The Magic Kingdom (2 page)

“Well…”

The Queen of England enters the family room carrying her purse. Bale rises and improvises a few courtesies. He completes his obeisances by pulling a chair out for his Queen on the other side of the Scrabble board. Queen Elizabeth II gestures for him to be seated, and Bale returns to his chair. The Queen is silent and Eddy clears his throat, is about to speak, when he sees that he does not have her complete attention. Covertly, she appears to be studying the rack of letters before her.

They play for money, Eddy thinks; they play for trips and dogs and horses. They play for cooks and butlers, for invitations and the use of castles. They play for gossip and regiments. He is a long way from his cause, and he thinks not of the children—in any case he hasn’t come to save the children; now his old notions are tempered, toned, almost temperate—but of himself.

He is calmer than he has been in months. Eddy Bale and the Queen of all the Englands are in a strange conspiracy of mood, she because she is Queen, unaccountable, irreproachable, the kingdom’s most private citizen as he is its most public beggar, and he because he has volunteered for scorn and is in the presence of one who has set all scorn aside, who has had it flushed from her system, an emotion not so much above her character—he doesn’t know her character—as beyond her biology, who could not have lived so long with such power and such privilege and
not
have dispensed with it, scornless from birth, from lifelong pet and pamper, public croon and cherish. Perhaps even surprise itself would be vestigial in her, useless to her as her appendix, and Eddy realizes he could not have offended her with his makeshift bowings and scrapings, his quick and nervous touch-flesh salutes. A woman who’s seen it all—though the empire is shrunken now—a queen shaped to tolerance and ceremony, who has sat in whatever place someone has told her to sit and observed all the strange dances of welcome, all the queer inverted struttings and high-souled arabesques and flashy, prescribed abasements and ceremonial mortifications, who has heard the odd music and seen the war paint—all the leaf mascaras, all the bark rouges and earth cosmetics, for whom the world and all behaviors are only a sort of anthropology and fierce loyalty, a kind of ethnic nationalism. She would never scorn him—for if he does not know
her
character she hasn’t a clue to his—and for a few seconds Bess and Eddy have this mutual moment. It’s as if—the child has left the room—they are married, in bed, side by side, reading…

Which puts Eddy into a sort of remission—gives himself back to himself, that is—and for the first time since Liam died and Ginny left him, for the first time since he’s had his idea about the children or delivered his new pitch to his famous but secular patrons, he is suddenly quiet, not at rest but unobsessed. The refusals he’s so patiently listened to—and understood, and even in his heart embraced—from men who’ve listened so patiently to him, have depleted him; just arranging all the appointments that have so conflicted other people’s schedules has: living by deadline, his opportunities foreshortened—despite their patience—spliced into ten- and twenty- and thirty-minute intervals, and even his own eye on the clock, not, as you might think, because he has just so many minutes to make his point before he is politely dismissed but because he has buses to catch, underground trains, other appointments to make.

And sometimes he wished they weren’t so matey, the chairmen and managers, wished they were as businesslike as himself, could forgo the cuppas and glasses of sherry, all the bright riffs of decorum, all the easy perks of the obligatory genteel. He apologized and declined whenever he was invited to lunch. A smoker, he refused even cigarettes when they were offered and, in his turn, and even when Liam was alive, withheld his own beggar’s knee-jerk God-bless-you’s, even when, as so often happened when Liam lived, he was successful. (Because Liam was appealing, even handsome, and lived—and died, by God—under the dreadful curse of his outside chances, his long-shot, high-roller, break-the-bank, one-in-a-million possibilities.) Because I
am
mad, he thought. Not so much grief-struck as driven. Ginny had seen it clearly and, though she’d been as tireless as himself while Liam was alive, wanted no part of this new business. Two hours after they returned from the cemetery, a taxi was waiting to take her away. (The taxi, like the food they’d lived on during their son’s illness—Eddy had taken leave of absence from his job in order to be with his boy—like their clothes and rent, like their phone bills, airfare, hotels, and utilities, like the cost of the boy’s burial itself, had been paid for from funds pledged to cure Liam, to keep him alive. Solicitors had put their two lives in trust, and just one of the peculiar results of their tragedy was that they’d come to live the managed financial lives of children of wealth, say, who’d not yet achieved their majority, or film stars on allowance, accepting doles and quarreling with accounts managers, dependent, special-pleading their special needs—though they were always merely Liam’s honest brokers: rails for the bed in his room, a remote control for his telly, down pillows, colored prescription lenses cut from blanks identical to the material that went into stained-glass cathedral windows—and both of them developing a sort of privileged rich kid’s cunning charm, turning them into nephews, nieces; a kind of undergraduate glamour, the exuberant flush of an overdraft youth upon them, the sense they could not help giving off—though it was never true—of people with gaming debts, their tailors and dressmakers unpaid, heavily into their publicans, their grooms and servants; a raffish couple, committed to weekending, to leisurely country pleasures, imbued with some nostalgic, almost larky spirit of the throwback, all the more—and all the more oddly—“modern,” for that the type had disappeared about the time they were born.)

