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Authors: Gardner Dozois

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The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (20 page)

BOOK: The Mammoth Book of Best New Science Fiction: 23rd Annual Collection
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“You look nervous, lady,” the tattooed boy says.

“Leave her alone, Ethan,” Nick says.

“You shut up, Uncle Nick, or I’ll kick your ass,” the boy says absently, never taking his eyes off me.

Nick says nothing.

I say nothing. I just get my dogs in my car and drive away.

Our life settles into a new normal. I get a response from my dildo email. Nick in Montana is willing to let me sell on his sex site on commission. I make a couple of different models, including one that I paint just as realistically as I would one of the reborn dolls. This means a base coat, then I paint the veins in. Then I bake it. Then I paint an almost translucent layer of color and bake it again. Six layers. And then a clear over-layer of silicon because I don’t think the paint is approved for use this way. I put a pretty hefty price on it and call it a special. At the same time I am making my other special. The doll for the Chicago couple. I sent the mold to Tony and had him do a third head from it. It, too, requires layers of paint, and sometimes the parts bake side by side.

Because my business is rather slow, I take more time than usual. I am always careful, especially with specials. I think if someone is going to spend the kind of money one of these costs, the doll should be made to the best of my ability. And maybe it is because I have done this doll before, it comes easily and well. I think of the doll that the man who broke into my house stole. I don’t know if he sent it to his wife and daughter in Mexico, or if he even has a wife and daughter in Mexico. I rather suspect he sold it on eBay or some equivalent – although I have watched doll sales and never seen it come up.

This doll is my orphan doll. She is full of sadness. She is inhabited by the loss of so much. I remember my fear when Hudson was wandering the roads of the desert. I imagine Rachel Mazar, so haunted by the loss of her own child. The curves of the doll’s tiny fists are porcelain pale. The blue veins at her temples are traceries of the palest of bruises.

When I am finished with her, I package her as carefully as I have ever packaged a doll and send her off.

My dildos go up on the website.

The realistic dildo sits in my workshop, upright, tumescent, a beautiful rosy plum color. It sits on a shelf like a prize, glistening in its topcoat as if it were wet. It was surprisingly fun to make, after years and years of doll parts. It sits there both as an object to admire and as an affront. But to be frank, I don’t think it is any more immoral than the dolls. There is something straightforward about a dildo. Something much more clear than a doll made to look like a dead child. Something significantly less entangled.

There are no orders for dildos. I lie awake at night thinking about real estate taxes. My father is dead. My mother lives in subsidized housing for the elderly in Columbus. I haven’t been to see her in years and years, not with the cost of a trip like that. My car wouldn’t make it, and nobody I know can afford to fly anymore. I certainly couldn’t live with her. She would lose her housing if I moved in.

If I lose my house to unpaid taxes, do I live in my car? It seems like the beginning of the long slide. Maybe Sherie and Ed would take the dogs.

I do get a reprieve when the money comes in for the special. Thank God for the Mazars in Chicago. However crazy their motives, they pay promptly and by Internet, which allows me to put money against the equity line for the new tools.

I still can’t sleep at night and instead of putting all of the money against my debt, I put the minimum and I buy a 9 millimeter handgun. Actually, Ed buys it for me. I don’t even know where to get a gun.

Sherie picks me up in the truck and brings me over to the goat farm. Ed has several guns. He has an old gun safe that belonged to his father. When we get to their place, he is in back, putting creosote on new fence posts, but he is happy to come up to the house.

“So you’ve given in,” he says, grinning. “You’ve joined the dark side.”

“I have,” I agree.

“Well, this is a decent defensive weapon,” Ed says. Ed does not fit my preconceived notions of a gun owner. Ed fits my pre-conceived notions of the guy who sells you a cell phone at the local strip mall. His hair is short and graying. He doesn’t look at all like the kind of guy who would either marry Sherie or raise goats. He told me one time that his degree is in anthropology. Which, he said, was a difficult field to get a job in.

“Offer her a cold drink!” Sherie yells from the bathroom. In her pregnant state, Sherie can’t ride twenty minutes in the sprung-shocked truck without having to pee.

He offers me iced tea and then gets the gun, checks to see that it isn’t loaded, and hands it to me. He explains to me that the first thing I should do is check to see if the gun is loaded.

“You just did,” I say.

“Yeah,” he says, “but I might be an idiot. It’s a good thing to do.”

He shows me how to check the gun.

