Read The Man Who Sold the World Online
Authors: Peter Doggett
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The Pitt Report
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The Seventies: The Great Shift in American Culture, Society and Politics
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David Bowie: Fame, Sound and Vision
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David Bowie, The Definitive Biography
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Among the periodicals consulted (with abbreviations used in the Notes) were:
After Dark
,
Beat Instrumental
,
The Big Issue
,
Billboard
,
Boston Globe
,
Boston Herald
,
Cash Box
,
Cavalier
,
Chicago Tribune
,
Circus
,
Crawdaddy
,
Creem
,
Daily Express
,
Daily Mirror
,
Dirt
,
Disc and Music Echo
,
Evening News and Star
,
Evening Standard
,
The Face
,
Fan Magazine
,
Frendz
,
Friends
,
Gay News
,
The Guardian
,
Hello!
,
i-D
,
Ikon
,
Ink
,
International Musician
,
International Times (IT)
,
Jackie
,
Jeremy
,
Let It Rock
,
Man
,
Myth and Magic
,
Melody Maker (MM)
,
Miami Herald
,
Milwaukee Journal
,
Mirabelle
,
Mojo
,
Montreal Star
,
Music Business Review
,
Music Now!
,
Music Scene
,
Music Week
,
Musician
,
New Musical Express (NME)
,
New Orleans Figaro
,
New York Rocker
,
New York Times
,
New Yorker
,
Newsweek
,
The Observer
,
Ottawa Citizen
,
Ottawa Journal
,
Oz
,
People
,
Philadelphia Bulletin
,
Phonograph Record
,
Playboy
,
Plays and Players
,
Q
,
Radio Times
,
RCD
,
Record Collector (RC)
,
Record Mirror (RM)
,
Record Retailer
,
Record World
,
Rock Magazine
,
Rock Scene
,
Rolling Stone (RS)
,
Sounds
,
Suburban Press
,
Sunday Times
,
The Times
,
Toronto Globe Mail
,
Toronto Star
,
Uncut
,
Village Voice
,
Vogue
,
Washington Post
,
Windsor Star
,
The Word, ZigZag
.
The pagination of this electronic edition does not match the edition from which it was created. To locate a specific passage, please use the search function of your e-book reader.
Â
Numbers in square brackets, [ ], refer to individual song entries. Page numbers in
bold
refer to main entry for song or album.
Â
Abba, 327
Abbey Road
(Beatles LP), 270
“Abdulmajid” [145],
325â26
Abel, Lionel, 378n
Abraxas
(Santana LP), 227
“Across the Universe” [124], 243,
273â74
Action, the, 38, 405
“African Night Flight” [165],
353â54
“After All” [20],
95â96
, 100n, 184n, 212, 429, 432
“After Eight” (NEU!), 372
After the Gold Rush
(Neil Young LP), 108
“After Today” [114], 258,
262
Aftermath
(Rolling Stones), 428
“Ain't She Sweet,” 266
“Air on the G String” (Bach), 176
“Alabama Song” [163],
351â52
, 390
Aladdin Sane
(LP), 11, 176, 181, 185, 187, 189, 190â93, 199â202,
203â4
, 248, 265n, 268, 279, 308
“Aladdin Sane (1913â1938â197?),” [70], 83,
193â95
, 212, 226, 288, 438
“Aladdin Vein.”
See
“Zion”
Alamo, The
(film), 36n, 407
Ali, Muhammad, 236
Alice Cooper, 120, 122, 126, 156, 173, 175â77
Alice's Adventures in Wonderland
(book), 89
“All Along the Watchtower” (Bob Dylan), 189, 190
“All Day and All of the Night” (Kinks), 168
All Our Yesterdays
(TV series), 57
“All Saints” [146],
325â26
“All the Madmen” [23], 95,
99â101
, 366
“All the Young Dudes” [62], 101,
153â54
, 432
“All You Need Is Love” (Beatles), 450
“Alley Oop” (Hollywood Argyles), 119n, 150, 175
Allman, Gregg, 322n
Almond, Marc, 11
“Almost Grown,” 129
Alomar, Carlos, 249, 272, 275, 276, 288n, 294â96, 302, 339, 349, 355, 357, 359, 360, 381
Also Sprach Zarathustra
(book), 111
“Also Sprach Zarathustra” (tone poem), 212, 231, 317
“(Alternative), Candidate” [99],
232â33