It was, of course, an illusion. Inland Revenue was far too conscious of them. This was no fiddle. No fiddle was intended, no fiddle would have been allowed. Nevertheless, their lives in receivership, they
seemed
lifted from responsibility, what they did for their child, even those terrible “exclusives,” a kind of sinecure, like a plummy-placed commissionaire, or the man who changed the guard outside this palace. And Ginny had absconded with the last of the taxi fare, throwing neither reproach nor their common loss at him so much as the diminished fact of herself, taking her weakened leave, so that the cabman had to help her down not only with her two or three bags but even with her umbrella, and she seemed, well, found out, undone, all in, cashiered, disgraced, ruined, sent down, as if she’d actually been the type she had—they had—merely seemed. “Where will you go?” he’d asked, the words, despite his sour mood, unaccountably sweet because of their melodrama. Because it was a time in his life when he had absolutely legitimate recourse to the great phrases of melodrama, when entire conversations were built around them, exhorting contributors, reproving medical science, comforting Liam, tongue- lashing God. By turns angry, enraged, or gently depleted as an actor, and, late at night, with Ginny, when they returned from hospital or while Liam still slept in the next room, all the heavy, distilled oom-pa-pa of crisis and crunch on him. When he’d outlined his scheme. And Ginny had called him Boots the Chemist. “Boots?” “You fill needs like prescriptions, Eddy.”