It is not nearly so heavy in my hand as I thought it would be. But truthfully, I have found that the thing you thought would be life changing so rarely is.

Later he takes me around to the side yard and shows me how to load and shoot it. I am not even remotely surprised that it is kind of fun. That is exactly what I expected.

Out of the blue, an email from Rachel Mazar of Chicago.

I am writing you to ask you if you have had any personal or business dealings with my husband, Ellam Mazar. If I do not get a response from you, your next correspondence will be from my attorney.

I don’t quite know what to do. I dither. I make vegetarian chili. Oddly enough, I check my gun which I keep in the bedside drawer. I am not sure what I am going to do about the gun when Sherie has her baby. I have offered to baby sit, and I’ll have to lock it up, I think. But that seems to defeat the purpose of having it.

While I am dithering, my cell rings. It is, of course, Rachel Mazar. “I need you to explain your relationship with my husband, Ellam Mazar,” she says. She sounds educated, with that eradication of regional accent that signifies a decent college.

“My relationship?” I say.

“Your email was on his phone,” she says, frostily.

I wonder if he is dead. The way she says it sounds so final. “I didn’t know your husband,” I say. “He just bought the dolls.”

“Bought what?” she says.

“The dolls,” I say.

“Dolls?” she says.

“Yes,” I say.

“Like . . . sex dolls?”

“No,” I say. “Dolls. Reborns. Handmade dolls.”

She obviously has no idea what I am talking about, which opens a world of strange possibilities in my mind. The dolls don’t have orifices. Fetish objects? I tell her my website and she looks it up.

“He ordered specials,” I say.

“But these cost a couple of thousand dollars,” she says.

A week’s salary for someone like Ellam Mazar, I suspect. I envision him as a professional, although frankly, for all I know he works in a dry cleaning shop or something.

“I thought they were for you,” I say. “I assumed you had lost a child. Sometimes people who have lost a child order one.”

“We don’t have children,” she says. “We never wanted them.” I can hear how stunned she is in the silence. Then she says, “Oh my God.”

Satanic rituals? Some weird abuse thing?

“That woman said he told her he had lost a child,” she says.

I don’t know what to say so I just wait.

“My husband . . . my soon to be ex-husband,” she says. “He has apparently been having affairs. One of the women contacted me. She told me that he told her we had a child that died and that now we were married in name only.”

I hesitate. I don’t know legally if I am allowed to tell her about transactions I had with her husband. On the other hand, the emails came with both their names on them. “He has bought three,” I say.

“Three?”

“Not all at once. About once a year. But people who want a special send me a picture. He always sends the same picture.”

“Oh,” she says. “That’s Ellam. He’s orderly. He’s used the same shampoo for fifteen years.”

“I thought it was strange,” I say. I can’t bear not to ask. “What do you think he did with them?”

“I think the twisted bastard used them to make women feel sorry for him,” she says through gritted teeth. “I think he got all sentimental about them. He probably has himself half convinced that he really did have a daughter. Or that it’s my fault that we didn’t have children. He never wanted children. Never.”

“I think a lot of my customers like the idea of having a child better than having one,” I say.

“I’m sure,” she says. “Thank you for your time and I’m sorry to have bothered you.”

So banal. So strange and yet so banal. I try to imagine him giving the doll to a woman, telling her that it was the image of his dead child. How did that work?

Orders for dildos begin to trickle in. I get a couple of doll orders and make a payment on the credit line and put away some toward real estate taxes. I may not have to live in my car.

One Evening, I am working in the garden when Abby and Hudson start barking at the back gate.

I get off my knees, aching, but lurch into the house and into the bedroom where I grab the 9mm out of the bedside table. It isn’t loaded, which now seems stupid. I try to think if I should stop and load it. My hands are shaking. It is undoubtedly just someone looking for a meal and a place to recharge. I decide I can’t trust myself to load and besides, the dogs are out there. I go to the back door, gun held stiffly at my side, pointed to the ground.

There are in fact two of them, alike as brothers, Indian looking with a fringe of black hair cut in a straight line above their eyebrows.

“Lady,” one says, “we can work for food?” First one, then the other sees the gun at my side and their faces go empty.

The dogs cavort.

“I will give you something to eat, and then you go,” I say.

“We go,” the one who spoke says.

“Someone robbed me,” I say.

“We no rob you,” he says. His eyes are on the gun. His companion takes a step back, glancing at the gate and then at me as if to gauge if I will shoot him if he bolts.