“Always Crashing in the Same Car” [137],
311â13
, 370
America, 360
American Graffiti
(film), 190
“Amsterdam” [17],
85â86
, 184
“Anarchy in the UK” (Sex Pistols), 199
“And I Say to Myself” [A15],
410â11
Anderson, Jim, 134
Andrews, Julie, 408
“Andy Warhol” [47], 129,
139â40
, 152
“Angel Angel Grubby Face,” 443
“Angel Fingers” (Wizzard), 192
Anger, Kenneth, 284
Animals, the, 402
Anka, Paul, 149, 200, 444
“Another Day” (Paul McCartney), 428
“Another Girl” (Beatles), 450
Another Green World
(Eno LP), 307
“Anyway Anyhow Anywhere” [86], 215,
216
, 404
Apathy for the Devil
(book), 305n
Apollo space missions, 1, 57, 58, 77, 80, 118, 372
“Apres Moi” (Eartha Kitt), 434n
“April's Tooth Of Gold,” 431
Arabian Nights, The
(book), 204n
Arbus, Diane, 245n
Arendt, Hannah, 378n
Arias, Joey, 387
Armed Forces
(Elvis Costello LP), 383
Armstrong, Michael, 48
Arnold, Billy Boy, 211
Arnold Corns, 116â18, 124â28, 133, 159n, 163, 164
“Around and Around” (Chuck Berry), 153
“Art Decade” [141],
318â19
Ascending and Descending
(artwork), 101n
“Ashes to Ashes” [184], vii, 1, 2, 341,
372â74
, 376, 387
Astral Weeks
(Van Morrison LP), 88
Astronettes, the, 175, 191, 224â27, 258, 376n, 380
“At the Zoo” (Simon & Garfunkel), 355
At Town Hall
(Nina Simone LP), 296
“Autobahn” (Kraftwerk), 336
Average White Band, 276
Ayers, Kevin, 74n, 129n, 242, 246
Â
Baader, Andreas, 321
Baal
(TV drama), 390, 392
Babitz, Eve 387
“Baby” (Iggy Pop), 305
“Baby I Love You” (Ronettes), 378
“Baby It's You” (Beatles), 127
“Baby Loves That Way” [A7],
404â5
, 410
“Baby That's a Promise” [A13],
408â9
“Baby's in Black” (Beatles), 426
Bacall, Lauren, 119
Bach, Johann Sebastian, 176n, 421n
Bacharach, Burt, 54, 405
“Back to Where You've Never Been,” 452
Bagdasarian, Ross, 431
Bailey, Alice, 298n
Ball, Hugo, 387
Ball, Kenny, 24
“Ball Park Incident” (Wizzard), 218
“Ballad of a Thin Man” (Bob Dylan), 89
Ballard, J. G., 104n, 198, 312, 375n
Band, the, 164
Band on the Run
(Paul McCartney LP), 353
Barbarella
(film), 191
Barber, Anthony, 228
Barber, Chris, 24
Barberella
(film), 347
Barnett, Angie.
See
Bowie, Mary Angela
Barrett, Syd, 98, 211, 438, 440, 446, 447
“Bars of the County Jail” [A10],
407
, 411, 440
Bart, Lionel, 36
Basil Brush Show,
The
(TV series), 432
Bat Out of Hell
(Meat Loaf LP), 379
Bates, Alan, 185
Battisti, Lucio, 222
“Battle of New Orleans” (Johnny Horton), 407
Baudelaire, Charles, 24, 172n
Baumann, Peter, 319
“Be My Baby” (Ronettes), 427
“Be My Wife” [138],
313
, 388
Beach Boys, the, 123, 219, 225, 266, 292, 294, 318, 327, 357, 364, 427, 446
Beach Head
(TV show), 59
Beardsley, Aubrey, 43
Beatles, the, vii, viii, 2, 5, 11, 25, 34, 42, 45â47, 61, 65, 66n, 70, 74, 76, 77, 93, 96n, 100n, 117, 123, 127, 132n, 135, 140, 147n, 151, 154, 175, 177, 183, 205, 212, 214, 223, 234, 237, 248, 250, 251, 270, 273, 274, 292, 295n, 312, 323, 334, 336, 358, 369, 371, 376n, 383, 386, 391, 392, 397, 399, 400, 406, 414n, 416n, 421n, 426, 431, 442, 447, 448, 450
Beatles for Sale
(LP), 426
Beatstalkers, the, 438, 439
“Beauty and the Beast” [147],
329â30
, 332n, 335
“Because They're Young” (Duane Eddy), 383
“Because You're Young” [189],
382â83
Beck, Jeff, 98, 211, 215, 216, 221
Beckenham Arts Lab, 71, 73, 74, 76, 77, 81, 90, 107, 186n
Beckett, Andy, 9, 112
Beck-Ola
(Jeff Beck LP), 98
Bee Gees, the, 60, 262
Belew, Adrian, 356, 359, 362
Bellamy Brothers, the, 327
Bennett, Tony, 450
Bergman, Ingmar 347
Berlin
(Lou Reed LP), 184
Berns, Bert, 210
Berry, Chuck, 116, 117, 129, 153, 192, 200, 219, 312
Bertolucci, Bernardo, 202
