancy apartment building named Stoney Henge in a wildly expensive part of the city. Stoney Henge was built of solid steel and granite. High-heeled women clacked their way through the lobby night and day, while loud-talking men in suits bragged about their latest business deal. The elevator buttons were lined with diamonds that had a nasty habit of nicking fingers.
Inside the Burblees’ apartment, expensive furniture was perfectly arranged throughout each room. In the dining room, gold-encrusted stone-hard chairs made for stylish but uncomfortable mealtimes. Snarling gargoyles in the bathroom stared at anyone who entered and made it difficult to do one’s business.
In the Burblees’ bedroom, gigantic dressers stuffed
with Mr. Burblee’s designer socks stood next to shelves full of Mrs. Burblee’s nail products. Deep closets opened up to a carefully arranged onslaught of accessories, including Mr. Burblee’s prize collection of polka-dot ties and Mrs. Burblee’s three hundred pairs of earmuffs.
The spare room next door held nothing but clothes.
The Burblees had lived in Stoney Henge ever since Mr. Burblee made millions off a fancy hat boutique called Chic-Chic. The boutique was the sort that had tall, thin-lipped clerks with pointy noses that they would stick up if you didn’t enter the shop with the latest style of purse or sunglasses. Chic-Chic decorated hats with things like hummingbirds and mousetraps and insisted the models be photographed in places like Mozambique and Antarctica. This was supposed to make the hats seem more fashionable.
Mr. Burblee was very good at bringing customers to Chic-Chic. “The trick,” he boasted to Mrs. Burblee one night at dinner, “is to make women feel rotten about themselves. Once you make them feel ugly, they’ll be desperate to buy anything that seems to make them instantly beautiful.”
“Is that so?” murmured Mrs. Burblee, picking daintily at her lettuce.
“Remember that commercial I ran on television last year? The one where I painted zits on your nose and warts on your cheeks and had you wear that hideous wig with gray streaks?”
“And then you had me wander into Chic-Chic, put on a hat, and transform into my usual ravishing self? Yes, I remember—I was there,” said Mrs. Burblee with a touch of irritation. “You never stop talking about that commercial. I know it was a success and we made a fortune, but you really had nothing to do with it.”