“I know,” I say. “But someone came here, I gave him food, and he robbed me. You tell people not to come here, okay?”

“Okay,” he says. “We go.”

“Tell people not to come here,” I say. I would give them something to eat, something to take with them. I hate this. They are two young men in a foreign country, hungry, looking for work. I could easily be sleeping in my car. I could be homeless. I could be wishing for someone to be nice to me.

But I am not. I’m just afraid.

“Hudson! Abby!” I yell, harsh, and the two men flinch. “Get in the house.”

The dogs slink in behind me, not sure what they’ve done wrong.

“If you want some food, I will give you something,” I say. “Tell people not to come here.”

I don’t think they understand me. Instead they back slowly away a handful of steps and then turn and walk quickly out the gate, closing it behind them.

I sit down where I am standing, knees shaking.

The moon is up in the blue early Evening sky. Over my fence I can see scrub and desert, a fierce land where mountains breach like the petrified spines of apocalyptic animals. The kind of landscape that seems right for crazed gangs of mutants charging around in cobbled together vehicles. Tribal remnants of America, their faces painted, their hair braided, wearing jewelry made from shiny CDs and cigarette lighters scrounged from the ruins of civilization. The desert is Byronic in its extremes.

I don’t see the two men. There’s no one out there in furs, their faces painted blue, driving a dune buggy built out of motorcycle parts and hung with the skulls of their enemies. There’s just a couple of guys from Nicaragua or Guatemala, wearing t-shirts and jeans.

And me, sitting watching the desert go dark, the moon rising, an empty handgun in my hand.

 

BLACK SWAN

Bruce Sterling

One of the most powerful and innovative talents to enter SF in the past few de cades, Bruce Sterling sold his first story in 1976. By the end of the 1980s, he had established himself, with a series of stories set in his exotic “Shaper/Mechanist” future and with novels such as the complex and
Stapeldonian Schismatrix
and
Islands in the Net
(as well as with his editing of the influential anthology
Mirrorshades: The Cyberpunk Anthology
and the infamous critical magazine
Cheap Truth)
, as perhaps the prime driving force behind the revolutionary “Cyberpunk” movement in science fiction. His other books include a critically acclaimed nonfiction study of First Amendment issues in the world of computer networking,
The Hacker Crackdown: Law and Disorder on the Electronic Frontier
, the novels
The Artificial Kid, Involution Ocean, Heavy Weather, Holy Fire, Distraction, Zeitgeist, The Zenith Angle
, a novel in collaboration with William Gibson,
The Difference Engine
, a nonfiction study of the future,
Tomorrow Now: Envisioning the Next Fifty Years
, and the landmark collections
Crystal Express, Globalhead, Schismatrix Plus, A Good Old-Fashioned Future
, and
Visionary in Residence.
His most recent books are a massive retrospective collection,
Ascendancies: The Best of Bruce Sterling
, and a new novel,
Caryatids.
His story “Bicycle Repairman” earned him a long-overdue Hugo in 1997, and he won another Hugo in 1999 for his story “Taklamakan.”
In the politically savvy and bitingly cynical story that follows, one infused with his trademark deadpan wit, Sterling expertly spins us through a gyre of well-thought-out Alternate World Europes. And where the ball stops, nobody knows.

T
HE ETHICAL JOURNALIST
protects a confidential source. So I protected Massimo Montaldo, although I knew that wasn’t his name.

Massimo shambled through the tall glass doors, dropped his valise with a thump, and sat across the table. We were meeting where we always met: inside the Caffe Elena, a dark and cozy spot that fronts on the biggest plaza in Eu rope.

The Elena has two rooms as narrow and dignified as mahogany coffins, with lofty red ceilings. The little place has seen its share of stricken wanderers. Massimo never confided his personal troubles to me, but they were obvious, as if he’d smuggled monkeys into the cafe and hidden them under his clothes.

Like every other hacker in the world, Massimo Montaldo was bright. Being Italian, he struggled to look suave. Massimo wore stain-proof, wrinkle-proof travel gear: a black merino wool jacket, an American black denim shirt, and black cargo pants. Massimo also sported black athletic trainers, not any brand I could recognize, with eerie bubble-filled soles.

These skeletal shoes of his were half-ruined. They were strapped together with rawhide bootlaces.

To judge by his Swiss-Italian accent, Massimo had spent a lot of time in Geneva. Four times he’d leaked chip secrets to me – crisp engineering graphics, apparently snipped right out of Swiss patent applications. However, the various bureaus in Geneva had no records of these patents. They had no records of any ‘Massimo Montaldo,’ either.