Besant, Annie, 93
Beuselinck, Oscar, 430
“Beware My Love” (Paul McCartney), 336
“Bewitched,” 243, 244
“Bewlay Brothers, The” [51],
147â48
, 212, 241, 285, 407, 432
“Big Black Smoke” (Kinks), 418
“Big Brother” [103], 229,
240â41
Big Brother
(TV series), 398
Bilk, Acker, 24
“Birds” (Neil Young), 144
Birkett, Jack, 51, 54
“Black Country Rock” [25],
101â2
“Black Hole Kids, The,” 160
Black Sabbath, 94, 107
Black Tie White Noise
(LP), 354n, 394
Black Widow, 94
“Blackout” [153],
335â36
Blade Runner
(film), 392
Blake, William, 95, 429, 438
Bland, Bobby “Blue,” 402
Blavatsky, Madame, 93
“Blockbuster” (Sweet), 186
Blonde on Blonde
(Bob Dylan LP), 80n
Blondie, 371
Bloom, John, 34
Blow-Up
(film), 347
Blue Mink, 108
Bob B. Soxx & the Blue Jeans, 433
“Bohemian Rhapsody” (Queen), 386
“Boil Crisis” (Paul McCartney), 328
Bolan, Marc, 37, 60, 64, 80, 83, 102, 106, 108, 118, 120, 122, 124, 128, 134, 135, 153, 158, 166, 167, 169, 173, 175, 177â79, 185, 187, 198, 199, 200, 299, 344, 345, 370, 394n
Bolder, Trevor, 128, 129, 181, 202, 207
“Bombers” [42],
132â33
, 139
“Bony Maronie” (Larry Williams), 359
Bookends
(Simon & Garfunkel LP), 60n
“Boom-Bang-a-Bang” (Lulu), 426n
“Boris the Spider” (Who), 123
Boulez, Pierre, 234
Bowie, David (born David Robert Jones)
LIFE
: born, 17, 19; family background, 19â21; favored son, 21; forms first band, 25; leaves school, 26; finds professional manager, 34; issues first record, 34; victimized for long hair, 35; becomes David Bowie, 36; sexually “mixed up,” 37; distanced from Swinging London, 45ff; demolishes image, 414; potential as children's entertainer, 432; first film role, 48; writes first song cycle, 445â47; in love with Hermione, 53, 66â70; meets Angie, 53, 70; forms Arts Lab, 71; death of father, 73â75; meets Mick Ronson, 77; marries Angie, 83; meets Tony Defries, 90; son born, 129; becomes Ziggy Stardust, 166; glam-rock involvement, 177â80; first American tour, 185ff; Ziggy's last stand, 205ff; splits from Ronson, 221; plans rock musicals, 228â31, 242, 247; moves to America, 10, 248, 249; discovers he doesn't own MainMan, 255; unwilling to eat, 256; suicidal behavior, 257; splits from Defries, 276â78; first major film role, 279ff; collaborates with Iggy Pop, 302ff; moves to Berlin, 306â7; estranged from Angie, 306, 313; as family entertainer, 345â46; “emptied out,” 349; splits from Angie, 350â51; cultural tourist, 355, 357; confronts creative emptiness, 369; dispels characters, 384; video pioneer, 385â86; acts on Broadway, 387â89; retires to Switzerland, 389; becomes slick pop star, 391â92; forms Tin Machine, 393; emerges from torpor, 394; endures heart surgery and retires, 396
INFLUENCES
: advertising, 3, 30â33, 168, 267; America, 116, 145, 219, 259â61; art, 136â38, 217, 326, 330, 331, 341â43, 363; beat writers, 23, 29, 30, 413; Berlin, 318â22, 332; Buddhism, 5, 6, 45, 49, 50, 427; drugs, 201, 282â85, 294, 372, 373, 418; fascism, 111, 112, 299â301, 347; fashion, 195â99, 375; jazz, 23, 24, 403, 412; “Krautrock,” 314â16, 324, 338, 356; mime, 50â52; minimalism, 242, 307, 314â16, 359; Mod, 37â39, 404, 409; punk, 326â29; R&B/soul, 34, 225, 227, 250â53, 401; religion, 284, 289â93, 393; rockân'roll, 22, 24, 25; silent film, 254, 255, 334; space, 57ff, 80, 149
THEMES
: fragmentation, 4, 5, 233â35, 297, 382; madness, 5, 26â29, 46, 47, 99â101, 171, 284, 335â36; occult, 6, 89â95, 114, 144â47, 271, 284â89, 299, 309; sexuality, 11, 37, 118â21, 134, 154â58, 201, 220; stardom/fame, 3, 122, 124â27, 149â51, 164â66, 172â75, 276â78