The letter she’d left him unread. Not even opened. His wife. They’d lost a child together, a marriage, done chat shows, been to the necromancers. They’d always been intimate, but the very night they lost Liam, returning to their flat (reporters had been there, at the London Clinic, consigned to wait in the lobby until the Bales should appear, Ginny, who ought to have known better, surprised at their presence, even alarmed: “What are they doing here, Eddy?” “I sent for them.” “You?” “Please, darling, don’t go all upset on me. Stories properly have beginnings, middles, and ends.” “Eddy, you dumbshit, you damned son of a bitch.” “Thanks for coming, gentlemen,” Bale had said. “I’ve terrible news. Our Liam’s gone.” Though when they’d pressed him he hadn’t told them the little boy’s last words, had told them little enough, really, content to allow the child’s doctor to speak for him, for Ginny in shock, who could hardly have spoken for herself, the specialist reciting the facts of Liam’s case, letting the press in on its dark pathology, then Eddy stepping forward, nodding at the doctor as though the man were merely some compere at an awards dinner, as though the doctor’s dry recitation of their son’s passing had been only a sort of introduction, thanking him—you could almost see microphones—and, smiling thinly but almost hearty, relieving him, making his statement—you could almost see text—thanking
all
of them, the doctors and nurses, the splendid staff, the press who had so kindly come out on this wet night, who’d been so cooperative throughout, who’d taken the message of their son’s strange and terrible illness to the magnificent British people, whose response to the plight of one small, unfortunate, doomed little twelve-year-old boy, and whose consideration of that poor doomed boy’s poor doomed parents—pressing her close now, practically holding her there, applying the invisible forces and vectors of some secret body language, as you’d guide a horse with a barely discernible pressure of your knees, and actually saying the words “On behalf of my wife and myself, on behalf of our son, Liam…”—had been the manifestation of the generous spirit of a generous people), they had fallen into each other as into actual furniture, actual chairs, actual beds, not undressing each other, pulling off clothes, so much as tearing at belts, shoulder straps, zippers, ties, tugging on sleeves, elastic, undoing one another like gifts, packages, grasping as children and, naked now, as though they had uncovered puzzling, unassembled toys, or a clutter of treasure, say, reaching randomly for pieces, parts, touching features, lifting and turning over limbs, scenting fingers, handling rashers of flesh, inspecting, examining, now squinny-eyed, now all gawking open rubberneck and abandon, no surveillance or vigil, no cool peep or snoop, neither peek nor pry but committed, bristled stare, some in-for-a- penny-in-for-a-pound plunder of the other, Ginny forcing the cheeks of his ass, her face close as a detective’s and, shifted sudden as wrestlers, his eye at her cunt myopic as a man who’s lost his glasses. Not even fucking finally but transport, some courtship of the head, their very wills consummated, a will seduction that ends in the giant swings and fluctuate spasms and shudders of orgasm, coming, coming, come, autonomous but reciprocal, too, as the shuttle of a rocking chair or a kid’s seesaw, both feeling the private, internal seismics of self, percussive as a drum roll of glands—not even fucking—a convulsion of spirit, overwhelmed, rushed, jerked as boxers by jolts of lovepulse involuntary as seizure, some absurd, choreic twitch and flop- flounder fishthrill, the shaking of all the body’s lymphs, jellies, and puddings, and last declining flickers, tremors, and almost gentle aftershock and ripple of nerves, a sort of jitters, the groggy, pleasant, irregular cramp raptures, subsultive, succussive. “Wow!” says the bereaved man. “Oh, Jesus!” groans the woman whose child will be buried the day after tomorrow and who will leave her husband two hours afterward. Then both look up, stricken, and recover their clothes. (They have been through so much—the chat shows, the necromancers, the marriage, the kid. They have been through so much—the so handsomely rewarded begging; their life on the handouts of chairmen of boards, great merchants and managers, significant tradesmen; their odd raffishness, their queer, soiled fame.) And both realize, as they’d realized their detached, mutual frenzy of moments before, that the death of Liam is not without its compensations, that they are without his intrusive presence, that they have, in ways they could not have contemplated earlier that day, been freed. (They have been through so much. He speaks for both of them.) “Well,” Eddy says, “weren’t that a corking way to have a bit?” (He speaks for both of them and slips into their old slangy banter, the dated style he does not even remember they have not used with each other since Liam’s illness was diagnosed.) “Coo!” he says. “I daresay neiver of us has ever been brought off like that.” “Fair fizzing dinkum, it were,” his wife answers unexpectedly, but without energy. “I know
I
didn’t feel the draught,” Eddy tells her. “We was brung off just by looking, the both of us Harry starkers. We never even had it in.” “Jack it, Eddy, it was flaming doolally,” Ginny says. “You’ve got
your
rag out.” “Eddy, jack it,” she says listlessly. “
You’re
a long streak of misery.” “And you’re in high feather.” “Want to jig a jig then?” “You’ve got a hope!” “Come on, then.” “Eddy, you neddy.” “Pongy, were it?” “Were mine?” “Yours? No, la, yours was pukka. Yours was pure pukka quim, Ginny darlin’. Want to have it off?” “It’s not on,” she shouts. “Jolly good, luvverly,” her husband says. “Wasn’t we randy though?” she says more softly, and Eddy puts his arm about her shoulder. “If we’re going to do it,” he says, “I ought to Jimmy riddle first. It’s up in me marbles.” Ginny starts to cry. “We behave like this because he’s dead, Eddy.” “It’s not as if it was off the cuff, old girl,” Eddy says quietly. “Because he can’t hear us. If the phone rings it won’t be hospital.” And now
she
is speaking for both, resuming ordinary English, setting aside their old language as earlier they had dispensed with the actual need for actual fucking. “Why were they there? Why did you bring them in? The reporters? What business was it of theirs?” (They miss their stress, he sees, the full-fathoms pressure of their deep-sea lives. Stress was what organized it, kept it under control, kept it civilized. It’s at this point that Eddy knows Ginny will leave him. Like Eddy she can’t accept the gift of grief, all loss’s break-bank boons and benefits, the perks of tragedy. Oh, he thinks, what we could have done with each other! This evening’s outrage only a taste, the tip of their new iceberg privacy!) “Liam was never the press’s creature. He was never the hero of those accounts, that ordeal. We were,” he tells her. “Liam was just the little boy who died, only the victim.”

And now it is the Queen of England who does not have
his
attention. She taps a Scrabble tile lightly against the game board.