Each time I’d made use of Massimo’s indiscretions, the traffic to my weblog had doubled.

I knew that Massimo’s commercial sponsor, or more likely his spymaster, was using me to manipulate the industry I covered. Big bets were going down in the markets somewhere. Somebody was cashing in like a bandit.

That profiteer wasn’t me, and I had to doubt that it was him. I never financially speculate in the companies I cover as a journalist, because that is the road to hell. As for young Massimo, his road to hell was already well-trampled.

Massimo twirled the frail stem of his glass of Barolo. His shoes were wrecked, his hair was unwashed, and he looked like he’d shaved in an airplane toilet. He handled the best wine in Eu rope like a scorpion poised to sting his liver. Then he gulped it down.

Unasked, the waiter poured him another. They know me at the Elena.

Massimo and I had a certain understanding. As we chatted about Italian tech companies – he knew them from Alessi to Zanotti – I discreetly passed him useful favors. A cell phone chip – bought in another man’s name. A plastic hotel passkey for a local hotel room, rented by a third party. Massimo could use these without ever showing a passport or any identification.

There were eight ‘Massimo Montaldos’ on Google and none of them were him. Massimo flew in from places unknown, he laid his eggs of golden information, then he paddled off into dark waters. I was protecting him by giving him those favors. Surely there were other people very curious about him, besides myself.

The second glass of Barolo eased that ugly crease in his brow. He rubbed his beak of a nose, and smoothed his unruly black hair, and leaned onto the thick stone table with both of his black woolen elbows.

“Luca, I brought something special for you this time. Are you ready for that? Something you can’t even imagine.”

“I suppose,” I said.

Massimo reached into his battered leather valise and brought out a no-name PC laptop. This much-worn machine, its corners bumped with use and its keyboard dingy, had one of those thick super-batteries clamped onto its base. All that extra power must have tripled the computer’s weight. Small wonder that Massimo never carried spare shoes.

He busied himself with his grimy screen, fixated by his private world there.

The Elena is not a celebrity bar, which is why celebrities like it. A blonde television presenter swayed into the place. Massimo, who was now deep into his third glass, whipped his intense gaze from his laptop screen. He closely studied her curves, which were upholstered in Gucci.

An Italian television presenter bears the relationship to news that American fast food bears to food. So I couldn’t feel sorry for her – yet I didn’t like the way he sized her up. Genius gears were turning visibly in Massimo’s brilliant geek head. That woman had all the raw, compelling appeal to him of some difficult math problem.

Left alone with her, he would chew on that problem until something clicked loose and fell into his hands, and, to do her credit, she could feel that. She opened her dainty crocodile purse and slipped on a big pair of sunglasses.

“Signor Montaldo,” I said.

He was rapt.

“Massimo?”

This woke him from his lustful reverie. He twisted the computer and exhibited his screen to me.

I don’t design chips, but I’ve seen the programs used for that purpose. Back in the 1980s, there were thirty different chip-design programs. Nowadays there are only three survivors. None of them are nativized in the Italian language, because every chip geek in the world speaks English.

This program was in Italian. It looked elegant. It looked like a very stylish way to design computer chips. Computer chip engineers are not stylish people. Not in this world, anyway.

Massimo tapped at his weird screen with a gnawed fingernail. “This is just a cheap, 24-k embed. But do you see these?”

“Yes, I do. What are they?”

“These are memristors.”

In heartfelt alarm, I stared around the cafe, but nobody in the Elena knew or cared in the least about Massimo’s stunning revelation. He could have thrown memristors onto their tables in heaps. They’d never realize that he was tossing them the keys to riches.

I could explain now, in gruelling detail, exactly what memristors are, and how different they are from any standard electronic component. Suffice it to understand that, in electronic engineering, memristors did not exist. Not at all. They were technically possible – we’d known that for thirty years, since the 1980s – but nobody had ever manufactured one.

A chip with memristors was like a racetrack where the jockeys rode unicorns.

I sipped the Barolo so I could find my voice again. “You brought me schematics for memristors? What happened, did your UFO crash?”

“That’s very witty, Luca.”

“You can’t hand me something like that! What on Earth do you expect me to do with that?”

“I am not giving these memristor plans to you. I have decided to give them to Olivetti. I will tell you what to do: you make one confidential call to your good friend, the Olivetti Chief Technical Officer. You tell him to look hard in his junk folder where he keeps the spam with no return address. Interesting things will happen, then. He’ll be grateful to you.”

“Olivetti is a fine company,” I said. “But they’re not the outfit to handle a monster like that. A memristor is strictly for the big boys – Intel, Samsung, Fujitsu.”

Massimo laced his hands together on the table – he might have been at prayer – and stared at me with weary sarcasm. “Luca,” he said, “don’t you ever get tired of seeing Italian genius repressed?”

The Italian chip business is rather modest. It can’t always make its ends meet. I spent fifteen years covering chip tech in Route 128 in Boston. When the almighty dollar ruled the tech world, I was glad that I’d made those connections.

But times do change. Nations change, industries change. Industries change the times.

Massimo had just shown me something that changes industries. A disruptive innovation. A breaker of the rules.

“This matter is serious,” I said. “Yes, Olivetti’s people do read my web blog – they even comment there. But that doesn’t mean that I can leak some breakthrough that deserves a Nobel Prize. Olivetti would want to know, they would have to know, the source of that.”

He shook his head. “They don’t want to know, and neither do you.”

“Oh yes, I most definitely do want to know.”

“No, you don’t. Trust me.”

“Massimo, I’m a journalist. That means that I always want to know, and I never trust anybody.”

He slapped the table. “Maybe you were a ‘journalist’ when they still printed paper ‘journals.’ But your dot-com journals are all dead. Nowadays you’re a blogger. You’re an influence peddler and you spread rumors for a living.” Massimo shrugged, because he didn’t think he was insulting me. “So: shut up! Just do what you always do! That’s all I’m asking.”

That might be all that he was asking, but my whole business was in asking. “Who created that chip?” I asked him. “I know it wasn’t you. You know a lot about tech investment, but you’re not Leonardo da Vinci.”

“No, I’m not Leonardo.” He emptied his glass.

“Look, I know that you’re not even ‘Massimo Montaldo’ – whoever that is. I’ll do a lot to get news out on my blog. But I’m not going to act as your cut-out in a scheme like this! That’s totally unethical! Where did you steal that chip? Who made it? What are they, Chinese super-engineers in some bunker under Beijing?”

Massimo was struggling not to laugh at me. “I can’t reveal that. Could we have another round? Maybe a sandwich? I need a nice toasty pancetta.”

I got the waiter’s attention. I noted that the TV star’s boyfriend had shown up. Her boyfriend was not her husband. Unfortunately, I was not in the celebrity tabloid business. It wasn’t the first time I’d missed a good bet by consorting with computer geeks.

“So you’re an industrial spy,” I told him. “And you must be Italian to boot, because you’re always such a patriot about it. Okay: so you stole those plans somewhere. I won’t ask you how or why. But let me give you some good advice: no sane man would leak that to Olivetti. Olivetti’s a consumer outfit. They make pretty toys for cute secretaries. A memristor chip is dynamite.”

Massimo was staring raptly at the TV blonde as he awaited his sandwich.

“Massimo, pay attention. If you leak something that advanced, that radical . . . a chip like that could change the world’s military balance of power. Never mind Olivetti. Big American spy agencies with three letters in their names will come calling.”

Massimo scratched his dirty scalp and rolled his eyes in derision. “Are you so terrorized by the CIA? They don’t read your sorry little one-man tech blog.”

This crass remark irritated me keenly. “Listen to me, boy genius: do you know what the CIA does here in Italy? We’re their ‘rendition’ playground. People vanish off the streets.”

“Anybody can ‘vanish off the streets.’ I do that all the time.”

I took out my Moleskin notebook and my shiny Rotring technical pen. I placed them both on the Elena’s neat little marble table. Then I slipped them both back inside my jacket. “Massimo, I’m trying hard to be sensible about this. Your snotty attitude is not helping your case with me.”

With an effort, my source composed himself “It’s all very simple,” he lied. “I’ve been here awhile, and now I’m tired of this place. So I’m leaving. I want to hand the future of electronics to an Italian company. With no questions asked and no strings attached. You won’t help me do that simple thing?”

“No, of course I won’t! Not under conditions like these. I don’t know where you got that data, what, how, when, whom, or why . . . I don’t even know who you are! Do I look like that kind of idiot? Unless you tell me your story, I can’t trust you.”

BOOK: The Mammoth Book of Best New Science Fiction: 23rd Annual Collection
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